A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers, as the producers are the ones who own a portion of either the film studio or the film's intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures.
Special effects are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the imagined events in a story or virtual world. It used to be called SFX but this short form has also expanded to include “sound effects” as well.
Visual effects is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production. The integration of live-action footage and other live-action footage or CGI elements to create realistic imagery is called VFX.
Plaster is a building material used for the protective or decorative coating of walls and ceilings and for moulding and casting decorative elements. In English, "plaster" usually means a material used for the interiors of buildings, while "render" commonly refers to external applications. The term stucco refers to plasterwork that is worked in some way to produce relief decoration, rather than flat surfaces.
"The Parliament of Dreams" is the fifth episode of the first season of the science fiction television series, Babylon 5. The Babylon 5 makeup team won an Emmy Award for the special alien makeup design for this episode.
This page describe terms and jargon related to sculpture and sculpting.
A facial prosthetic or facial prosthesis is an artificial device used to change or adapt the outward appearance of a person's face or head.
A make-up artist, also called a makeup artist, and often shortened to MUA, is an artist whose medium is the human body, applying makeup and prosthetics on others for theatre, television, film, fashion, magazines and other similar productions including all aspects of the modeling industry. Awards given for this profession in the entertainment industry include the Academy Award for Best Makeup and Hairstyling, and entertainment industry awards such as the Emmy Awards, and the Golden Globes. In some countries professional licenses are required by agencies in order for them to hire the MUA. Bigger production companies have in-house makeup artists on their payroll although most MUA's generally are freelance and their times remain flexible depending on the project.
Lifecasting is the process of creating a three-dimensional copy of a living human body, through the use of molding and casting techniques. In rare cases lifecasting is also practiced on living animals. The most common lifecasts are 3D hand casting, casting of torsoes, pregnant bellies, faces, and genitalia and it is possible for an experienced lifecasting practitioner to copy any part of the body. Lifecasting is usually limited to a section of the body at a time, but full-body lifecasts are achievable too. Compared with other three-dimensional representations of humans, the standout feature of lifecasts is their high level of realism and detail. Lifecasts can replicate details as small as fingerprints and pores.
Richard Alan Baker, known professionally as Rick Baker, is an American retired special make-up effects creator and actor. He is mostly known for his creature designs and effects. Baker has won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the inaugural award for the 1981 horror comedy film An American Werewolf in London.
Bodily mutilation in film refers to practical effects implemented on a film set during production, in contrast to special effects, which are applied in post-production. The primary objective is to visually depict physical trauma endured by a character, aiming to elicit emotional responses from the audience and foster empathy towards the character. Bodily mutilation is most usually portrayed in the context of horror, but is also used in other genres, such as medical dramas or war films. It is used primarily either to shock or fascinate the audience of a film, or to add a sense of realism. Improved special effects in recent decades have seen an increase in the prevalence of bodily mutilation in film.
Mark Rappaport is an American special make-up effects artist.
A special effects supervisor, also referred to as a special effects director, special effects coordinator or SFX supervisor, is an individual who works on a commercial, theater, television or film set creating special effects. They are generally the department head who defers to the film's director and/or producers, and who is in charge of the entire special effects team. Special effects include anything that is manually or mechanically manipulated. This may include the use of mechanized props, special effects makeup, props, scenery, scale models, pyrotechnics and atmospheric effects: creating physical wind, rain, fog, snow, clouds etc.
Bryan "Tate" Steinsiek is an American SFX and prosthetic makeup artist. He is best known for his appearances on Seasons One and Five of the SyFy reality series Face Off. Steinsiek has worked on special effects and makeup for several films and television series, including Law & Order, Clash of the Gods, and The Amazing Spider-Man.
Creature suits are realistic costumes used to disguise a performer as an animal, monster, or other being. They are used in film, television, or as costumed characters in live events. Unlike mascots, they are often made with a high degree of realism. In contrast with prosthetic makeup, which is applied to an actor's skin, the wearer is not normally visible outside their movements controlling the costume, although in some cases, part of the wearer's body is still visible.
Richard Alonzo is a make-up artist. Known for his work on critically acclaimed films, The Sixth Sense (1999), A.I. Artificial Intelligence (2001), Iron Man (2008), Avatar (2009) and Star Trek Beyond (2016) for which he received a nomination for Academy Award for Best Makeup and Hairstyling at 89th Academy Awards with Joel Harlow.
Nightmares in the Makeup Chair is a documentary film, written and directed by Mike Kerz and released in 2018.
Tom Woodruff Jr. is an American actor, director, producer and special effects supervisor. He won an Academy Award for Best Special Effects for his work on the 1992 dark fantasy film Death Becomes Her; that same year he was also nominated for the same award for Alien 3.
The special effects of the 1991 American science fiction action film Terminator 2: Judgment Day were developed by four core groups: Industrial Light & Magic (ILM), Stan Winston Studio, Fantasy II Film Effects, and 4-Ward Productions. Pacific Data Images and Video Images provided some additional effects.
The special effects of the 1997 American military science fiction action film Starship Troopers were initially developed by visual-effects company Tippett Studio and Sony Pictures Imageworks (SPI). However, the scale of the project and management issues at SPI led to many of the required effects being delegated to several other companies, including Industrial Light & Magic (ILM), Boss Film Studios, Visual Concepts Engineering (VCE), Amalgamated Dynamics, and Mass. Illusion. Of the film's $100-$110 million budget, about half was afforded to the film's 500 special effects shots.
