A temple is a building reserved for spiritual rituals and activities such as prayer and sacrifice. Religions which erect temples include Christianity, Hinduism, Buddhism, Sikhism, Jainism, Islam, Judaism, Zoroastrianism, the Baha'i Faith, Taoism, Shinto, Confucianism, and ancient religions such as the Ancient Egyptian religion and the Ancient Greek religion.
An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paganism, Christianity, Buddhism, Hinduism, Judaism, modern paganism, and in certain Islamic communities around Caucasia and Asia Minor. Many historical-medieval faiths also made use of them, including the Roman, Greek, and Norse religions.
An ex-voto is a votive offering to a saint or a divinity, given in fulfillment of a vow or in gratitude or devotion. The term is usually restricted to Christian examples.
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms.
Ancient Celtic religion, commonly known as Celtic paganism, was the religion of the ancient Celtic peoples of Europe. Because there are no extant native records of their beliefs, evidence about their religion is gleaned from archaeology, Greco-Roman accounts, and literature from the early Christian period. Celtic paganism was one of a larger group of Iron Age polytheistic religions of Europe. It varied by region and over time, but underlying this were broad similarities and "a basic religious homogeneity" among the Celtic peoples.
The Heraion of Samos was a large sanctuary to the goddess Hera, on the island of Samos, Greece, 6 km southwest of the ancient city of Samos. It was located in the low, marshy basin of the Imbrasos river, near where it enters the sea. The late Archaic temple in the sanctuary was the first of the gigantic free-standing Ionic temples, but its predecessors at this site reached back to the Geometric Period of the 8th century BC, or earlier. As a testimony to the mercantile and naval power of Samos during Archaic Greece, and its exceptional architecture, the site of temple's ruins, with its sole standing column, was designated a UNESCO World Heritage Site, along with the nearby archeological site Pythagoreion in 1992.
In the practice of religion, a cult image is a human-made object that is venerated or worshipped for the deity, spirit or daemon that it embodies or represents. In several traditions, including the ancient religions of Egypt, Greece and Rome, and modern Hinduism, cult images in a temple may undergo a daily routine of being washed, dressed, and having food left for them. Processions outside the temple on special feast days are often a feature. Religious images cover a wider range of all types of images made with a religious purpose, subject, or connection. In many contexts "cult image" specifically means the most important image in a temple, kept in an inner space, as opposed to what may be many other images decorating the temple.
A retablo is a devotional painting, especially a small popular or folk art one using iconography derived from traditional Catholic church art. More generally retablo is also the Spanish term for a retable or reredos above an altar, whether a large altarpiece painting or an elaborate wooden structure with sculptures. Typically this includes painting, sculpture or a combination of the two, and an elaborate framework enclosing it. The Latin etymology of the Spanish word means "board behind". Aside from being found behind the altar, "similar ornamental structures are built and carved over facades and doorways", called overdoors.
A heroön or heroon, also latinized as heroum, is a shrine dedicated to an ancient Greek or Roman hero and used for the commemoration or cult worship of the hero. They were often erected over his or her supposed tomb or cenotaph. They were erected from the time of archaic Greece to the Augustan Roman period, and as far afield as Ai-Khanoum in Afghanistan.
Terracotta figurines are a mode of artistic and religious expression frequently found in ancient Greece. These figurines abound and provide an invaluable testimony to the everyday life and religion of the ancient Greeks. The so-called Tanagra figurines, in fact made elsewhere as well, are one of the most important types.
In the modern study of the culture of ancient Greece and Magna Graecia, a pinax (πίναξ), meaning "board", is a votive tablet of painted wood, or terracotta, marble or bronze relief that served as a votive object deposited in a sanctuary or as a memorial affixed within a burial chamber. Such pinakes feature in the classical collections of most comprehensive museums.
The Pitsa panels or Pitsa tablets are a group of painted wooden tablets found near Pitsa, Corinthia (Greece). They are the earliest surviving examples of Greek panel painting.
Votive paintings in Mexico go by several names in Spanish such as “ex voto,” “retablo” or “lámina,” which refer to their purpose, place often found, or material from which they are traditionally made respectively. The painting of religious images to give thanks for a miracle or favour received in this country is part of a long tradition of such in the world. The offering of such items has more immediate precedence in both the Mesoamerican and European lines of Mexican culture, but the form that most votive paintings take from the colonial period to the present was brought to Mexico by the Spanish. As in Europe, votive paintings began as static images of saints or other religious figures which were then donated to a church. Later, narrative images, telling the personal story of a miracle or favor received appeared. These paintings were first produced by the wealthy and often on canvas; however, as sheets of tin became affordable, lower classes began to have these painted on this medium. The narrative version on metal sheets is now the traditional and representative form of votive paintings, although modern works can be executed on paper or any other medium.
Uttar Pradesh, a state in north India has a long association with Jainism. Today the state is home to a number of Jain monuments, such as Jain Temples and Jain Tirths. There are around 213,267 Jains in Uttar Pradesh according to 2011 Census of India.
Ayagapata (Hindi:अयागपट्ट) or Ayagapatta is a type of votive slab associated with worship in Jainism.
Jain art refers to religious works of art associated with Jainism. Even though Jainism has spread only in some parts of India, it has made a significant contribution to Indian art and architecture.
The Northern Satraps, or sometimes Satraps of Mathura, or Northern Sakas, are a dynasty of Indo-Scythian rulers who held sway over the area of Punjab and Mathura after the decline of the Indo-Greeks, from the end of the 1st century BCE to the 2nd century CE. They are called "Northern Satraps" in modern historiography to differentiate them from the "Western Satraps", who ruled in Sindh, Gujarat and Malwa at roughly the same time and until the 4th century CE. They are thought to have replaced the last of the Indo-Greek kings in the Punjab region, as well as the Mitra dynasty and the Datta dynasty of local Indian rulers in Mathura.
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths", and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent.
The Jain stupa was a type of stupa erected by the Jains for devotional purposes. A Jain stupa dated to the 1st century BCE-1st century CE was excavated at Mathura in the 19th century, in the Kankali Tila mound.
Indo-Scythian art developed under the various dynasties of Indo-Scythian rulers in northwestern India, from the 1st century BCE to the early 5th century CE, encompassing the productions of the early Indo-Scythians, the Northern Satraps and the Western Satraps. It follows the development of Indo-Greek art in northwestern India. The Scythians in India were ultimately replaced by the Kushan Empire and the Gupta Empire, whose art form appear in Kushan art and Gupta art.
