Terri-Lynn Williams-Davidson (Haida: Gid7ahl-Gudsllaay Lalaxaaygans) [1] is a Canadian First Nations lawyer, artist, activist, and author and a member of the Raven Clan from the Haida Nation. As a lawyer, Williams-Davidson specializes in Indigenous and environmental law, having represented the Haida Nation at all levels of court since 1996 [2] [3] and notably participating in the litigation of the Haida Nation's TFL39 Case to protect the old-growth forests of Haida Gwaii, a case that effectively altered the government's stance on the consultation and accommodation of Aboriginal Rights. [4]
Williams-Davidson has also become an important figure in the preservation of Haida culture, using music and literature to revitalize the language and culture of Haida Gwaii. She has released three studio albums of Haida songs: 2008's "Lalaxaaygans: Beautiful Sound", [5] 2011's "New Journeys" [6] and 2017's "Grizzly Bear Town" [7] as well as two books based on supernatural beings from ancient oral Haida narratives: "Magical Beings of Haida Gwaii" [8] and "Out of Concealment". [9]
Born and raised in Haida Gwaii, Williams-Davidson was given the name "Lalaxaaygans" Haida for "Beautiful Sound" by her maternal great-grandmother Susan Williams, who was a song custodian. The influence of her great-grandmother became apparent at the age of 6 when she first began singing in public. [10] She began singing in Haida at 13 and soon after co-founded a children's dance group "Skidegate Haida Dancers" in 1978. [11]
Williams-Davidson's academic career began with a degree in computer science, which she received from the University of British Columbia (UBC) in 1990. [12] While pursuing a degree in law she spent the summer of 1993 working for the Haida Gwaii Museum, where she catalogued and researched southern songs of the Haida Nation. The following year, Williams-Davidson received the name "Gid7ahl-Gudsllaay" held by her great-grandmother Susan Williams. [10]
Williams-Davidson completed her law degree and graduated from UBC in 1995. [13] She was called to the Bar of British Columbia the following year and founded EAGLE, a charity providing free legal aid to protect land. [14]
In 1996, Williams-Davidson married Robert Davidson, a renowned Haida artist.
She is the cousin of Gidansda Guujaaw.
Williams-Davidson represents the Haida nation at all levels of court, and has done so since 1995. Her involvement in litigating the Haida Nation's TFL39 Case is of particular note, as it is considered the leading case on the consultation and accommodation of Aboriginal rights related to resource development. She has also helped win innovative interim agreements with British Columbia and Canada as counsel for the Haida Nations aboriginal title case. [15] [16] [17]
Williams-Davidson played a significant role as a member of the Haida Nation's legal team in their litigation against the approval of the Enbridge Pipeline project. [18]
Through 2014 and 2015, Williams-Davidson represented the Haida Nation in litigation against the Department of Fisheries and Oceans, challenging the decision to open a commercial herring fishery in Haida Gwaii waters. In a ruling that is seen as a significant milestone in the use of Indigenous rights in the battle for environmental conservation, the court agreed with Williams-Davidson's case and granted an injunction which has kept commercial fisheries out of Haida waters ever since. [19]
Williams-Davidson has published numerous works on aboriginal law and lectures all over the world. [20] [21] [22] On top of founding EAGLE in 1996, Williams-Davidson has acted as an Advisory Council member of the Vancouver Foundation's Environment Program, as a Juror for the Ecotrust Canada Buffet Award for Indigenous Leadership and as a board member of Ecotrust Canada and the Earthlife Canada Foundation (Gowgaia Institute). [14]
In May 2012, Williams-Davidson appeared on the cover of The Advocate, [23] a journal published by the Vancouver Bar Association. Appearing on the cover is seen as a great milestone in a British Columbia lawyer's life. Williams-Davidson is one of only three Indigenous lawyers to have appeared on the cover, with the other two being former Lieutenant Governor Steven Point and Member of Parliament Jodi Wilson-Raybould.
In 2014, Williams-Davidson won the Peoples Choice Andrew Thompson award for her contributions in the fields of environmental and Aboriginal law. [24]
Having originally begun singing in Haida at 13, Williams-Davidson continues to immerse herself in the preservation and creation of Haida song and dance. In 1996, she joined the Rainbow Creek Dancers: a Haida dance group which performs traditional song and dance both in Haida Gwaii and around the world. [10] She has been a member of the Haida Gwaii Singers society, a group that focuses on educating people on the rich musical traditions of the Haida, since 2000. [25] In 2009, the group released the "Songs of Haida Gwaii Archival Anthology", a 7 CD box set featuring recordings dating back as far back as the early 1900s. Williams-Davidson volunteered as Executive Producer, researcher, writer and fundraiser for the project which digitized all locatable songs from Haida Gwaii, a massively ambitious project that resulted in the preservation of over 450 Haida songs. [26] Williams-Davidson won a "Keeper of Traditions" award at the Canadian Aboriginal Music Awards for her work on the project. [27]
Williams-Davidson released her first solo album "Lalaxaaygans: Beautiful Sound" in 2008. The record was part of the Haida Gwaii Singers Contemporary Anthology, a collection of contemporary records composed of ancient Haida songs performed by members of the Haida Gwaii Singers society. [5] The album won her the "Best Female Traditional/Cultural Roots" award at the 2009 Canadian Aboriginal Music Awards. [28]
In 2011, Williams-Davidson released her second solo album "New Journeys". The album featured guitars, piano, cello and percussion, creating a fusion between cultures that hadn't been previously explored in Haida music, which is traditionally sung without melodic accompaniment. While the songs are predominantly contemporary, they are sung in Haida and in many cases abide by traditional Haida song structures, with many of the pieces featuring only three notes. [29] The album was released to high acclaim and netted Williams-Davidson a number of awards including a Canadian Aboriginal Music Award and a Western Canadian Music Awards nomination. [30]
Williams-Davidson released her third album "Grizzly Bear Town" in 2017. The record featured instrumentation and vocals from Chilliwack's Bill Henderson and Claire Lawrence and continued to develop on Williams-Davidson's concept of fusing the Haida language with contemporary lyrics and arrangements. The album's name "Grizzly Bear Town" is another name for Skedans, the birth village of her maternal great-grandmother, Susan Williams. [31]
In 2017, Williams-Davidson wrote "Out of Concealment", [32] [33] [34] a book of surreal photo montages that celebrate the female supernatural beings of Haida oral tradition.
In 2019, Williams-Davidson, alongside her stepdaughter Sara Florence Davidson, published a children's book titled "Magical Beings of Haida Gwaii" which features ten supernatural beings of ancient Haida storytelling and presents them in a visual medium that engages children and teaches them empowering and meaningful examples of living in balance with nature. [35] [36]
Williams-Davidson is also the creator of the Haida Box of Knowledge, an Oracle Deck of 34 cards featuring Haida Gwaii's female supernatural beings. The cards also feature art by Robert Davidson and share the knowledge and wisdom attributed to each of the female figures passed down through traditional Haida oral narratives. [37]
William Ronald Reid Jr. was a Haida artist whose works include jewelry, sculpture, screen-printing, and paintings. Producing over one thousand original works during his fifty-year career, Reid is regarded as one of the most significant Northwest Coast artists of the late twentieth century.
The Haida are an Indigenous group who have traditionally occupied Haida Gwaii, an archipelago just off the coast of British Columbia, Canada, for at least 12,500 years.
The Haida are one of the indigenous peoples of the Pacific Northwest Coast of North America. Their national territories lie along the west coast of Canada and include parts of south east Alaska. Haida mythology is an indigenous religion that can be described as a nature religion, drawing on the natural world, seasonal patterns, events and objects for questions that the Haida pantheon provides explanations for. Haida mythology is also considered animistic for the breadth of the Haida pantheon in imbuing daily events with Sǥā'na qeda's.
Haida Gwaii, also known as the Queen Charlotte Islands, is an archipelago located between 55–125 km (34–78 mi) off the northern Pacific coast in the Canadian province of British Columbia. The islands are separated from the mainland to the east by the shallow Hecate Strait. Queen Charlotte Sound lies to the south, with Vancouver Island beyond. To the north, the disputed Dixon Entrance separates Haida Gwaii from the Alexander Archipelago in the U.S. state of Alaska.
Robert Charles Davidson, is a Canadian artist of Haida heritage. Davidson's Haida name is G̲uud San Glans, which means "Eagle of the Dawn". He is a leading figure in the renaissance of Haida art and culture. He lives in White Rock, British Columbia.
Florence Edenshaw Davidson (1896–1993) was a Canadian First Nations artist from Haida Gwaii. She created basketry and button blankets and was a respected elder in her village of Masset, Haida Gwaii, British Columbia.
Jay Simeon is a Canadian artist of Haida heritage on his father's side. He was born into the Kaawaas branch of the Sdast’a.aas Eagle clan. His crests are Eagle, Supernatural Killer Whale, Frog, Beaver, and Raven. His mother is of Blackfoot ancestry and he was born in Fort Macleod, Alberta.
Michael Nicoll Yahgulanaas is a visual artist, author, and public speaker. His work has been seen in public spaces, museums, galleries and private collections across globe. Institutional collections include the British Museum, Metropolitan Museum of Art, Seattle Art Museum, Vancouver Art Gallery, and the Humboldt Forum.
Nancy Jean Turner is a Canadian ethnobiologist, originally qualified in botany, who has done extensive research work with the indigenous peoples of British Columbia, the results of which she has documented in a number of books and numerous articles.
Dorothy Grant is an Indigenous fashion designer whose works have gained public recognition as expressions of living Haida culture.
Primrose Adams was a Canadian First Nations artist and member of the Raven Clan from the Haida nation. She wove hats and baskets in the Haida method and is most notable for her spruce root basketry, which involves working in the traditional manner of collecting and dyeing her own spruce root. Adams died in January 2020.
Old Massett, named G̱aw in X̱aad kíl, is an Indigenous Canadian village on Graham Island in Haida Gwaii, British Columbia. It lies on the east side of Masset Sound close to the town of Masset; the area of land it is on is legally designated Masset Indian Reserve No. 1, or Masset 1. The original name of the settlement was Uttewas, meaning "white-slope village" in the Haida language. It is populated by Haida people of both Ḵuustak, the Eagle matrilineage, and Ḵayx̱al, the Raven matrilineage. The town is administered by the Old Massett Village Council. Its population has fluctuated over the last one hundred and fifty years; smallpox, especially the 1862 Pacific Northwest smallpox epidemic, drastically reduced its numbers in the late 1800s, but in 1968, it had over 1,000 people and was the largest village in Haida Gwaii. In 2009, the Village Council counted 2,698 band members in the area; the 2016 census counted 555 living at the Old Massett townsite.
Haida Modern is a 2019 Canadian documentary film about the art and activism of Haida artist Robert Davidson. The film was directed by Charles Wilkinson, filmed, produced and edited by Wilkinson and Tina Schliessler and executive produced by Kevin Eastwood. It premiered at the 2019 Vancouver International Film Festival.
Hlk'yah G̱awG̱a, also known as Windy Bay, is located on Athlii Gwaii in southern Haida Gwaii, British Columbia. The site was historically the location of a Haida village named Hlk'yah Llnagaay, meaning Peregrine Falcon Town in English. In the 1980s, Hlk'yah G̱awG̱a was the focus of a series of lawsuits and protests opposing clearcut logging on the island. These demonstrations were the impetus for the signing of the Gwaii Haanas Agreement of 1993 and the creation of the Gwaii Haanas National Park Reserve, National Marine Conservation Area Reserve, and Haida Heritage Site.
Edge of the Knife is a 2018 Canadian drama film co-directed by Gwaai Edenshaw and Helen Haig-Brown. It is the first feature film spoken only in the Haida language. Set in 19th-century Haida Gwaii, it tells the classic Haida story of a traumatized and stranded man transformed into Gaagiixiid, the wildman.
Ulli Steltzer was a German photographer best known for her works photographing First Nations people and art in B.C., Canada, including Haida artist Bill Reid. Steltzer had numerous exhibits in and around Vancouver, and both Princeton University and the University of Victoria have collections of her works.
The Council of the Haida Nation is the elected government of the Haida Nation, the Indigenous occupants of the Haida Gwaii archipelago in the Canadian province of British Columbia. The council consists of a president and vice-president elected by popular vote, twelve regional representatives from four electoral regions, and one appointed representative from each of the Old Massett Village Council and Skidegate Band Council.
Now Is the Time is a Canadian documentary film, directed by Christopher Auchter and released in 2019. Created to mark the 50th anniversary of Haida artist Robert Davidson carving and erecting a totem pole on Haida Gwaii in 1969 for the first time in nearly a century, the film blends historical footage from Eugene Boyko's 1970 documentary film This Was the Time with contemporary footage, including the now elderly Davidson's own reflections on the historic importance of his project. The film was made as part of a National Film Board of Canada project, encouraging indigenous filmmakers to make new works responding to and recontextualizing the sometimes colonialist outsider perspectives reflected in many of the organization's old documentaries on First Nations and Inuit cultures.
Kung Jaadee is a traditional Haida storyteller, singer, drummer, teacher, and children's book author from the village of Old Massett, Haida Gwaii in Northern British Columbia, Canada.
Marianne Boelscher Ignace is a Canadian linguist and anthropologist. Married into the Shuswap people, she is a Full professor in the departments of Linguistics and Indigenous Studies at Simon Fraser University (SFU), and Director of SFU's Indigenous Languages Program and First Nations Language Centre. In 2020, Ignace was elected a Fellow of the Royal Society of Canada for her work in revitalizing and preserving indigenous languages.
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