Flood myths are common across a wide range of cultures, extending back into Bronze Age and Neolithic prehistory. These accounts depict a flood, sometimes global in scale, usually sent by a deity or deities to destroy civilization as an act of divine retribution.
Although the continent has relatively few flood legends, [1] [2] [3] [4] African cultures preserving an oral tradition of a flood include the Kwaya, Mbuti, Maasai, Mandin, and Yoruba peoples. [5]
Egypt
Floods were seen as beneficial in Ancient Egypt, and similar to the case with Japan, Ancient Egypt did not have any cataclysmic flood myths picturing it as destructive rather than fertile force. One "flood myth" in Egyptian mythology involves the god Ra and his daughter Sekhmet. Ra sent Sekhmet to destroy part of humanity for their disrespect and unfaithfulness which resulted in the gods overturning wine jugs to simulate a great flood of blood, so that by getting her drunk on the wine and causing her to pass out her slaughter would cease. This is commemorated in a wine drinking festival during the annual Nile flood. [6]
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Japan lacks a major flood myth. The namazu is considered a creature that brings earthquakes, which in turn bring tsunamis, but they do not count as floods in a strict mythological sense. Japanese scholars in the 19th century such as Hirata Atsutane and Motoori Norinaga have used the global flood myths of other cultures to argue for the supremacy of Shinto and promote Japanese nationalism. [23] They claimed that the fact that Japan has no flood myth showed that it was both the centre and highest point on Earth, making it the closest place on Earth to the heavens. As such, to them this demonstrates the veracity of the Japanese creation myth, where Japan comes first and foremost.
There are many folktales among Tai peoples, included Zhuang, Thai, Shan and Lao, talking about the origin of them and the deluge from their Thean (แถน), supreme being object of faith.
Mayan or Maya mythology is part in of Mesoamerican mythology and comprises all of the Maya tales in which personified forces of nature, deities, and the heroes interacting with these play the main roles. The legends of the era have to be reconstructed from iconography. Other parts of Mayan oral tradition are not considered here.
Yama is the Hindu deity of death, dharma, the south direction, and the underworld. Belonging to an early stratum of Rigvedic Hindu deities, Yama is said to have been the first mortal who died in the Vedas. By virtue of precedence, he became the ruler of the departed.
Matsya is the fish avatar of the Hindu god Vishnu. Often described as the first of Vishnu's ten primary avatars, Matsya is described to have rescued the first man, Manu, from a great deluge. Matsya may be depicted as a giant fish, often golden in color, or anthropomorphically with the torso of Vishnu connected to the rear half of a fish.
Chinese mythology is mythology that has been passed down in oral form or recorded in literature throughout the area now known as Greater China. Chinese mythology encompasses a diverse array of myths derived from regional and cultural traditions. Populated with engaging narratives featuring extraordinary individuals and beings endowed with magical powers, these stories often unfold in fantastical mythological realms or historical epochs. Similar to numerous other mythologies, Chinese mythology has historically been regarded, at least partially, as a factual record of the past.
The Indigenous peoples of the Americas comprise numerous different cultures. Each has its own mythologies, many of which share certain themes across cultural boundaries. In North American mythologies, common themes include a close relation to nature and animals as well as belief in a Great Spirit that is conceived of in various ways. As anthropologists note, their great creation myths and sacred oral tradition in whole are comparable to the Christian Bible and scriptures of other major religions.
Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto traditions are the cornerstones of Japanese mythology. The history of thousands of years of contact with Chinese and various Indian myths are also key influences in Japanese religious belief.
A flood myth or a deluge myth is a myth in which a great flood, usually sent by a deity or deities, destroys civilization, often in an act of divine retribution. Parallels are often drawn between the flood waters of these myths and the primeval waters which appear in certain creation myths, as the flood waters are described as a measure for the cleansing of humanity, in preparation for rebirth. Most flood myths also contain a culture hero, who "represents the human craving for life".
Jamshid , also known as Yima, is the fourth Shah of the mythological Pishdadian dynasty of Iran according to Shahnameh.
Philippine mythology is rooted in the many indigenous Philippine folk religions. Philippine mythology exhibits influence from Hindu, Muslim, Buddhist, and Christian traditions.
The Fifth World in the context of creation myths describes the present world as interpreted by several indigenous groups in the USA and Mexico. The central theme of the myth holds that there were four other cycles of creation and destruction that preceded the Fifth World. The creation story is taken largely from the mythological, cosmological, and eschatological beliefs and traditions of earlier Mesoamerican cultures.
The Epic of Darkness is a collection of tales and legends of primeval China in epic poetry, preserved by the inhabitants of the Shennongjia mountain area in Hubei. It is composed of numerous Chinese myths relating to the creation of the world, containing accounts from the birth of Pangu till the historical era. It dates back to the Tang dynasty of China. It was translated and published by Hu Chongjun after the discovery of a manuscript in 1982.
Many references to ravens exist in world lore and literature. Most depictions allude to the appearance and behavior of the wide-ranging common raven. Because of its black plumage, croaking call, and diet of carrion, the raven is often associated with loss and ill omen. Yet, its symbolism is complex. As a talking bird, the raven also represents prophecy and insight. Ravens in stories often act as psychopomps, connecting the material world with the world of spirits.
Turtles are frequently depicted in popular culture as easygoing, patient, and wise creatures. Due to their long lifespan, slow movement, sturdiness, and wrinkled appearance, they are an emblem of longevity and stability in many cultures around the world. Turtles are regularly incorporated into human culture, with painters, photographers, poets, songwriters, and sculptors using them as subjects. They have an important role in mythologies around the world, and are often implicated in creation myths regarding the origin of the Earth. Sea turtles are a charismatic megafauna and are used as symbols of the marine environment and environmentalism.
There are a vast array of myths surrounding the Blackfoot Native Americans as well as Aboriginal people. The Blackfeet inhabit the Great Plains, in the areas known as Alberta, Saskatchewan, and areas of Montana. These stories, myths, origins, and legends play a big role in their everyday life, such as their religion, their history, and their beliefs. Only the elders of the Blackfoot tribes are allowed to tell the tales, and are typically difficult to obtain because the elders of the tribes are often reluctant to tell them to strangers who are not of the tribe. People such as George B. Grinnell, John Maclean, D.C. Duvall, Clark Wissler, and James Willard Schultz were able to obtain and record a number of the stories that are told by the tribes.
Inca mythology is the universe of legends and collective memory of the Inca civilization, which took place in the current territories of Colombia, Ecuador, Peru, Bolivia, Chile, and Argentina, incorporating in the first instance, systematically, the territories of the central highlands of Peru to the north.
A cosmic ocean, primordial waters, or celestial river is a mythological motif that represents the world or cosmos enveloped by a vast primordial ocean. Found in many cultures and civilizations, the cosmic ocean exists before the creation of the earth. From the primordial waters the earth and the entire cosmos arose. The cosmic ocean represents or embodies chaos.
Vietnamese mythology comprises folklore, national myths, legends, or fairy tales from the Vietnamese people with aspects of folk religion in Vietnam. Vietnamese folklore and oral traditions may have also been influenced by historical contact with neighbouring Tai-speaking populations, other Austroasiatic-speaking peoples, as well as with people from the region now known as Greater China.
The Indo-European cosmogony refers to the creation myth of the reconstructed Proto-Indo-European mythology.
*Manu and *Yemo are thought to have been a duo in Proto-Indo-European mythology. In the creation myth, Manu kills Yemo as a foundational part of the origin of the universe. Yemo is sometimes also interpreted as a primordial hermaphrodite.