The plot centres on the visit of a police officer, Sergeant Neil Howie, to the isolated Scottish island of Summerisle in search of a missing girl. Howie, a devout Christian, is appalled to find that the inhabitants of the island have abandoned Christianity and now practise a form of Celtic paganism.[7]
In 1989, Shaffer wrote a script treatment for The Loathsome Lambton Worm, a direct sequel with fantasy elements. Hardy had no interest in the project, and it went unproduced. In 2006, a poorly received[9]American remake starring Nicolas Cage was released, from which Hardy and others involved with the original have dissociated themselves. In 2011, a spiritual sequel written and directed by Hardy, The Wicker Tree, was released; it featured Lee in a cameo appearance. In 2013, the original U.S. theatrical version of The Wicker Man was digitally restored and released.
Plot
On 29 April, Sergeant Neil Howie journeys by seaplane to the remote, verdant Hebridean island of Summerisle to investigate the disappearance of a young girl, Rowan Morrison, about whom he has received an anonymous letter. Howie, a devout Christian, is disturbed to find the Islanders paying homage to the paganCeltic gods of their ancestors, with churches having fallen into disuse. They copulate openly in the fields, include children as part of the May Day celebrations, teach children of the phallic association of the maypole, and place toads in their mouths to cure sore throats. The islanders appear to be trying to thwart his investigation by claiming that Rowan never existed.
While Howie is staying at the Green Man Inn, the landlord's daughter attempts to seduce him, but he resists, explaining that he is engaged and saving himself for marriage. He notices a series of photographs celebrating the annual harvest, each featuring a young girl as the May Queen. The photograph of the most recent celebration is missing; the landlord tells him it was broken. At the local school, Howie asks the students about Rowan, but all deny her existence. He checks the school register and finds Rowan's name. He questions the schoolteacher, who directs him to Rowan's grave.
The next day, 30 April, Howie meets the island's leader, Lord Summerisle, grandson of a Victorianagronomist, to get permission for an exhumation. Summerisle explains that his grandfather developed strains of fruit trees that would prosper in Scotland's climate and encouraged the belief that returning to the old gods would bring prosperity to the island among the previously Christian population. Due to the bountiful harvests, the island's other inhabitants gradually embraced paganism, and the Christian ministers fled to the mainland.
Exhuming the grave, Howie finds that the coffin contains only the carcass of a hare. He also finds the missing harvest photograph, showing Rowan standing amidst empty boxes; the harvest had failed. His research reveals that a human sacrifice is offered to the gods in the event of crop failure. He concludes that Rowan is alive and will soon be sacrificed to ensure a successful harvest.
The following morning, on May Day, Howie seeks assistance from the mainland and returns to his seaplane, only to discover it no longer functions and its radio is damaged; he cannot leave or call for help. Later that day, during the May Day celebration, Howie subdues the innkeeper and steals his costume and mask (that of Punch, the fool) to infiltrate the parade. Rowan is eventually revealed. Howie sets her free and flees with her into a cave. Exiting it, they are intercepted by the islanders, to whom Rowan happily returns.
Summerisle tells Howie that Rowan was never the intended sacrifice; Howie is. He fits their gods' four requirements: he came of his own free will, has "the power of a king" by representing the law, is a virgin, and is a "fool" by falling for their deception. Howie warns Summerisle and the islanders that the crops are failing due to the unsuitability of the climate, and that the villagers will turn on Summerisle and sacrifice him next summer when the next harvest fails again, but his pleas are ignored.
The villagers force Howie inside a giant wicker man statue along with various animals, set it ablaze, and surround it, singing the Middle English folk song "Sumer Is Icumen In". Inside the wicker man, Howie recites Psalm 23 and prays to God. Howie and the animals burn to death as the head of the wicker man collapses in flames, revealing the setting sun.
Christopher Lee, who appeared in more than 275 motion pictures, considered The Wicker Man his best film.
In the early 1970s, Christopher Lee was a Hammer Horror regular, best known for his roles in a series of successful films, beginning with The Curse of Frankenstein (as the monster, 1957). Lee wanted to break free of this image and take on more interesting acting roles. The idea for The Wicker Man film began in 1971 when Lee met with screenwriter Anthony Shaffer, and they agreed to work together.[11] Film director Robin Hardy and British Lion head Peter Snell became involved in the project. Shaffer had a series of conversations with Hardy, and the two decided that making a horror film centring on "old religion" would be fun, in sharp contrast to the Hammer films they had both seen as horror film fans.[12]
Shaffer read the David Pinner novel Ritual, in which a devout Christian policeman is called to investigate what appears to be the ritual murder of a young girl in a rural village, and decided that it would serve well as the source material for the project. Pinner had originally written Ritual as a film treatment for director Michael Winner, who had John Hurt in mind as a possible star.[13] Winner eventually declined the project, so Pinner's agent persuaded him to write Ritual as a novel instead.[14] Shaffer and Lee paid Pinner £15,000 (equivalent to £268,000in 2023) for the rights to the novel, and Shaffer set to work on the screenplay. He soon decided that a direct adaptation would not work well, so drafted a new story based only loosely on the story of the novel.[15]
Shaffer wanted the film to be "a little more literate" than the average horror picture. He specifically wanted a film with a minimum of violence and gore. He was tired of seeing horror films that relied almost entirely on viscera to be scary. The focus of the film was crystallised when he "finally hit upon the abstract concept of sacrifice." The image of the wicker man, which gave the filmmakers their title, was taken from the description of the practice of human sacrifice by the Gauls in Julius Caesar's Commentaries on the Gallic War: "Others have figures of vast size, the limbs of which formed of osiers they fill with living men, which being set on fire, the men perish enveloped in the flames."[16] For Shaffer, this was "the most alarming and imposing image that I had ever seen."[17] The idea of a confrontation between a modern Christian and a remote, pagan community continued to intrigue Shaffer, who performed painstaking research on paganism. Brainstorming with Hardy, they conceived the film as presenting the pagan elements objectively and accurately, accompanied by authentic music and a believable, contemporary setting.[18] One of their main resources was The Golden Bough, a study of mythology and religion written by Scottish anthropologist James Frazer.[19][20]
Casting
Television actor Edward Woodward was cast in the role of Sergeant Neil Howie after the part was declined by both Michael York and David Hemmings.[21] In Britain, Woodward was best known for the role of Callan, which he played from 1967 to 1972. After The Wicker Man, Woodward went on to receive international attention for his roles in the 1980 film Breaker Morant and the 1980s TV series The Equalizer.
After Shaffer saw her on the stage, he lured Diane Cilento out of semi-retirement to play the town's schoolmistress.[21] (They lived together in Queensland from 1975, and married in 1985). Ingrid Pitt, another British horror film veteran, was cast as the town librarian and registrar. Swedish actress Britt Ekland was cast as the innkeeper's lascivious daughter, although two body doubles were used for her naked scenes below the waist. Ekland found out that she was three months pregnant with her son Nic, to Lou Adler, two weeks into filming. Stuart Hopps (the film's choreographer) called upon Lorraine Peters, a nightclub dancer from Glasgow, who gyrated at the doorway[22] and against the wall of a bedroom in the fully nude "wall" scenes. Ekland's speaking and singing voices were dubbed by Annie Ross and Rachel Verney respectively.[23][24][22]
Local girl Jane Jackson was employed as Ekland's stand-in for camera setups. Jackson was blonde-haired and bore a resemblance to Ekland but was otherwise not involved in any filming.[25]
The film was produced at a time of crisis for the British film industry. The studio in charge of production, British Lion Films, was in financial trouble and was bought by wealthy businessman John Bentley. To convince the unions that he was not about to asset strip the company, Bentley needed to get a film into production quickly. This meant that although The Wicker Man was set in spring, filming actually began in October 1972; artificial leaves and blossoms had to be glued to trees in many scenes. The production was kept on a small budget.[21] Christopher Lee was extremely keen to get the film made; he and others worked on the production without pay.[26] While filming took place, British Lion was bought by EMI Films.
The amphibious aircraft that carries Sergeant Howie was a Thurston Teal, owned and flown in the aerial sequences by Christopher Murphy.
According to Britt Ekland, some animals perished in the wicker man,[30][bettersourceneeded] whereas Robin Hardy said in an interview that great care was taken to ensure that the animals were in no danger of being hurt during this scene, and that they were not inside the wicker man when it was set on fire.[31]
Wickerman Festival, Dundrennan, Scotland, burning of the effigy
The score was arranged, recorded and part composed by Paul Giovanni.[32] According to Seamus Flannery in a subsequent documentary, director Robin Hardy surprised the cast by suddenly announcing midway through filming that they were making a "musical";[33] performed by Magnet (in some versions of the film credited as "Lodestone"), the soundtrack contains 13 folk songs performed by characters in the film. Included are traditional songs, original compositions by Giovanni, and even a nursery rhyme, "Baa, Baa, Black Sheep".
"Willow's Song" has been covered or sampled by various rock music bands. It was first covered by an English musical project known as Nature and Organisation on their 1994 release Beauty Reaps the Blood of Solitude. It was covered by Sneaker Pimps as "How Do", and is included on their 1996 release Becoming X. "How Do" can be heard in the movie Hostel (2005); credited in the end titles as being composed by Sneaker Pimps. Additionally, the band has covered "Gently Johnny" as "Johnny"; it is featured as a B-side on their single "Roll On" (1996). It also was covered by Faith and the Muse on their 2003 album The Burning Season, and The Mock Turtles on their album Turtle Soup.
The songs on the soundtrack were composed or arranged by Giovanni under the direction of Hardy and Shaffer, whose research into the oral folk tradition in England and Scotland was based largely on the work of Cecil Sharp, a "founding father" of the folk-revival movement of the early 20th century. Using Sharp's collections as a template, Shaffer noted to Giovanni which scenes were to have music, and in some cases provided lyrics, which would be appropriate to spring pagan festivals.[34] Other songs on the soundtrack come from a later folk tradition; for example, "Corn Riggs", by Scotland's national bard, Robert Burns, accompanies Howie's arrival on Summerisle. The lyrics of this song were taken directly from the Burns song "The Rigs of Barley", but Giovanni used a very different tune. Burns' tune was based on "Corn Riggs",[35][36][37] and altered to match his lyrics.[38][39] The song sung by the cultists of Summerisle at the end of the film, "Sumer Is Icumen In", is a mid-13th-century song about nature in spring.
The film also gave its name to the Wickerman Festival, an annual music festival held near Auchencairn in Galloway. Dubbed "Scotland's Alternative Music festival", it began in 2001 when the festival's artistic director Sid Ambrose hit upon the idea of a local counterculture-based family-friendly festival due to the surrounding area being inextricably linked with various locations used within The Wicker Man. It was held annually until 2015 at East Kirkcarswell Farm, Dundrennan.[40]
Distribution
By the time of the film's completion, the studio had been bought by EMI, and British Lion was managed by Michael Deeley. The DVD commentary track states that studio executives suggested a more "upbeat" ending to the film, in which a sudden rain puts the flames of the wicker man out and spares Howie's life, but this suggestion was refused. Hardy subsequently had to remove about 20minutes of scenes[7] on the mainland, early investigations, and (to Lee's disappointment) some of Lord Summerisle's initial meeting with Howie.[41]
Original release
The first screening of the film was to trade and cinema distributors on 3 December 1973.[1] The first public theatrical release was a week of test screenings at the Metropole Cinema London on 6 December 1973 ahead of the official public release in January 1974.[1] It runs 87 minutes.
A copy of a finished, 99-minute version[42] was sent to American film producerRoger Corman in Hollywood to make a judgment of how to market the film in the U.S. Corman recommended an additional 13minutes be cut from the film. Corman did not acquire U.S. release rights, and eventually Warner Bros. test-marketed the film in drive-ins. It screened in the greater Atlanta area in May 1974.[43]
In Britain, the film was cut to roughly 87minutes, with some narrative restructuring, and released as the "B" picture on a double bill with Don't Look Now. According to Lee, the cuts adversely affected the film's continuity.
First restoration
During the mid-1970s, Hardy made inquiries about the film, hoping to restore it to his original vision. Along with Lee and Shaffer, Hardy searched for his original cut, or raw footage. Both of these appeared to have been lost. Director Alex Cox said in his Moviedrome introduction in 1988 that the negative had "ended up in the pylons that support the M4 motorway."[44] Hardy recalled that a copy of the film made prior to Deeley's cuts was sent to Roger Corman, who, it turned out, still had it, possibly the only existing print of Hardy's original cut. The US rights had been sold by Warner Bros. to a small firm called Abraxas, managed by film buff Stirling Smith and critic John Alan Simon. Stirling agreed to an American release of a reconstruction by Hardy. Hardy restored the narrative structure, some of the erotic elements which had been excised, and a very brief pretitle segment of Howie on the mainland (appearing at a church with his fiancée). A 96-minute restored version was released in January 1979,[21] again to critical acclaim.
US VHS versions
The original 99-minute version was available in the US on VHS home video from Media Home Entertainment (and later Magnum) during the 1980s and 1990s.[45] This video includes additional early scenes set inside Howie's police station, which Hardy had left out of the 1979 restoration. In 2001, a remaster of the 88-minute cut was released on VHS, labelled as the "Theatrical Version".
Director's cut
In 2001, the film's new world rights owners, Canal+, tried to release the full-length film. Corman's copy had been lost, but a telecine transfer to 1-inch videotape existed. Missing elements were combined with film elements from the previous versions (in particular, additional scenes of Howie on the mainland were restored, showing him to be the object of gossip at his police station, establishing his devout religiosity). The extended DVD cut was released by Canal+ (Anchor Bay Entertainment handling US DVD distribution) in this 99-minute hybrid, considered the longest and closest version to Hardy's original 100-odd minute version.[21] A two-disc limited edition set was sold with the shortened theatrical release, the new extended version and a documentary, The Wicker Man Enigma.[46] In 2005, Inside the Wicker Man author Allan Brown revealed he had discovered stills taken on the set showing sequences from the script that had never been seen; it had never been certain that the scenes had been filmed. They include scenes where Howie closes a mainland pub open after hours, encounters a prostitute, has a massage from Willow McGregor, and sees a brutal confrontation between Oak and a villager in The Green Man, which were featured in a revised edition of Inside the Wicker Man. Anchor Bay released a limited-edition wooden box of The Wicker Man. About 50,000 two-disc sets were made, of which 20 were signed by Lee and Woodward, Shaffer, Snell, and Hardy. In March 2002, Lee discussed the lost original cut, "I still believe it exists somewhere, in cans with no name. I still believe that. But nobody's ever seen it since, so we couldn't re-cut it, re-edit it, which was what I wanted to do. It would have been ten times as good".[47]
The Final Cut
European distributors of the film StudioCanal began a Facebook campaign in 2013 to find missing material, which culminated in the discovery of a 92-minute 35mm print at the Harvard Film Archive. This print had previously been known as the "Middle Version" and was itself assembled from a 35mm print of the original edit Robin Hardy had made in the United Kingdom in 1973, but which was never released.[48] Robin Hardy believed that the original edit will probably never be found, saying, "Sadly, it seems as though this has been lost forever. However, I am delighted that a 1979 Abraxas print has been found as I also put together this cut myself, and it crucially restores the story order to that which I had originally intended."[48]
Hardy reported in July 2013[49] that Studiocanal intended to restore and release the most complete version possible of the film. Rialto Pictures announced that it was to release the new digital restoration in North American cinemas on 27 September 2013.[50] This new version was also released on DVD on 13 October 2013.[51] It is 91 minutes long, shorter than the director's cut but longer than the theatrical cut, and is known as The Wicker Man: The Final Cut.[51]
The Final Cut (UK) Blu-ray[52] (2013) features short documentaries "Burnt Offering: The Cult of the Wicker Man", "Worshipping the Wicker Man", "The Music of the Wicker Man", interviews with director Robin Hardy and actor Christopher Lee, a restoration comparison, and the theatrical trailer. The second disc features both the UK 87-minute theatrical cut and the 95-minute 2013 director's cut, along with an audio commentary on the director's cut and a making-of for the commentary. The third disc is the soundtrack to the film.
50th Anniversary: 4K restorations, Final Cut screenings and 'Musics from Summerisle'
In 2023, for the 50th anniversary of the film's release, StudioCanal announced 4K resolution restoration of existing footage, and remastering of the existing three cuts for a "4K Ultra HD Collector's Edition" release on 25 September 2023.
On 21 June, the 4K restoration Final Cut was screened in cinemas across the UK along with a Q&A filmed in London, hosted by Edith Bowman with guests including Britt Ekland, and Robin Hardy's sons Julian and Dominic promoting their Wickermania! documentary.[53]
On 24 June, the Barbican Centre held "Musics from Summerisle", a live performance celebration of the anniversary.[54]
Reception
Critical reception
David McGillivray of The Monthly Film Bulletin praised the film as "an immensely enjoyable piece of hokum, thoroughly well researched, performed and directed."[55]Variety wrote that Anthony Shaffer's screenplay "for sheer imagination and near-terror, has seldom been equalled."[56]Kevin Thomas of the Los Angeles Times called it "a witty work of the macabre" with "the splendid performances typical of British films."[57]Janet Maslin of The New York Times was more negative, calling it "handsomely photographed" with "good performances," but "something of a howl" even though "it seems to have been made in all seriousness."[58]
Decades after its release, the film still receives positive reviews from critics and is considered one of the best films of 1973.[63][64] At the film review aggregatorRotten Tomatoes, The Wicker Man holds an 90% "Fresh" rating based on 61 reviews, with a weighted average score of 8/10 and the site's consensus: "This intelligent horror film is subtle in its thrills and chills, with an ending that is both shocking and truly memorable".[65] In 2008, The Wicker Man was ranked by Empire at No. 485 of The 500 Greatest Movies of All Time.[66] Christopher Lee considered The Wicker Man his best film.[10] Similarly, Edward Woodward said that The Wicker Man was one of his favourite films and that the character of Howie was the best part he ever played. In addition to Lee's admiration of the final shot of the film (of the collapsing wicker man), Woodward said that it is the best final shot of any film ever made.[67] In 2010 The Guardian newspaper ranked it as No 4 in its "25 best horror films of all time" listings.[7]
In 1998, Swedish black metal band Marduk used a line from this film on the introduction to the track "Slay The Nazarene" from the album Nightwing.
In 2000, British heavy metal band Iron Maiden released a single called "The Wicker Man" in tribute to the film.
In 2016, British band Radiohead released the music video for the song "Burn the Witch", made in stop-motion animation and whose storyline greatly resembles that of The Wicker Man.[73][74][75]
In 2001, British band Pulp released "Wickerman" on their We Love Life album, which features a sample of Willow's Song.
The White, a 2008 EP by American extreme metal band Agalloch, included three tracks featuring samples of dialogue from the film: "The Isle of Summer", "Summerisle Reprise", and "Sowilo Rune" [76]
In the film Shallow Grave, Ewan McGregor's character is shown watching the final scene, representing the building sense of doom the character is experiencing.
The creators of The League of Gentlemen television series often reference the film in their work, particularly in the Inside No. 9 episode 'Mr King'.
For Record Store Day 2024 'Katy J Pearson & friends' released a 9 track EP 'The Wicker Man' with covers of songs from the film. The EP, on Heavenly Recordings, (HVN72412[77]) features collaborations with Broadside Hacks, Drug Store Romeos, Sarah Meth, Orbury Common, Evie Hilyer-Zietler, Bert Ussher, H.Hawkline plus special guests as well as remixes by Richard Norris and Stone Club.[78]
A yearly Wicker Man festival is held in Fishtoft, Lincolnshire, featuring live music from Ian Cutler, who featured in the original film as the fiddle player.
In 1989, Shaffer wrote a 30-page film script treatment entitled The Loathsome Lambton Worm, a direct sequel to The Wicker Man, for producer Lance Reynolds.[79] It would have been more fantastical in subject matter than the original film, and relied more heavily on special effects. In this continuation of the story, which begins immediately after the ending of the first film, Sergeant Neil Howie is rescued from the burning Wicker Man by a group of police officers from the mainland. Howie sets out to bring Lord Summerisle and his pagan followers to justice,[80] but becomes embroiled in a series of challenges which pit the old gods against his own Christian faith. The script culminates in a climactic battle between Howie and a fire-breathing dragon – the titular Lambton Worm – and ends with a suicidal Howie plunging to his death from a cliff while tied to two large eagles.[81] Shaffer's sequel was never produced, but his treatment, complete with illustrations, was eventually published in the companion book Inside The Wicker Man.[82]
Hardy was not asked to direct the sequel, and never read the script, as he did not like the idea of Howie surviving the sacrifice, or the fact that the actors would have aged by 20 to 30 years between the two films.[83] In May 2010, Hardy discussed The Loathsome Lambton Worm. "I know Tony did write that, but I don't think anyone particularly liked it, or it would have been made."[84]
A fan-made full-cast audio drama adaptation of Shaffer's The Loathsome Lambton Worm treatment was eventually released in 2020.[85]
A stage adaptation was announced for the 2009 Edinburgh Festival Fringe,[88] and was directed by Andrew Steggall. The production was based jointly upon Anthony Shaffer's original The Wicker Man script and David Pinner's novel Ritual. Robin Hardy gave input on the project, and original songs and music from the film were supervised by Gary Carpenter, the original music director.[89][90] Workshop rehearsals were held at The Drill Hall in London in March 2008,[91] and a casting call was held in Glasgow in May 2009.[citation needed] After three weeks at the Pleasance in Edinburgh in August 2009, the production was to visit the Perth Rep, Eden Court Theatre in Inverness, and then have a short run at Citizen's Theatre in Glasgow, with hopes for a run in London in 2010.[92] However, in July 2009 it was announced that the production had been cancelled, three weeks before it had been due to preview.[93]
In 2011, the National Theatre of Scotland produced An Appointment with the Wicker Man written by Greg Hemphill and Donald McCleary. The production has an amateur theatre company attempting to stage a Wicker Man musical.[94]
Spiritual sequel
In 2011, a spiritual successor entitled The Wicker Tree was released. It was directed by Hardy and featured an appearance by Lee. Hardy first published the story as a novel, under the name Cowboys for Christ. First announced in April 2000, filming on the project began on 19 July 2009 according to IMDb. It follows two young American Christian evangelists who travel to Scotland; like Woodward's character in The Wicker Man, the two Americans are virgins who encounter a pagan laird and his followers.[95] The film received mixed reviews.
Those involved in the production of the film have given conflicting statements regarding the identity of Christopher Lee's character, referred to only as Old Gentleman in the credits. Writer/director Robin Hardy said that the ambiguity was intentional. Fans would immediately recognise Lee's character as Lord Summerisle.[96] Lee himself has contradicted this, stating that the two are not meant to be the same character, and that The Wicker Tree is not a sequel in any way.[97]
Audio adaptation
A radio adaptation by Anthony D. P. Mann was produced by Bleak December Inc. in an arrangement with StudioCanal and broadcast on BBC Radio 4 Extra on 2 December 2023[98] as part of a "Wicker Man"-themed evening of programmes.[99] The cast included Mann as Sergeant Howie, Brian Blessed as Lord Summerisle, Laurence R. Harvey as MacGregor, Anne-Marie Bergman as Miss Rose, Melissa Radford as Willow and Mei Kiera as Rowan Morrison/Heather.
Potential graphic novel and third film
As a former artist, Hardy expressed great interest in the medium of comics, and planned a comic book which would retell the story of The Wicker Man, based on his own storyboards for the film. Hardy was in talks with yet unnamed artists to work on the project, as he found it too difficult to make the characters look consistent from one panel to the next. Hardy was working on his next film, The Wrath of the Gods, at the time of his death on 1 July 2016.[80][100] He intended the graphic novel and the new film to be released at the same time in autumn 2013; however as of autumn 2014 neither had been released, and the film never started production.[101]
Wickermania! documentary
In 2023, two of Robin Hardy's sons, Justin and Dominic, announced that they had created a documentary about The Wicker Man, called Wickermania!. They had already received permission and a discount from Canal+ to use existing film footage, and had a number of original documents related to the production. They were seeking to fund the release of the documentary, subsequently renamed Children of the Wicker Man, via Kickstarter.[102][103]
The Wicker Man: The Official Story of the Film book
British performers David Bramwell and Eliza Skelton host a travelling show entitled Sing-along-a-Wickerman, which includes many Wicker Man-themed activities culminating in a sing-along screening of the film. The show has been going since at least 2011, and has received positive reviews from news outlets such as The Guardian and Time Out.[105] Director of the film Robin Hardy has attended and has been a part of several shows, calling it "terrific fun."[106]
Sir Christopher Frank Carandini Lee was an English actor and singer. In a career spanning more than sixty years, Lee became known as an actor with a deep and commanding voice who often portrayed villains in horror and franchise films. Lee was knighted for services to drama and charity in 2009, received the BAFTA Fellowship in 2011 and received the BFI Fellowship in 2013.
Anthony Joshua Shaffer was an English playwright, screenwriter, novelist, barrister, and advertising executive. He is best remembered for his Tony Award winning play Sleuth, and its acclaimed 1972 film adaptation. His screenplays included Alfred Hitchcock's Frenzy and folk horror The Wicker Man.
Britt Ekland is a Swedish actress, model, and singer. She appeared in numerous films in her heyday throughout the 1960s and 1970s, including roles in The Double Man (1967), The Night They Raided Minsky's (1968), Machine Gun McCain (1969), Stiletto (1969), and the British crime film Get Carter (1971), which established her as a sex symbol. She also starred in several horror films, including The Wicker Man (1973), and appeared as a Bond girl in The Man with the Golden Gun (1974).
The Summer Isles are an archipelago lying in the mouth of Loch Broom, in the Highland region of Scotland.
A wicker man was purportedly a large wicker statue in which the druids sacrificed humans and animals by burning. The primary evidence for this practice is a sentence by Roman general Julius Caesar in his Commentary on the Gallic War, which modern scholarship has linked to an earlier Greek writer, Posidonius.
Edward Albert Arthur Woodward, OBE was an English actor and singer. After graduating from the Royal Academy of Dramatic Art, he began his career on stage. Throughout his career, he appeared in productions in both the West End of London and on Broadway in New York City. He came to wider attention from 1967 in the title role of the British television spy drama Callan, earning him the 1970 British Academy Television Award for Best Actor.
The Wicker Man is the soundtrack to the 1973 film of the same name. Composed, arranged and recorded by Paul Giovanni and Magnet, it contains folk songs performed by characters in the film. For example, Lesley Mackie, who plays the character of Daisy in the film, sings the opening song, and various others in the CD Soundtrack.
The Wicker Man is a 2006 horror film written and directed by Neil LaBute and starring Nicolas Cage, Ellen Burstyn, Kate Beahan, Frances Conroy, Molly Parker, Leelee Sobieski and Diane Delano. It is a remake and reimagining of the 1973 British film The Wicker Man, but also draws from its source material, David Pinner's 1967 novel Ritual. The film concerns police officer Edward Malus, whose ex-fiancée Willow Woodward informs him that her daughter Rowan has disappeared and asks for his help in her search. When he arrives at the island in the Pacific Northwest where Rowan was last seen, he suspects something sinister about the neo-pagans who live there. The film received negative reviews and grossed $38.8 million.
Robin St. Clair Rimington Hardy was an English author and film director. His most famous directorial work is The Wicker Man, and his last project was a film adaptation of his novel Cowboys for Christ, which was retitled The Wicker Tree.
A wicker man is a type of effigy.
The Wickerman Festival was an annual music festival held near Auchencairn in Dumfries and Galloway, Scotland. Dubbed "Scotland's Alternative Music festival", its motto was "The Wickerman Festival – it's better than it needs to be!"
The Man with the Golden Gun is a 1974 spy film and the ninth in the James Bond series produced by Eon Productions, and the second to star Roger Moore as the fictional MI6 agent James Bond. A loose adaptation of Ian Fleming's posthumously published 1965 novel of the same name, the film has Bond sent after the Solex Agitator, a breakthrough technological solution to contemporary energy shortages, while in a game of cat and mouse facing the assassin Francisco Scaramanga, the "Man with the Golden Gun". The action culminates in a duel between them that settles the fate of the Solex.
"Willow's Song" is a ballad by American composer Paul Giovanni for the 1973 film The Wicker Man.
The following is the filmography of English actor Sir Christopher Lee.
Cowboys for Christ: On May Day is a novel written by Robin Hardy, first published in 2006 by Luath Press. It is a partial sequel of Hardy's previous film The Wicker Man (1973), dealing with many of the same themes and ideas, namely the clash between paganism and Christianity. There are also similarities to the plot of Harvest Home by Thomas Tryon.
The Wicker Man is a series of two horror films directed by British author and director Robin Hardy. The films are not directly linked to one another, but all deal with the theme of paganism in the modern world.
The Wicker Tree is a 2011 British horror film written and directed by Robin Hardy. It contains many direct parallels and allusions to Hardy's 1973 film The Wicker Man, and is intended as a companion piece which explores the same themes.
The Wicker Man is a 1978 horror novel written by Robin Hardy and Anthony Shaffer. It was based on the 1973 cult horror film The Wicker Man, directed by Hardy and written by Shaffer. The novel includes a foreword by Allan Brown. The film itself is loosely based on the 1967 novel Ritual by the actor and novelist David Pinner.
Ritual is a horror novel by British actor and author David Pinner, first published in 1967.
The Wicker Man: The Official Story of the Film is the sixth book by John Walsh, published October 24, 2023, as part of the film's 50th anniversary.
↑ Justin Smith (2014) Calculated Risks: Film Finances and British Independents in the 1970s, Historical Journal of Film, Radio and Television, 34:1, 85-102, p87 DOI: 10.1080/01439685.2014.879007
↑ Murray, Andy; Rolston, Lorraine (2008). Studying The Wicker Man. Studying Films Series. Columbia University Press. p.13. ISBN978-1-903-66310-3. Although the company agreed to take the film on, the producers were under instruction to keep to a tight budget of the film under £500,000, small even by early 1970s standards.
↑ Bartholomew, David (1977). "The Wicker Man"(PDF). Cinefantastique. 6 (3): 22. Archived from the original on 14 March 2012 – via Wayback Machine.{{cite journal}}: CS1 maint: bot: original URL status unknown (link)
↑ Scots Musical Museum, Volume 1, song 94. Publisher: James Johnson & Co, Edinburgh, 1771
↑ Murray, Jonathan; Stevenson, Lesley; Harper, Stephen & Franks, Benjamin, eds. (2005). Constructing The Wicker Man: Film and Cultural Studies Perspectives. University of Glasgow Crichton Publications. ISBN0852618182.
↑ Franks, Benjamin; Harper, Stephen; Murray, Jonathan & Stevenson, Lesley, eds. (2006). The Quest for the Wicker Man: History, Folklore and Pagan Perspectives. Edinburgh: Luath Press. ISBN1905222181.
↑ Hardy, Robin. "RM-051.mp3 (audio/mpeg Object)". Rue Morgue Radio. Archived from the original on 20 May 2013. Retrieved 12 April 2012. Well, it is very ambiguous. We don't really know who he is. He's an antecedent, of some kind, of Lachlan's. Lachlan remembers him, when he was a boy. There's a boy painting a bridge, and it may have been Lachlan as a young person. He's remembering this grandfather figure, or this great-grandfather figure – whatever – who the people who are fans of The Wicker Man and the wicker [inaudible], if you like, will of course immediately recognise as Summerisle. But we don't give him a name or anything. I think in the credits he's just called the old man.
↑ Lee, Christopher (27 December 2011). "Christopher Lee 2011 Christmas Message Part 1". YouTube. Archived from the original on 11 December 2021. Retrieved 11 April 2012. The first one that I can think of is The Wicker Tree, in which I make a very brief appearance. I must emphasise this is not a sequel to The Wicker Man. In no way. And I do not play an older Summerisle, or his son, or whatever.
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