Interpretatio graeca ( Latin for 'Greek translation'), or "interpretation by means of Greek [models]", refers to the tendency of the ancient Greeks to identify foreign deities with their own gods. [1] [2] It is a discourse [3] used to interpret or attempt to understand the mythology and religion of other cultures; a comparative methodology using ancient Greek religious concepts and practices, deities, and myths, equivalencies, and shared characteristics.
The phrase may describe Greek efforts to explain others' beliefs and myths, as when Herodotus describes Egyptian religion in terms of perceived Greek analogues, or when Dionysius of Halicarnassus and Plutarch document Roman cults, temples, and practices under the names of equivalent Greek deities. Interpretatio graeca may also describe non-Greeks' interpretation of their own belief systems by comparison or assimilation with Greek models, as when Romans adapt Greek myths and iconography under the names of their own gods.
Interpretatio romana is comparative discourse in reference to ancient Roman religion and myth, as in the formation of a distinctive Gallo-Roman religion. Both the Romans and the Gauls reinterpreted Gallic religious traditions in relation to Roman models, particularly Imperial cult.
Jan Assmann considers the polytheistic approach to internationalizing gods as a form of "intercultural translation":
The great achievement of polytheism is the articulation of a common semantic universe. ... The meaning of a deity is his or her specific character as it unfolded in myths, hymns, rites, and so on. This character makes a deity comparable to other deities with similar traits. The similarity of gods makes their names mutually translatable. ... The practice of translating the names of the gods created a concept of similarity and produced the idea or conviction that the gods are international. [4]
Pliny the Elder expressed the "translatability" of deities as "different names to different peoples" (nomina alia aliis gentibus). [5] This capacity made possible the religious syncretism of the Hellenistic era and the pre-Christian Roman Empire.
Herodotus was one of the earliest authors to engage in this form of interpretation. In his observations regarding the Egyptians, he establishes Greco-Egyptian equivalents that endured into the Hellenistic era, including Amon/Zeus, Osiris/Dionysus, and Ptah/Hephaestus. In his observations regarding the Scythians, he equates their queen of the gods, Tabiti, to Hestia, Papaios and Api to Zeus and Gaia respectively, and Argimpasa to Aphrodite Urania, while also claiming that the Scythians worshipped equivalents to Herakles and Ares, but which he does not name.
Some pairs of Greek and Roman gods, such as Zeus and Jupiter, are thought to derive from a common Indo-European archetype (Dyeus as the supreme sky god), and thus exhibit shared functions by nature. Others required more expansive theological and poetic efforts: though both Ares and Mars are war gods, Ares was a relatively minor figure in Greek religious practice and deprecated by the poets, while Mars was a father of the Roman people and a central figure of archaic Roman religion.
Some deities dating to Rome's oldest religious stratum, such as Janus and Terminus, had no Greek equivalent. Other Greek divine figures, most notably Apollo, were adopted directly into Roman culture, but underwent a distinctly Roman development, as when Augustus made Apollo one of his patron deities. In the early period, Etruscan culture played an intermediary role in transmitting Greek myth and religion to the Romans, as evidenced in the linguistic transformation of Greek Heracles to Etruscan Her[e]cle to Roman Hercules .
The phrase interpretatio romana was first used by the Imperial-era historian Tacitus in the Germania . [6] Tacitus reports that in a sacred grove of the Nahanarvali, "a priest adorned as a woman presides, but they commemorate gods who in Roman terms (interpretatione romana) are Castor and Pollux" when identifying the divine Alcis. [7] Elsewhere, [8] he identifies the principal god of the Germans as Mercury, perhaps referring to Wotan. [9]
Some information about the deities of the ancient Gauls (the continental Celts), who left no written literature other than inscriptions, is preserved by Greco-Roman sources under the names of Greek and Latin equivalents. A large number of Gaulish theonyms or cult titles are preserved, for instance, in association with Mars. As with some Greek and Roman divine counterparts, the perceived similarities between a Gallic and a Roman or Greek deity may reflect a common Indo-European origin. [10] Lugus was identified with Mercury, Nodens with Mars as healer and protector, and Sulis with Minerva. In some cases, however, a Gallic deity is given an interpretatio romana by means of more than one god, varying among literary texts or inscriptions. Since the religions of the Greco-Roman world were not dogmatic, and polytheism lent itself to multiplicity, the concept of "deity" was often expansive, permitting multiple and even contradictory functions within a single divinity, and overlapping powers and functions among the diverse figures of each pantheon. These tendencies extended to cross-cultural identifications. [11]
In the Eastern empire, the Anatolian storm god with his double-headed axe became Jupiter Dolichenus, a favorite cult figure among soldiers.
Roman scholars such as Varro [ citation needed ] interpreted the monotheistic god of the Jews into Roman terms as Caelus or Jupiter Optimus Maximus. Some Greco-Roman authors seem to have understood the Jewish invocation of Yahweh Sabaoth as Sabazius. [12] In a similar vein, Plutarch gave an example of a symposium question "Who is the god of the Jews?", by which he meant: "What is his Greek name?" as we can deduce from the first speaker at the symposium, who maintained that the Jews worshiped Dionysus, and that the day of Sabbath was a festival of Sabazius. Lacunae prevent modern scholars from knowing the other speakers' thoughts. [13] Tacitus, on the topic of the Sabbath, claims that "others say that it is an observance in honour of Saturn, either from the primitive elements of their faith having been transmitted from the Idæi, who are said to have shared the flight of that God, and to have founded the race", [14] implying Saturn was the god of the Jews.
From the Roman point of view, it was natural to apply the above principle to the Jewish God. However, the Jews, unlike other peoples living under Roman rule, rejected any such attempt out of hand, regarding such an identification as the worst of sacrilege. This complete divergence of views was one of the factors contributing to the frequent friction between the Jews and the Roman Empire; for example, the Emperor Hadrian's decision to rebuild Jerusalem under the name of Aelia Capitolina, a city dedicated to Jupiter, precipitated the bloodbath of the Bar Kokhba revolt.
Emperor Julian, the 4th century pagan emperor, remarked that "these Jews are in part god-fearing, seeing that they revere a god who is truly most powerful and most good and governs this world of sense, and, as I well know, is worshipped by us also under other names". [15] However, Julian specifies no "other names" under which the Jewish god was worshiped.
In late-antiquity mysticism, the sun god Helios is sometimes equated to the Judeo-Christian God. [16]
This section needs additional citations for verification .(February 2023) |
The following table is a list of Greek, Roman, Etruscan, Egyptian, Sumerian, Phoenician, Zoroastrian, and Celtic equivalencies via the interpretationes. These are not necessarily gods who share similar traits (as viewed by modern scholarship or readers, at least), and rarely do they share a common origin (for that, see comparative Indo-European pantheons); they are simply gods of various cultures whom the Greeks or Romans identified (either explicitly in surviving works, or as supported by the analyses of modern scholars) with their own gods and heroes. This system is easily seen in the names of the days of the week, which were frequently translated according to the interpretatio.
Greek | Roman | Etruscan | Egyptian | Phoenician | Zororastrian | Celtic | Functions |
---|---|---|---|---|---|---|---|
Achilles | Achle | hero | |||||
Adonis | Atunis | Osiris | Tammuz (Adōn) | agriculture; resurrection | |||
Amphitrite | Salacia | Hatmehit | sea goddess | ||||
Anemoi | Venti | Vayu-Vata | winds | ||||
Aphrodite | Venus | Turan (Apru) | Hathor / Isis [17] | Astarte | Anahita | beauty; sex; love | |
Apollo | Apulu | Horus | Resheph | Mithra | Belenus / Maponos / Borvo / Grannus | light; prophecy; healing; plagues; archery; music; poets | |
Ares | Mars | Laran | Anhur / Montu | Verethragna | Toutatis / Nodens / Neton | war | |
Artemis | Diana | Artume | Bastet [18] | Kotharat | Drvaspa | hunting, the hunt; wilderness, wild animals; virginity, childbirth; Diana: lit. heavenly or divine | |
Asclepius | Aesculapius / Vejove | Veiove | Imhotep | Eshmun | healing | ||
Athena | Minerva [19] | Menrva | Neith [20] / Isis | Anat | Anahita | Sulis / Belisama / Senuna / Coventina / Icovellauna / Sequana | wisdom; war strategy; the arts and crafts; weaving |
Atlas | Aril | Shu [21] | holder of the celestial spheres | ||||
Atropos | Morta | Leinth | Atropos: lit. inflexible; death | ||||
Boreas | Aquilo | Andas | North Wind or Devouring One | ||||
Castor and Polydeuces (Dioscuri) | Castor and Pollux (Gemini) | Castur and Pultuce (Tinas cliniar) | twins | ||||
Chaos [22] [23] | Nun [24] | Abyzou [25] | emptiness; vast void; chasm; abyss [26] | ||||
Charites | Graces | grace; splendor; festivity; charity | |||||
Charon | Charun | Aqen | fierce, flashing, feverish gaze (eyes) | ||||
Chloris | Flora | Chloris: lit. greenish-yellow, pale green, pale, pallid, fresh; Flora: lit. flower | |||||
Clotho | Nona | spinning; thread | |||||
Cronus | Saturn | Satre | Khnum, Geb | El (Elus) | Time, generation, dissolution, agriculture | ||
Cybele | Magna Mater | Magna Mater: lit. Great Mother | |||||
Demeter | Ceres | Zerene | Isis [27] | Ashi | grains, agricultural fertility; Demeter: lit. Earth Mother | ||
Dionysus | Liber / Bacchus | Fufluns | Osiris [28] | Cernunnos | wine and winemaking; revelry; ecstasy; Liber: lit. the free one | ||
Enyo | Bellona | Enie | Sekhmet | war | |||
Eos | Aurora / Matuta | Thesan | Tefnut | dawn | |||
Erinyes | Dirae | Furies | |||||
Eris | Discordia | Eris | Anat | Shahar | strife | ||
Eros | Cupid (Amor) | Erus | sexual love | ||||
Euterpe | Euturpa / Euterpe | "she who delights"; muse of music (especially flute music) and song; later, also of lyric poetry | |||||
Eurus | Vulturnus | East Wind | |||||
Gaia | Terra / Tellus | Cel | Geb | Zam | the earth | ||
Hades | Dis Pater / Pluto / Orcus | Aita | Anubis / Osiris | Mot | Angra Mainyu | the underworld.Hades: lit. the unseen | |
Hebe | Juventas | Renpet | youth | ||||
Hecate | Trivia | Heqet | Matronae | will; Hecate: trans. she who has power far off [29] | |||
Helios | Sol Invictus / Sol Indiges | Usil | Ra [30] | Shamash (Utu) | Mithra | sun | |
Hephaestus | Vulcan | Sethlans | Ptah | Kothar-wa-Khasis [31] | Atar | Gobannos | metalwork, forges; fire, lava |
Hera | Juno | Uni | Mut / Hathor | Armaiti | marriage, family | ||
Heracles | Hercules | Hercle | Heryshaf, Shu [32] | Melqart | Rostam | Ogmios | Heracles: lit. glory/fame of Hera |
Hermes | Mercury | Turms | Anubis, Thoth | Taautus | Shamash | Lugus / Viducus | transitions; boundaries; thieves; travelers; commerce; Hermes: poss. "interpreter"; Mercurius: related to Latin "merx" (merchandise), "mercari" (to trade), and "merces" (wages) |
Hesperus | Vesper | Shalim | evening, supper, evening star, west [33] | ||||
Hestia | Vesta | Anuket | hearth, fireplace, domesticity | ||||
Hygeia | Salus | Sirona | health; cleanliness | ||||
Ilithyia | Lucina | Ilithiia | Tawaret | childbirth, midwifery | |||
Irene | Pax | peace | |||||
Iris | Arcus / Iris | Nut | rainbow | ||||
Janus | Culsans | beginnings; transitions; motion; doorways | |||||
Lachesis | Decima | Lachesis: lit. disposer of lots; luck | |||||
Leto | Latona | Letun | Wadjet | Demureness; mothers | |||
Maia | Rosmerta | growth | |||||
Moirai (Moerae) | Fates or Parcae | Apportioners | |||||
Muses | Camenae | Music; inspiration | |||||
Nemesis or Rhamnusia | Invidia | "retribution" | |||||
Nike | Victoria | Meanpe | Bodua / Brigantia / Nemetona | victory | |||
Notus | Auster | South Wind | |||||
Odysseus | Ulysses or Ulixes | Uthste | hero | ||||
Palaemon | Portunus | keys, doors; ports, harbors | |||||
Pan | Faunus [34] | Min [35] | nature, the wild | ||||
Persephone | Proserpina | Persipnei | poss. "to emerge" | ||||
Phaon | Phaun / Faun / Phamu | mortal boatman given youth and beauty by Aphrodite | |||||
Pheme | Fama | fame; rumor | |||||
Phosphoros | Lucifer | Attar | lit. light bearer | ||||
Poseidon | Neptune | Nethuns | Yam | Apam Napat | sea; water; horses; earthquakes | ||
Priapus | Mutunus Tutunus | fertility; livestock; gardens; male genitalia | |||||
Prometheus | Prumathe | forethought | |||||
Rhea | Ops / Magna Mater (see Cybele above) | Nut | Asherah | Rhea: lit. flowing.Ops: lit. wealth, abundance, resources. | |||
Selene | Luna | Losna | Isis, Thoth, Khonsu | Yarikh | Mah | moon | |
Tiur | |||||||
Silenos | Silvanus | Selvans | Sucellus | Silvanus: lit. of the woods | |||
Thallo | Thalna | blossoms | |||||
Thanatos | Mors | Leinth | Anubis | Mot | death | ||
Charun | |||||||
Themis | Justitia | Ma'at | law of nature | ||||
Tyche | Fortuna | Nortia | Gad | luck, fortune | |||
Typhon | Set / Apep | "whirlwinds, storms, chaos, darkness" | |||||
Uranus | Caelus | Nut | El | Asman | sky, heavens | ||
Vertumnus | Voltumna | Baal | the seasons; change | ||||
Zephyr | Favonius | West Wind; Favonius: lit. favorable | |||||
Zeus | Jupiter or Jove [36] | Tinia | Amun [37] | Hadad | Ahura Mazda (Ohrmazd) | Taranis | weather, storms, lightning, Sky Father |
Examples of deities depicted in syncretic compositions by means of interpretatio graeca or romana:
Syncretism is the practice of combining different beliefs and various schools of thought. Syncretism involves the merging or assimilation of several originally discrete traditions, especially in the theology and mythology of religion, thus asserting an underlying unity and allowing for an inclusive approach to other faiths. While syncretism in art and culture is sometimes likened to eclecticism, in the realm of religion, it specifically denotes a more integrated merging of beliefs into a unified system, distinct from eclecticism, which implies a selective adoption of elements from different traditions without necessarily blending them into a new, cohesive belief system. Syncretism also manifests in politics, known as syncretic politics.
Mercury is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication, travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld and the "messenger of the gods".
Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom as one of the main characters of the Osiris myth, in which she resurrects her slain brother and husband, the divine king Osiris, and produces and protects his heir, Horus. She was believed to help the dead enter the afterlife as she had helped Osiris, and she was considered the divine mother of the pharaoh, who was likened to Horus. Her maternal aid was invoked in healing spells to benefit ordinary people. Originally, she played a limited role in royal rituals and temple rites, although she was more prominent in funerary practices and magical texts. She was usually portrayed in art as a human woman wearing a throne-like hieroglyph on her head. During the New Kingdom, as she took on traits that originally belonged to Hathor, the preeminent goddess of earlier times, Isis was portrayed wearing Hathor's headdress: a sun disk between the horns of a cow.
Hermes Trismegistus is a legendary Hellenistic period figure that originated as a syncretic combination of the Greek god Hermes and the Egyptian god Thoth. He is the purported author of the Hermetica, a widely diverse series of ancient and medieval pseudepigraphica that laid the basis of various philosophical systems known as Hermeticism.
Dionysus-Osiris, alternatively Osiris-Dionysus, is a deity arising from the syncretism of the Egyptian god Osiris and the Greek god Dionysus.
Greco-Roman religion may refer to:
Sabazios is a deity originating in Asia Minor. He is the horseman and sky father god of the Phrygians and Thracians.
Classical mythology, also known as Greco-Roman mythology or Greek and Roman mythology, is the collective body and study of myths from the ancient Greeks and ancient Romans. Mythology, along with philosophy and political thought, is one of the major survivals of classical antiquity throughout later, including modern, Western culture. The Greek word mythos refers to the spoken word or speech, but it also denotes a tale, story or narrative.
Euhemerism is an approach to the interpretation of mythology in which mythological accounts are presumed to have originated from real historical events or personages. Euhemerism supposes that historical accounts become myths as they are exaggerated in the retelling, accumulating elaborations and alterations that reflect cultural mores. It was named after the Greek mythographer Euhemerus, who lived in the late 4th century BC. In the more recent literature of myth, such as Bulfinch's Mythology, euhemerism is termed the "historical theory" of mythology.
Yaldabaoth, otherwise known as Jaldabaoth or Ialdabaoth, is a malevolent God and demiurge according to various Gnostic sects, represented sometimes as a theriomorphic, lion-headed serpent. He is identified as a false god who keeps souls trapped in physical bodies, imprisoned in the material universe.
Germanic paganism or Germanic religion refers to the traditional, culturally significant religion of the Germanic peoples. With a chronological range of at least one thousand years in an area covering Scandinavia, the British Isles, modern Germany, the Netherlands, and at times other parts of Europe, the beliefs and practices of Germanic paganism varied. Scholars typically assume some degree of continuity between Roman-era beliefs and those found in Norse paganism, as well as between Germanic religion and reconstructed Indo-European religion and post-conversion folklore, though the precise degree and details of this continuity are subjects of debate. Germanic religion was influenced by neighboring cultures, including that of the Celts, the Romans, and, later, by the Christian religion. Very few sources exist that were written by pagan adherents themselves; instead, most were written by outsiders and can thus present problems for reconstructing authentic Germanic beliefs and practices.
The religions of the ancient Near East were mostly polytheistic, with some examples of monolatry. Some scholars believe that the similarities between these religions indicate that the religions are related, a belief known as patternism.
Interpretatio germanica is the practice by the Germanic peoples of identifying Roman gods with the names of Germanic deities. According to University of Bonn philologist Rudolf Simek, this occurred around the 1st century AD, when both cultures came into closer contact.
The Alcis or Alci were a pair of divine young brothers worshipped by the Naharvali, an ancient Germanic tribe from Central Europe. The Alcis are solely attested by Roman historian and senator Tacitus in his ethnography Germania, written around 98 AD.
The concept of Hellenistic religion as the late form of Ancient Greek religion covers any of the various systems of beliefs and practices of the people who lived under the influence of ancient Greek culture during the Hellenistic period and the Roman Empire. There was much continuity in Hellenistic religion: people continued to worship the Greek gods and to practice the same rites as in Classical Greece.
The following outline is provided as an overview of and topical guide to classical studies:
The Dii Consentes, also known as Di or Dei Consentes, or The Harmonious Gods, is an ancient list of twelve major deities, six gods and six goddesses, in the pantheon of Ancient Rome. Their gilt statues stood in the Roman Forum, and later apparently in the Porticus Deorum Consentium.
Interpretatio Christiana is adaptation of non-Christian elements of culture or historical facts to the worldview of Christianity. The term is commonly applied to recasting of religious and cultural activities, beliefs and imageries of "pagan" peoples into a Christianized form as a strategy for Christianization. From a Christian perspective, "pagan" refers to the various religious beliefs and practices of those who adhered to non-Abrahamic faiths, including within the Greco-Roman world the traditional public and domestic religion of ancient Rome, imperial cult, Hellenistic religion, Cult of Dionysus, the ancient Egyptian religion, Celtic and Germanic polytheism, initiation religions such as the Eleusinian Mysteries and Mithraism, the religions of the ancient Near East, and the Zoroastrianism.
The mysteries of Isis were religious initiation rites performed in the cult of the Egyptian goddess Isis in the Greco-Roman world. They were modeled on other mystery rites, particularly the Eleusinian mysteries in honor of the Greek goddesses Demeter and Persephone, and originated sometime between the third century BCE and the second century CE. Despite their mainly Hellenistic origins, the mysteries alluded to beliefs from ancient Egyptian religion, in which the worship of Isis arose, and may have incorporated aspects of Egyptian ritual. Although Isis was worshipped across the Greco-Roman world, the mystery rites are only known to have been practiced in a few regions. In areas where they were practiced, they served to strengthen devotees' commitment to the Isis cult, although they were not required to worship her exclusively, and devotees may have risen in the cult's hierarchy by undergoing initiation. The rites may also have been thought to guarantee that the initiate's soul, with the goddess's help, would continue after death into a blissful afterlife.
Several non-native societies had an influence on Ancient Pompeian culture. Historians’ interpretation of artefacts, preserved by the Eruption of Mount Vesuvius in 79, identify that such foreign influences came largely from Greek and Hellenistic cultures of the Eastern Mediterranean, including Egypt. Greek influences were transmitted to Pompeii via the Greek colonies in Magna Graecia, which were formed in the 8th century BC. Hellenistic influences originated from Roman commerce, and later conquest of Egypt from the 2nd century BC.