The Pandia was an ancient state festival attested as having been held annually at Athens as early as the time of Demosthenes. [1] Although little that is known of the Pandia is certain, [2] it was probably a festival for Zeus, [3] and was celebrated in the spring after the City Dionysia in the middle of the month of Elaphebolion (late March and early April).
The exact date of the Pandia has been much discussed. [4] Demosthenes speech Against Midias (21.8) has a meeting, during which the conduct of the City Dionysia was reviewed, being held after the Pandia. This places the Pandia, at least during the time of Demosthenes, after the City Dionysia. Some have seen an association between the Pandia and the full moon, putting the celebration on 14 Elaphebolion. [5] However, according to Pickard-Cambridge, Gould, and Lewis, the association with the full moon "can neither be affirmed nor rejected", [6] and modern scholarship appears to favor the later dates of the 16 or 17 Elaphebolion. [7]
The derivation of the festival's name and exactly whom the festival may have honored have been the subject of considerable discussion. [8] Zeus, the goddess Selene, Pandia, a daughter of Zeus and Selene, and Pandion, a mythical king, have all been seen as being possibly connected with the festival.
The name "Pandia" is associated with the goddess Selene, the Greek personification of the moon. Originally, Pandia may have been an epithet of Selene, [9] but by at least the time of the Homeric Hymn to Selene, [10] Pandia ("all brightness") [11] had become a daughter of Selene and Zeus. Pandia Selene or Selene's daughter Pandia, have been offered as possible origins for the name of the festival.
Another mythological figure whose name has been suggested as a possible source for the name of the festival is Pandion, a legendary king of Athens who, as part of the tribal reforms of Cleisthenes at the end of the sixth century BC, became the eponymous hero of the Athenian tribe Pandionis. However, some scholars think it is more likely that the hero derived his name from the festival as its legendary founder. [12] An inscription [13] dating from c. 386 BC, which refers to a decree of the tribe Pandionis, commending a "priest of Pandion" for services performed at the Pandia, supports the notion of a link between Pandion and the festival. [14]
While mentioning both Selene and Pandion in connection with the festival's name, Photius states that the festival was held for Zeus. [15] Although, according to Robert Parker, this association with Zeus may only be "a probably correct etymological guess", [16] many scholars are content to assign the festival to Zeus. [17] It is also possible that more than one mythological figure was associated with the festival, and who the festival honored may have changed over time. [18]
A festival of the same name is attested for the deme Plotheia; what relationship, if any, this festival may have had with the Pandia of Athens is unknown. [19]
In ancient Greek religion and mythology, Artemis is the goddess of the hunt, the wilderness, wild animals, nature, vegetation, childbirth, care of children, and chastity. In later times, she was identified with Selene, the personification of the Moon. She was often said to roam the forests and mountains, attended by her entourage of nymphs. The goddess Diana is her Roman equivalent.
In ancient Greek religion and myth, Dionysus is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus by the Greeks for a frenzy he is said to induce called baccheia. As Dionysus Eleutherius, his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His thyrsus, a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself.
In ancient Greek religion and mythology, Iacchus was a minor deity, of some cultic importance, particularly at Athens and Eleusis in connection with the Eleusinian mysteries, but without any significant mythology. He perhaps originated as the personification of the ritual exclamation Iacche! cried out during the Eleusinian procession from Athens to Eleusis. He was often identified with Dionysus, perhaps because of the resemblance of the names Iacchus and Bacchus, another name for Dionysus. By various accounts he was a son of Demeter, or a son of Persephone, identical with Dionysus Zagreus, or a son of Dionysus.
In ancient Greek mythology and religion, Selene is the goddess and personification of the Moon. Also known as Mene, she is traditionally the daughter of the Titans Hyperion and Theia, and sister of the sun god Helios and the dawn goddess Eos. She drives her moon chariot across the heavens. Several lovers are attributed to her in various myths, including Zeus, Pan, and the mortal Endymion. In post-classical times, Selene was often identified with Artemis, much as her brother, Helios, was identified with Apollo. Selene and Artemis were also associated with Hecate and all three were regarded as moon and lunar goddesses, but only Selene was regarded as the personification of the Moon itself.
In Greek mythology, the goddess Pandia or Pandeia was a daughter of Zeus and the goddess Selene, the Greek personification of the moon. From the Homeric Hymn to Selene, we have: "Once the Son of Cronos [Zeus] was joined with her [Selene] in love; and she conceived and bare a daughter Pandia, exceeding lovely amongst the deathless gods." An Athenian tradition perhaps made Pandia the wife of Antiochus, the eponymous hero of Antiochis, one of the ten Athenian tribes (phylai).
The Dionysia was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. They were also an essential part of the Dionysian Mysteries.
The Attic calendar or Athenian calendar is the lunisolar calendar beginning in midsummer with the lunar month of Hekatombaion, in use in ancient Attica, the ancestral territory of the Athenian polis. It is sometimes called the Greek calendar because of Athens's cultural importance, but it is only one of many ancient Greek calendars.
The Lenaia was an annual Athenian festival with a dramatic competition. It was one of the lesser festivals of Athens and Ionia in ancient Greece. The Lenaia took place in Athens in Gamelion, roughly corresponding to January. The festival was in honour of Dionysus Lenaios. There is also evidence the festival also took place in Delphi.
Pyanopsia (Πυανόψια) or Pyanepsia (Πυανέψια) was an ancient Athenian festival held in honor of Apollo in Athens on the 7th day of the month Pyanepsion (October/November). Its name literally means "bean-stewing", in reference to one of the sacred offerings given during this time, and is taken from the Greek words πύανος - pyanos "bean" and ἕψειν - hepsein "to boil".
Lycurgus was a statesman and logographer in Ancient Greece. In the aftermath of the Athenian defeat at the Battle of Chaeronea in 338 BC, he became the leading figure in Athenian politics, taking control of Athenian finances and pushing through a range of measures which drastically increased Athens' revenues. This money was used to expand the navy, improve the city's fortifications, develop the temples and religious ceremonies, and to build up a hefty reserve. He also encouraged the restoration of traditional values and prosecuted those who fell short of his expectations of civic behaviour. Because of his leading role, the period from 338 to 324 BC is often known in modern scholarship as the "Age of Lycurgus."
"On the Crown" is the most famous judicial oration of the prominent Athenian statesman and orator Demosthenes, delivered in 330 BC.
In the theatre of ancient Greece, the choregos was a wealthy Athenian citizen who assumed the public duty, or choregiai, of financing the preparation for the chorus and other aspects of dramatic production that were not paid for by the government of the polis or city-state. Modern Anglicized forms of the word include choragus and choregus, with the accepted plurals being the Latin forms choregi and choragi. In Modern Greek, the word χορηγός is synonymous with the word "grantor".
The Synoikia was an ancient Greek festival held in Athens commemorating the political unification of Attica. It was also called the Thesean Synoikismos and the Feast of Union, and celebrated Theseus as founder of Athens and the goddess Athena as the city's patron goddess. The festival was celebrated in the month of Hekatombeion on the 16th. A two-day festival, on the 15th and the 16th was held every second year.
The Altar of the Twelve Gods, was an important altar and sanctuary at Athens, located in the northwest corner of the Classical Agora. The Altar was set up by Pisistratus the Younger, during his archonship, in 522/1 BC. It marked the central point from which distances from Athens were measured and was a place of supplication and refuge.
The Sanctuary of Pandion is the name sometimes given to the remains of a building located in the south-east corner of the Acropolis of Athens. Its foundations were found during the excavations for the construction of the Old Acropolis Museum (1865–1874).
The festival calendar of Classical Athens involved the staging of many festivals each year. This includes festivals held in honor of Athena, Dionysus, Apollo, Artemis, Demeter, Persephone, Hermes, and Herakles. Other Athenian festivals were based around family, citizenship, sacrifice, and women. There were at least 120 festival days each year.
Robert Christopher Towneley Parker, FBA is a British ancient historian, specialising in ancient Greek religion and Greek epigraphy.
Christiane Sourvinou-Inwood was a scholar in the field of Ancient Greek religion and a highly influential Hellenist.
Pandion was the eponymous hero of the Attic tribe Pandionis, which was created as part of the tribal reforms of Cleisthenes at the end of the sixth century BC. He is usually assumed to be one of the two legendary kings of Athens, Pandion I or Pandion II.
Pandionis was an ancient phyle of Attica. It was one of the original ten tribes in which Athenian citizens were divided after the late 6th century BC reforms of Cleisthenes. The citizens of Pandionis were known as Pandionidae. At the time of its creation, Pandionis was composed of eleven demes, although the number of demes changed in the following centuries. The tribe was named after the eponymous hero Pandion, usually thought to have been either Pandion I or Pandion II, two of the legendary Kings of Athens.