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The Nahua people such as the Aztecs, Chichimecs and the Toltecs believed that the heavens were constructed and separated into 13 levels, usually called Topan or simply each one Ilhuicatl iohhui, Ilhuicatl iohtlatoquiliz. Each level had from one to many Lords (gods) living in and ruling them.
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In Aztec mythology, the Thirteen Heavens were formed out of Cipactli's head when the gods made creation out of its body, whereas Tlaltícpac, the earth, was made from its center and the nine levels of the underworld (Mictlan) from its tail. [1]
The most important of these heavens was Omeyocan (Place of Two), where Ometeotl - the dual Lord/Lady, creator of the Dual-Genesis who, as male, takes the name Ometecuhtli (Two Lord), and as female is named Omecihuatl (Two Lady) —resided.
| Thirteen Heavens | |||
| Name | Dwellers | ||
|---|---|---|---|
| 1 | "Sky where the moon moves" |
Here the moon and the clouds are in motion. | |
| 2 | "Where the stars move" |
Here the stars are in motion. | |
| 3 | "Where the Sun moves" |
Western abode of the yellow god, to where the sun travels before submerging into the Mictlan underworld. | |
| 4 | "The sky of the Big Star" |
The way of Venus. | |
| 5 | "Sky that is sinking or being drilled" |
Here the comets (called citlallinpopoca or also citlalmina or xihuitl, depending on their shape) are in motion. | |
| 6 | "Dark green space" |
Place from where the night comes and spreads. | |
| 7 | "Region of blue" |
Here the sun shows its face at dawn. Sky that is seeing during the day. | |
| 8 | "Where the obsidian knives are creaking" |
Place of storms. Heavenly abode of the god of death from where the darkness comes. | |
| 9 | "Region of white" |
Abode of the white god and stellar spirits. | |
| 10 | "Region of yellow" |
Eastern abode of the Yellow God where he comes from and goes to the west. | |
| 11 | "Region of red" |
Abode of the red god. Red sky with rays of light to express that the first creation of the world was the earthly fire. | |
| 12 | "Sky that is the place of the gods" | Abode of the gods. Ruled by the Four Creator Lords or Tezcatlipocas. Eminently divine place where the deities remain and project themselves to be in other places. Where the gods take on faces, and where they put on masks to become others while still being themselves. Where they are born, reborn and feed in their quality of eternal and mutating beings. [1] | |
| 13 | "Place of Two", "Place of Duality" |
Residence or mansion of the creator couple; source of the gods and the creation of the universe, where the generating principle of all that exists is conceived. | |
Cecilio Agustín Robelo (1905). Diccionario de Mitología Nahua (in Spanish). México: Biblioteca Porrúa. Imprenta del Museo Nacional de Arqueología, Historia y Etnología. p. 851. ISBN 978-9684327955.
Tláloc is the god of rain in Aztec religion. He was also a deity of earthly fertility and water, worshipped as a giver of life and sustenance. This came to be due to many rituals, and sacrifices that were held in his name. He was feared, but not maliciously, for his power over hail, thunder, lightning, and even rain. He is also associated with caves, springs, and mountains, most specifically the sacred mountain where he was believed to reside. Cerro Tláloc is very important in understanding how rituals surrounding this deity played out. His followers were one of the oldest and most universal in ancient Mexico.
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures. According to legend, the various groups who were to become the Aztecs arrived from the north into the Anahuac valley around Lake Texcoco. The location of this valley and lake of destination is clear – it is the heart of modern Mexico City – but little can be known with certainty about the origin of the Aztec. There are different accounts of their origin. In the myth the ancestors of the Mexica/Aztec came from a place in the north called Aztlan, the last of seven nahuatlacas to make the journey southward, hence their name "Azteca." Other accounts cite their origin in Chicomoztoc, "the place of the seven caves", or at Tamoanchan.
The Aztecs were a Mesoamerican culture that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries. Aztec culture was organized into city-states (altepetl), some of which joined to form alliances, political confederations, or empires. The Aztec Empire was a confederation of three city-states established in 1427: Tenochtitlan, city-state of the Mexica or Tenochca, Texcoco, and Tlacopan, previously part of the Tepanec empire, whose dominant power was Azcapotzalco. Although the term Aztecs is often narrowly restricted to the Mexica of Tenochtitlan, it is also broadly used to refer to Nahua polities or peoples of central Mexico in the prehispanic era, as well as the Spanish colonial era (1521–1821). The definitions of Aztec and Aztecs have long been the topic of scholarly discussion ever since German scientist Alexander von Humboldt established its common usage in the early 19th century.
Tezcatlipoca or Tezcatl Ipoca was a central deity in Aztec religion. He is associated with a variety of concepts, including the night sky, hurricanes, obsidian, and conflict. He was considered one of the four sons of Ometecuhtli and Omecihuatl, the primordial dual deity. His main festival was Toxcatl, which, like most religious festivals of Aztec culture, involved human sacrifice.
Mictlan is the underworld of Aztec mythology. Most people who die would travel to Mictlan, although other possibilities exist. Mictlan consists of nine distinct levels.
Huitzilopochtli is the solar and war deity of sacrifice in Aztec religion. He was also the patron god of the Aztecs and their capital city, Tenochtitlan. He wielded Xiuhcoatl, the fire serpent, as a weapon, thus also associating Huitzilopochtli with fire.
In Aztec mythology, Centeōtl is the maize deity. Cintli means "dried maize still on the cob" and teōtl means "deity". According to the Florentine Codex, Centeotl is the son of the earth goddess, Tlazolteotl and solar deity Piltzintecuhtli, the planet Mercury. He was born on the day-sign 1 Xochitl. Another myth claims him as the son of the goddess Xochiquetzal. The majority of evidence gathered on Centeotl suggests that he is usually portrayed as a young man, with yellow body colouration. Some specialists believe that Centeotl used to be the maize goddess Chicomecōātl. Centeotl was considered one of the most important deities of the Aztec era. There are many common features that are shown in depictions of Centeotl. For example, there often seems to be maize in his headdress. Another striking trait is the black line passing down his eyebrow, through his cheek and finishing at the bottom of his jaw line. These face markings are similarly and frequently used in the late post-classic depictions of the 'foliated' Maya maize god.
Mixcoatl, or Camaxtle or Camaxtli, was the god of the hunt and identified with the Milky Way, the stars, and the heavens in several Mesoamerican cultures. He was the patron deity of the Otomi, the Chichimecs, and several groups that claimed descent from the Chichimecs. Under the name of Camaxtli, Mixcoatl was worshipped as the central deity of Huejotzingo and Tlaxcala.
Ōmeteōtl is a name used to refer to the pair of Aztec deities Ometecuhtli and Omecihuatl, also known as Tōnacātēcuhtli and Tonacacihuatl. Ōme translates as "two" or "dual" in Nahuatl and teōtl translates as "god". The existence of such a concept and its significance is a matter of dispute among scholars of Mesoamerican religion. Ometeotl was one as the first divinity, and Ometecuhtli and Omecihuatl when the being became two to be able to reproduce all creation
Tlālōcān is described in several Aztec codices as a paradise, ruled over by the rain deity Tlāloc and his consort Chalchiuhtlicue. It absorbed those who died through drowning or lightning, or as a consequence of diseases associated with the rain deity. Tlālōcān has also been recognized in certain wall paintings of the much earlier Teotihuacan culture. Among modern Nahua-speaking peoples of the Gulf Coast, Tlālōcān survives as an all-encompassing concept embracing the subterranean world and its denizens.
Tlaltecuhtli is a pre-Columbian Mesoamerican deity worshipped primarily by the Mexica (Aztec) people. Sometimes referred to as the "earth monster," Tlaltecuhtli's dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos. In carvings, Tlaltecuhtli is often depicted as an anthropomorphic being with splayed arms and legs. Considered the source of all living things, he had to be kept sated by human sacrifices which would ensure the continued order of the world.
In Aztec mythology, Tōnacācihuātl was a creator and goddess of fertility, worshiped for peopling the earth and making it fruitful. Most Colonial-era manuscripts equate her with Ōmecihuātl. Tōnacācihuātl was the consort of Tōnacātēcuhtli. She is also referred to as Ilhuicacihuātl or "Heavenly Lady."
In Aztec mythology, Xipe Totec or Xipetotec was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, deadly warfare, the seasons, and the earth. The female equivalent of Xipe Totec was the goddess Xilonen-Chicomecoatl.
The Aztec Empire or the Triple Alliance was an alliance of three Nahua city-states: Mexico-Tenochtitlan, Tetzcoco, and Tlacopan. These three city-states ruled that area in and around the Valley of Mexico from 1428 until the combined forces of the Spanish conquistadores and their native allies who ruled under Hernán Cortés defeated them in 1521.
The Aztec religion is a polytheistic and monistic pantheism in which the Nahua concept of teotl was construed as the supreme god Ometeotl, as well as a diverse pantheon of lesser gods and manifestations of nature. The popular religion tended to embrace the mythological and polytheistic aspects, and the Aztec Empire's state religion sponsored both the monism of the upper classes and the popular heterodoxies.
Tonalli plays a multiplicity of roles; acting as a day sign, body part, and a symbol of the sun's warmth. Ancient Nahua people believed that it was located in the hair and the fontanel area of one's skull, and that the tonalli provided the “vigor and energy for growth and development”. It often overlaps with the force of teyolía which was often considered both an animating force (soul) and the physical heart in various Mesoamerican cultures.
Quetzalcoatl is a deity in Aztec culture and literature. Among the Aztecs, he was related to wind, Venus, Sun, merchants, arts, crafts, knowledge, and learning. He was also the patron god of the Aztec priesthood. He was one of several important gods in the Aztec pantheon, along with the gods Tlaloc, Tezcatlipoca and Huitzilopochtli. The two other gods represented by the planet Venus are Tlaloc and Xolotl.
In Aztec mythology, Creator-gods are the only four Tezcatlipocas, the children of the creator couple Ometecuhtli and Omecihuatl "Lord and Lady of Duality", "Lord and Lady of the Near and the Nigh", "Father and Mother of the Gods", "Father and Mother of us all", who received the gift of the ability to create other living beings without childbearing. They reside atop a mythical thirteenth heaven Ilhuicatl-Omeyocan "the place of duality".
In Aztec mythology the Lords of the Day are a set of thirteen gods that ruled over a particular day corresponding to one of the thirteen heavens. They were cyclical, so that the same god recurred every thirteen days. In the Aztec calendar, the lords of the day are
Omeyocan is the highest of thirteen heavens in Aztec mythology, the dwelling place of Ometeotl, the dual god comprising Ometecuhtli and Omecihuatl.
