A lliklla (Quechua, [2] hispanicized spellings liclla, llicla, lliclla) is a rectangular, handwoven shoulder cloth. It is worn by Quechua women of the Andes region in Bolivia and Peru. Traditionally it is fastened at the front using a decorated pin called tupu . [3] [4]
In the Quechua-speaking community of Chinchero, men and women wear distinctive garments that identify them by gender and their community. These garments are woven in two parts—symmetrical opposites that are sewn together. Wide blue bands called pampakuna, or fields, are set apart by multi-striped panels filled with colorful geometric designs. Typically, indigo-blue fields are characteristic of Chinchero women's garments. [5]
A q'ipirina is similar to a lliklla but larger, worn over the back to carry small children or all sorts of products, and knotted at the front.
The Inca Empire, officially known as the Realm of the Four Parts, was the largest empire in pre-Columbian America. The administrative, political, and military center of the empire was in the city of Cusco. The Inca civilization rose from the Peruvian highlands sometime in the early 13th century. The Spanish began the conquest of the Inca Empire in 1532 and by 1572, the last Inca state was fully conquered.
Cusco or Cuzco is a city in southeastern Peru, near the Sacred Valley of the Andes mountain range and the Huatanay river. It is the capital of the eponymous province and department. The city is the seventh most populous in Peru; in 2017, it had a population of 428,450. Its elevation is around 3,400 m (11,200 ft).
The Wari were a Middle Horizon civilization that flourished in the south-central Andes and coastal area of modern-day Peru, from about 500 to 1000 AD.
Gilberto Rojas Enríquez
Quechua people, Quichua people or Kichwa people may refer to any of the Indigenous peoples of South America who speak the Quechua languages, which originated among the Indigenous people of Peru. Although most Quechua speakers are native to Peru, there are some significant populations in Ecuador, Bolivia, Chile, Colombia, and Argentina.
Pre-Columbian art refers to the visual arts of indigenous peoples of the Caribbean, North, Central, and South Americas from at least 13,000 BCE to the European conquests starting in the late 15th and early 16th centuries. The pre-Columbian era continued for a time after these in many places, or had a transitional phase afterwards. Many types of perishable artifacts that were once very common, such as woven textiles, typically have not been preserved, but Precolumbian monumental sculpture, metalwork in gold, pottery, and painting on ceramics, walls, and rocks have survived more frequently.
The Inti Raymi is a traditional religious ceremony of the Inca Empire in honor of the god Inti, the most venerated deity in Inca religion. It was the celebration of the winter solstice^ – the shortest day of the year in terms of the time between sunrise and sunset – and the Inca New Year, when the hours of light would begin to lengthen again. Celebrated on June 24, the Inti Raymi was the most important festival of the Inca Empire, as described by Inca Garcilaso de la Vega, and took place in the Haukaypata, the main square of Cusco.
Peruvian art has its origin in the Andean civilizations. These civilizations rose in the territory of modern Peru before the arrival of the Spanish.
The Cusco school or Cuzco school, was a Roman Catholic artistic tradition based in Cusco, Peru during the Colonial period, in the 16th, 17th and 18th centuries. It was not limited to Cusco only, but spread to other cities in the Andes, as well as to present day Ecuador and Bolivia.
The Andean textile tradition once spanned from the Pre-Columbian to the Colonial era throughout the western coast of South America, but was mainly concentrated in what is now Peru. The arid desert conditions along the coast of Peru have allowed for the preservation of these dyed textiles, which can date to 6000 years old. Many of the surviving textile samples were from funerary bundles, however, these textiles also encompassed a variety of functions. These functions included the use of woven textiles for ceremonial clothing or cloth armor as well as knotted fibers for record-keeping. The textile arts were instrumental in political negotiations, and were used as diplomatic tools that were exchanged between groups. Textiles were also used to communicate wealth, social status, and regional affiliation with others. The cultural emphasis on the textile arts was often based on the believed spiritual and metaphysical qualities of the origins of materials used, as well as cosmological and symbolic messages within the visual appearance of the textiles. Traditionally, the thread used for textiles was spun from indigenous cotton plants, as well as alpaca and llama wool.
Chinchero District is one of seven districts of the Urubamba Province in Peru. The town of Chinchero is the capital of the district. It is the location for the proposed Chinchero International Airport, which would serve travelers to the Cusco Region.
The aguayo, or also quepina is a rectangular carrying cloth used in traditional communities in the Andes region of Argentina, Bolivia, Chile, Colombia, Ecuador and Peru. Aymara and Quechua people use it to carry small children or various other items in it on their backs. It is similar to a lliklla and sometimes regarded as a synonym. It is often striped, and is hand woven with wool that is later dyed with bright colors.
Pachamama is a goddess revered by the indigenous peoples of the Andes. In Inca mythology she is an "Earth Mother" type goddess, and a fertility goddess who presides over planting and harvesting, embodies the mountains, and causes earthquakes. She is also an ever-present and independent deity who has her own creative power to sustain life on Earth. Her shrines are hallowed rocks, or the boles of legendary trees, and her artists envision her as an adult female bearing harvests of potatoes or coca leaves. The four cosmological Quechua principles – Water, Earth, Sun, and Moon – claim Pachamama as their prime origin. Priests sacrifice offerings of llamas, cuy, and elaborate, miniature, burned garments to her. Pachamama is the mother of Inti the sun god, and Mama Killa the moon goddess. Mama Killa is said to be the wife of Inti.
The textile arts of the Indigenous peoples of the Americas are decorative, utilitarian, ceremonial, or conceptual artworks made from plant, animal, or synthetic fibers by Indigenous peoples of the Americas.
Tinya palla or wiqru palla is a traditional dance of the Pomabamba Province in the Ancash Region in Peru. In 2009 the National Institute of Culture declared tinya palla a National Cultural Heritage of Peru by Resolución Directoral Nacional No. 491/INC-2009.
Centro de Textiles Tradicionales del Cuzco was founded by indigenous weavers from the community of Chinchero as well as international supporters in 1996 as a non-profit organization. It is based out of the city of Cusco, Peru where its main offices, museum and shop are located. The CTTC works in support of indigenous weavers from the Cusco region to recover traditional Cusqueñan textiles. The organization currently partners with ten communities from the Cusco region: Accha Alta, Acopia, Chahuaytire, Chinchero, Huacatinco, Mahuaypampa, Patabamba, Pitumarca, Santa Cruz de Sallac, and Santo Tomas (Chumbivilcas).
On the Cerro Baúl mesa, in the central highlands of Peru, elite women from the Wari Empire made a drink called chicha in the years before 600 AD.
Tocapu was a decorative artwork with discrete geometrical motifs. It was associated with Andean textiles, especially for the use of the Royals' clothing. Tocapu was also painted on wooden boards.
Worn for over 1700 years throughout the Andean regions of South America, tupu pins were worn primarily by women.
Ñusta, which roughly translates to "princess" in the Quechua language, is a term for a highly noble or upper-class woman of Inca or Andean birth. Inca noblewomen were essentially part of the Inca Empire also called "Tawantinsuyu" where they spoke the traditional Inca spoken language "Quechua." Ñustas were not full descendants of Inca royalty. Therefore, the Quechua term was used to denote the regional origin of the ñusta's non-royal parent. A ñusta could range from being the daughter or half-sister of the Sapa Inca himself, one of his lesser wives, or a wife or daughter of another high-ranking male noble, such as the heads of the local municipalities, Kurakas. The Spaniards recognized ñustas as noblewomen and added the Spanish term “Doña” to their Christian and Andean names.