Prosthetic makeup, which may also be referred to as special make-up effects or FX prosthesis, is the process of using prosthetic sculpting, molding, and casting techniques to create advanced cosmetic effects. Prosthetic makeup draws a straight lineage from the Stagecraft of theater and can be observed at the birth of science fiction cinema with Le Voyage dans La Lune, a 1902 French adventure short film directed by pioneer of special effects Georges Méliès.
An American Werewolf in London is a 1981 comedy horror werewolf film written and directed by John Landis. An international co-production of the United Kingdom and the United States, the film stars David Naughton, Jenny Agutter, Griffin Dunne and John Woodvine. The title is a cross between An American in Paris and Werewolf of London. The film's plot follows two American backpackers, David and Jack, who are attacked by a werewolf while travelling in England, causing David to become a werewolf under the next full moon.
Stanley Winston was an American television and film special make-up effects creator, best known for his work in the Terminator series, the first three Jurassic Park films, Aliens, The Thing, the first two Predator films, Inspector Gadget, Iron Man, and Edward Scissorhands. He won four Academy Awards for his work.
Brian Johnson is a British designer and director of film and television special effects.
Robin R. Bottin is an American special make-up effects creator. Known for his collaborations with directors John Carpenter, Paul Verhoeven and David Fincher, Bottin worked with Carpenter on both The Fog and The Thing, with Verhoeven on RoboCop, Total Recall and Basic Instinct, and with Fincher on Se7en and Fight Club. His many other film credits include The Howling, Legend, Innerspace and Fear and Loathing in Las Vegas.
Carlo Rambaldi was an Italian special effects artist, winner of three Oscars: one Special Achievement Academy Award for Best Visual Effects in 1977 for the 1976 version of King Kong and two Academy Awards for Best Visual Effects in 1980 and 1983 for, respectively, Alien (1979) and E.T. the Extra-Terrestrial (1982). He is most famous for his work in those two last mentioned films, that is for the mechanical head-effects for the creature in Alien and the design of the title character of E.T. the Extra-Terrestrial.
Richard Emerson Smith was an American special make-up effects artist and author, known for his work on such films as Little Big Man, The Godfather, The Exorcist, Taxi Driver, Scanners and Death Becomes Her. He won a 1985 Academy Award for Best Makeup for his work on Amadeus and received a 2012 Academy Honorary Award for his career's work.
Robert Kurtzman is an American film director, producer, screenwriter, and special effects makeup artist.
Tony Gardner is an American makeup designer, special effects designer and puppeteer. He has designed and created effects for many feature films, including the films Zombieland, 127 Hours, Smokin' Aces, Hairspray, Jackass Presents: Bad Grandpa, The Addams Family, Seed of Chucky,Shallow Hal and There's Something About Mary. Gardner helped create the signature helmets for Daft Punk, as well as an animatronic robot for their "Technologic" music video. He wrote and directed Daft Punk's music video for the song "The Prime Time of Your Life," which also, his two daughters were in and associate produced and populated a world full of robots for the duo's feature-length directorial debut, Daft Punk's Electroma. Beyond the film-making arena, Gardner's special effects company Alterian, Inc. has also designed and created the popular GEICO Cavemen characters as well as the current iteration of Smokey Bear. Alterian's makeup effects for Johnny Knoxville's character in Jackass Presents: Bad Grandpa were nominated for an Academy Award as well as a Makeup Artist & Hair Stylist Guild Award, and won the Makeup Artist & Hair Stylist Guild Award for Best Special Makeup Effects in the Feature Film category for 2014.
Gregory Nicotero is an American special make-up effects creator, television producer, and director. His first major job in special effects makeup was on the George A. Romero film Day of the Dead (1985), under the tutelage of Romero and make-up effects veteran Tom Savini.
Greg Cannom is an American special make-up effects artist. He is the recipient of several accolades, including five Academy Awards and two Saturn Awards, and has been nominated for four Primetime Emmy Awards and four BAFTA Awards.
Bodily mutilation in film refers to practical effects implemented on a film set during production, in contrast to special effects, which are applied in post-production. The primary objective is to visually depict physical trauma endured by a character, aiming to elicit emotional responses from the audience and foster empathy towards the character. Bodily mutilation is most usually portrayed in the context of horror, but is also used in other genres, such as medical dramas or war films. It is used primarily either to shock or fascinate the audience of a film, or to add a sense of realism. Improved special effects in recent decades have seen an increase in the prevalence of bodily mutilation in film.
Leslie Dilley is a Welsh art director and production designer. During his film career from the 1970s to 2000s, he won the Academy Award for Best Art Direction twice for Star Wars (1977) and Raiders of the Lost Ark (1981). Dilley received additional Best Art Direction nominations for Alien (1979), The Empire Strikes Back (1980), and The Abyss (1989). Apart from art direction, Dilley was a production designer for The Exorcist III (1990), Casper (1995), and Son of the Mask (2005).
Universal Orlando's Horror Make-Up Show is a live show located at Universal Studios Florida that opened on June 7, 1990, along with the theme park. It is a live demonstration of Universal Pictures' legacy of horror movies, with particular emphasis on prosthetic makeup. It was inspired by the former The Land of a Thousand Faces show (1975–1980) at Universal Studios Hollywood. It is also notable for being one of two original opening-day attractions still in operation at Universal Studios Florida, the other being E.T. Adventure.
Bob Burns is an American actor, consultant, producer, archivist and historian of props, costumes, and other paraphernalia from science fiction, fantasy, and horror motion pictures. He is best known for his work with and collection of movie props, particularly from horror and science-fiction movies. He has also had numerous smaller acting roles in movies, including Tracy the Gorilla in the 1975 television show The Ghost Busters.
Dave Elsey is a make-up artist known for special make-up effects, creature effects and animatronics in films such as X-Men: First Class, Ghost Rider, Star Wars, Hellraiser, Alien 3, and Indiana Jones. He was born on February 2, 1967, in London, England to Marie and Derek Elsey. From 1999 to 2011, Elsey lived in Sydney, Australia with his wife Lou while working on the TV science fiction series Farscape. He currently resides in Los Angeles, California.
Mike Elizalde is a Mexican-American special make-up effects artist. He was nominated at the 81st Academy Awards in the category of Best Makeup for his work on the film Hellboy II: The Golden Army. His nomination was shared with Thomas Floutz.
Steve Johnson is an American special effects artist whose career has spanned more than thirty years. His work has appeared in over 200 films, countless television shows, theme parks, commercials, and music videos. Some of his best-known creations include Slimer for Ghostbusters (1984), the alien seductress Sil for Species (1995), Robin Williams's robotics for Bicentennial Man (1999), and Doctor Octopus's arms for Spider-Man 2 (2004).
Tom Woodruff Jr. is an American actor, director, producer and special effects supervisor. He won an Academy Award for Best Special Effects for his work on the 1992 dark fantasy film Death Becomes Her; that same year he was also nominated for the same award for Alien 3.
An air bladder effect, or simply a bladder effect, is a special effect created for motion pictures. The effect employs plastic or latex balloons—known as "bladders"—which are concealed beneath the surface of foam latex or similar prosthetics. Attached to the bladders is a system of tubing that allows them to be inflated. When the bladders are inflated underneath the prosthetics, it results in the prosthetics appearing to shift, bubble, swell, or pulsate.
