William Ronald Reid Jr. was a Haida artist whose works include jewelry, sculpture, screen-printing, and paintings. Producing over one thousand original works during his fifty-year career, Reid is regarded as one of the most significant Northwest Coast artists of the late twentieth century.
Haida are an Indigenous group who have traditionally occupied Haida Gwaii, an archipelago just off the coast of British Columbia, Canada, for at least 12,500 years.
Totem poles are monumental carvings found in western Canada and the northwestern United States. They are a type of Northwest Coast art, consisting of poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar, by First Nations and Indigenous peoples of the Pacific Northwest Coast including northern Northwest Coast Haida, Tlingit, and Tsimshian communities in Southeast Alaska and British Columbia, Kwakwaka'wakw and Nuu-chah-nulth communities in southern British Columbia, and the Coast Salish communities in Washington and British Columbia.
The Indigenous peoples of the Americas comprise numerous different cultures. Each has its own mythologies, many of which share certain themes across cultural boundaries. In North American mythologies, common themes include a close relation to nature and animals as well as belief in a Great Spirit that is conceived of in various ways.
Robert Bringhurst is a Canadian poet, typographer and author. He has translated substantial works from Haida and Navajo and from classical Greek and Arabic. He wrote The Elements of Typographic Style, a reference book of typefaces, glyphs and the visual and geometric arrangement of type. He was named an Officer of the Order of Canada in June 2013.
Haida Gwaii, formerly known as the Queen Charlotte Islands, is an archipelago located between 55–125 km (34–78 mi) off the northern Pacific coast of Canada. The islands are separated from the mainland to the east by the shallow Hecate Strait. Queen Charlotte Sound lies to the south, with Vancouver Island beyond. To the north, the disputed Dixon Entrance separates Haida Gwaii from the Alexander Archipelago in the U.S. state of Alaska.
John Reed Swanton was an American anthropologist, folklorist, and linguist who worked with Native American peoples throughout the United States. Swanton achieved recognition in the fields of ethnology and ethnohistory. He is particularly noted for his work with indigenous peoples of the Southeast and Pacific Northwest.
Raven Tales are the traditional human and animal creation stories of the indigenous peoples of the Pacific Northwest Coast. They are also found among Athabaskan-speaking peoples and others. Raven stories exist in nearly all of the First Nations throughout the region but are most prominent in the tales of the Haida, Tsimshian, Tlingit and Tahltan people.
Robert Charles Davidson LL. D. D.F.A., is a Canadian artist of Haida heritage. Davidson's Haida name is G̲uud San Glans, which means "Eagle of the Dawn". He is a leading figure in the renaissance of Haida art and culture. He lives in White Rock, British Columbia.
Florence Edenshaw Davidson (1896–1993) was a Canadian First Nations artist from Haida Gwaii. She created basketry and button-blankets and was a respected elder in her village of Masset, Haida Gwaii, British Columbia.
Charles Edenshaw was a Haida artist from Haida Gwaii, British Columbia. He is known for his woodcarving, argillite carving, jewellery, and painting. His style was known for its originality and innovative narrative forms, created while adhering to the principles of formline art characteristic of Haida art. In 1902, the ethnographer and collector Charles F. Newcombe called Edenshaw “the best carver in wood and stone now living.”
Skaay was a blind, crippled storyteller of the Haida village of Ttanuu born c. 1827 at Qquuna. Skaay could neither read nor write, but his stories of Haida mythology have survived in the form of written transcriptions taken down by John Swanton with the aide of Henry Moody over the winter of 1900. These transcriptions of myths are unique in the literature, both for their fidelity to the precise wordings of the mythteller, and for the survival of the pre-translation originals.
Shamanism among Alaska Natives was particularly important as it served to construct their special connection to their land, and a kinship with the animals with whom they share that land. Before the introduction of western culture and the religions that are now practiced in Alaska, there was a common spiritual connection made with the people to the land they occupied. The most common name for this connection is shamanism. Shamanism differs in every culture where it is practiced, in Alaska it is centered in the animals that are common in the area. Through the use of many myths, stories, and ceremonies these animals are personified and their spirits made tangible and in turn are deeply woven within the Native Alaska people today. It was through the shaman that the spirit world was connected to the natural world. A shaman in Alaska Native culture was a mediator, healer and the spirit worlds’ mouthpiece. Although shamanism is no longer popularly practiced, it was and continues to be the heart of the Native Alaskan people.
Old Massett, named G̱aw in X̱aad kíl, is an Indigenous Canadian village on Graham Island in Haida Gwaii, British Columbia. It lies on the east side of Masset Sound close to the town of Masset; the area of land it is on is legally designated Masset Indian Reserve No. 1, or Masset 1. The original name of the settlement was Uttewas, meaning "white-slope village" in the Haida language. It is populated by Haida people of both Ḵuustak, the Eagle matrilineage, and Ḵayx̱al, the Raven matrilineage. The town is administered by the Old Massett Village Council. Its population has fluctuated over the last one hundred and fifty years; smallpox, especially the 1862 Pacific Northwest smallpox epidemic, drastically reduced its numbers in the late 1800s, but in 1968, it had over 1,000 people and was the largest village in Haida Gwaii. In 2009, the Village Council counted 2,698 band members in the area; the 2016 census counted 555 living at the Old Massett townsite.
Hiellen, anglicized from the Haida name Tlielang, and also spelled in various ways such as Hliiyalang (Bringhurst) and Łi'elᴀñ (Swanton), was a historic Haida village located on the northern shore of Graham Island, at the mouth of the Hiellen River, across the river from Taaw Tldáaw, in Haida Gwaii, British Columbia, Canada.
Haida Modern is a 2019 Canadian documentary film about the art and activism of Haida artist Robert Davidson. The film was directed by Charles Wilkinson, filmed, produced and edited by Wilkinson and Tina Schliessler and executive produced by Kevin Eastwood. It premiered at the 2019 Vancouver International Film Festival.
Dadens (daa.adans), also referred to as Tartenee and Tatense by some early European settlers and Tatense Reserve 16 under the Indian Act is village on the southern coast of Langara Island belonging to the Haida Nation on the archipelago Haida Gwaii, British Columbia, Canada. Dadens was once a popular trading post for the North Pacific fur trade among European traders in the late 18th century, due to its size and accessibility. Dadens no longer continues to be used by families year round, but it was used as a fishing village during the summer months by many Haida up until the 1950s and 1960s, and is still used to a limited extent today. There have been multiple migrations of families from Dadens to South East Alaska and these people are now known as the Kiagani Haida.
Now Is the Time is a Canadian documentary film, directed by Christopher Auchter and released in 2019. Created to mark the 50th anniversary of Haida artist Robert Davidson carving and erecting a totem pole on Haida Gwaii in 1969 for the first time in nearly a century, the film blends historical footage from Eugene Boyko's 1970 documentary film This Was the Time with contemporary footage, including the now elderly Davidson's own reflections on the historic importance of his project. The film was made as part of a National Film Board of Canada project, encouraging indigenous filmmakers to make new works responding to and recontextualizing the sometimes colonialist outsider perspectives reflected in many of the organization's old documentaries on First Nations and Inuit cultures.
Terri-Lynn Williams-Davidson is a Canadian First Nations lawyer, artist, activist, and author and a member of the Raven Clan from the Haida Nation. As a lawyer, Williams-Davidson specializes in Indigenous and environmental law, having represented the Haida Nation at all levels of court since 1996 and notably participating in the litigation of the Haida Nation's TFL39 Case to protect the old-growth forests of Haida Gwaii, a case that effectively altered the government's stance on the consultation and accommodation of Aboriginal Rights.
Chaatl, also spelled Cha'atl, Tsaa'ahl, Tts’aa’ahl, and other variations, was a historic Haida village located on the shore of Chaatl Island, facing south across Buck Channel to the western side of northern Moresby Island, near the western end of Skidegate Channel, Haida Gwaii, British Columbia, Canada. Across Buck Channel from Chaatl was the long-abandoned village site of Niisii. There were close connections between Chaatl and the nearby village of Kaisun, about 10 km (6.2 mi) to the south in a straight line, or about 20 km (12 mi) by water.
