An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation.
A triptych is a work of art that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry.
A reredos is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images.
An ex-voto is a votive offering to a saint or a divinity, given in fulfillment of a vow or in gratitude or devotion. The term is usually restricted to Christian examples.
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace.
A votive candle or prayer candle is a small candle, typically white or beeswax yellow, intended to be burnt as a votive offering in an act of Christian prayer, especially within the Anglican, Lutheran, and Roman Catholic Christian denominations, among others. In Christianity, votive candles are commonplace in many churches, as well as home altars, and symbolize the "prayers the worshipper is offering for him or herself, or for other people." The size of a votive candle is often two inches tall by one and a half inches diameter, although other votive candles can be significantly taller and wider. In other religions, such as Hinduism and Buddhism, similar offerings exist, which include diyas and butter lamps.
A retable is a structure or element placed either on or immediately behind and above the altar or communion table of a church. At the minimum, it may be a simple shelf for candles behind an altar, but it can also be a large and elaborate structure. A retable which incorporates sculptures or paintings is often referred to as an altarpiece.
Nichos are a type of folk art popular throughout Central and South America, often devotional but sometimes merely quirky. Resembling dioramas, they are made from common household objects and craft material and traditionally combine elements from Roman Catholicism, mestizo spirituality, and popular culture. Nicho objects have different names in different places: they may be called retablo or have local names. Peruvian Retablos are a style that encompasses several different portable forms not discussed here.
The Metropolitan Cathedral of the Assumption of the Most Blessed Virgin Mary into Heaven is the cathedral church of the Roman Catholic Archdiocese of Mexico. It is situated on top of the former Aztec sacred precinct near the Templo Mayor on the northern side of the Plaza de la Constitución (Zócalo) in the historic center of Mexico City. The cathedral was built in sections from 1573 to 1813 around the original church that was constructed soon after the Spanish conquest of Tenochtitlan, eventually replacing it entirely. Spanish architect Claudio de Arciniega planned the construction, drawing inspiration from Gothic cathedrals in Spain.
Milagros are religious folk charms that are traditionally used for healing purposes and as votive offerings in Mexico, the southern United States, other areas of Latin America, and parts of the Iberian peninsula. They are frequently attached to altars, shrines, and sacred objects found in places of worship, and they are often purchased in churches and cathedrals, or from street vendors.
Fernando Gallego was a Castillan painter, and his art is generally regarded as Hispano-Flemish in style. Gallego was likely born in Salamanca, Spain, and worked throughout Castile and Extremadura, most notably in Ciudad Rodrigo, Plasencia, Toro, and Zamora.
Nottingham alabaster is a term used to refer to the English sculpture industry, mostly of relatively small religious carvings, which flourished from the fourteenth century until the early sixteenth century. Alabaster carvers were at work in London, York and Burton-on-Trent, and many probably worked very close to the rural mines, but the largest concentration was around Nottingham. This has led to all the English medieval output being referred to as "Nottingham alabaster".
A donor portrait or votive portrait is a portrait in a larger painting or other work showing the person who commissioned and paid for the image, or a member of his, or her, family. Donor portrait usually refers to the portrait or portraits of donors alone, as a section of a larger work, whereas votive portrait may often refer to a whole work of art intended as an ex-voto, including for example a Madonna, especially if the donor is very prominent. The terms are not used very consistently by art historians, as Angela Marisol Roberts points out, and may also be used for smaller religious subjects that were probably made to be retained by the commissioner rather than donated to a church.
Votive paintings in Mexico go by several names in Spanish such as “ex voto,” “retablo” or “lámina,” which refer to their purpose, place often found, or material from which they are traditionally made respectively. The painting of religious images to give thanks for a miracle or favour received in this country is part of a long tradition of such in the world. The offering of such items has more immediate precedence in both the Mesoamerican and European lines of Mexican culture, but the form that most votive paintings take from the colonial period to the present was brought to Mexico by the Spanish. As in Europe, votive paintings began as static images of saints or other religious figures which were then donated to a church. Later, narrative images, telling the personal story of a miracle or favor received appeared. These paintings were first produced by the wealthy and often on canvas; however, as sheets of tin became affordable, lower classes began to have these painted on this medium. The narrative version on metal sheets is now the traditional and representative form of votive paintings, although modern works can be executed on paper or any other medium.
Gonzalo Pérez, or Gonçal Peris Sarrià, was a Valencian painter of the first half of the 15th century. His life is scarcely documented. He executed altarpieces and devotional paintings in his hometown, Valencia, in the late Gothic style from 1380 and 1451. Also, he worked for altarpiece in Cuenca, Murcia, Ródenas, Burgo de Osma or Puertomingalvo.
A votive offering or votive deposit is one or more objects displayed or deposited, without the intention of recovery or use, in a sacred place for religious purposes. Such items are a feature of modern and ancient societies and are generally made in order to gain favor with supernatural forces.
Lutheran art consists of all religious art produced for Lutherans and the Lutheran churches. This includes sculpture, painting, and architecture. Artwork in the Lutheran churches arose as a distinct marker of the faith during the Reformation era and attempted to illustrate, supplement and portray in tangible form the teachings of Lutheran theology.
The Sanctuary of Our Lady of Tal-Ħerba is a Roman Catholic church in Birkirkara, Malta, dedicated to the Nativity of Mary. It was constructed at various stages between the early 17th century and the 1920s, on the site of an earlier church which had existed since at least 1575.
Marta Sánchez is a Chicana painter known for her retablos paintings, works on paper such as serigraphs and monotypes, and cascarones. She currently teaches at the Philadelphia Museum of Art, St. Joseph's University, and the Springside Chestnut Hill Academy.
The Adoration of the Magi or La Adoracion de los Reyes Magos is a painting by Juan Bautista Maíno in Museo del Prado.
