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The keffiyeh or kufiyyeh (Arabic : كُوفِيَّة, romanized: kūfiyya, lit. ' coif '), [1] also known in Arabic as a hattah (حَطَّة, ḥaṭṭa), is a traditional headdress worn by men from parts of the Middle East. It is fashioned from a square scarf, and is usually made of cotton. [2] The keffiyeh is commonly found in arid regions, as it provides protection from sunburn, dust, and sand. The regional variations are called ghutrah and shemagh. A head cord, agal , is often used by Arabs to keep the ghutrah in place. [3]
The keffiyeh originated amongst Bedouins as a practical and protective covering for the head and face, especially in the arid desert climate in which they have traditionally lived. [4] [5] The term itself is a loan from Italian (cuffia) and shares its etymology with English "coif". [1]
The word ghutrah (Arabic : غُترَة, romanized: ḡutra) comes from the Arabic root ghatr (غتر) which means "to cover". The early pictures of Arabs invariably show them wearing turbans, and it is unclear when the keffiyeh became acceptable for the upper classes. While the written reports of ghutrah date back to the early 18th century, the earliest known picture is from the 19th century (Abdullah bin Saud Al Saud, made before his execution in 1819). [3]
Middle Eastern Arabs, Kurds, and Yazidis wear this headpiece. [6] Iraqi Turkmen wear it and call it Jamadani, [7] while Omanis call it a mussar. No matter its name, it is available in multiple colours and styles with many different methods of tying it, depending on regional origin and the nature of occasion. Omanis do not use the agal, instead tying it over the kuma for formal occasions.
During his sojourn with the Marsh Arabs of Iraq, Gavin Young noted that the local sayyids —"venerated men accepted [...] as descendants of the Prophet Muhammad and Ali ibn Abi Talib"—wore dark green keffiyeh in contrast to the black-and-white checkered examples typical of the area's inhabitants. [8]
Another type of keffiyeh is the shemagh, which is a scarf that is red-and-white, checkered and has tassels. The bigger the tassels, the more important the person. This red-and-white keffiyeh is associated with Jordan and is its national symbol. [9] The shemagh is worn mostly in Jordan and by Bedouin communities. [10] It is made from cotton. The Jordanian shemagh and the Palestinian keffiyeh are different in regard to color and geographical meanings. [11]
Other regional shemagh variations are the Egyptian Sinai shemagh and the Saudi shemagh (also known as a ghutrah.) [10]
Prior to the 1930s, Arab villagers and peasants wore the white keffiyeh and agal (rope) while city residents and the educated elite wore the Ottoman tarbush (fez). [12] During the 1936–1939 Arab revolt in Palestine, Arab rebel commanders ordered all Arabs to don the keffiyeh. In 1938, British Mandatory High Commissioner in Palestine, Harold MacMichael, reported to the Foreign Office: "This ‘order’ has been obeyed with surprising docility and it is not an exaggeration to say that in a month eight out of every ten tarbushes in the country had been replaced by the [keffiyeh and] ‘agal’." [13] Following the end of the revolt, most residents either reverted to wearing the tarbush or elected to go hatless. [14]
The black and white keffiyeh’s prominence increased during the 1960s with the beginning of the Palestinian resistance movement and its adoption by Palestinian leader Yasser Arafat. [15]
Early Jewish migrants to Mandatory Palestine adopted the Keffiyeh because they saw it as part of the authentic local lifestyle. [16] Up until the 2000s, Turkey banned the keffiyeh because it was considered a symbol of solidarity with the PKK. [17]
British Colonel T. E. Lawrence (better known as Lawrence of Arabia) was probably the best-known Western wearer of the keffiyeh and agal during his involvement in the Arab Revolt in World War I. This image of Lawrence was later popularized by the film epic about him, Lawrence of Arabia , in which he was portrayed by Peter O'Toole.
Many of the Jewish Zionist immigrants to Ottoman Palestine and British Mandatory Palestine wore the keffiyeh in emulation of the Arab population out of the desire for "closeness and a sense of belonging to the place". [18] These included youth group members, political notables, and militiamen, including Hashomer. Other Jewish residents of Palestine wore the keffiyeh for studio photograph sessions as Orientalist dress. [19] After the 1929 Palestine riots and the 1936–1939 Arab revolt in Palestine, "the popularity of the keffiyeh began to decline and Jewish attempts to emulate the Arabs became less common, but throughout the 1940s and 1950s, the keffiyeh could still spotted in Israel," including on politicians and soldiers. As the keffiyeh became a key component of Yasser Arafat's signature look, it definitively lost popularity among Israelis and was associated exclusively with the Palestinian nationalist movement. [20]
The 1920s' silent-film era of American cinema saw studios take to Orientalist themes of the exotic Middle East, possibly due to the view of Arabs as part of the Allies of World War I, and keffiyehs became a standard part of the theatrical wardrobe. These films and their male leads typically had Western actors in the role of an Arab, often wearing the keffiyeh with the agal (as with The Sheik and The Son of the Sheik , starring actor Rudolph Valentino).
During the 2001 Iraq and Afghanistan wars, members of the United States Armed Forces began wearing keffiyeh for practical reasons. While the scarves were never issued by the American armed forces directly, many private tactical equipment retailers marketed and sold them to service personnel in the Marines and Army. The scarves were usually dyed into color schemes that closely matched the service uniforms, and bore symbols that appealed to Western consumers (e.g., skull and cross bones, Gadsden snakes, and Spartan helmets). Black and coyote-brown keffiyeh are still commonly worn by military veterans without any implied support for Arab nationalism or similar causes, and at times can carry the opposite message.[ citation needed ]
As with other articles of clothing worn in wartime, such as the T-shirt, fatigues and khaki pants, the keffiyeh has been seen as chic among non-Arabs in the West. Keffiyehs became popular in the UK in the 1970s and then in the United States in the late 1980s at the start of the First Intifada, when bohemian girls and punks wore keffiyehs as scarves around their necks. [21] [22] In the early 2000s, keffiyehs were very popular among youths in Tokyo, who often wore them with camouflage clothing. [21] The trend recurred in the mid-2000s in the United States, [21] [22] Europe, [22] Canada and Australia, [23] [24] when the keffiyeh became popular as a fashion accessory, usually worn as a scarf around the neck in hipster circles. [21] [22] Stores such as Urban Outfitters and TopShop stocked the item. However, after some controversy over the retailer's decision to label the items "anti-war scarves", Urban Outfitters pulled it. [22] In spring 2008, keffiyehs in colors such as purple and mauve were given away in issues of fashion magazines in Spain and France. In the UAE, males are inclining towards more Western headgear while women are developing preferences for dupatta—the traditional head cover of South Asia. [25] The appropriation of the keffiyeh as a fashion statement by non-Arab wearers separate from its political and historical meaning has been the subject of controversy in recent years. [26] While it is often worn as a symbol of solidarity with the Palestinian struggle, the fashion industry has disregarded its significance by using its pattern and style in day-to-day clothing design. For example, in 2016, Topshop released a romper suit with the Keffiyeh print, calling it a "scarf playsuit". This led to accusations of cultural appropriation and Topshop eventually pulled the item from their website. [27]
A turban is a type of headwear based on cloth winding. Featuring many variations, it is worn as customary headwear by people of various cultures. Communities with prominent turban-wearing traditions can be found in the Indian subcontinent, Southeast Asia, the Middle East, the Balkans, the Caucasus, Central Asia, North Africa, West Africa, East Africa, and amongst some Turkic peoples in Russia.
The fez, also called tarboosh/tarboush, is a felt headdress in the shape of a short, cylindrical, peakless hat, usually red, typically with a black tassel attached to the top. The name "fez" may refer to the Moroccan city of Fez, where the dye to color the hat was extracted from crimson berries. However, its origins are disputed.
A scarf is a long piece of fabric that is worn on or around the neck, shoulders, or head. A scarf is used for warmth, sun protection, cleanliness, fashion, religious reasons, or to show support for a sports club or team. Scarves can be made from materials including wool, linen, silk, and cotton. It is a common type of neckwear and a perennial accessory.
A folk costume,, expresses a national identity through clothing or costume, which is associated with a specific region and time period in history. Furthermore it can indicate social, marital, or religious status. If the costume is used to represent the culture or identity of a specific ethnic group, it is usually known as an ethnic costume. Folk costumes often come in two forms: one for everyday occasions, the other for traditional festivals and formal wear. The word "costume" in this context is sometimes considered pejorative due to the multiple senses of the word, and in such cases "clothing", "garments" or "regalia" can be substituted without offense.
A krama is a sturdy traditional Cambodian garment with many uses, including as a scarf, bandanna, to cover the face, for decorative purposes, and as a hammock for children. It may also be used as a garrote by Bokator fighters, who also wrap the krama around their waists, heads and fists. It is worn by men, women and children, and can be fairly ornate, though most typical kramas contain a gingham pattern of some sort, and traditionally come in either red or blue. It is the Cambodian national symbol.
A headscarf is a scarf covering most or all of the top of a person's, usually women's, hair and head, leaving the face uncovered. A headscarf is formed of a triangular cloth or a square cloth folded into a triangle, with which the head is covered.
Kurdish traditional clothing, also known as Kurdish dress, refers to the folk costumes of the Kurdish people. The traditions typically vary across different regions and tribes of Kurdistan, but it has some common elements. Historically, Kurdish clothing was more complex and varied, but it has evolved to a simpler form over time. It is also prominently worn during festivals and special occasions such as Newroz.
The Hejazi turban, also spelled Hijazi turban, is a type of the turban headdress native to the region of Hejaz in modern-day western Saudi Arabia.
Check is a pattern of modified stripes consisting of crossed horizontal and vertical lines which form squares. The pattern typically contains two colours where a single checker is surrounded on all four sides by a checker of a different colour.
Palestinian traditional clothing are the types of clothing historically and sometimes still presently worn by Palestinians. Foreign travelers to Palestine in the 19th and early 20th centuries often commented on the rich variety of the costumes worn, particularly by the fellaheen or village women. Many of the handcrafted garments were richly embroidered and the creation and maintenance of these items played a significant role in the lives of the region's women.
The Taqiyah, also known as tagiyah or araqchin, is a short, rounded skullcap worn by Muslim men. In the United States and the United Kingdom, it is also referred to as a "kufi", although the Kufi typically has more of an African connotation. Aside from being an adornment, the taqiyah has deeply ingrained significance in Islamic culture, reflecting the wearer's faith, devotion, and sometimes regional identity. While the taqiyah is deeply rooted in Muslim traditions, its use varies based on cultural context rather than strict religious guidelines.
Jewish religious clothing is apparel worn by Jews in connection with the practice of the Jewish religion. Jewish religious clothing has changed over time while maintaining the influences of biblical commandments and Jewish religious law regarding clothing and modesty (tzniut). Contemporary styles in the wider culture also have a bearing on Jewish religious clothing, although this extent is limited.
Headgear, headwear, or headdress is any element of clothing which is worn on one's head, including hats, helmets, turbans and many other types. Headgear is worn for many purposes, including protection against the elements, decoration, or for religious or cultural reasons, including social conventions.
The sudra is a rectangular piece of cloth that has been worn as a headdress, scarf, or neckerchief in ancient Jewish tradition. Over time, it held many different functions and is today sometimes understood to be of great cultural and/or religious significance to Jews.
A draped turban or turban hat is a millinery design in which fabric is draped to create headwear closely moulded to the head. Sometimes it may be stiffened or padded, although simpler versions may just comprise wound fabric that is knotted or stitched. It may include a peak, feather or other details to add height. It generally covers most or all of the hair.
An agal is an Arab men's clothing accessory. It is a black cord, worn doubled, used to keep a ghutrah in place on the wearer's head. It is traditionally made of goat hair. Modern agals typically use cord manufactured for this purpose, but plain rope is still occasionally utilized.
The Palestinian keffiyeh is a distinctly patterned black-and-white keffiyeh.
Fashion activism is the practice of using fashion as a medium for social, political, and environmental change. The term has been used recurringly in the works of designers and scholars Lynda Grose, Kate Fletcher, Mathilda Tham, Kirsi Niinimäki, Anja-Lisa Hirscher, Zoe Romano, and Orsola de Castro, as they refer to systemic social and political change through the means of fashion. It is also a term used by some fashion designers, one being Stella McCartney. The spectacle of fashion activism as street protest has also been a theme in Paris Catwalk shows. The term is used by Céline Semaan, co-founder of the Slow Factory Foundation.
Litham is a mouth-veil which the Tuareg and other West and North African nomads, particularly men, have traditionally used to cover the lower part of their face.
traditional Jewish head-dress was either something like the Arab's Keffiyeh (a cotton square folded and wound around a head) or like a turban or stocking cap
They also wear a scarf which is known among the public as Jamadani
There was a difference here for nearly all of them wore dark green kefiyahs (or cheffiyeh) (headcloths) instead of the customary black and white check ones. By that sign we could tell that they were sayyids, like the sallow-faced man at Falih's.
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