Amasis II or Ahmose II was a pharaoh of the Twenty-sixth Dynasty of Egypt, the successor of Apries at Sais. He was the last great ruler of Egypt before the Persian conquest.
Ḥeḥ was the personification of infinity or eternity in the Ogdoad in ancient Egyptian religion. His name originally meant "flood", referring to the watery chaos Nu that the Egyptians believed existed before the creation of the world. The Egyptians envisioned this chaos as infinite, in contrast with the finite created world, so Heh personified this aspect of the primordial waters. Heh's female counterpart was known as Hauhet, which is simply the feminine form of his name.
In Egyptian mythology, Heryshaf, or Hershef, transcribed in Greek as Harsaphes or Arsaphes was an ancient ram deity whose cult was centered in ancient Heracleopolis Magna. He was identified with Ra and Osiris in ancient Egyptian religion, as well as Dionysus or Heracles in the interpretatio graeca. The identification with Heracles may be related to the fact that in later times his name was sometimes reanalysed as ḥrj-šf.t "He who is over strength". One of his titles was "Ruler of the Riverbanks". Heryshaf was a creator and fertility god who was born from the primordial waters. He was pictured as a ram or a man with a ram's head.
Seshat was the ancient Egyptian goddess of writing, wisdom, and knowledge. She was seen as a scribe and record keeper; her name means "female scribe". She is credited with inventing writing. She also became identified as the goddess of sciences, accounting, architecture, astronomy, astrology, building, mathematics, and surveying.
Sopdet is the ancient Egyptian name of the star Sirius and its personification as an Egyptian goddess. Known to the Greeks as Sothis, she was conflated with Isis as a goddess and Anubis as a god.
Mesori is the twelfth month of the ancient Egyptian and Coptic calendars. It is identical to Nahase in the Ethiopian calendar.
The intercalary month or epagomenal days of the ancient Egyptian, Coptic, and Ethiopian calendars are a period of five days in common years and six days in leap years in addition to those calendars' 12 standard months, sometimes reckoned as their thirteenth month. They originated as a periodic measure to ensure that the heliacal rising of Sirius would occur in the 12th month of the Egyptian lunar calendar but became a regular feature of the civil calendar and its descendants. Coptic and Ethiopian leap days occur in the year preceding Julian and Gregorian leap years.
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original. In ancient Greek and Roman uses it is also known as the anthemion. It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics. It is very often a component of the design of a frieze or border. The complex evolution of the palmette was first traced by Alois Riegl in his Stilfragen of 1893. The half-palmette, bisected vertically, is also a very common motif, found in many mutated and vestigial forms, and especially important in the development of plant-based scroll ornament.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
The flight into Egypt is a story recounted in the Gospel of Matthew and in New Testament apocrypha. Soon after the visit by the Magi, an angel appeared to Joseph in a dream telling him to flee to Egypt with Mary and the infant Jesus since King Herod would seek the child to kill him. The episode is frequently shown in art, as the final episode of the Nativity of Jesus in art, and was a common component in cycles of the Life of the Virgin as well as the Life of Christ. Within the narrative tradition, iconic representation of the "Rest on the Flight into Egypt" developed after the 14th century.
The ancient Egyptian units of measurement are those used by the dynasties of ancient Egypt prior to its incorporation in the Roman Empire and general adoption of Roman, Greek, and Byzantine units of measurement. The units of length seem to have originally been anthropic, based on various parts of the human body, although these were standardized using cubit rods, strands of rope, and official measures maintained at some temples.
The Ptolemaic Kingdom or Ptolemaic Empire was an Ancient Greek state based in Egypt during the Hellenistic period. It was founded in 305 BC by Ptolemy I Soter, a companion of Alexander the Great, and ruled by the Ptolemaic dynasty until the death of Cleopatra VII in 30 BC. Reigning for nearly three centuries, the Ptolemies were the longest and final dynasty of ancient Egypt heralding a distinctly new era for religious syncretism and the blending of a new Greco-Egyptian culture.
Petosiris, called Ankhefenkhons, was the high priest of Thoth at Hermopolis and held various priestly degrees in the service of Sakhmet, Khnum, Amen-Re and Hathor.
The palm branch, or palm frond, is a symbol of victory, triumph, peace, and eternal life originating in the ancient Near East and Mediterranean world. The palm (Phoenix) was sacred in Mesopotamian religions, and in ancient Egypt represented immortality. In Judaism, the lulav, a closed frond of the date palm is part of the festival of Sukkot. A palm branch was awarded to victorious athletes in ancient Greece, and a palm frond or the tree itself is one of the most common attributes of Victory personified in ancient Rome.
Egyptian astronomy began in prehistoric times, in the Predynastic Period. In the 5th millennium BCE, the stone circles at Nabta Playa may have made use of astronomical alignments. By the time the historical Dynastic Period began in the 3rd millennium BCE, the 365 day period of the Egyptian calendar was already in use, and the observation of stars was important in determining the annual flooding of the Nile.
The Battlefield Palette may be the earliest battle scene representation of the dozen or more ceremonial or ornamental cosmetic palettes of ancient Egypt. Along with the others in this series of palettes, including the Narmer Palette, it includes some of the first representations of the figures, or glyphs, that became Egyptian hieroglyphs. Most notable on the Battlefield Palette is the standard, and Man-prisoner hieroglyph, probably the forerunner that gave rise to the concept of the Nine bows.
An artistic canon of body proportions, in the sphere of visual arts, is a formally codified set of criteria deemed mandatory for a particular artistic style of figurative art. The word canon was first used for this type of rule in Classical Greece, where it set a reference standard for body proportions, so as to produce a harmoniously formed figure appropriate to depict gods or kings. Other art styles have similar rules that apply particularly to the representation of royal or divine personalities.
Africa has the world's oldest record of human technological achievement: the oldest stone tools in the world have been found in eastern Africa, and later evidence for tool production by humans' hominin ancestors has been found across West, Central, Eastern and Southern Africa. The history of science and technology in Africa since then has, however, received relatively little attention compared to other regions of the world, despite notable African developments in mathematics, metallurgy, architecture, and other fields.
The Rest on the Flight into Egypt is a subject in Christian art showing Mary, Joseph, and the infant Jesus resting during their flight into Egypt. The Holy Family is normally shown in a landscape.
Renpetneferet is a minor goddess who is credited as being either the sister or the wife of Imhotep in Late Period Egyptian texts. There is no evidence of an individual by this name existing during the reign of King Djoser, although similar names were being used for women during the fourth dynasty.
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