Humphrey Robinson

Last updated

Humphrey Robinson (died 13 November 1670) was a prominent London publisher and bookseller of the middle seventeenth century.

Contents

Robinson was the son of a Bernard Robinson, a clerk from Carlisle; other members of his family were important clergymen and church office-holders. [1] Humphrey Robinson became a "freeman" (a full member) of the Stationers Company on 30 June 1623. He was active as an independent bookseller in the years 162470. Based in his shop at the sign of the Three Pigeons in St. Paul's Churchyard, he was "one of the largest and most important booksellers of this period." [2]

With Moseley

Robinson is most noted for publishing two collections of plays in English Renaissance drama; he partnered in these works with colleague Humphrey Moseley. The most important of these collections was the first Beaumont and Fletcher folio of 1647; they also issued a significant collection of James Shirley's dramas titled Six New Plays in 1653. The two Humphreys also published a volume of the Duke of Newcastle's plays, and Sir William Davenant's Love and Honour , both in 1649. (After Moseley's death in 1661, Robinson worked with widow Anne Moseley when she continued her late husband's business; conjointly they published the 1661 edition of the Beaumont and Fletcher play Beggars' Bush.)

And without

Operating without Moseley, Robinson published John Milton's masque Comus (1637), and Peter Hausted's scandalous play The Rival Friends (1645). Beyond the confines of the drama, Robinson published a range of works of various types, from the miscellaneous works of Sir Francis Bacon (1629) to Robert Norton's The Gunner (1664). Robinson may also have been involved in the private news service business [3] that was a significant enterprise in his era; when newspapers were still in their infancy, many people relied on manuscript subscription news services for information. [See: Nathaniel Butter; John Pory.]

Robinson partnered with stationers other than Moseley on various projects. In one venture important in his own era, he was involved in the 1657 publication of Bishop Brian Walton's polyglot Bible. Robinson published an abundant supply of religious literature, as was standard for the booksellers of his period.

Later career

Robinson served as a Warden of the Stationers Company in 1653, and as the guild's Master in both 1661 and 1667; in the later year, he was responsible for rebuilding the guildhall after the Great Fire of London (1666). In the mid-1650s, during the Commonwealth era, Robinson maintained an important correspondence with Joseph Williamson, who later became Secretary of State; their letters are preserved in the State Papers, [4] and provide abundant data on the role Robinson played as a leading publisher of the period. (Williamson, at this early point in his career, regularly travelled to France as a tutor of young aristocrats; he simultaneously worked as Robinson's agent and business contact with French publishers.)

At his death he was survived by two children, a son, Humphrey, and a daughter, Grace. At the time of the father's death, the son was a fellow of All Souls' College, Oxford. Grace Robinson received two houses in St. Paul's Churchyard in her father's last will and testament. The stationer John Baker II leased the Three Pigeons shop from Robinson's heirs and continued the business to 1684. [5]

See also

Related Research Articles

<span class="mw-page-title-main">Francis Kirkman</span>

Francis Kirkman appears in many roles in the English literary world of the second half of the seventeenth century, as a publisher, bookseller, librarian, author and bibliographer. In each he is an enthusiast for popular literature and a popularising businessman, described by one modern editor as "hovering on the borderline of roguery".

<i>The Merry Devil of Edmonton</i>

The Merry Devil of Edmonton is an Elizabethan-era stage play; a comedy about a magician, Peter Fabell, nicknamed the Merry Devil. It was at one point attributed to William Shakespeare, but is now considered part of the Shakespeare Apocrypha.

Humphrey Moseley was a prominent London publisher and bookseller in the middle seventeenth century.

<span class="mw-page-title-main">John Benson (publisher)</span>

John Benson was a London publisher of the middle seventeenth century, best remembered for a historically important publication of the Sonnets and miscellaneous poems of William Shakespeare in 1640.

Hengist, King of Kent, or The Mayor of Quinborough is a Jacobean stage play by Thomas Middleton of the 1610s, but first published in 1661. It is his only overtly historical play. It was read by Pepys.

The Beaumont and Fletcher folios are two large folio collections of the stage plays of John Fletcher and his collaborators. The first was issued in 1647, and the second in 1679. The two collections were important in preserving many works of English Renaissance drama.

Henry Herringman (1628–1704) was a prominent London bookseller and publisher in the second half of the 17th century. He is especially noted for his publications in English Renaissance drama and English Restoration drama; he was the first publisher of the works of John Dryden. He conducted his business under the sign of the Blue Anchor in the lower walk of the New Exchange.

The Faithful Friends is an early seventeenth-century stage play, a tragicomedy associated with the canon of John Fletcher and his collaborators. Never printed in its own century, the play is one of the most disputed works in English Renaissance drama.

<i>The Scornful Lady</i>

The Scornful Lady is a Jacobean era stage play, a comedy written by Francis Beaumont and John Fletcher, and first published in 1616, the year of Beaumont's death. It was one of the pair's most popular, often revived, and frequently reprinted works.

Walter Burre was a London bookseller and publisher of the Elizabethan and Jacobean eras, best remembered for publishing several key texts in English Renaissance drama.

<span class="mw-page-title-main">William Ponsonby (publisher)</span> London publisher of the Elizabethan era

William Ponsonby was a prominent London publisher of the Elizabethan era. Active in the 1577–1603 period, Ponsonby published the works of Edmund Spenser, Sir Philip Sidney, and other members of the Sidney circle; he has been called "the leading literary publisher of Elizabethan times."

Thomas Cotes was a London printer of the Jacobean and Caroline eras, best remembered for printing the Second Folio edition of Shakespeare's plays in 1632.

Andrew Crooke and William Cooke were London publishers of the mid-17th-century. In partnership and individually, they issued significant texts of English Renaissance drama, most notably of the plays of James Shirley.

Nicholas Okes was an English printer in London of the Jacobean and Caroline eras, remembered for printing works of English Renaissance drama. He was responsible for early editions of works by many of the playwrights of the period, including William Shakespeare, Ben Jonson, John Webster, Thomas Middleton, Thomas Dekker, Thomas Heywood, James Shirley, and John Ford.

John Waterson was a London publisher and bookseller of the Jacobean and Caroline eras; he published significant works in English Renaissance drama, including plays by William Shakespeare, John Fletcher, John Webster, and Philip Massinger.

John Marriot and his son Richard Marriot were prominent London publishers and booksellers in the seventeenth century. For a portion of their careers, the 1645–57 period, they were partners in a family business.

Francis Constable was a London bookseller and publisher of the Jacobean and Caroline eras, noted for publishing a number of stage plays of English Renaissance drama.

Thomas Walkley was a London publisher and bookseller in the early and middle seventeenth century. He is noted for publishing a range of significant texts in English Renaissance drama, "and much other interesting literature."

William Leake, father and son, were London publishers and booksellers of the late sixteenth and the seventeenth centuries. They were responsible for a range of texts in English Renaissance drama and poetry, including works by Shakespeare and Beaumont and Fletcher.

Thomas Dring was a London publisher and bookseller of the middle seventeenth century. He was in business from 1649 on; his shop was located "at the sign of the George in Fleet Street, near St. Dunstan's Church."

References

  1. Magrath, John Richard, ed. The Flemings in Oxford: Being Document Selected from the Rydal Papers. Oxford, Oxford Historical Society/Clarendon Press, 1904; Vol. 1, pp. 553-4.
  2. Plomer Henry Robert. A Dictionary of the Booksellers and Printers Who Were at Work in England, Scotland and Ireland from 1641 to 1667. London, The Bibliographival Society/Blades, East & Blades, 1907; p. 155.
  3. Magrath, Vol. 1, p. 100 and ff.
  4. Calendar of State Papers Domestic, 165558.
  5. Furdell, Elizabeth Jane. Publishing and Medicine in Early Modern England. Rochester, NY, University of Rochester Press, 2002; p. 116.