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A chamanto (Mapudungun chamall, woolen fabric) [1] [2] is a traditional decorative garment from central Chile, similar to a poncho and woven in silk thread and wool. Its entire contour is finished with ribbon edging. Traditionally, Chilean festive ponchos incorporate colors such as grey, brown, red, black, and white. The difference between a chamanto and other ponchos is their reversibility, as both sides — one light, one dark — are fully finished. Traditionally, the dark side of the poncho is used during the day, while its light side is mostly worn at night.
The chamantos gained world attention when they were worn by the 21 leaders of the Asia Pacific Economic Cooperation during the 2004 summit's official photo.
The making of a chamanto demands great diligence, because of the exquisiteness involved in the weaving of the silk and wool, plus the intricacy of the design sketched by crossing the threads.
The figures embellishing the chamantos include copihues , Chile's national flower, barley and wheat ears, blackberries, bunches of grape, fuchsias, pansies and various birds representative of the national fauna.
Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth. Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.
A tallit is a fringed garment worn as a prayer shawl by religious Jews. The tallit has special twined and knotted fringes known as tzitzit attached to its four corners. The cloth part is known as the beged ("garment") and is usually made from wool or cotton, although silk is sometimes used for a tallit gadol.
A tassel is a finishing feature in fabric and clothing decoration. It is a universal ornament that is seen in varying versions in many cultures around the globe.
A sash is a large and usually colorful ribbon or band of material worn around the human body, either draping from one shoulder to the opposing hip and back up, or else encircling the waist. The sash around the waist may be worn in daily attire, but the sash from shoulder to hip is worn on ceremonial occasions only. Ceremonial sashes are also found in a V-shaped format, draping straight from both shoulders down, intersecting and forming an angle over the chest or abdomen.
Mapuche or Mapudungun is an Araucanian language related to Huilliche spoken in south-central Chile and west-central Argentina by the Mapuche people. It was formerly known as Araucanian, the name given to the Mapuche by the Spaniards; the Mapuche avoid it as a remnant of Spanish colonialism.
A scarf is a long piece of fabric that is worn on or around the neck, shoulders, or head. A scarf is used for warmth, sun protection, cleanliness, fashion, religious reasons, or to show support for a sports club or team. Scarves can be made from materials including wool, linen, silk, and cotton. It is a common type of neckwear and a perennial accessory.
The kepi is a cap with a flat circular top and a peak, or visor. In English, the term is a loanword from French: képi, itself a re-spelled version of the Alemannic German: Käppi, a diminutive form of Kappe, meaning 'cap'. In Europe, the kepi is most commonly associated with French military and police uniforms, though versions of it were widely worn by other armies during the late 19th and early 20th centuries. In North America, it is usually associated with the American Civil War, as it was worn by soldiers on both sides of the conflict.
Ikat is a dyeing technique from Southeast Asia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general groups of related traditions. The first is found among Daic-speaking peoples. The second, larger group is found among the Austronesian peoples and spread via the Austronesian expansion to as far as Madagascar. It is most prominently associated with the textile traditions of Indonesia in modern times, from where the term ikat originates. Similar unrelated dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Japan, Africa, and the Americas.
A poncho is a kind of plainly formed, loose outer garment originating in the Americas, traditionally and still usually made of fabric, and designed to keep the body warm. Ponchos have been used by the Native American peoples of the Andes, Patagonia, and the Valley of Mexico since pre-Hispanic times, in places now under the territory of Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Mexico, Peru, Uruguay, and Venezuela, and have also become familiar in parts of the U.S. A rain poncho is made from a watertight material designed to keep the body dry from the rain.
A shawl is a simple item of clothing, loosely worn over the shoulders, upper body and arms, and sometimes also over the head. It is usually a rectangular piece of cloth, but can also be square or triangular in shape. Other shapes include oblong shawls. It is associated with the inhabitants of the northern Indian subcontinent—particularly Kashmir and Punjab—and Central Asia, but can be found in many other parts of the world.
A rebozo is a long flat garment, very similar to a shawl, worn mostly by women in Mexico. It can be worn in various ways, usually folded or wrapped around the head and/or upper body to shade from the sun, provide warmth and as an accessory to an outfit. It is also used to carry babies and large bundles, especially among indigenous women. The origin of the garment is unclear, but Indigenous women of Mesoamerica were the primary weavers of the first rebozos, often crafted with body-tensioned or back-strap "otate" looms. Spaniards used it in religious situations to conceal the bare bodies of indigenous women. Rebozos were quickly influenced by the fringed shawls of the Philippines and Spanish mantillas as a result of colonization. Traditional versions of the garment show indigenous, European and Asian influences. Traditional rebozos are handwoven from cotton, wool, silk and rayon in various lengths but all have some kind of pattern and have fringe, which can be fingerwoven into complicated designs. The garment is considered to be part of Mexican identity. It has been prominently worn by women such as Frida Kahlo, actress María Félix and former Mexican first lady Margarita Zavala and still popular in rural areas of the country. However, its use has diminished in urban areas.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, with color and patterns, which turns it into cloth. The machine used for weaving is the loom. For decoration, the process of coloring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
The Armenian Taraz, also known as Armenian traditional clothing, reflects a rich cultural tradition. Wool and fur were used by the Armenians along with the cotton that was grown in the fertile valleys. During the Urartian period, silk imported from China was used by royalty. Later, the Armenians cultivated silkworms and produced their own silk.
The northern pudu is a species of South American deer native to the Andes of Colombia, Venezuela, Peru and Ecuador. It is the world's smallest deer and is classified as Data Deficient in the IUCN Red List. Originally classified under genus Pudu, some authorities consider it to belong to a separate genus (Pudella) from the southern pudu, along with Pudella carlae.
The Andean textile tradition once spanned from the Pre-Columbian to the Colonial era throughout the western coast of South America, but was mainly concentrated in what is now Peru. The arid desert conditions along the coast of Peru have allowed for the preservation of these dyed textiles, which can date to 6000 years old. Many of the surviving textile samples were from funerary bundles, however, these textiles also encompassed a variety of functions. These functions included the use of woven textiles for ceremonial clothing or cloth armor as well as knotted fibers for record-keeping. The textile arts were instrumental in political negotiations, and were used as diplomatic tools that were exchanged between groups. Textiles were also used to communicate wealth, social status, and regional affiliation with others. The cultural emphasis on the textile arts was often based on the believed spiritual and metaphysical qualities of the origins of materials used, as well as cosmological and symbolic messages within the visual appearance of the textiles. Traditionally, the thread used for textiles was spun from indigenous cotton plants, as well as alpaca and llama wool.
The serape, sarape or jorongo is a long blanket-like shawl or cloak, often brightly colored and fringed at the ends, worn in Mexico, especially by men. The spelling of the word sarape is the accepted form in Mexico and other Spanish-speaking countries. The term serape is for the rectangular woven blanket, though in more recent years it can also be used to refer to a very soft rectangular blanket with an opening in the middle for one's head, similar to a poncho, called gabán, or jorongo in Mexico. Modern variations of some serapes are made with matching hoods for head covering. The length varies, but front and back normally reach knee length on an average person.
Croatian national costume, also called as Croatian traditional clothing or Croatian dress, refers to the traditional clothing worn by Croats living in Croatia, Bosnia and Herzegovina, Serbia, with smaller communities in Hungary, Austria, Montenegro, and Romania. Since today Croats wear Western-style clothing on a daily basis, the national costumes are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious holidays, weddings, and by dancing groups who dance the traditional Croatian kolo, or circle dance.
A ruana is a poncho-style outer garment native to the Colombian and Venezuelan Andes. In Colombia, the ruana is the characteristic and traditional garment of the department of Boyacá, initially made by indigenous and mestizo people, although it is also made in the departments of Cundinamarca, Antioquia, Nariño, Bogotá, Santander (Colombia), Norte de Santander and Caldas. In Venezuela it is widely used and made in the Andean states of Táchira, Mérida and Trujillo, used since the colonial times by all Venezuelan inhabitants, currently only in the Andean region its traditional use is maintained.
The textile arts of the Indigenous peoples of the Americas are decorative, utilitarian, ceremonial, or conceptual artworks made from plant, animal, or synthetic fibers by Indigenous peoples of the Americas.
Kazakh clothing, worn by the Kazakh people, is often made of materials suited to the region's extreme climate and the people's nomadic lifestyle. It is commonly decorated with elaborate ornaments made from bird beaks, animal horns, hooves and feet. Although contemporary Kazakhs usually wear Western dress, the Turkic people wear more traditional clothing for holidays and special occasions.