The Contendings of Horus and Seth | |
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Size | length: 55 cm |
Created | c. 1147 BC |
Discovered | 1931 Luxor, Luxor Governorate, Egypt |
Present location | Dublin, County Dublin, Ireland |
"The Contendings of Horus and Seth" is a mythological story from the Twentieth Dynasty of Egypt found in the first sixteen pages of the Chester Beatty Papyri and deals with the battles between Horus and Seth to determine who will succeed Osiris as king.
The Papyrus Chester Beatty I dates to the Twentieth Dynasty during the reign of Ramesses V (reigned 1149–1145 BCE) and likely came from a scribe's collection that was recorded for personal entertainment (Chester Beatty Pap I, Oxford). The papyrus contains the story of The Contendings of Horus and Seth as well as various other poetic love songs. The original provenience of the papyrus was Thebes. When found, the papyrus measured 55 cm (22 in) and had been torn and crushed. [1] The papyrus was published by the Oxford University Press in 1931 and currently is located in the Chester Beatty Library in Dublin. [2]
Arguably the most important part of the Chester Beatty Papyrus I is the mythological story of "The Contendings of Horus and Seth" which deals with the battles between Horus and Seth to see who will be the successor to the throne of Osiris. The specific time of the Contendings is a period during which the fighting has temporarily stopped and Seth and Horus have brought their case before the Ennead. Throughout the story, Horus and Seth have various competitions to see who will be king. Horus beats Seth each time. The beginning of the story is a sort of a trial when both Seth and Horus plead their cases and the deities of the Ennead state their opinions. Later in the story, Seth fights with Horus and after several long battles Horus finally wins and becomes the king.
The story of "The Contendings of Horus and Seth" is important to Egyptian society because of its significance to kingship. The story reflects the customary pattern of inheritance for kingship in Ancient Egypt: father to son. The story is also significant to the idea of divine kingship because it sets up the idea of the triad of Osiris as the dead king, Horus as the living king on earth, and Isis as the king's mother.
Many researchers and Egyptologists have dealt with "The Contendings of Horus and Seth". John Gwyn Griffiths, for example, talks about the whole conflict between Horus and Seth in his book The Conflict of Horus and Set. In the book, Griffiths discusses the different aspects of the ongoing battle for the office of Osiris, including the mutilations, homosexual episode, and the trial. Griffiths argues that the myth is of political and historical origin and that the story of Horus and Seth has to do with tribal struggles before the unification of Egypt. [5] Other historians have discarded this idea when it comes to "The Contendings of Horus and Seth" and say that this particular story was created simply as a religious myth and that it should not be considered of historical context (Oxford Encyclopedia of Ancient Egypt).
In Ancient Egyptian Literature, Antonio Loprieno argues that the Contendings is one of the first instances of "mythology as a textual genre" and when mythology enters the literary field. He says that this has to do with the story as a political satire (Loprieno 50) [6]
In the Oxford publication of the Chester Beatty Papyrus I that contains "The Contendings of Horus and Seth", the discussion is conducted by Alan H. Gardiner, where he compares the story with the stories of the Greek deities and of Homer's Odyssey.
Osiris was the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother Set cut him up into pieces after killing him, with her sister Nephthys, Osiris' wife, Isis, searched all over Egypt to find each part of Osiris. She collected all but one – Osiris’s manhood. She then wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire.
Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom as one of the main characters of the Osiris myth, in which she resurrects her slain brother and husband, the divine king Osiris, and produces and protects his heir, Horus. She was believed to help the dead enter the afterlife as she had helped Osiris, and she was considered the divine mother of the pharaoh, who was likened to Horus. Her maternal aid was invoked in healing spells to benefit ordinary people. Originally, she played a limited role in royal rituals and temple rites, although she was more prominent in funerary practices and magical texts. She was usually portrayed in art as a human woman wearing a throne-like hieroglyph on her head. During the New Kingdom, as she took on traits that originally belonged to Hathor, the preeminent goddess of earlier times, Isis was portrayed wearing Hathor's headdress: a sun disk between the horns of a cow.
Horus, also known as Hor in Ancient Egyptian, is one of the most significant ancient Egyptian deities who served many functions, most notably as the god of kingship, healing, protection, the sun, and the sky. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom and Roman Egypt. Different forms of Horus are recorded in history, and these are treated as distinct gods by Egyptologists. These various forms may be different manifestations of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner falcon or peregrine falcon, or as a man with a falcon head.
The Osiris myth is the most elaborate and influential story in ancient Egyptian mythology. It concerns the murder of the god Osiris, a primeval king of Egypt, and its consequences. Osiris's murderer, his brother Set, usurps his throne. Meanwhile, Osiris's wife Isis restores her husband's body, allowing him to posthumously conceive their son, Horus. The remainder of the story focuses on Horus, the product of the union of Isis and Osiris, who is at first a vulnerable child protected by his mother and then becomes Set's rival for the throne. Their often violent conflict ends with Horus's triumph, which restores maat to Egypt after Set's unrighteous reign and completes the process of Osiris's resurrection.
Set is a god of deserts, storms, disorder, violence, and foreigners in ancient Egyptian religion. In Ancient Greek, the god's name is given as Sēth. Set had a positive role where he accompanies Ra on his barque to repel Apep (Apophis), the serpent of Chaos. Set had a vital role as a reconciled combatant. He was lord of the Red Land (desert), where he was the balance to Horus' role as lord of the Black Land.
Nephthys or Nebet-Het in ancient Egyptian was a goddess in ancient Egyptian religion. A member of the Great Ennead of Heliopolis in Egyptian mythology, she was a daughter of Nut and Geb. Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set.
The Ennead or Great Ennead was a group of nine deities in Egyptian mythology worshipped at Heliopolis: the sun god Atum; his children Shu and Tefnut; their children Geb and Nut; and their children Osiris, Isis, Set, and Nephthys. The Ennead sometimes includes Horus the Elder, an ancient form of the falcon god, not the son of Osiris and Isis.
Hathor was a major goddess in ancient Egyptian religion who played a wide variety of roles. As a sky deity, she was the mother or consort of the sky god Horus and the sun god Ra, both of whom were connected with kingship, and thus she was the symbolic mother of their earthly representatives, the pharaohs. She was one of several goddesses who acted as the Eye of Ra, Ra's feminine counterpart, and in this form, she had a vengeful aspect that protected him from his enemies. Her beneficent side represented music, dance, joy, love, sexuality, and maternal care, and she acted as the consort of several male deities and the mother of their sons. These two aspects of the goddess exemplified the Egyptian conception of femininity. Hathor crossed boundaries between worlds, helping deceased souls in the transition to the afterlife.
The Chester Beatty Library, now known as the Chester Beatty, is a museum and library in Dublin. It was established in Ireland in 1953, to house the collections of mining magnate, Sir Alfred Chester Beatty. The present museum, on the grounds of Dublin Castle, opened on 7 February 2000, the 125th anniversary of Beatty's birth and was named European Museum of the Year in 2002.
This is an index of Egyptian mythology articles.
The Eye of Horus, also known as left wedjat eye or udjat eye, specular to the Eye of Ra, is a concept and symbol in ancient Egyptian religion that represents well-being, healing, and protection. It derives from the mythical conflict between the god Horus with his rival Set, in which Set tore out or destroyed one or both of Horus's eyes and the eye was subsequently healed or returned to Horus with the assistance of another deity, such as Thoth. Horus subsequently offered the eye to his deceased father Osiris, and its revitalizing power sustained Osiris in the afterlife. The Eye of Horus was thus equated with funerary offerings, as well as with all the offerings given to deities in temple ritual. It could also represent other concepts, such as the moon, whose waxing and waning was likened to the injury and restoration of the eye.
Heliopolitans are a fictional group of gods, based on Ancient Egyptian deities, appearing in American comic books published by Marvel Comics.
Egyptian medical papyri are ancient Egyptian texts written on papyrus which permit a glimpse at medical procedures and practices in ancient Egypt. These papyri give details on disease, diagnosis, and remedies of disease, which include herbal remedies, surgery, and magical incantations. Many of these papyri have been lost due to grave robbery. The largest study of the medical papyri to date has been undertaken by Humboldt University of Berlin and was titled Medizin der alten Ägypter.
Homosexuality in ancient Egypt is a disputed subject within Egyptology. Historians and egyptologists alike debate what kinds of views the ancient Egyptians' society fostered about homosexuality. Only a handful of direct clues survive, and many possible indications are vague and subject to speculation.
John Gwyn Griffiths was a Welsh poet, Egyptologist and nationalist political activist who spent the largest span of his career lecturing at Swansea University.
Ra or Re was the ancient Egyptian deity of the Sun. By the Fifth Dynasty, in the 25th and 24th centuries BC, he had become one of the most important gods in ancient Egyptian religion, identified primarily with the noon-day sun. Ra ruled in all parts of the created world: the sky, the Earth, and the underworld. He was believed to have ruled as the first pharaoh of Ancient Egypt. He was the god of the sun, order, kings and the sky.
Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world around them. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.
Geb, also known as Ceb, was the Egyptian god of the Earth and a mythological member of the Ennead of Heliopolis. He could also be considered a father of snakes. It was believed in ancient Egypt that Geb's laughter created earthquakes and that he allowed crops to grow.
This page list topics related to ancient Egypt.
"The Blinding of Truth by Falsehood", also known as The Tale of Truth and Falsehood, is an Ancient Egyptian story from the 19th Dynasty of the New Kingdom Period. It is found on Papyrus Chester Beatty II and narrates the dispute that occurs between Maat (Truth), his unnamed son, and Gereg (Falsehood).