Indigo is a 1992 novel written by Marina Warner, published by Chatto & Windus in the UK and Simon & Schuster in the US. It is a modernized and altered retelling of William Shakespeare's The Tempest .
Within the novel, Warner appropriates Shakespeare's original plot and characters to fit a dual reality, spanning the 17th and 20th centuries, and the colonial sphere of the Caribbean alongside post-colonial London. She expands certain characters: for example, Sycorax, Shakespeare's dark witch, is given her own identity as indigo maker and village sage. The colonialist realities of 'discovery' and the conquering of 'new' lands are played out in the novel's first section. Finally, the characters of Miranda and Caliban (recreated as Dulé and George/Shaka) are unified in a shared acknowledgement of past colonial wrongs.
Indigo is a deep color close to the color wheel blue, as well as to some variants of ultramarine, based on the ancient dye of the same name. The word "indigo" comes from the Latin word indicum, meaning "Indian", as the dye was originally exported to Europe from India.
Postcolonial literature is the literature by people from formerly colonized countries. It exists on all continents except Antarctica. Postcolonial literature often addresses the problems and consequences of the decolonization of a country, especially questions relating to the political and cultural independence of formerly subjugated people, and themes such as racialism and colonialism. A range of literary theory has evolved around the subject. It addresses the role of literature in perpetuating and challenging what postcolonial critic Edward Said refers to as cultural imperialism.
Nalo Hopkinson is a Jamaican-born Canadian speculative fiction writer and editor. Her novels and short stories such as those in her collection Skin Folk often draw on Caribbean history and language, and its traditions of oral and written storytelling.
Indigo is a color between blue and violet.
Moyez G. Vassanji is a Canadian novelist and editor, who writes under the name M. G. Vassanji. Vassanji's work has been translated into several languages. As of 2020, he has published nine novels, as well as two short-fiction collections and two nonfiction books. Vassanji's writings, which have received considerable critical acclaim, often focus on issues of colonial history, migration, diaspora, citizenship, gender and ethnicity.
Dame Marina Sarah Warner, is an English historian, mythographer, art critic, novelist and short story writer. She is known for her many non-fiction books relating to feminism and myth. She has written for many publications, including The London Review of Books, the New Statesman, Sunday Times and Vogue. She has been a visiting professor, given lectures and taught on the faculties of many universities.
David Dabydeen is a Guyanese-born broadcaster, novelist, poet and academic. He was formerly Guyana's Ambassador to UNESCO from 1997 to 2010 and the youngest Member of the UNESCO Executive Board (1993–1997), elected by the General Council of all Member States of UNESCO. He was appointed Guyana's Ambassador Plenipotentiary and Extraordinaire to China, from 2010 to 2015. He is one of the longest serving diplomats in the history of Guyana, most of his work done in a voluntary unpaid capacity.
Lawrence Scott FRSL is a novelist and short-story writer from Trinidad and Tobago, who divides his time between London and Port of Spain. He has also worked as a teacher of English and Drama at schools in London and in Trinidad. Scott's novels have been awarded (1998) and short-listed for the Commonwealth Writers' Prize and thrice nominated for the International Dublin Literary Award. His stories have been much anthologised and he won the Tom-Gallon Short-Story Award in 1986.
George William Lamming OCC was a Barbadian novelist, essayist, and poet. He first won critical acclaim for In the Castle of My Skin, his 1953 debut novel. He also held academic posts, including as a distinguished visiting professor at Duke University and a visiting professor in the Africana Studies Department of Brown University, and lectured extensively worldwide.
Shakespeare's influence extends from theater and literatures to present-day movies, Western philosophy, and the English language itself. William Shakespeare is widely regarded as the greatest writer in the history of the English language, and the world's pre-eminent dramatist. He transformed European theatre by expanding expectations about what could be accomplished through innovation in characterization, plot, language and genre. Shakespeare's writings have also impacted many notable novelists and poets over the years, including Herman Melville, Charles Dickens, and Maya Angelou, and continue to influence new authors even today. Shakespeare is the most quoted writer in the history of the English-speaking world after the various writers of the Bible; many of his quotations and neologisms have passed into everyday usage in English and other languages. According to Guinness Book of World Records Shakespeare remains the world’s best-selling playwright, with sales of his plays and poetry believed to have achieved in excess of four billion copies in the almost 400 years since his death. He is also the fourth most translated author in history.
Sycorax is an unseen character in William Shakespeare's play The Tempest (1611). She is a vicious and powerful witch and the mother of Caliban, one of the few native inhabitants of the island on which Prospero, the hero of the play, is stranded.
Wizard of the Crow is a 2006 novel written by Ngũgĩ wa Thiong'o and translated from the original Kikuyu into English by the author, his first novel in more than 20 years. The story is set in the imaginary Free Republic of Aburĩria, autocratically governed by one man, known only as the Ruler. The novel received the 2008 Tähtifantasia Award for the best foreign fantasy novel released in Finland in 2007.
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon invaders in the fifth century, are called Old English. Beowulf is the most famous work in Old English, and has achieved national epic status in England, despite being set in Scandinavia. However, following the Norman conquest of England in 1066, the written form of the Anglo-Saxon language became less common. Under the influence of the new aristocracy, French became the standard language of courts, parliament, and polite society. The English spoken after the Normans came is known as Middle English. This form of English lasted until the 1470s, when the Chancery Standard, a London-based form of English, became widespread. Geoffrey Chaucer, author of The Canterbury Tales, was a significant figure in the development of the legitimacy of vernacular Middle English at a time when the dominant literary languages in England were still French and Latin. The invention of the printing press by Johannes Gutenberg in 1439 also helped to standardise the language, as did the King James Bible (1611), and the Great Vowel Shift.
The Tempest is a play by English playwright William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that Shakespeare wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where the sorcerer Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants: Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-a-play, and contributes spectacle, allegory, and elevated language.
Marlon James is a Jamaican writer. He is the author of five novels: John Crow's Devil (2005), The Book of Night Women (2009), A Brief History of Seven Killings (2014), which won him the 2015 Booker Prize, Black Leopard, Red Wolf (2019), and Moon Witch, Spider King (2022). Now living in Minneapolis, Minnesota, in the U.S., James teaches literature at Macalester College in St. Paul, Minnesota. He is also a faculty lecturer at St. Francis College's Low Residency MFA in Creative Writing.
Ewan Fernie is a British scholar and writer. He is Professor, Fellow and Chair of Shakespeare Studies at the Shakespeare Institute, University of Birmingham. He is also Director of the pioneering 'Everything to Everybody' Project, a collaboration between the University of Birmingham and Birmingham City Council.
Ferdinand Dennis is a writer, broadcaster, journalist and lecturer, who is Jamaican by birth but at the age of eight moved to England, where his parents had migrated in the late 1950s. Dr James Procter notes: "Perhaps as a result of his Caribbean background, Dennis is a writer ultimately more concerned with routes than roots. This is foregrounded in much of his fictional work, notably his most recent and ambitious novel to date, Duppy Conqueror (1998), a novel which moves from 1930s Jamaica to postwar London and Liverpool, to Africa. Similarly, Dennis' non-fiction centres on journeying rather than arrival, from Behind the Frontlines: Journey into Afro-Britain (1988) to Voices of the Crossing: The Impact of Britain on Writers from Asia, the Caribbean and Africa (2000)."
Amryl Johnson was a writer born in Trinidad who lived most of her life in Britain.
Marina Ama Omowale Maxwell, also known as Marina Maxwell and Marina Maxwell Omowale, is a Trinidadian playwright, performer, poet and novelist. She was associated with the Caribbean Artists Movement in London in the late 1960s, working with Edward Kamau Brathwaite, while back in the Caribbean she was responsible for developing the experimental Yard Theatre, which was "an attempt to place West Indian theatre in the life of the people [...] to find it in the yards where people live and are." The concept "yard theatre" was considered revolutionary by Brathwaite because it not only rejected the traditions of colonial Euro-American theatre but provided a viable creative local alternative.
Song for Mumu is the debut novel of Jamaican-born writer Lindsay Barrett. Written between April of 1962 and October of 1966 while the author lived in Frankfurt, Germany, Paris, and Accra, Ghana, it was published in 1967 in London, where Barrett participated in readings alongside writers associated with the Caribbean Artists Movement.