The Cantigas de Santa Maria are 420 poems with musical notation, written in the medieval Galician-Portuguese language during the reign of Alfonso X of Castile El Sabio (1221–1284). Traditionally, they are all attributed to Alfonso, though scholars have since established that the musicians and poets of his court were responsible for most of them, with Alfonso being credited with a few as well.
Tezcatlipoca or Tezcatl Ipoca was a central deity in Aztec religion. He is associated with a variety of concepts, including the night sky, hurricanes, obsidian, and conflict. He was considered one of the four sons of Ometecuhtli and Omecihuatl, the primordial dual deity. His main festival was Toxcatl, which, like most religious festivals of Aztec culture, involved human sacrifice.
Hunab Ku is a colonial period Yucatec Maya reducido term meaning "The One God". It is used in colonial, and more particularly in doctrinal texts, to refer to the Christian God. Since the word is found frequently in the Chilam Balam of Chumayel, a syncretistic document heavily influenced by Christianity, it refers specifically to the Christian God as a translation into Maya of the Christian concept of one God, used to enculturate the previously polytheist Maya to the new religion.
The Aztec or Mexica calendar is the calendrical system used by the Aztecs as well as other Pre-Columbian peoples of central Mexico. It is one of the Mesoamerican calendars, sharing the basic structure of calendars from throughout the region.
The Codex Mendoza is an Aztec codex, believed to have been created around the year 1541. It contains a history of both the Aztec rulers and their conquests as well as a description of the daily life of pre-conquest Aztec society. The codex is written using traditional Aztec pictograms with a translation and explanation of the text provided in Spanish. It is named after Don Antonio de Mendoza (1495-1552), the viceroy of New Spain, who supervised its creation and who was a leading patron of native artists.
Zelia Maria Magdalena Nuttall was an American archaeologist and anthropologist who specialised in pre-Aztec Mexican cultures and pre-Columbian manuscripts. She discovered two forgotten manuscripts of this type in private collections, one of them being the Codex Zouche-Nuttall. She decoded the Aztec calendar stone and was one of the first to identify and recognise artefacts dating back to the pre-Aztec period.
The tōnalpōhualli, meaning "count of days" in Nahuatl, is a Mexica version of the 260-day calendar in use in pre-Columbian Mesoamerica. This calendar is solar and consists of 20 13-day periods. Each trecena is ruled by a different deity. Graphic representations for the twenty day names have existed among certain ethnic, linguistic, or archaeologically identified peoples.
Aztec codices are Mesoamerican manuscripts made by the pre-Columbian Aztec, and their Nahuatl-speaking descendants during the colonial period in Mexico.
Codex Osuna is an Aztec codex on European paper, with indigenous pictorials and alphabetic Nahuatl text from 1565. It has seven parts, with most being economic in content, particularly tribute, with one part having historical content. It was named after the Spanish nobleman, Mariano Francisco de Borja José Justo Téllez-Girón y Beaufort-Spontin, twelfth Duke of Osuna, in whose library the codex was held until his death in 1882. It then became part of the collection of the Biblioteca Nacional in Madrid. It is part of a lawsuit by the indigenous of a Nahua community against Spaniards, and a fragment of a much larger Mexican text; the first numbered folio in the facsimile is 464.
Codex Ríos is an Italian translation and augmentation of a Spanish colonial-era manuscript, Codex Telleriano-Remensis, that is partially attributed to Pedro de los Ríos, a Dominican friar working in Oaxaca and Puebla between 1547 and 1562. The codex itself was likely written and drawn in Italy after 1566.
The Codex Borbonicus is an Aztec codex written by Aztec priests shortly before or after the Spanish conquest of the Aztec Empire. It is named after the Palais Bourbon in France and kept at the Bibliothèque de l'Assemblée Nationale in Paris. The codex is an outstanding example of how Aztec manuscript painting is crucial for the understanding of Mexica calendric constructions, deities, and ritual actions.
The Codex Borgia, also known as Codex Borgianus, Manuscrit de Veletri and Codex Yohualli Ehecatl, is a pre-Columbian Middle American pictorial manuscript from Central Mexico featuring calendrical and ritual content, dating from the 16th century. It is named after the 18th century Italian cardinal, Stefano Borgia, who owned it before it was acquired by the Vatican Library after the cardinal's death in 1804.
The Codex Fejérváry-Mayer is an Aztec Codex of central Mexico. It is one of the rare Native American manuscripts that have survived the Spanish conquest of the Aztec Empire. As a typical calendar codex tonalamatl dealing with the sacred Aztec calendar – the tonalpohualli – it is placed in the Borgia Group. It is a divinatory almanac in 17 sections. Its elaboration is typically pre-Columbian: it is made on deerskin parchment folded accordion-style into 23 pages. It measures 16.2 centimetres by 17.2 centimetres and is 3.85 metres long.
The Codex Tudela is a 16th-century pictorial Aztec codex. It is based on the same prototype as the Codex Magliabechiano, the Codex Ixtlilxochitl, and other documents of the Magliabechiano Group.
The Codex Cospi is a pre-Columbian Mesoamerican pictorial manuscript, included in the Borgia Group. It is currently located in the library of the University of Bologna.
Yahui is a supernatural figure that takes on various mixtures of animal and human forms within the culture and belief systems of the Mixtec—indigenous Mixtecan-speaking people of La Mixteca in central-southeastern Mexico. It is an important and recurring motif in Mixtec iconography, thought and culture, especially during the pre-Columbian era. As a supernatural figure, the yahui appears in Postclassic Mixtec codices as an entity wearing a serpent or reptilian tail and headdress and the carapace of a turtle.
Codex Vaticanus B, also known as Codex Vaticanus 3773, Codice Vaticano Rituale, and Códice Fábrega, is a pre-Columbian Middle American pictorial manuscript, probably from the Puebla part of the Mixtec region, with a ritual and calendrical content. It is a member of the Borgia Group of manuscripts. It is currently housed at the Vatican Library.
The Hours of Giangaleazzo Visconti is a Roman-liturgy, illuminated Book of Hours in Latin, which was commissioned by the ruler of Milan, Gian Galeazzo Visconti, in Italy in the late 14th century. A Book of Hours is a personal prayer book that contained, in part, the Hours of the Virgin, a daily devotional that was popular at the time. This particular Book of Hours was created by two master illuminators, beginning with Giovannino dei Grassi before his death, and completed by Luchino Belbello da Pavia.
The Codex Ixtlilxochitl is a pictorial Aztec Codex created between 1580 and 1584, after the arrival of the Conquistadors and during the early Spanish colonial period. It is a record of the past ceremonies and holidays observed at the Great Teocalli of the Aztec city of Texcoco, near modern-day Mexico City, and contains visual representations of rulers and deities with association to Texcoco. The existence of this codex is a demonstration of the cultural assimilations and interactions between native Aztecs, Spanish colonists, and mestizos that occurred during the 17th century in Mexico as the colonies developed and their residents, of all cultures, endeavored to find a balance between native tradition and colonial innovation. Contrasting with the attitude of colonists from the prior century of striving for a complete annihilation of all native culture, this codex served as a quasi-translator between native and European cultural languages, and denotes an occurrence of European fascination with the unknown resulting in a valuable preservation of the native cultures they had previously sought to destroy.
The Aubin Tonalamatl is a Nahuatl screenfold manuscript painted on native paper. It was made sometime in the early 16th century, but after 1520. The word "tonalamatl" is made up of two Nahuatl words, "tonalli" meaning day, and "amatl" referring to the paper substrate that this codex is written on. While it originally consisted of 20 pages, only 18 remain today as 2 have gone missing. The physical document itself has had an interesting history as it was taken from the original owners in Mexico and since the retrieved from the French. Today, the Aubin Tonalamatl is entrusted in the hands of the National Institute of Anthropology and History (INAH). The content held within this codex has been significant to our understanding of Aztec culture and time keeping systems.
