The Celts or Celtic peoples were a collection of Indo-European peoples in Europe and Anatolia, identified by their use of Celtic languages and other cultural similarities. Major Celtic groups included the Gauls; the Celtiberians and Gallaeci of Iberia; the Britons, Picts, and Gaels of Britain and Ireland; the Boii; and the Galatians. The interrelationships of ethnicity, language and culture in the Celtic world are unclear and debated; for example over the ways in which the Iron Age people of Britain and Ireland should be called Celts. In current scholarship, 'Celt' primarily refers to 'speakers of Celtic languages' rather than to a single ethnic group.
In ancient Celtic and Gallo-Roman religion, Cernunnos or Carnonos is a god depicted with antlers, seated cross-legged, and is associated with stags, horned serpents, dogs and bulls. He is usually shown holding or wearing a torc and sometimes holding a bag of coins and a cornucopia. He is believed to have originally been a Proto-Celtic God. There are more than fifty depictions and inscriptions referring to him, mainly in the north-eastern region of Gaul.
Irish mythology is the body of myths indigenous to the island of Ireland. It was originally passed down orally in the prehistoric era. In the early medieval era, some myths were transcribed by Christian monks, who heavily altered and Christianised the myths. Irish mythology is the best-preserved branch of Celtic mythology.
Lugh or Lug is a figure in Irish mythology. A member of the Tuatha Dé Danann, a group of supernatural beings, Lugh is portrayed as a warrior, a king, a master craftsman and a saviour. He is associated with skill and mastery in multiple disciplines, including the arts. Lugh also has associations with oaths, truth, and the law, and therefore with rightful kingship. Lugh is linked with the harvest festival of Lughnasadh, which bears his name. His most common epithets are Lámfada and Samildánach. This has sometimes been anglicised as "Lew of the Long Hand".
The TuathaDé Danann, also known by the earlier name Tuath Dé, are a supernatural race in Irish mythology. Many of them are thought to represent deities of pre-Christian Gaelic Ireland.
Mercury is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication, travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld and the "messenger of the gods".
*Danu is a hypothesised entity in Irish mythology whose sole attestation is in the genitive in the name of the Tuatha dé Danann, which may mean 'the peoples of the goddess Danu' in Old Irish. Despite a complete absence from the primary texts, some later Victorian folklorists attempted to ascribe certain attributes to Danu, such as association with motherhood or agricultural prosperity.
In Irish mythology, Goibniu was the metalsmith of the Tuatha Dé Danann. He is believed to have been a smithing god and is also associated with hospitality. His name is related to the Welsh Gofannon and the Gaulish Gobannus.
In Irish mythology, Balor or Balar was a leader of the Fomorians, a group of malevolent supernatural beings, and considered the most formidable. He is often described as a giant with a large eye that wreaks destruction when opened. Balor takes part in the Battle of Mag Tuired, and is primarily known from the tale in which he is killed by his grandson Lugh of the Tuatha Dé Danann. He has been interpreted as a personification of the scorching sun, and has also been likened to figures from other mythologies, such as the Welsh Ysbaddaden and the Greek Cyclops.
Esus, Esos, Hesus, or Aisus was a Celtic god who was worshipped primarily in ancient Gaul and Britain. He is known from two monumental statues and a line in Lucan's Bellum civile.
Lugos (Gaulish) or Lugus (Latin), also known by other names, is a god of the Celtic pantheon. His name is rarely directly attested in inscriptions, but his importance can be inferred from place names and ethnonyms and status as king of the gods. His nature and attributes are deduced from the distinctive iconography of Gallo-Roman inscriptions to Mercury, who is widely believed to have been identified with him, and from the quasi-mythological narratives involving his later cognates, Welsh Lleu Llaw Gyffes and Irish Lugh Lámhfhada.
In ancient Celtic religion, Maponos or Maponus is a god of youth known mainly in northern Britain but also in Gaul. In Roman Britain, he was equated with Apollo.
The Mythological Cycle is a conventional grouping within Irish mythology. It consists of tales and poems about the god-like Tuatha Dé Danann, who are based on Ireland's pagan deities, and other mythical races such as the Fomorians and the Fir Bolg. It is one of the four main story 'cycles' of early Irish myth and legend, along with the Ulster Cycle, the Fianna Cycle and the Cycles of the Kings. The name "Mythological Cycle" seems to have gained currency with Arbois de Jubainville c. 1881–1883. James MacKillop says the term is now "somewhat awkward", and John T. Koch notes it is "potentially misleading, in that the narratives in question represent only a small part of extant Irish mythology". He prefers T Ó Cathasaigh's name, Cycle of the Gods. Important works in the cycle are the Lebor Gabála Érenn, the Cath Maige Tuired, the Aided Chlainne Lir and Tochmarc Étaíne.
The mythologies in present-day France encompass the mythology of the Gauls, Franks, Normans, Bretons, and other peoples living in France, those ancient stories about divine or heroic beings that these particular cultures believed to be true and that often use supernatural events or characters to explain the nature of the universe and humanity. French myth has been primarily influenced by the myths and legends of the Gauls and the Bretons as they migrated to the French region from modern day England and Ireland. Other smaller influences on the development of French mythology came from the Franks.
In Celtic mythology, the Otherworld is the realm of the deities and possibly also the dead. In Gaelic and Brittonic myth it is usually a supernatural realm of everlasting youth, beauty, health, abundance and joy. It is described either as a parallel world that exists alongside our own, or as a heavenly land beyond the sea or under the earth. The Otherworld is usually elusive, but various mythical heroes visit it either through chance or after being invited by one of its residents. They often reach it by entering ancient burial mounds or caves, or by going under water or across the western sea. Sometimes, they suddenly find themselves in the Otherworld with the appearance of a magic mist, supernatural beings or unusual animals. An otherworldly woman may invite the hero into the Otherworld by offering an apple or a silver apple branch, or a ball of thread to follow as it unwinds.
Ancient Celtic religion, commonly known as Celtic paganism, was the religion of the ancient Celtic peoples of Europe. Because there are no extant native records of their beliefs, evidence about their religion is gleaned from archaeology, Greco-Roman accounts, and literature from the early Christian period. Celtic paganism was one of a larger group of polytheistic Indo-European religions of Iron Age Europe.
Moccus or Moccos is a Celtic god who is attested in one 2nd or 3rd century AD inscription from Langres, in which he is identified with the Roman god Mercury. Moccus has been connected, on etymological grounds, with pigs and boars. The boar was a potent symbol, of the hunt and of war, but also of prosperity.
According to classical sources, the ancient Celts were animists. They honoured the forces of nature, saw the world as inhabited by many spirits, and saw the Divine manifesting in aspects of the natural world.
The gods and goddesses of the pre-Christian Celtic peoples are known from a variety of sources, including ancient places of worship, statues, engravings, cult objects, and place or personal names. The ancient Celts appear to have had a pantheon of deities comparable to others in Indo-European religion, each linked to aspects of life and the natural world. Epona was an exception and retained without association with any Roman deity. By a process of syncretism, after the Roman conquest of Celtic areas, most of these became associated with their Roman equivalents, and their worship continued until Christianization. Pre-Roman Celtic art produced few images of deities, and these are hard to identify, lacking inscriptions, but in the post-conquest period many more images were made, some with inscriptions naming the deity. Most of the specific information we have therefore comes from Latin writers and the archaeology of the post-conquest period. More tentatively, links can be made between ancient Celtic deities and figures in early medieval Irish and Welsh literature, although all these works were produced well after Christianization.
