Serapis | |||||||||
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Name in hieroglyphs | wsjr-ḥp Koinē Greek: Σέραπις | ||||||||
Major cult center | Serapeum of Alexandria |
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Serapis or Sarapis is a Graeco-Egyptian god. A syncretic deity derived from the worship of the Egyptian Osiris and Apis, [1] Serapis was extensively popularized in the third century BC on the orders of Greek Pharaoh Ptolemy I Soter, [2] as a means to unify the Greek and Egyptian subjects of the Ptolemaic Kingdom.
The cultus of Serapis was spread as a matter of deliberate policy by subsequent Ptolemaic kings. Serapis continued to increase in popularity during the Roman Empire, often replacing Osiris as the consort of Isis in temples outside Egypt. Alongside his Egyptian roots he gained attributes from other deities, such as chthonic powers linked to the Greek Hades and Demeter, and benevolence derived from associations with Dionysus.
Serapis was depicted as Greek in appearance but with Egyptian trappings, and combined iconography from a great many cults, signifying both abundance and resurrection.
The Greeks had little respect for animal-headed figures, and so a Greek-style anthropomorphic statue was chosen as the idol, and proclaimed as the equivalent of the highly popular Apis. [a] It was named Userhapi (i.e. "Osiris-Apis"), which became Greek Sarapis, and was said to be Osiris in full, rather than just his ka (life force).
The cult statue of Serapis that Ptolemy I erected in Alexandria enriched the texture of the Serapis conception by portraying him in a combination of both Egyptian and Greek styles. [5] The statue suitably depicted a figure resembling Hades or Pluto, both being kings of the Greek underworld, and was shown enthroned with the modius, a basket / grain-measure, on his head, since it was a Greek symbol for the land of the dead. He also held a sceptre in his hand indicating his rulership, with Cerberus, gatekeeper of the underworld, resting at his feet. The statue also had what appeared to be a serpent at its base, fitting the Egyptian symbol of rulership, the uraeus.
Originally Demotic wsjr-ḥp, ("Osiris-Apis"), the name of the deity is derived from the syncretic worship of Osiris and the bull Apis as a single deity under the Egyptian name wsjr-ḥp. This name was later written in Coptic as ⲟⲩⲥⲉⲣϩⲁⲡⲓUserhapi; Greeks sometimes used an uncommon form Sorapis (Koinē Greek : Σόραπις), slightly closer to the Egyptian name(s).
The earliest mention of a "Sarapis" occurs in the disputed death scene of Alexander (323 BCE), [6] but it is something of a mixup: The unconnected Babylonian god Ea (Enki) was titled Šar Apsi, meaning "king of the Apsu" or "the watery deep", [b] and Ea as Šar Apsi seems to be the deity intended in the description of Alexander's death. Since this "Sarapis" had a temple at Babylon, and was of such importance that only Sarapis is named as being consulted on behalf of the dying king, Sarapis of Babylon appears to have radically altered perceptions of mythologies in the post-Alexandrian era. His significance to the Hellenic psyche, due to the mention in the story of Alexander's death, may have also contributed to the choice of the similar-sounding Osiris-Apis as the chief Ptolemaic god, even if the Ptolemies understood that they were different deities.
Sarapis (Σάραπις, earlier form) was the most common form in Ancient Greek until Roman times, when Serapis (Koinē Greek : Σέραπις, later form) became common. [8] [c] [10]
A serapeum (Koinē Greek : σεραπεῖονserapeion) was any temple or religious precinct devoted to Serapis. The most renowned serapeum was in Alexandria. [d]
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There is evidence that the cult of Serapis existed before the Ptolemies came to power in Alexandria: a temple of Serapis in Egypt is mentioned in 323 BCE by both Plutarch [12] and Arrian. [13]
Ptolemy I Soter made efforts to integrate his new Egyptian subject's religions with that of their Hellenic rulers. Ptolemy's project was to find a deity that would win the reverence of both groups alike, despite the curses the Egyptian priests had chanted against the gods of the previous foreign rulers (e.g. Set, who was lauded by the Hyksos). [e] The common assertion that Ptolemy "created" the deity is derived from sources which describe him erecting a statue of Serapis in Alexandria. [5]
According to Plutarch, Ptolemy stole the cult statue from Sinope in Asia Minor, having been instructed in a dream by the "unknown god" to bring the statue to Alexandria, where the statue was pronounced to be Serapis by two religious experts. One of the experts was of the Eumolpidae, the ancient family from whose members the hierophant of the Eleusinian Mysteries had been chosen since before history, and the other was the scholarly Egyptian priest Manetho, which gave weight to the judgement both for the Egyptians and the Greeks.
Plutarch may not be correct, however, as some Egyptologists allege that the "Sinope" in the tale is really the hill of Sinopeion, a name given to the site of the already existing Serapeum at Memphis. Also, according to Tacitus, Serapis (i.e., Apis explicitly identified as Osiris in full) had been the god of the village of Rhakotis before it expanded into the great capital of Alexandria.
With his (i.e. Osiris's) wife Isis, and their son Horus (in the form of Harpocrates), Serapis won an important place in the Greek world. In his 2nd-century CE Description of Greece, Pausanias notes two Serapeia on the slopes of Acrocorinth above the rebuilt Roman city of Corinth, and one at Copae in Boeotia. [14]
Serapis figured among the international deities whose cult was received and disseminated throughout the Roman Empire, with Anubis sometimes identified with Cerberus. At Rome, Serapis was worshiped in the Iseum Campense, the sanctuary of Isis built during the Second Triumvirate in the Campus Martius. The Roman cults of Isis and Serapis gained in popularity late in the 1st century when Vespasian experienced events he attributed to their miraculous agency while he was in Alexandria, where he stayed before returning to Rome as emperor in 70 CE. From the Flavian Dynasty on, Serapis was one of the deities who might appear on imperial coinage with the reigning emperor.
Like many pagan cults of its time, the cult of Serapis declined during the rule of Theodosius I as the emperor, a Christian, implemented religious laws to restrict paganism across the empire. The main cult at Alexandria survived until the late 4th century, when a Christian mob directed by Pope Theophilus of Alexandria destroyed the Serapeum in Alexandria some time around 391 CE, during one of the frequent religious riots in the city.
The origins of Serapis has been the source of speculation by both Jewish and Christian philosophers in ancient times. Tertullian in early 3rd century AD believed that belief in Serapis was inspired by Patriarch Joseph who was chief administrator of Egypt. [15] The same opinion is also sounded in the Talmud. [16]
Osiris was the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother Set cut him up into pieces after killing him, with her sister Nephthys, Osiris' wife, Isis, searched all over Egypt to find each part of Osiris. She collected all but one – Osiris’s manhood. She then wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire.
Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom as one of the main characters of the Osiris myth, in which she resurrects her slain brother and husband, the divine king Osiris, and produces and protects his heir, Horus. She was believed to help the dead enter the afterlife as she had helped Osiris, and she was considered the divine mother of the pharaoh, who was likened to Horus. Her maternal aid was invoked in healing spells to benefit ordinary people. Originally, she played a limited role in royal rituals and temple rites, although she was more prominent in funerary practices and magical texts. She was usually portrayed in art as a human woman wearing a throne-like hieroglyph on her head. During the New Kingdom, as she took on traits that originally belonged to Hathor, the preeminent goddess of earlier times, Isis was portrayed wearing Hathor's headdress: a sun disk between the horns of a cow.
Horus, also known as Hor in Ancient Egyptian, is one of the most significant ancient Egyptian deities who served many functions, most notably as the god of kingship, healing, protection, the sun, and the sky. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom and Roman Egypt. Different forms of Horus are recorded in history, and these are treated as distinct gods by Egyptologists. These various forms may be different manifestations of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner falcon or peregrine falcon, or as a man with a falcon head.
Harpocrates is the god of silence, secrets and confidentiality in the Hellenistic religion developed in Ptolemaic Alexandria. Greeks adapted Harpocrates from the Egyptian child-god Horus, who represented the newborn sun, rising each day at dawn. The name "Harpocrates" originated as a Hellenization of the Egyptian Har-pa-khered or Heru-pa-khered, meaning "Horus the Child". Depictions showed Horus as a naked boy with his finger to his mouth, a realisation of the hieroglyph for "child" (𓀔). Misunderstanding this gesture, later Greeks and Roman poets made Harpocrates the god of silence and of secrecy.
Ptolemy IV Philopator was the fourth pharaoh of Ptolemaic Egypt from 221 to 204 BC.
In ancient Egyptian religion, Apis or Hapis, alternatively spelled Hapi-ankh, was a sacred bull or multiple sacred bulls worshiped in the Memphis region, identified as the son of Hathor, a primary deity in the pantheon of ancient Egypt. Initially, he was assigned a significant role in her worship, being sacrificed and reborn. Later, Apis also served as an intermediary between humans and other powerful deities.
Dionysus-Osiris, alternatively Osiris-Dionysus, is a deity arising from the syncretism of the Egyptian god Osiris and the Greek god Dionysus.
Roman Egypt was an imperial province of the Roman Empire from 30 BC to AD 641. The province encompassed most of modern-day Egypt except for the Sinai. It was bordered by the provinces of Crete and Cyrenaica to the west and Judaea, later Arabia Petraea, to the East.
A serapeum is a temple or other religious institution dedicated to the syncretic Greco-Egyptian deity Serapis, who combined aspects of Osiris and Apis in a humanized form that was accepted by the Ptolemaic Greeks of Alexandria. There were several such religious centers, each of which was called a serapeion/serapeum or poserapi, coming from an Egyptian name for the temple of Osiris-Apis.
Agathos Daimon originally was a lesser deity (daemon) of classical ancient Greek religion and Graeco-Egyptian religion. In his original Greek form, he served as a household god, to whom, along with Zeus Soter, libations were made after a meal. In later Ptolemaic antiquity he took on two partially distinct roles; one as the Agathos Daimon a prominent serpentine civic god, who served as the special protector of Alexandria. The other as a genus of serpentine household gods, the Agathoi Daimones, individual protectors of the homes in which they were worshipped.
Interpretatio graeca, or "interpretation by means of Greek [models]", refers to the tendency of the ancient Greeks to identify foreign deities with their own gods. It is a discourse used to interpret or attempt to understand the mythology and religion of other cultures; a comparative methodology using ancient Greek religious concepts and practices, deities, and myths, equivalencies, and shared characteristics.
Rhacotis was the name for a city on the northern coast of Egypt at the site of Alexandria. Classical sources from the Greco-Roman era in both Ancient Greek and the Egyptian language suggest Rhacotis as an older name for Alexandria before the arrival of Alexander the Great.
The concept of Hellenistic religion as the late form of Ancient Greek religion covers any of the various systems of beliefs and practices of the people who lived under the influence of ancient Greek culture during the Hellenistic period and the Roman Empire. There was much continuity in Hellenistic religion: people continued to worship the Greek gods and to practice the same rites as in Classical Greece.
The Ptolemaic Kingdom or Ptolemaic Empire was an Ancient Greek polity based in Egypt during the Hellenistic period. It was founded in 305 BC by the Macedonian general Ptolemy I Soter, a companion of Alexander the Great, and ruled by the Ptolemaic dynasty until the death of Cleopatra VII in 30 BC. Reigning for nearly three centuries, the Ptolemies were the longest and final dynasty of ancient Egypt, heralding a distinctly new era for religious and cultural syncretism between Greek and Egyptian culture.
Bilistiche or Belistiche was a Hellenistic courtesan of Ptolemy II Philadelphus and winner of the 264 BC Olympic Games in tethrippon and synoris.
The Serapeum of Saqqara was the ancient Egyptian burial place for sacred bulls of the Apis cult at Memphis. It was believed that the bulls were incarnations of the god Ptah, which would become immortal after death as Osiris-Apis, a name which evolved to Serapis (Σέραπις) in the Hellenistic period, and Userhapi (ⲟⲩⲥⲉⲣϩⲁⲡⲓ) in Coptic. It is one of the animal catacombs in the Saqqara necropolis, which also contains the burial vaults of the mother cows of the Apis, the Iseum.
The modius is a type of flat-topped cylindrical headdress or crown found in ancient Egyptian art and art of the Greco-Roman world. The name was given by modern scholars based on its resemblance to the jar used as a Roman unit of dry measure, but it probably does represent a grain-measure, and symbolizing one's ability to learn new information by having an open mind with an empty cup. Serapis was the main idol/figurehead at the Library of Alexandria during the ancient Egyptian & Roman alliance.
The mysteries of Isis were religious initiation rites performed in the cult of the Egyptian goddess Isis in the Greco-Roman world. They were modeled on other mystery rites, particularly the Eleusinian mysteries in honor of the Greek goddesses Demeter and Persephone, and originated sometime between the third century BCE and the second century CE. Despite their mainly Hellenistic origins, the mysteries alluded to beliefs from ancient Egyptian religion, in which the worship of Isis arose, and may have incorporated aspects of Egyptian ritual. Although Isis was worshipped across the Greco-Roman world, the mystery rites are only known to have been practiced in a few regions. In areas where they were practiced, they served to strengthen devotees' commitment to the Isis cult, although they were not required to worship her exclusively, and devotees may have risen in the cult's hierarchy by undergoing initiation. The rites may also have been thought to guarantee that the initiate's soul, with the goddess's help, would continue after death into a blissful afterlife.
The Serapeum of Alexandria in the Ptolemaic Kingdom was an ancient Greek temple built by Ptolemy III Euergetes and dedicated to Serapis, who was made the protector of Alexandria, Egypt. There are also signs of Harpocrates. It has been referred to as the daughter of the Library of Alexandria. The site has been heavily plundered.
The decline of ancient Egyptian religion is largely attributed to the spread of Christianity in Egypt. Historical Christianity's strict monotheistic teachings did not allow the syncretism seen between ancient Egyptian religion and other polytheistic religions, such as that of the Romans. Although religious practices within Egypt stayed relatively constant despite contact with the greater Mediterranean world, such as with the Assyrians, Persians, Greeks, and Romans, Christianity directly competed with the native religion. Even before the Edict of Milan in AD 313, which legalised Christianity in the Roman Empire, Egypt became an early centre of Christianity, especially in Alexandria where numerous influential Christian writers of antiquity such as Origen and Clement of Alexandria lived much of their lives, and native Egyptian religion may have put up little resistance to the permeation of Christianity into the province.