Aztec mythology

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Mictlantecuhtli (left), god of death, the lord of the Underworld and Quetzalcoatl (right), god of wisdom, life, knowledge, morning star, patron of the winds and light, the lord of the West. Together they symbolize life and death. Codex Borgia page 56.jpg
Mictlantecuhtli (left), god of death, the lord of the Underworld and Quetzalcoatl (right), god of wisdom, life, knowledge, morning star, patron of the winds and light, the lord of the West. Together they symbolize life and death.

Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. [1] The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures. According to legend, the various groups who became the Aztecs arrived from the North into the Anahuac valley around Lake Texcoco. The location of this valley and lake of destination is clear it is the heart of modern Mexico City but little can be known with certainty about the origin of the Aztec. There are different accounts of their origin. In the myth, the ancestors of the Mexica/Aztec came from a place in the north called Aztlan, the last of seven nahuatlacas (Nahuatl-speaking tribes, from tlaca, "man") to make the journey southward, hence their name "Azteca." Other accounts cite their origin in Chicomoztoc, "the place of the seven caves", or at Tamoanchan (the legendary origin of all civilizations).

Contents

The Mexica/Aztec were said to be guided by their patron war-god Huitzilopochtli, meaning "Left-handed Hummingbird" or "Hummingbird from the South." At an island in Lake Texcoco, they saw an eagle, perched on a nopal cactus, holding a rattlesnake in its talons. This vision fulfilled a prophecy telling them that they should found their new home on that spot. The Aztecs built their city of Tenochtitlan on that site, building a great artificial island, which today is in the center of Mexico City. This legendary vision is pictured on the Coat of Arms of Mexico.

Creation myth

Huitzilopochtli is raising up the skies of the South, one of the four directions of the world, surrounded by their respective trees, temples, patterns, and divination symbols. Codex Borgia page 50.jpg
Huitzilopochtli is raising up the skies of the South, one of the four directions of the world, surrounded by their respective trees, temples, patterns, and divination symbols.

According to legend, when the Mexica arrived in the Anahuac valley around Lake Texcoco, they were considered by the other groups as the least civilized of all, but the Mexica decided to learn... and they took in all that they could from the other people, especially from the ancient Toltec (whom they seem to have partially confused with the more ancient civilization of Teotihuacan). To the Aztec, the Toltec were the originators of all culture; "Toltecayotl" was a synonym for culture. Aztec legends identify the Toltecs and the cult of Quetzalcoatl with the legendary city of Tollan, which they also identified with the more ancient Teotihuacan.

Because the Aztecs adopted and combined several traditions with their own earlier traditions, they had several creation myths. One of these, the Five Suns, describes four great ages preceding the present world, each of which ended in a catastrophe, and "were named in function of the force or divine element that violently put an end to each one of them". [2] Coatlicue was the mother of Centzon Huitznahua ("Four Hundred Southerners"), her sons, and Coyolxauhqui, her daughter. At some point, she found a ball of feathers and placed it in her waistband, thus becoming pregnant with Huitzilopochtli. Her other children became suspicious as to the identity of the father, and vowed to kill their mother. She gave birth on Mount Coatepec, pursued by her children, but the newborn Huitzilopochtli (born fully armed and prepared to fight) defeated most of his brothers, who then became the stars. He also killed his half-sister, Coyolxauhqui, by tearing out her heart using Xiuhcoatl (a blue snake) and throwing her body down the mountain. This was said to inspire the Aztecs to rip the hearts out of their human sacrifices and throw their bodies down the sides of the temple dedicated to Huitzilopochtli, who represents the sun, chasing away the stars at dawn.

Our age ( Nahui-Ollin ), the fifth age, or fifth creation, began in the ancient city of Teotihuacan[ citation needed ]. According to the myth, all the gods had gathered to sacrifice themselves and create a new age. Although the world and the sun had already been created, it would only be through their sacrifice that the sun would be set into motion, and time (as well as history, could begin.) The strongest and most handsome of the gods, Tecuciztecatl, was supposed to sacrifice himself but when it came time to self-immolate, he could not jump into the fire. Instead, Nanahuatl the smallest and humblest of the gods, who was also covered in boils, sacrificed himself first, and jumped into the flames. The sun was set into motion with his sacrifice, and time began. Humiliated by Nanahuatl's sacrifice, Tecuciztecatl, too, leaped into the fire and became the moon. [3]

Pantheon

Embodied spirits; Tonalleque (1), Cihuateteo (2). Codex Borgia page 48.jpg
Embodied spirits; Tonalleque (1), Cihuateteo (2).
Patterns of War; (1a) Tlaloc, (1b) Xiuhtecuhtli, (2a) Mixcoatl, (2b) Xipe-Totec. Codex Borgia page 25.jpg
Patterns of War; (1a) Tlaloc, (1b) Xiuhtecuhtli, (2a) Mixcoatl, (2b) Xipe-Totec.
Patterns of Merchants; (1a) Huehuecoyotl, (1b) Zacatzontli, (2a) Yacatecuhtli, (2b) Tlacotzontli, (3a) Tlazolteotl and Metztli, (3b) Tonatiuh. Codex Borgia page 55.jpg
Patterns of Merchants; (1a) Huehuecoyotl, (1b) Zacatzontli, (2a) Yacatecuhtli, (2b) Tlacotzontli, (3a) Tlazolteotl and Metztli, (3b) Tonatiuh.

See also

Bibliography

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<span class="mw-page-title-main">Teocalli of the Sacred War</span> Archaeological artifact of Aztec origin

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In Aztec mythology the Lords of the Day are a set of thirteen gods that ruled over a particular day corresponding to one of the thirteen heavens. They were cyclical, so that the same god recurred every thirteen days. In the Aztec calendar, the lords of the day are

  1. Xiuhtecuhtli, god of fire and time.
  2. Tlaltecuhtli, goddess of the earth.
  3. Chalchiuhtlicue, goddess of water, lakes, rivers, seas, streams, horizontal waters, storms and baptism.
  4. Tonatiuh, god of the sun.
  5. Tlazolteotl, goddess of lust, carnality, sexual misdeeds.
  6. Mictlantecuhtli, god of the underworld.
  7. Centeotl, god of maize. Also recognized as Chicomecoatl, goddess of agriculture.
  8. Tlaloc, god of the thunder, rain and earthquakes.
  9. Quetzalcoatl, god of wisdom, life, knowledge, morning star, fertility, patron of the winds and the light, the lord of the West.
  10. Tezcatlipoca, god of providence, matter and the invisible, ruler of the night, Great Bear, impalpable, ubiquity and the twilight, the lord of the North.
  11. Mictecacihuatl, goddess of the underworld.
  12. Tlahuizcalpantecuhtli, god of dawn.
  13. Citlalicue, goddess of the female stars.
<span class="mw-page-title-main">Tecpatl</span> Symbol from Aztec mythology

In the Aztec culture, a tecpatl was a flint or obsidian knife with a lanceolate figure and double-edged blade, with elongated ends. Both ends could be rounded or pointed, but other designs were made with a blade attached to a handle. It can be represented with the top half red, reminiscent of the color of blood, in representations of human sacrifice and the rest white, indicating the color of the flint blade.

References

  1. Kirk, p. 8; "myth", Encyclopædia Britannica
  2. Portilla, Miguel León (1980). Native Mesoamerican Spirituality: Ancient Myths, Discourses, Stories, Hymns, Poems, from the Aztec, Yucatec, Quiche-Maya, and other sacred traditions. New Jersey: Paulist Press. p. 40. ISBN   0-8091-2231-6.
  3. Smith, Michael E. "The Aztecs". Blackwell Publishers, 2002.