The modius is a type of flat-topped cylindrical headdress or crown found in ancient Egyptian art and art of the Greco-Roman world. The name was given by modern scholars based on its resemblance to the jar used as a Roman unit of dry measure, [1] [2] but it probably does represent a grain-measure, and symbolizing one's ability to learn new information by having an open mind with an empty cup. Serapis was the main idol/figurehead at the Library of Alexandria during the ancient Egyptian & Roman alliance.
The modius is worn by certain deities, including the Eleusinian deities and their Roman counterparts, the Ephesian Artemis and certain other forms of the goddess, [3] Hecate, and Serapis. [4] Personifications of Genius often wore the modius. On some deities it represents fruitfulness. [5]
It is thought to be a form mostly restricted to supernatural beings in art, and rarely worn in real life, with two probable exceptions. A tall modius is part of the complex headdress used for depictions of Egyptian royal women, often ornamented variously with symbols, vegetative motifs, and the uraeus. [6] It was also the distinctive headdress of Palmyrene priests. [7] [8]
Osiris is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire.
Pharaoh is the vernacular term often used for the monarchs of ancient Egypt, who ruled from the First Dynasty until the annexation of Egypt by the Roman Republic in 30 BCE. However, regardless of gender, "king" was the term used most frequently by the ancient Egyptians for their monarchs through the middle of the Eighteenth Dynasty during the New Kingdom. The earliest confirmed instances of "pharaoh" used contemporaneously for a ruler were a letter to Akhenaten or an inscription possibly referring to Thutmose III.
Mut, also known as Maut and Mout, was a mother goddess worshipped in ancient Egypt. Her name means mother in the ancient Egyptian language. Mut had many different aspects and attributes that changed and evolved greatly over the thousands of years of ancient Egyptian culture.
In ancient Egyptian religion, Apis or Hapis, alternatively spelled Hapi-ankh, was a sacred bull or multiple sacred bulls worshiped in the Memphis region, identified as the son of Hathor, a primary deity in the pantheon of ancient Egypt. Initially, he was assigned a significant role in her worship, being sacrificed and reborn. Later, Apis also served as an intermediary between humans and other powerful deities.
Bes, together with his feminine counterpart Beset, is an ancient Egyptian deity, likely of Kushite/Nubian or Nehesi C-Group culture origin worshipped as a protector of households and, in particular, of mothers, children, and childbirth. Bes later came to be regarded as the defender of everything good and the enemy of all that is bad. According to Donald Mackenzie in 1907, Bes may have been a Middle Kingdom import from Nubia or Somalia, and his cult did not become widespread until the beginning of the New Kingdom, but more recently several Bes-like figurines have been found in deposits from the Naqada period of pre-dynastic Egypt, like the thirteen figurines found at Tell el-Farkha.
The Uraeus or Ouraeus is the stylized, upright form of an Egyptian cobra, used as a symbol of sovereignty, royalty, deity and divine authority in ancient Egypt.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
In ancient Egypt, cats were represented in social and religious scenes dating as early as 1980 BC. Several ancient Egyptian deities were depicted and sculptured with cat-like heads such as Mafdet, Bastet and Sekhmet, representing justice, fertility, and power, respectively. The deity Mut was also depicted as a cat and in the company of a cat.
Serapis or Sarapis is a Graeco-Egyptian god. A syncretic deity derived from the worship of the Egyptian Osiris and Apis, Serapis was extensively popularized in the third century BC on the orders of Greek Pharaoh Ptolemy I Soter, as a means to unify the Greek and Egyptian subjects of the Ptolemaic Kingdom.
The Egyptian civilization used a number of different crowns throughout its existence. Some were used to show authority, while others were used for religious ceremonies. Each crown was worn by different pharaohs or deities, and each crown had its own significance and symbolic meaning. In early Egypt, one significant and important characteristic of the many crowns, was the color white. The color symbolized kingship or nisut in the early periods and Upper Egypt. The color blue was also an important color from the 18th Dynasty on. The crowns include the Atef, the Deshret, the Hedjet, the Khepresh, the Pschent, and the Hemhem.
The khepresh (ḫprš) was an ancient Egyptian royal headdress. It is also known as the blue crown or war crown. New Kingdom pharaohs are often depicted wearing it in battle, but it was also frequently worn in ceremonies. While it was once called the war crown by many, modern historians refrain from characterizing it thus.
Nemes were pieces of striped head cloth worn by pharaohs in ancient Egypt. It covered the whole crown and behind of the head and nape of the neck and had lappets, two large flaps which hung down behind the ears and in front of both shoulders. It was sometimes combined with the double crown, as it is on the statues of Ramesses II at Abu Simbel. The earliest depiction of the nemes, along with a uraeus, is the ivory label of Den from the 1st Dynasty. It is not a crown in itself, but still symbolizes the pharaoh's power.
A radiant or radiate crown, also known as a solar crown, sun crown, Eastern crown, or tyrant's crown, is a crown, wreath, diadem, or other headgear symbolizing the Sun or more generally powers associated with the Sun. Apart from the Ancient Egyptian form of a disc between two horns, it is shaped with a number of narrowing bands going outwards from the wearer's head, to represent the rays of the Sun. These may be represented either as flat, on the same plane as the circlet of the crown, or rising at right angles to it.
Hemhem crown was an ancient Egyptian ceremonial headgear. The hemhem crown consisted of three atefs, two uraei, two ram's horns, and three to six solar disks. The first appearance of the hemhem crown is during the reign of Akhenaten in the 14th century BC, appearing as an alternative to the atef crown, and it underwent development between the 18th and 21st dynasties. Gods like Heka, Isis, and Osiris also appeared with the hemhem crown, and during the Greco-Roman period, solar deities were also depicted wearing it in some temples.
The Tomb of Panehsy is a sepulchre in Amarna, Upper Egypt. It was erected for the noble Panehsy who bore the titles the First servant of the Aten in the house of Aten in Akhet-Aten, Second prophet of the Lord of the Two Lands Neferkheprure-Waenre (Akhenaten), the sealbearer of the King of Lower Egypt, Overseer of the storehouse of the Aten in Akhetaten, Overseer of cattle of the Aten in Akhet-Aten.
Palmyrene funerary reliefs are almost 4,000 busts on decorative slabs closing burial niches inside underground tombs, produced in Palmyra over three centuries from the middle of the first century BC. It is the largest corpus of portrait sculpture in the Roman world outside Rome and the largest collection of funerary representations from one place in the classical world.
The Vulture crown was an ancient Egyptian crown worn by Great Royal Wives and female pharaohs. It was depicted as a headdress in the shape of a vulture draped over the head, with its wings hanging down on the sides. It was a symbol of protection associated with the vulture goddess Nekhbet, who often wore this crown when depicted in a human form. These crowns were frequently worn by the Great Royal Wife, high ranking priestesses, and female pharaohs. These crowns were also sometimes equipped with the Uraeus to symbolize Wadjet, representing both Upper (Nekhbet) and Lower Egypt (Wadjet).
The colossal statue of Amenhotep III and Tiye is a monolith group statue of Egyptian pharaoh Amenhotep III of the eighteenth dynasty, his Great Royal Wife Tiye, and three of their daughters. It is the largest known dyad ever carved. The statue originally stood in Medinet Habu, Western Thebes; today it is the centerpiece of the main hall of the Egyptian Museum in Cairo.
The Temple of the Gadde is a temple in the modern-day Syrian city of Dura-Europos, located near the agora. It contained reliefs dedicated to the tutelary deities of Dura-Europos and the nearby city of Palmyra, after whom the temple was named by its excavators. The temple was excavated between 1934 and January 1936 by the French/American expedition of Yale University, led by Michael Rostovtzeff.
Odaenathus, the king of Palmyra from 260 to 267 CE, has been identified by modern scholars as the subject of sculptures, seal impressions, and mosaic pieces. His city was part of the Roman Empire, and he came to dominate the Roman East when in 260 he defeated Shapur I, the Sasanian emperor of Persia, who had invaded the Roman Empire. Odaenathus besieged the Sasanian capital Ctesiphon in 263, and although the city did not fall, the campaign led to a full restoration of Roman provinces taken by Shapur I. In the aftermath of his Persian war, Odaenathus assumed the title King of Kings, which was a challenge to the Persian monarch's claims of authority in the region. Odaenathus ruled the Roman East unopposed with imperial consent. In 267, he was assassinated alongside his eldest son Herodianus while conducting a campaign against Germanic raiders in Bithynia; he was succeeded by his son Vaballathus under the regency of the widow queen Zenobia.