Indigo | |
---|---|
Spectral coordinates | |
Wavelength | 420–450 [1] nm |
Frequency | ~714–670 THz |
Color coordinates | |
Hex triplet | #4000FF |
sRGB B (r, g, b) | (64, 0, 255) |
HSV (h, s, v) | (255°, 100%, 100%) |
CIELChuv (L, C, h) | (35, 133, 268°) |
Source | CIECAM16 248:2022 [2] |
ISCC–NBS descriptor | Dark violet |
B: Normalized to [0–255] (byte) |
Indigo is a term used for a number of hues in the region of blue. The word comes from the ancient dye of the same name. The term "indigo" can refer to the color of the dye, various colors of fabric dyed with indigo dye, a spectral color, one of the seven colors of the rainbow as described by Newton, or a region on the color wheel, and can include various shades of blue, ultramarine, and green-blue. Since the web era, the term has also been used for various purple and violet hues identified as "indigo", based on use of the term "indigo" in HTML web page specifications.
The word "indigo" comes from the Latin word indicum, meaning "Indian", as the naturally based dye was originally exported to Europe from India.
The Early Modern English word indigo referred to the dye, not to the color (hue) itself, and indigo is not traditionally part of the basic color-naming system. [3]
The first known recorded use of indigo as a color name in English was in 1289. [4]
Isaac Newton regarded indigo as a color in the visible spectrum, as well as one of the seven colors of the rainbow: the color between blue and violet; however, sources differ as to its actual position in the electromagnetic spectrum. Later scientists have concluded that what Newton called "blue" was what is now called cyan or blue-green; and what Newton called "indigo" was what is now called blue.
In the 1980s, programmers produced a somewhat arbitrary list of color names for the X Window computer operating system, resulting in the HTML and CSS specifications issued in the 1990s using the term "indigo" for a dark purple hue. This has resulted in violet and purple hues also being associated with the term "indigo" since that time.
Because of the Abney effect, pinpointing indigo to a specific hue value in the HSV color wheel is elusive, as a higher HSV saturation value shifts the hue towards blue. However, on the new CIECAM16 standard, the hues values around 290° may be thought of as indigo, depending on the observer.
Indigo dye is a blue color, obtained from several different types of plants. The indigo plant (Indigofera tinctoria) often called "true indigo" probably produces the best results, although several others are close in color: Japanese indigo (Polygonum tinctoria), Natal indigo ( Indigofera arrecta ), Guatemalan indigo ( Indigofera suffruticosa ), Chinese indigo ( Persicaria tinctoria ), and woad Isatis tinctoria .
Indigofera tinctoria and related species were cultivated in East Asia, Egypt, India, Bangladesh and Peru in antiquity. The earliest direct evidence for the use of indigo dates to around 4000 BC and comes from Huaca Prieta, in contemporary Peru. [5] Pliny the Elder mentions India as the source of the dye after which it was named. [6] It was imported from there in small quantities via the Silk Road. [7]
The Ancient Greek term for the dye was Ἰνδικὸν φάρμακον (indikon pharmakon, "Indian dye"), which, adopted to Latin as indicum (a second declension noun) or indico (oblique case) and via Portuguese, gave rise to the modern word indigo. [8]
In early Europe the main source was from the woad plant Isatis tinctoria, also known as pastel. [9] For a long time, woad was the main source of blue dye in Europe. Woad was replaced by "true indigo", as trade routes opened up. Plant sources have now been largely replaced by synthetic dyes.
Spanish explorers discovered an American species of indigo and began to cultivate the product in Guatemala. The English and French subsequently began to encourage indigo cultivation in their colonies in the West Indies. [10]
In North America, indigo was introduced by Eliza Lucas into colonial South Carolina, where it became the colony's second-most important cash crop (after rice). [11] Before the Revolutionary War, indigo accounted for more than one-third of the value of exports from the American colonies. [12]
Isaac Newton introduced indigo as one of the seven base colors of his work. In the mid-1660s, when Newton bought a pair of prisms at a fair near Cambridge, the East India Company had begun importing indigo dye into England, [13] supplanting the homegrown woad as source of blue dye. In a pivotal experiment in the history of optics, the young Newton shone a narrow beam of sunlight through a prism to produce a rainbow-like band of colors on the wall. In describing this optical spectrum, Newton acknowledged that the spectrum had a continuum of colors, but named seven: "The originall or primary colours are Red, yellow, Green, Blew, & a violet purple; together with Orang, Indico, & an indefinite varietie of intermediate gradations." [14] He linked the seven prismatic colors to the seven notes of a western major scale, [15] as shown in his color wheel, with orange and indigo as the semitones. Having decided upon seven colors, he asked a friend to repeatedly divide up the spectrum that was projected from the prism onto the wall:
I desired a friend to draw with a pencil lines cross the image, or pillar of colours, where every one of the seven aforenamed colours was most full and brisk, and also where he judged the truest confines of them to be, whilst I held the paper so, that the said image might fall within a certain compass marked on it. And this I did, partly because my own eyes are not very critical in distinguishing colours, partly because another, to whom I had not communicated my thoughts about this matter, could have nothing but his eyes to determine his fancy in making those marks. [16]
Indigo is therefore counted as one of the traditional colors of the rainbow, the order of which is given by the mnemonics "Richard of York gave battle in vain" and Roy G. Biv . James Clerk Maxwell and Hermann von Helmholtz accepted indigo as an appropriate name for the color flanking violet in the spectrum. [17]
Later scientists concluded that Newton named the colors differently from current usage. [18] [19] According to Gary Waldman, "A careful reading of Newton's work indicates that the color he called indigo, we would normally call blue; his blue is then what we would name blue-green or cyan." [20] If this is true, Newton's seven spectral colors would have been:
The human eye does not readily differentiate hues in the wavelengths between what are now called blue and violet. If this is where Newton meant indigo to lie, most individuals would have difficulty distinguishing indigo from its neighbors. According to Isaac Asimov, "It is customary to list indigo as a color lying between blue and violet, but it has never seemed to me that indigo is worth the dignity of being considered a separate color. To my eyes, it seems merely deep blue." [21]
In 1821, Abraham Werner published Werner's Nomenclature of Colours, where indigo, called indigo blue, is classified as a blue hue, and not listed among the violet hues. He writes that the color is composed of "Berlin blue, a little black, and a small portion of apple green," and indicating it is the color of blue copper ore, with Berlin blue being described as the color of a blue jay's wing, a hepatica flower, or a blue sapphire. [22]
According to an article, Definition of the Color Indigo published in Nature magazine in the late 1800s, Newton's use of the term "indigo" referred to a spectral color between blue and violet. However, the article states that Wilhelm von Bezold, in his treatise on color, disagreed with Newton's use of the term, on the basis that the pigment indigo was a darker hue than the spectral color; and furthermore, Professor Ogden Rood points out that indigo pigment corresponds to the cyan-blue region of the spectrum, lying between blue and green, although darker in hue. Rood considers that artificial ultramarine pigment is closer to the point of the spectrum described as "indigo", and proposed renaming that spectral point as "ultramarine". The article goes on to state that comparison of the pigments, both dry and wet, with Maxwell's discs and with the spectrum, that indigo is almost identical to Prussian blue, stating that it "certainly does not lie on the violet side of 'blue.'" When scraped, a lump of indigo pigment appears more violet, and if powdered or dissolved, becomes greenish. [23]
Several modern sources place indigo in the electromagnetic spectrum between 420 and 450 nanometers, [1] [24] [25] which lies on the short-wave side of color wheel (RGB) blue, towards (spectral) violet.
The correspondence of this definition with colors of actual indigo dyes, though, is disputed. Optical scientists Hardy and Perrin list indigo as between 445 [26] and 464 nm wavelength, [27] which occupies a spectrum segment from roughly the color wheel (RGB) blue extending to the long-wave side, towards azure.
Other modern color scientists, such as Bohren and Clothiaux (2006), and J.W.G. Hunt (1980), divide the spectrum between violet and blue at about 450 nm, with no hue specifically named indigo. [28] [29]
Towards the end of the 20th century, purple colors also became referred to as "indigo". In the 1980s, computer programmers Jim Gettys, Paul Ravelling, John C. Thomas and Jim Fulton produced a list of colors for the X Window Operating System. The color identified as "indigo" was not the color indigo (as generally understood at the time), but was actually a dark purple hue; the programmers assigned it the hex code #4B0082 . This collection of color names was somewhat arbitrary: Thomas used a box of 72 Crayola crayons as a standard, whereas Ravelling used color swabs from the now-defunct Sinclair Paints company, resulting in the color list for version X11 of the operating system containing fanciful color names such as "papaya whip", "blanched almond" and "peach puff". The database was also criticised for its many inconsistencies, such as "dark gray" being lighter than "gray", and for the color distribution being uneven, tending towards reds and greens at the expense of blues. [30]
In the 1990s, this list which came with version X11 became the basis of the HTML and CSS color rendition used in websites and web design. This resulted in the name "Indigo" being associated with purple and violet hues in web page design and graphic design. Physics author John Spacey writes on the website Simplicable that the X11 programmers did not have any background in color theory, and that as these names are used by web designers and graphic designers, the name indigo has since that time been strongly associated with purple or violet. Spacey writes, "As such, a few programmers accidentally repurposed a color name that was known to civilisations for thousands of years." [31]
The Crayola company released an indigo crayon in 1999, with the Crayola website using the hex code #4F49C6 to approximate the crayon color. The 2001 iron indigo crayon is portrayed using hex code #184FA1 . The 2004 indigo crayon color is depicted by #5D76CB , and the 2019 iridescent indigo is portrayed by #3C32CD .
Like many other colors (orange, rose, and violet are the best-known), indigo gets its name from an object in the natural world—the plant named indigo once used for dyeing cloth (see also Indigo dye).
The color pigment indigo is equivalent to the web color indigo and approximates the color indigo that is usually reproduced in pigments and colored pencils.
The color of indigo dye is a different color from either spectrum indigo or pigment indigo. This is the actual color of the dye. A vat full of this dye is a darker color, approximating the web color midnight blue.
The color "electric indigo" is a bright and saturated color between the traditional indigo and violet. This is the brightest color indigo that can be approximated on a computer screen; it is a color located between the (primary) blue and the color violet of the RGB color wheel.
The web color blue violet or deep indigo is a tone of indigo brighter than pigment indigo, but not as bright as electric indigo.
Listed below are several indigo hues, some of which have included the word "indigo", with the adoption of HTML color names in the World Wide Web era.
Indigo Dye | |
---|---|
Color coordinates | |
Hex triplet | #00416A |
sRGB B (r, g, b) | (0, 65, 106) |
HSV (h, s, v) | (203°, 100%, 42%) |
CIELChuv (L, C, h) | (26, 40, 246°) |
Source | |
ISCC–NBS descriptor | Deep blue |
B: Normalized to [0–255] (byte) |
Indigo dye is a greenish dark blue color, obtained from either the leaves of the tropical Indigo plant ( Indigofera ), or from woad ( Isatis tinctoria ), or the Chinese indigo ( Persicaria tinctoria ). Many societies make use of the Indigofera plant for producing different shades of blue. Cloth that is repeatedly boiled in an indigo dye bath-solution (boiled and left to dry, boiled and left to dry, etc.), the blue pigment becomes darker on the cloth. After dyeing, the cloth is hung in the open air to dry.
A Native American woman described the process used by the Cherokee Indians when extracting the dye:
We raised our indigo which we cut in the morning while the dew was still on it; then we put it in a tub and soaked it overnight, and the next day we foamed it up by beating it with a gourd. We let it stand overnight again, and the next day rubbed tallow on our hands to kill the foam. Afterwards, we poured the water off, and the sediment left in the bottom we would pour into a pitcher or crock to let it get dry, and then we would put it into a poke made of cloth (i.e. sack made of coarse cloth) and then when we wanted any of it to dye [there]with, we would take the dry indigo. [32] [33]
In Sa Pa, Vietnam, the tropical Indigo (Indigo tinctoria) leaves are harvested and, while still fresh, placed inside a tub of room-temperature to lukewarm water where they are left to sit for 3 to 4 days and allowed to ferment, until the water turns green. Afterwards, crushed limestone (pickling lime) is added to the water, at which time the water with the leaves are vigorously agitated for 15 to 20 minutes, until the water turns blue. The blue pigment settles as sediment at the bottom of the tub. The sediment is scooped out and stored. When dyeing cloth, the pigment is then boiled in a vat of water; the cloth (usually made from yarns of hemp) is inserted into the vat for absorbing the dye. After hanging out to dry, the boiling process is repeated as often as needed to produce a darker color.
Indigo (color wheel) | |
---|---|
Color coordinates | |
Hex triplet | #4000FF [34] |
sRGB B (r, g, b) | (64, 0, 255) |
HSV (h, s, v) | (255°, 100%, 100%) |
CIELChuv (L, C, h) | (35, 133, 268°) |
Source | [Unsourced] |
ISCC–NBS descriptor | Vivid purplish blue |
B: Normalized to [0–255] (byte) |
In a RGB color space, "Indigo(color wheel)" is composed of 25.1% red, 0% green and 100% blue. Whereas in a CMYK color space, it is composed of 74.9% cyan, 100% magenta, 0% yellow and 0% black. It has a hue angle of 255.1 degrees, a saturation of 100% and a lightness of 50%. Indigo(color wheel) could be obtained by blending violet with blue.
Electric Indigo | |
---|---|
Color coordinates | |
Hex triplet | #6F00FF [34] |
sRGB B (r, g, b) | (111, 0, 255) |
HSV (h, s, v) | (266°, 100%, 100%) |
CIELChuv (L, C, h) | (39, 134, 273°) |
Source | [Unsourced] |
ISCC–NBS descriptor | Vivid purplish blue |
B: Normalized to [0–255] (byte) |
"Electric indigo" is brighter than the pigment indigo reproduced above. When plotted on the CIE chromaticity diagram, this color is at 435 nanometers, in the middle of the portion of the spectrum traditionally considered indigo, i.e., between 450 and 420 nanometers. This color is only an approximation of spectral indigo, since actual spectral colors are outside the gamut of the sRGB color system.
Blue-Violet | |
---|---|
Color coordinates | |
Hex triplet | #8A2BE2 |
sRGB B (r, g, b) | (138, 43, 226) |
HSV (h, s, v) | (271°, 81%, 89%) |
CIELChuv (L, C, h) | (42, 115, 279°) |
Source | X11 |
ISCC–NBS descriptor | Vivid violet |
B: Normalized to [0–255] (byte) |
At right is displayed the web color "blue-violet", a color intermediate in brightness between electric indigo and pigment indigo. It is also known as "deep indigo".
Web color Indigo | |
---|---|
Color coordinates | |
Hex triplet | #4B0082 |
sRGB B (r, g, b) | (75, 0, 130) |
HSV (h, s, v) | (275°, 100%, 51%) |
CIELChuv (L, C, h) | (20, 62, 279°) |
Source | |
ISCC–NBS descriptor | Dark violet |
B: Normalized to [0–255] (byte) |
Web safe Indigo | |
---|---|
Color coordinates | |
Hex triplet | #330099 |
sRGB B (r, g, b) | (51, 0, 153) |
HSV (h, s, v) | (260°, 100%, 60%) |
CIELChuv (L, C, h) | (20, 73, 270°) |
Source | |
B: Normalized to [0–255] (byte) |
The color box on the right displays the web color indigo, the color indigo as it would be reproduced by artists' paints as opposed to the brighter indigo above (electric indigo) that is possible to reproduce on a computer screen. Its hue is closer to violet than to indigo dye for which the color is named. Pigment indigo can be obtained by mixing 55% pigment cyan with about 45% pigment magenta.
Compare the subtractive colors to the additive colors in the two primary color charts in the article on primary colors to see the distinction between electric colors as reproducible from light on a computer screen (additive colors) and the pigment colors reproducible with pigments (subtractive colors); the additive colors are significantly brighter because they are produced from light instead of pigment.
Web color indigo represents the way the color indigo was always reproduced in pigments, paints, or colored pencils in the 1950s. By the 1970s, because of the advent of psychedelic art, artists became accustomed to brighter pigments. Pigments called "bright indigo" or "bright blue-violet" (the pigment equivalent of the electric indigo reproduced in the section above) became available in artists' pigments and colored pencils.
Tropical Indigo | |
---|---|
Color coordinates | |
Hex triplet | #9683EC |
sRGB B (r, g, b) | (150, 131, 236) |
HSV (h, s, v) | (251°, 44%, 93%) |
CIELChuv (L, C, h) | (61, 84, 271°) |
Source | Gallego and Sanz [35] |
ISCC–NBS descriptor | Vivid violet |
B: Normalized to [0–255] (byte) |
'Tropical Indigo' is the color that is called añil in the Guía de coloraciones (Guide to colorations) by Rosa Gallego and Juan Carlos Sanz, a color dictionary published in 2005 that is widely popular in the Hispanophone realm.
Imperial Blue | |
---|---|
Color coordinates | |
Hex triplet | #002395 |
sRGB B (r, g, b) | (0, 35, 149) |
HSV (h, s, v) | (226°, 100%, 58%) |
CIELChuv (L, C, h) | (21, 72, 263°) |
Source | [Unsourced] |
ISCC–NBS descriptor | Vivid blue |
B: Normalized to [0–255] (byte) |
Marina Warner's novel Indigo (1992) is a retelling of Shakespeare's The Tempest and features the production of indigo dye by Sycorax.
The French Army adopted dark blue indigo at the time of the French Revolution, as a replacement for the white uniforms previously worn by the Royal infantry regiments. In 1806, Napoleon decided to restore the white coats because of shortages of indigo dye imposed by the British continental blockade. However, the greater practicability of the blue color led to its retention, and indigo remained the dominant color of French military coats until 1914.[ citation needed ]
In the Better Call Saul episode "Hero", Howard Hamlin mentions that his law firm Hamlin Hamlin & McGill trademarked a colour called "Hamlindigo" whilst confronting Jimmy McGill over trademark infringement in a billboard advertisement he produced for his own legal services.
The spiritualist applications use electric indigo, because the color is positioned between blue and violet on the spectrum. [43]
Color or colour is the visual perception based on the electromagnetic spectrum. Though color is not an inherent property of matter, color perception is related to an object's light absorption, reflection, emission spectra, and interference. For most humans, colors are perceived in the visible light spectrum with three types of cone cells (trichromacy). Other animals may have a different number of cone cell types or have eyes sensitive to different wavelengths, such as bees that can distinguish ultraviolet, and thus have a different color sensitivity range. Animal perception of color originates from different light wavelength or spectral sensitivity in cone cell types, which is then processed by the brain.
Violet is the color of light at the short wavelength end of the visible spectrum. It is one of the seven colors that Isaac Newton labeled when dividing the spectrum of visible light in 1672. Violet light has a wavelength between approximately 380 and 435 nanometers. The color's name is derived from the Viola genus of flowers.
Purple is a color similar in appearance to violet light. In the RYB color model historically used in the arts, purple is a secondary color created by combining red and blue pigments. In the CMYK color model used in modern printing, purple is made by combining magenta pigment with either cyan pigment, black pigment, or both. In the RGB color model used in computer and television screens, purple is created by mixing red and blue light in order to create colors that appear similar to violet light.
Magenta is a purplish-red color. On color wheels of the RGB (additive) and CMY (subtractive) color models, it is located precisely midway between blue and red. It is one of the four colors of ink used in color printing by an inkjet printer, along with yellow, cyan, and black to make all the other colors. The tone of magenta used in printing, printer's magenta, is redder than the magenta of the RGB (additive) model, the former being closer to rose.
Indigo dye is an organic compound with a distinctive blue color. Indigo is a natural dye extracted from the leaves of some plants of the Indigofera genus, in particular Indigofera tinctoria. Dye-bearing Indigofera plants were commonly grown and used throughout the world, particularly in Asia, with the production of indigo dyestuff economically important due to the historical rarity of other blue dyestuffs.
Isatis tinctoria, also called woad, dyer's woad, dyer's-weed, or glastum, is a flowering plant in the family Brassicaceae with a documented history of use as a blue dye and medicinal plant. Its genus name, Isatis, derives from the ancient Greek word for the plant, ἰσάτις. It is occasionally known as Asp of Jerusalem. Woad is also the name of a blue dye produced from the leaves of the plant. Woad is native to the steppe and desert zones of the Caucasus, Central Asia to Eastern Siberia and Western Asia but is now also found in South-Eastern and Central Europe and western North America.
Color theory, or more specifically traditional color theory, is the historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. Modern color theory is generally referred to as Color science. While there is no clear distinction in scope, traditional color theory tends to be more subjective and have artistic applications, while color science tends to be more objective and have functional applications, such as in chemistry, astronomy or color reproduction. Color theory dates back at least as far as Aristotle's treatise On Colors. A formalization of "color theory" began in the 18th century, initially within a partisan controversy over Isaac Newton's theory of color and the nature of primary colors. By the end of the 19th century, a schism had formed between traditional color theory and color science.
Subtractive color or subtractive color mixing predicts the spectral power distribution of light after it passes through successive layers of partially absorbing media. This idealized model is the essential principle of how dyes and pigments are used in color printing and photography, where the perception of color is elicited after white light passes through microscopic "stacks" of partially absorbing media allowing some wavelengths of light to reach the eye and not others, and also in painting, whether the colors are mixed or applied in successive layers.
A color wheel or color circle is an abstract illustrative organization of color hues around a circle, which shows the relationships between primary colors, secondary colors, tertiary colors etc.
A spectral color is a color that is evoked by monochromatic light, i.e. either a spectral line with a single wavelength or frequency of light in the visible spectrum, or a relatively narrow spectral band. Every wave of visible light is perceived as a spectral color; when viewed as a continuous spectrum, these colors are seen as the familiar rainbow. Non-spectral colors are evoked by a combination of spectral colors.
A color solid is the three-dimensional representation of a color space or model and can be thought as an analog of, for example, the one-dimensional color wheel, which depicts the variable of hue ; or the 2D chromaticity diagram, which depicts the variables of hue and spectral purity. The added spatial dimension allows a color solid to depict the three dimensions of color: lightness, hue, and colorfulness, allowing the solid to depict all conceivable colors in an organized three-dimensional structure.
In color theory, a tint is a mixture of a color with white, which increases lightness, while a shade is a mixture with black, which increases darkness. Both processes affect the resulting color mixture's relative saturation. A tone is produced either by mixing a color with gray, or by both tinting and shading. Mixing a color with any neutral color reduces the chroma, or colorfulness, while the hue remains unchanged.
Varieties of the color red may differ in hue, chroma, lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. A large selection of these various colors are shown below.
The color magenta has notable tints and shades. These various colors are shown below.
Varieties of the color blue may differ in hue, chroma, or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a blue or other hue mixed with white, a shade being mixed with black. A large selection of these colors is shown below.
Natural dyes are dyes or colorants derived from plants, invertebrates, or minerals. The majority of natural dyes are vegetable dyes from plant sources—roots, berries, bark, leaves, and wood—and other biological sources such as fungi.
Dyeing is the craft of imparting colors to textiles in loose fiber, yarn, cloth or garment form by treatment with a dye. Archaeologists have found evidence of textile dyeing with natural dyes dating back to the Neolithic period. In China, dyeing with plants, barks and insects has been traced back more than 5,000 years. Natural insect dyes such as Tyrian purple and kermes and plant-based dyes such as woad, indigo and madder were important elements of the economies of Asia and Europe until the discovery of man-made synthetic dyes in the mid-19th century. Synthetic dyes quickly superseded natural dyes for the large-scale commercial textile production enabled by the Industrial Revolution, but natural dyes remained in use by traditional cultures around the world.
Violet is a color term derived from the flower of the same name. There are numerous variations of the color violet, a sampling of which are shown below.
There are numerous variations of the color purple, a sampling of which is shown below.
Newton denoted by the name of "indigo" the tint of the spectrum lying between "blue" and "violet." Von Bezold, in his work on color, rejects the term, justifying his objection by observing that the pigment indigo is a much darker hue than the spectrum tint. Prof. O. N. Rood, who follows Von Bezold in rejecting the term, brings forward the further objection that the tint of the pigment indigo more nearly corresponds in hue (though it is darker) with the cyan-blue region lying between green and blue. By comparing the tints of indigo pigment, both dry and wet, with the spectrum, and by means of Maxwell's disks, it appears that the hue of indigo is almost identical with that of Prussian blue, and certainly does not lie on the violet side of "blue." Indigo in the dry lump, if scraped, has, however, a more violet tint; but if fractured or powdered, or dissolved, its tint is distinctly greenish. Prof. Rood considers that artificial ultramarine corresponds much more nearly to the true tint of the spectrum at the point usually termed "indigo," and he therefore proposes to substitute the term "ultramarine" in its place, the color of the artificial pigment being thereby intended.
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has generic name (help)In 1986 some programmers created a list of color names for a unix system known as X11. Having no background in color theory, they placed indigo as a dark purple. This list was later used by HTML and CSS standards that remain in place to this day. These standards are used by millions of designers and digital artists such that the color name indigo is now strongly associated with dark purple or violet. As such, a few programmers accidentally repurposed a color name that was known to civilizations for thousands of years. ...Note the difference between Web Indigo and Indigo. This standard color name is completely detached from the traditional color. This misrepresentation resulted from the random selection by a programmer working on an operating system in 1986.