| Meret | |
|---|---|
 Meret standing atop the hieroglyph for gold wearing a Vulture crown | |
| Symbol | Blue lotus Papyrus reed |
| Personal information | |
| Spouse | Hapi |
In Egyptian mythology, Meret (also spelled Mert) was a goddess who was strongly associated with rejoicing, such as singing and dancing.
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Meret was a token wife occasionally given to Hapy, the god of the Nile flood. Her name being a reference to this, meaning simply the beloved. As token wife, she was usually depicted with the same associations as Hapy, having on her head either the blue lotus for Upper Egypt, or the papyrus plant for Lower Egypt. Since Hapy was the source of bountifulness, Meret was usually depicted with an offering bowl, as she was seen, being his wife, as the symbolic recipient of his generosity.
Among the lower classes, where nationalism was less important than successful harvest, she was more strongly considered the wife of Hapy than the protectresses of Lower and Upper Egypt, which were more normally his wife in the upper classes. As a deity whose role was to be the symbolic receiver of bounty from the inundation of the Nile, she was strongly associated with rejoicing, such as singing and dancing. [1] Later stories tell that Meret was the goddess of the eighth hour, in the Book of Gates.
In Egyptian history, the Upper and Lower Egypt period was the final stage of prehistoric Egypt and directly preceded the unification of the realm. The conception of Egypt as the Two Lands was an example of the dualism in ancient Egyptian culture and frequently appeared in texts and imagery, including in the titles of Egyptian pharaohs.
Mut, also known as Maut and Mout, was a mother goddess worshipped in ancient Egypt. Her name means mother in the ancient Egyptian language. Mut had many different aspects and attributes that changed and evolved greatly over the thousands of years of ancient Egyptian culture.
Bastet or Bast is a goddess of ancient Egyptian religion, worshipped as early as the Second Dynasty. Her name also is rendered as B'sst, Baast, Ubaste, and Baset. In ancient Greek religion, she was known as Ailuros.
Neith was an early ancient Egyptian deity. She was said to be the first and the prime creator, who created the universe and all it contains, and that she governs how it functions. She was the goddess of the cosmos, fate, wisdom, water, rivers, mothers, childbirth, hunting, weaving, and war.
Hapi was the god of the annual flooding of the Nile in ancient Egyptian religion. The flood deposited rich silt on the river's banks, allowing the Egyptians to grow crops. Hapi was greatly celebrated among the Egyptians. Some of the titles of Hapi were "Lord of the Fish and Birds of the Marshes" and "Lord of the River Bringing Vegetation". Hapi is typically depicted as an androgynous figure with a prominent belly and large drooping breasts, wearing a loincloth and ceremonial false beard, depicted in hieroglyphics as an intersex person.
Hathor was a major goddess in ancient Egyptian religion who played a wide variety of roles. As a sky deity, she was the mother or consort of the sky god Horus and the sun god Ra, both of whom were connected with kingship, and thus she was the symbolic mother of their earthly representatives, the pharaohs. She was one of several goddesses who acted as the Eye of Ra, Ra's feminine counterpart, and in this form she had a vengeful aspect that protected him from his enemies. Her beneficent side represented music, dance, joy, love, sexuality, and maternal care, and she acted as the consort of several male deities and the mother of their sons. These two aspects of the goddess exemplified the Egyptian conception of femininity. Hathor crossed boundaries between worlds, helping deceased souls in the transition to the afterlife.
Wadjet, known to the Greek world as Uto or Buto among other renderings including Wedjat, Uadjet, and Udjo, was originally the ancient Egyptian local goddess of the city of Dep. It became part of the city that the Egyptians named Per-Wadjet and the Greeks called Buto, also being the capital of the 6th lower Egyptian nome, Wadjet it's patron deity, which was an important site in prehistoric Egypt and the cultural developments of the Paleolithic. There was also a Per-Wadjet in Upper Egypt.
Satet,Satit or Satjet, Satjit in Ancient Egyptian, Greek: Satis, also known by numerous related names, was an Upper Egyptian goddess who, along with Khnum and Anuket, formed part of the Elephantine Triad. A protective deity of Egypt's southern border with Nubia, she came to personify the former annual flooding of the Nile and to serve as a war, hunting, and fertility goddess.
Anuket was the ancient Egyptian goddess of the cataracts of the Nile and Lower Nubia in general, worshipped especially at Elephantine near the First Cataract.
Shesmu is an ancient Egyptian deity with a contradictory character. He was worshiped from the early Old Kingdom period.
The Uraeus, or Ouraeus, (plural: Uraei) is the stylized, upright form of an Egyptian cobra, used as a symbol of sovereignty, royalty, deity and divine authority in ancient Egypt.
The Eye of Ra or Eye of Re is a being in ancient Egyptian mythology that functions as a feminine counterpart to the sun god Ra and a violent force that subdues his enemies. The eye is an extension of Ra's power, equated with the disk of the sun, but it often behaves as an independent goddess. This goddess can be equated with several particular deities, including Hathor, Sekhmet, Bastet, Raet-Tawy, and Mut. The eye goddess acts as mother, sibling, consort, and daughter of the sun god. She is his partner in the creative cycle in which he begets the renewed form of himself that is born at dawn. The eye's violent aspect defends Ra against the agents of disorder that threaten his rule. This dangerous aspect of the eye goddess is often represented by a lioness or by the uraeus, or cobra, a symbol of protection and royal authority. The Eye of Ra is similar to the Eye of Horus, which represents many of the same concepts. The disastrous fury and rampages of the eye goddess and the efforts of the gods to appease her are a prominent motif in Egyptian mythology.
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original. In ancient Greek and Roman uses it is also known as the anthemion. It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics. It is very often a component of the design of a frieze or border. The complex evolution of the palmette was first traced by Alois Riegl in his Stilfragen of 1893. The half-palmette, bisected vertically, is also a very common motif, found in many mutated and vestigial forms, and especially important in the development of plant-based scroll ornament.
Imentet was a goddess in ancient Egyptian religion representing the necropolises west of the Nile.
The four sons of Horus were a group of four deities in ancient Egyptian religion who were believed to protect deceased people in the afterlife. Beginning in the First Intermediate Period of Egyptian history, Imsety, Hapy, Duamutef, and Qebehsenuef were especially connected with the four canopic jars that housed the internal organs that were removed from the body of the deceased during the process of mummification. Most commonly, Imsety protected the liver, Hapy the lungs, Duamutef the stomach, and Qebehsenuef the intestines, but this pattern often varied. The canopic jars were given lids that represented the heads of the sons of Horus. Although they were originally portrayed as humans, in the latter part of the New Kingdom, they took on their most distinctive iconography, in which Imsety is portrayed as a human, Hapy as a baboon, Duamutef as a jackal, and Qebehsenuef as a falcon. The four sons were also linked with stars in the sky, with regions of Egypt, and with the cardinal directions.
The Egyptian civilization used a number of different crowns throughout its existence. Some were used to show authority, while others were used for religious ceremonies. Each crown was worn by different pharaohs or deities, and each crown had its own significance and symbolic meaning. The crowns include the Atef, the Deshret, the Hedjet, the Khepresh, the Pschent, and the Hemhem.
Ra or Re was the ancient Egyptian deity of the sun. By the Fifth Dynasty, in the 25th and 24th centuries BC, he had become one of the most important gods in ancient Egyptian religion, identified primarily with the noon-day sun. Ra ruled in all parts of the created world: the sky, the earth, and the underworld. He was believed to have ruled as the first pharaoh of Ancient Egypt. He was the god of the sun, order, kings and the sky.
Heqet, sometimes spelled Heket, is an Egyptian goddess of fertility, identified with Hathor, represented in the form of a frog. To the Egyptians, the frog was an ancient symbol of fertility, related to the annual flooding of the Nile. Heqet was originally the female counterpart of Khnum, or the wife of Khnum by whom she became the mother of Her-ur. It has been proposed that her name is the origin of the name of Hecate, the Greek goddess of witchcraft.
Women in ancient Egypt had some special rights other women did not have in other comparable societies. They could own property and were, at court, legally equal to men. However, Ancient Egypt was a patriarchal society dominated by men. Only a few women are known to have important positions in administration, though there were female rulers and even female pharaohs. Women at the royal court gained their positions by relationship to male kings.
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