Tláloc is the god of rain in Aztec religion. He was also a deity of earthly fertility and water, worshipped as a giver of life and sustenance. This came to be due to many rituals, and sacrifices that were held in his name. He was feared, but not maliciously, for his power over hail, thunder, lightning, and even rain. He is also associated with caves, springs, and mountains, most specifically the sacred mountain where he was believed to reside. Cerro Tláloc is very important in understanding how rituals surrounding this deity played out. His followers were one of the oldest and most universal in ancient Mexico.
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures. According to legend, the various groups who became the Aztecs arrived from the North into the Anahuac valley around Lake Texcoco. The location of this valley and lake of destination is clear – it is the heart of modern Mexico City – but little can be known with certainty about the origin of the Aztec. There are different accounts of their origin. In the myth, the ancestors of the Mexica/Aztec came from a place in the north called Aztlan, the last of seven nahuatlacas to make the journey southward, hence their name "Azteca." Other accounts cite their origin in Chicomoztoc, "the place of the seven caves", or at Tamoanchan.
Tezcatlipoca or Tezcatl Ipoca was a central deity in Aztec religion. He is associated with a variety of concepts, including the night sky, hurricanes, obsidian, and conflict. He was considered one of the four sons of Ometecuhtli and Omecihuatl, the primordial dual deity. His main festival was Toxcatl, which, like most religious festivals of Aztec culture, involved human sacrifice.
In Aztec mythology, Xolotl was a god of fire and lightning. He was commonly depicted as a dog-headed man and was a soul-guide for the dead. He was also god of twins, monsters, death, misfortune, sickness, and deformities. Xolotl is the canine brother and twin of Quetzalcoatl, the pair being sons of the virgin Chimalma. He is the dark personification of Venus, the evening star, and was associated with heavenly fire. The axolotl is named after him.
Huitzilopochtli is the solar and war deity of sacrifice in Aztec religion. He was also the patron god of the Aztecs and their capital city, Tenochtitlan. He wielded Xiuhcoatl, the fire serpent, as a weapon, thus also associating Huitzilopochtli with fire.
Tlāhuizcalpantēcuhtli is a principal member of the pantheon of gods within the Aztec religion, representing the Morning Star Venus. The name comes from the Nahuatl words tlāhuizcalpan "dawn" and tēcuhtli "lord". Tlahuizcalpantecuhtli is one of the thirteen Lords of the Day, representing the 12th day of the Aztec trecena.
Mixcoatl, or Camaxtle or Camaxtli, was the god of the hunt and identified with the Milky Way, the stars, and the heavens in several Mesoamerican cultures. He was the patron deity of the Otomi, the Chichimecs, and several groups that claimed descent from the Chichimecs. Under the name of Camaxtli, Mixcoatl was worshipped as the central deity of Huejotzingo and Tlaxcala.
Ōmeteōtl is a name used to refer to the pair of Aztec deities Ometecuhtli and Omecihuatl, also known as Tōnacātēcuhtli and Tonacacihuatl. Ōme translates as "two" or "dual" in Nahuatl and teōtl translates as "phenomena". The existence of such a concept and its significance is a matter of dispute among scholars of Mesoamerican religion. Ometeotl was one as the first divinity, and Ometecuhtli and Omecihuatl when the being became two to be able to reproduce all creation.
Tlālōcān is described in several Aztec codices as a paradise, ruled over by the rain deity Tlāloc and his consort Chalchiuhtlicue. It absorbed those who died through drowning or lightning, or as a consequence of diseases associated with the rain deity. Tlālōcān has also been recognized in certain wall paintings of the much earlier Teotihuacan culture. Among modern Nahua-speaking peoples of the Gulf Coast, Tlālōcān survives as an all-encompassing concept embracing the subterranean world and its denizens.
In Aztec mythology, Xipe Totec or Xipetotec was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, deadly warfare, the seasons, and the earth. The female equivalent of Xipe Totec was the goddess Xilonen-Chicomecoatl.
The Aztec or Mexica calendar is the calendrical system used by the Aztecs as well as other Pre-Columbian peoples of central Mexico. It is one of the Mesoamerican calendars, sharing the basic structure of calendars from throughout the region.
The Indigenous peoples of the Americas comprise numerous different cultures. Each has its own mythologies, many of which share certain themes across cultural boundaries. In North American mythologies, common themes include a close relation to nature and animals as well as belief in a Great Spirit that is conceived of in various ways. As anthropologists note, their great creation myths and sacred oral tradition in whole are comparable to the Christian Bible and scriptures of other major religions.
In creation myths, the term "Five Suns" refers to the belief of certain Nahua cultures and Aztec peoples that the world has gone through five distinct cycles of creation and destruction, with the current era being the fifth. It is primarily derived from a combination of myths, cosmologies, and eschatological beliefs that were originally held by pre-Columbian peoples in the Mesoamerican region, including central Mexico, and it is part of a larger mythology of Fifth World or Fifth Sun beliefs.
The Aztec Empire or the Triple Alliance was an alliance of three Nahua city-states: Mexico-Tenochtitlan, Tetzcoco, and Tlacopan. These three city-states ruled that area in and around the Valley of Mexico from 1428 until the combined forces of the Spanish conquistadores and their native allies who ruled under Hernán Cortés defeated them in 1521.
The Aztec religion is a polytheistic and monistic pantheism in which the Nahua concept of teotl was construed as the supreme god Ometeotl, as well as a diverse pantheon of lesser gods and manifestations of nature. The popular religion tended to embrace the mythological and polytheistic aspects, and the Aztec Empire's state religion sponsored both the monism of the upper classes and the popular heterodoxies.
Toxcatl was the name of the fifth twenty-day month or "veintena" of the Aztec calendar which lasted approximately from the 5th to the 22nd May, and of the festival which was held every year in this month. The Festival of Toxcatl was dedicated to the god Tezcatlipoca and featured the sacrifice of a young man who had been impersonating the deity for a full year.
In Mesoamerican culture, Tonatiuh is an Aztec sun deity of the daytime sky who rules the cardinal direction of east. According to Aztec Mythology, Tonatiuh was known as "The Fifth Sun" and was given a calendar name of naui olin, which means "4 Movement". Represented as a fierce and warlike god, he is first seen in Early Postclassic art of the Pre-Columbian civilization known as the Toltec. Tonatiuh's symbolic association with the eagle alludes to the Aztec belief of his journey as the present sun, travelling across the sky each day, where he descended in the west and ascended in the east. It was thought that his journey was sustained by the daily sacrifice of humans. His Nahuatl name can also be translated to "He Who Goes Forth Shining" or "He Who Makes The Day." Tonatiuh was thought to be the central deity on the Aztec calendar stone but is no longer identified as such. In Toltec culture, Tonatiuh is often associated with Quetzalcoatl in his manifestation as the morning star aspect of the planet Venus.
Quetzalcoatl is a deity in Aztec culture and literature. Among the Aztecs, he was related to wind, Venus, Sun, merchants, arts, crafts, knowledge, and learning. He was also the patron god of the Aztec priesthood. He was one of several important gods in the Aztec pantheon, along with the gods Tlaloc, Tezcatlipoca and Huitzilopochtli. The two other gods represented by the planet Venus are Tlaloc and Xolotl.
In the Aztec culture, a tecpatl was a flint or obsidian knife with a lanceolate figure and double-edged blade, with elongated ends. Both ends could be rounded or pointed, but other designs were made with a blade attached to a handle. It can be represented with the top half red, reminiscent of the color of blood, in representations of human sacrifice and the rest white, indicating the color of the flint blade.
