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Dionysus-Osiris, alternatively Osiris-Dionysus, is a deity arising from the syncretism of the Egyptian god Osiris and the Greek god Dionysus.
The two deities had been identified with each other as early as the 5th century BC, as recounted in the Histories of Herodotus: [1]
For no gods are worshipped by all Egyptians in common except Isis and Osiris, who they say is Dionysus; these are worshipped by all alike. [...] Osiris is, in the Greek language, Dionysus.
Other syncretic deities arose from these Egyptian-Greek conflations, including Serapis and Hermanubis.
Dionysus-Osiris was particularly popular in Ptolemaic Egypt, as the Ptolemies claimed descent from Dionysus, and as pharaohs claimed the lineage of Osiris. [2] This association was most notable during a deification ceremony where Mark Antony became Dionysus-Osiris, alongside Cleopatra as Isis-Aphrodite. [3]
In the controversial book The Jesus Mysteries , Osiris-Dionysus is claimed to be the basis of Jesus as a syncretic dying-and-rising god, with early Christianity beginning as a Greco-Roman mystery. [4] The book and its "Jesus Mysteries thesis" have not been accepted by mainstream scholarship, with Bart Ehrman stating that the work is unscholarly. [5]
Osiris was the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother Set cut him up into pieces after killing him, with her sister Nephthys, Osiris' wife, Isis, searched all over Egypt to find each part of Osiris. She collected all but one – Osiris’s manhood. She then wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire.
Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom as one of the main characters of the Osiris myth, in which she resurrects her slain brother and husband, the divine king Osiris, and produces and protects his heir, Horus. She was believed to help the dead enter the afterlife as she had helped Osiris, and she was considered the divine mother of the pharaoh, who was likened to Horus. Her maternal aid was invoked in healing spells to benefit ordinary people. Originally, she played a limited role in royal rituals and temple rites, although she was more prominent in funerary practices and magical texts. She was usually portrayed in art as a human woman wearing a throne-like hieroglyph on her head. During the New Kingdom, as she took on traits that originally belonged to Hathor, the preeminent goddess of earlier times, Isis was portrayed wearing Hathor's headdress: a sun disk between the horns of a cow.
Horus, also known as Heru, Har, Her, or Hor in Ancient Egyptian, is one of the most significant ancient Egyptian deities who served many functions, most notably as the god of kingship, healing, protection, the sun, and the sky. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom and Roman Egypt. Different forms of Horus are recorded in history, and these are treated as distinct gods by Egyptologists. These various forms may be different manifestations of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner falcon or peregrine falcon, or as a man with a falcon head.
The Osiris myth is the most elaborate and influential story in ancient Egyptian mythology. It concerns the murder of the god Osiris, a primeval king of Egypt, and its consequences. Osiris's murderer, his brother Set, usurps his throne. Meanwhile, Osiris's wife Isis restores her husband's body, allowing him to posthumously conceive their son, Horus. The remainder of the story focuses on Horus, the product of the union of Isis and Osiris, who is at first a vulnerable child protected by his mother and then becomes Set's rival for the throne. Their often violent conflict ends with Horus's triumph, which restores maat to Egypt after Set's unrighteous reign and completes the process of Osiris's resurrection.
In ancient Greek religion and myth, Dionysus is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus by the Greeks for a frenzy he is said to induce called baccheia. As Dionysus Eleutherius, his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His thyrsus, a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself.
The Ennead or Great Ennead was a group of nine deities in Egyptian mythology worshipped at Heliopolis: the sun god Atum; his children Shu and Tefnut; their children Geb and Nut; and their children Osiris, Isis, Set, and Nephthys. The Ennead sometimes includes Horus the Elder, an ancient form of the falcon god, not the son of Osiris and Isis.
Sobek, Coptic: Ⲥⲟⲩⲕ, romanized: Souk), also known as Suchus, was an ancient Egyptian deity with a complex and elastic history and nature. He is associated with the sacred and Nile crocodiles and is often represented as a crocodile-headed humanoid, if not as a crocodile outright. Sobek was also associated with pharaonic power, fertility, and military prowess, but served additionally as a protective deity with apotropaic qualities, invoked especially for protecting others from the dangers presented by the Nile.
Agathos Daimon originally was a lesser deity (daemon) of classical ancient Greek religion and Graeco-Egyptian religion. In his original Greek form, he served as a household god, to whom, along with Zeus Soter, libations were made after a meal. In later Ptolemaic antiquity he took on two partially distinct roles; one as the Agathos Daimon a prominent serpentine civic god, who served as the special protector of Alexandria. The other as a genus of serpentine household gods, the Agathoi Daimones, individual protectors of the homes in which they were worshipped.
Interpretatio graeca, or "interpretation by means of Greek [models]", refers to the tendency of the ancient Greeks to identify foreign deities with their own gods. It is a discourse used to interpret or attempt to understand the mythology and religion of other cultures; a comparative methodology using ancient Greek religious concepts and practices, deities, and myths, equivalencies, and shared characteristics.
The study of Jesus in comparative mythology is the examination of the narratives of the life of Jesus in the Christian gospels, traditions and theology, as they relate to Christianity and other religions. Although the vast majority of New Testament scholars and historians of the ancient Near East agree that Jesus existed as a historical figure, most secular historians also agree that the gospels contain large quantities of ahistorical legendary details mixed in with historical information about Jesus's life. The Synoptic Gospels of Mark, Matthew, and Luke are heavily shaped by Jewish tradition, with the Gospel of Matthew deliberately portraying Jesus as a "new Moses". Although it is highly unlikely that the authors of the Synoptic Gospels directly based any of their accounts on pagan mythology, it is possible that they may have subtly shaped their accounts of Jesus's healing miracles to resemble familiar Greek stories about miracles associated with Asclepius, the god of healing and medicine. The birth narratives of Matthew and Luke are usually seen by secular historians as legends designed to fulfill Jewish expectations about the Messiah.
The Jesus Mysteries: Was the "Original Jesus" a Pagan God? is a 1999 book by British authors Timothy Freke and Peter Gandy, which advances the argument that early Christianity originated as a Greco-Roman mystery cult and that Jesus was invented by early Christians based on an alleged pagan cult of a dying and rising "godman" known as Osiris-Dionysus, whose worship the authors claim was manifested in the cults of Osiris, Dionysus, Attis, and Mithras.
Serapis or Sarapis is a Graeco-Egyptian god. A syncretic deity derived from the worship of the Egyptian Osiris and Apis, Serapis was extensively popularized in the third century BC on the orders of Greek Pharaoh Ptolemy I Soter, as a means to unify the Greek and Egyptian subjects of the Ptolemaic Kingdom.
Kemetism, or Kemetic paganism, is a neopagan religion and revival of the ancient Egyptian religion, emerging during the 1970s. A Kemetic or Kemetic pagan is one who follows Kemetism.
The traditional Berber religion is the sum of ancient and native set of beliefs and deities adhered to by the Berbers. Originally, the Berbers seem to have believed in worship of the sun and moon, animism and in the afterlife, but interactions with the Phoenicians, Greeks and Romans influenced religious practice and melted traditional faiths with new ones.
The concept of Hellenistic religion as the late form of Ancient Greek religion covers any of the various systems of beliefs and practices of the people who lived under the influence of ancient Greek culture during the Hellenistic period and the Roman Empire. There was much continuity in Hellenistic religion: people continued to worship the Greek gods and to practice the same rites as in Classical Greece.
A triad, in a religious context, refers to a grouping of three gods, usually by importance or similar roles. A triad of gods were usually not considered to be one in the same being, or different aspects of a single deity as in a Trinity or Triple deity.
Deities depicted with horns or antlers are found in numerous religions across the world. Horned animals, such as bulls, goats, and rams, may be worshiped as deities or serve as inspiration for a deity's appearance in religions that venerate animal gods. Many pagan religions include horned gods in their pantheons, such as Pan in Greek mythology and Ikenga in Odinala. Some neopagan religions have reconstructed these deities into the concept of the Horned God, representing the male aspect of divinity in Wiccan belief.
The mysteries of Isis were religious initiation rites performed in the cult of the Egyptian goddess Isis in the Greco-Roman world. They were modeled on other mystery rites, particularly the Eleusinian mysteries in honor of the Greek goddesses Demeter and Persephone, and originated sometime between the third century BCE and the second century CE. Despite their mainly Hellenistic origins, the mysteries alluded to beliefs from ancient Egyptian religion, in which the worship of Isis arose, and may have incorporated aspects of Egyptian ritual. Although Isis was worshipped across the Greco-Roman world, the mystery rites are only known to have been practiced in a few regions. In areas where they were practiced, they served to strengthen devotees' commitment to the Isis cult, although they were not required to worship her exclusively, and devotees may have risen in the cult's hierarchy by undergoing initiation. The rites may also have been thought to guarantee that the initiate's soul, with the goddess's help, would continue after death into a blissful afterlife.
Dionysus, the god of wine, theatre, and ecstasy in ancient Greek religion, has been compared to many other deities, both by his classical worshippers and later scholars. These deities include figures outside of ancient Greek religion, such as Jesus, Osiris, Shiva, and Tammuz, as well as figures inside of ancient Greek religion, such as Hades.
Several non-native societies had an influence on Ancient Pompeian culture. Historians’ interpretation of artefacts, preserved by the Eruption of Mount Vesuvius in 79, identify that such foreign influences came largely from Greek and Hellenistic cultures of the Eastern Mediterranean, including Egypt. Greek influences were transmitted to Pompeii via the Greek colonies in Magna Graecia, which were formed in the 8th century BC. Hellenistic influences originated from Roman commerce, and later conquest of Egypt from the 2nd century BC.
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