Anubis, also known as Inpu, Inpw, Jnpw, or Anpu in Ancient Egyptian is the god of funerary rites, protector of graves, and guide to the underworld, in ancient Egyptian religion, usually depicted as a canine or a man with a canine head.
Osiris is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire.
Pharaoh is the vernacular term often used for the monarchs of ancient Egypt, who ruled from the First Dynasty until the annexation of Egypt by the Roman Empire in 30 BC. However, regardless of gender, "king" was the term used most frequently by the ancient Egyptians for their monarchs through the middle of the Eighteenth Dynasty during the New Kingdom. The earliest confirmed instances of "pharaoh" used contemporaneously for a ruler were a letter to Akhenaten or an inscription possibly referring to Thutmose III.
Nephthys or Nebet-Het in ancient Egyptian was a goddess in ancient Egyptian religion. A member of the Great Ennead of Heliopolis in Egyptian mythology, she was a daughter of Nut and Geb. Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set.
Amunet or Imnt ; also spelled Amonet or Amaunet; Koinē Greek: Αμαυνι) is a primordial goddess in ancient Egyptian religion. Thebes was the center of her worship through the last dynasty, the Ptolemaic Kingdom, in 30 BC. She is attested in the earliest known of Egyptian religious texts and, as was the custom, was paired with a counterpart who is entitled with the same name, but in the masculine, Amun. They were thought to have existed prior to the beginning of creation along with three other couples representing primeval concepts.
Ammit was an ancient Egyptian goddess with the forequarters of a lion, the hindquarters of a hippopotamus, and the head of a crocodile—the three largest "man-eating" animals known to ancient Egyptians. In ancient Egyptian religion, Ammit played an important role during the funerary ritual, the Judgment of the Dead.
In ancient Egyptian religion, Apis or Hapis, alternatively spelled Hapi-ankh, was a sacred bull worshiped in the Memphis region, identified as the son of Hathor, a primary deity in the pantheon of ancient Egypt. Initially, he was assigned a significant role in her worship, being sacrificed and reborn. Later, Apis also served as an intermediary between humans and other powerful deities.
The Book of the Dead is an ancient Egyptian funerary text generally written on papyrus and used from the beginning of the New Kingdom to around 50 BCE. The original Egyptian name for the text, transliterated r(ꜣ)w n(y)w prt m hrw(w), is translated as Book of Coming Forth by Day or Book of Emerging Forth into the Light. "Book" is the closest term to describe the loose collection of texts consisting of a number of magic spells intended to assist a dead person's journey through the Duat, or underworld, and into the afterlife and written by many priests over a period of about 1,000 years. Karl Richard Lepsius introduced for these texts the German name Todtenbuch, translated to English as Book of the Dead.
Canopic jars are containers that were used by the ancient Egyptians during the mummification process, to store and preserve the viscera of their owner for the afterlife. They were commonly either carved from limestone, or were made of pottery. These jars were used by the ancient Egyptians from the time of the Old Kingdom, until the time of the Late Period or the Ptolemaic Period, by which time the viscera were simply wrapped and placed with the body. The viscera were not kept in a single canopic jar: each jar was reserved for specific organs. The term canopic reflects the mistaken association by early Egyptologists with the Greek legend of Canopus – the boat captain of Menelaus on the voyage to Troy – "who was buried at Canopus in the Delta where he was worshipped in the form of a jar". In alternative versions, the name derives from the location Canopus in the western Nile Delta near Alexandria, where human-headed jars were worshipped as personifications of the god Osiris.
The ankh or key of life is an ancient Egyptian hieroglyphic symbol used in Egyptian art and writing to represent the word for "life" and, by extension, as a symbol of life itself.
The tomb of Tutankhamun, also known by its tomb number, KV62, is the burial place of Tutankhamun, a pharaoh of the Eighteenth Dynasty of ancient Egypt, in the Valley of the Kings. The tomb consists of four chambers and an entrance staircase and corridor. It is smaller and less extensively decorated than other Egyptian royal tombs of its time, and it probably originated as a tomb for a non-royal individual that was adapted for Tutankhamun's use after his premature death. Like other pharaohs, Tutankhamun was buried with a wide variety of funerary objects and personal possessions, such as coffins, furniture, clothing and jewelry, though in the unusually limited space these goods had to be densely packed. Robbers entered the tomb twice in the years immediately following the burial, but Tutankhamun's mummy and most of the burial goods remained intact. The tomb's low position, dug into the floor of the valley, allowed its entrance to be hidden by debris deposited by flooding and tomb construction. Thus, unlike other tombs in the valley, it was not stripped of its valuables during the Third Intermediate Period.
The was sceptre is a symbol that appeared often in relics, art, and hieroglyphs associated with the ancient Egyptian religion. It appears as a stylized animal head at the top of a long, straight staff with a forked end.
The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals included mummifying the body, casting magic spells, and burials with specific grave goods thought to be needed in the afterlife.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs.
The four sons of Horus were a group of four deities in ancient Egyptian religion who were believed to protect deceased people in the afterlife. Beginning in the First Intermediate Period of Egyptian history, they were especially connected with the four canopic jars that housed the internal organs that were removed from the body of the deceased during the process of mummification. Most commonly, Imsety protected the liver, Hapy the lungs, Duamutef the stomach, and Qebehsenuef the intestines, but this pattern often varied. The canopic jars were given lids that represented the heads of the sons of Horus. Although they were originally portrayed as humans, in the latter part of the New Kingdom they took on their most distinctive iconography, in which Imsety is portrayed as a human, Hapy as a baboon, Duamutef as a jackal and Qebehsenuef as a falcon. The four sons were also linked with stars in the sky, with regions of Egypt, and with the four corners of the cosmos or the cardinal directions.
The Egyptian civilization used a number of different crowns throughout its existence. Some were used to show authority, while others were used for religious ceremonies. Each crown was worn by different pharaohs or deities, and each crown had its own significance and symbolic meaning. The crowns include the Atef, the Deshret, the Hedjet, the Khepresh, the Pschent, and the Hemhem.
This is a glossary of ancient Egypt artifacts.
The sekhem scepter is a type of ritual scepter in ancient Egypt. As a symbol of authority, it is often incorporated in names and words associated with power and control. The sekhem scepter is related to the kherp scepter and the aba scepter, which are all represented with the same hieroglyphic symbol. These scepters resembled a flat paddle on a papyrus umbel handle. Its symbolic role may have originated in Abydos as a fetish of Osiris. The shape of the scepter might have derived from professional tools.
The Anubis Shrine was part of the burial equipment of the 18th Dynasty pharaoh Tutankhamun, whose tomb in the Valley of the Kings was discovered almost intact in 1922 by Egyptologists led by Howard Carter. Today the object, with the find number 261, is on display at the Egyptian Museum in Cairo, with the inventory number JE 61444.
Black-topped pottery is a specialized type of Ancient Egyptian pottery that was found in Nubian archaeological sites, including Elephantine, an island on the Nile River, Nabta Playa in the Nubian Desert, and Kerma in present-day Sudan. This type of artifact dates predominantly to the Predynastic Period, but “a handful of examples made in the Early Dynastic Period are known to exist.” These vessels were used “exclusively for ritual and funerary purposes” and were discovered in ancient cemeteries and settlements. The majority of these pots are variations of the Egyptian hes-jar form and feature red bodies with black tops and interiors. The red color is derived from the natural iron that occurs within Nile silts which oxidizes upon firing, and the black top and interior is a product of reduction firing and carbon smudging.
