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Philip Massinger was an English dramatist. His finely plotted plays, including A New Way to Pay Old Debts, The City Madam, and The Roman Actor, are noted for their satire and realism, and their political and social themes.
The King's Men was the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron.
Sea Venture was a seventeenth-century English sailing ship, part of the Third Supply mission flotilla to the Jamestown Colony in 1609. She was the 300 ton flagship of the London Company. During the voyage to Virginia, Sea Venture encountered a tropical storm and was wrecked, with her crew and passengers landing on the uninhabited Bermuda. Sea Venture's wreck is widely thought to have been the inspiration for William Shakespeare's 1611 play The Tempest.
John Fletcher was an English playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the Stuart Restoration, his fame rivalled Shakespeare's. Fletcher collaborated in writing plays, chiefly with Francis Beaumont or Philip Massinger, but also with Shakespeare and others.
The Beaumont and Fletcher folios are two large folio collections of the stage plays of John Fletcher and his collaborators. The first was issued in 1647, and the second in 1679. The two collections were important in preserving many works of English Renaissance drama.
The Parliament of Love is a late Jacobean era stage play, a comedy written by Philip Massinger. The play was never printed in the seventeenth century, and survived only in a defective manuscript – making it arguably the most problematical work in the Massinger canon.
The Little French Lawyer is a Jacobean era stage play, a comedy written by John Fletcher and Philip Massinger. It was initially published in the first Beaumont and Fletcher folio of 1647.
The False One is a late Jacobean stage play by John Fletcher and Philip Massinger, though formerly placed in the Beaumont and Fletcher canon. It was first published in the first Beaumont and Fletcher folio of 1647.
The Lovers' Progress is an early seventeenth-century stage play, a tragicomedy written by John Fletcher and Philip Massinger. As its multiple titles indicate, the play has a complex history and has been a focus of controversy among scholars and critics.
The Elder Brother is an early seventeenth-century English stage play, a comedy written by John Fletcher and Philip Massinger. Apparently dating from 1625, it may have been the last play Fletcher worked on before his August 1625 death.
The Spanish Curate is a late Jacobean era stage play, a comedy written by John Fletcher and Philip Massinger. It premiered on the stage in 1622, and was first published in 1647.
The Double Marriage is a Jacobean era stage play, a tragedy written by John Fletcher and Philip Massinger, and initially printed in the first Beaumont and Fletcher folio of 1647.
The Maid in the Mill is a late Jacobean era stage play, a comedy written by John Fletcher and William Rowley. It was initially published in the first Beaumont and Fletcher folio of 1647.
Beggars' Bush is a Jacobean era stage play, a comedy in the canon of John Fletcher and his collaborators that is a focus of dispute among scholars and critics.
The Scornful Lady is a Jacobean era stage play, a comedy written by Francis Beaumont and John Fletcher, and first published in 1616, the year of Beaumont's death. It was one of the pair's most popular, often revived, and frequently reprinted works.
Mary Knep, also Knepp, Nepp, Knip, or Knipp, was an English actress and one of the first generation of female performers to appear on the public stage during the Restoration era.
Rebecca Marshall was a noted English actress of the Restoration era, one of the first generation of women performers on the public stage in Britain. She was the younger sister of Anne Marshall, another prominent actress of the period.
The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that he wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where Prospero, a wizard, lives with his daughter Miranda, and his two servants: Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-a-play, and contributes spectacle, allegory, and elevated language.
A Commonwealth of Women is a 1685 comedy play by the English writer Thomas D'Urfey. Originally performed by the United Company as the Theatre Royal, Drury Lane, the cast included Joseph Williams as Captain Marine, Philip Griffin as Du Pier, Thomas Percival as Boldsprite, Thomas Jevon as Franvil, Anthony Leigh as Frugal, Joseph Haines as Hazard, Thomas Gillow as Don Sebastian, John Bowman as Nicusa, Henry Norris as La Mure, Joseph Harris as Bourcher, Katherine Corey as Roselia, Mary Lee as Clarinda, Margaret Osborne as Ariadne, Sarah Cooke as Aminta, Emily Price as Hippolita and Frances Maria Knight as Aglaura.
References
- Beaumont, Francis; Fletcher, John (1994) [1647]. "The Sea Voyage". In Bowers, Fredson (ed.). The dramatic works in the Beaumont and Fletcher canon. Vol. 9. Cambridge: Cambridge University Press. ISBN 978-0-521-36188-0. OCLC 165144652.
- Hadfield, Andrew. Literature, Travel, and Colonial Writing in the English Renaissance, 1545–1625. Oxford, Clarendon Press, 1998.
- Jowitt, Claire. Travel Drama and Gender Politics, 1589–1642: Real and Imagined Worlds. Manchester, Manchester University Press, 2003.
- Logan, Terence P., and Denzell S. Smith, eds. The Later Jacobean and Caroline Dramatists: A Survey and Bibliography of Recent Studies in English Renaissance Drama. Lincoln, NE, University of Nebraska Press, 1978.
- McMullen, Gordon. The Politics of Unease in the Plays of John Fletcher. Amherst, MA, University of Massachusetts Press, 1994.
- Oliphant, E. H. C. The Plays of Beaumont and Fletcher: An Attempt to Determine Their Respective Shares and the Shares of Others. New Haven, Yale University Press, 1927.
- Scheil, Katherine West. The Taste of the Town: Shakespearean Comedy and the Early Eighteenth-Century Theater. Lewisburg, KY, Bucknell University Press, 2003.
- Sprague, Arthur Colby. Beaumont and Fletcher on the Restoration Stage. Cambridge, MA, Harvard University Press, 1926.
