Related Research Articles
Francis Beaumont was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher.
Beaumont and Fletcher were the English dramatists Francis Beaumont and John Fletcher, who collaborated in their writing during the reign of James I (1603–25).
The New Inn, or The Light Heart is a Caroline era stage play, a comedy by English playwright and poet Ben Jonson.
The Nice Valour, or The Passionate Madman is a Jacobean stage play of problematic date and authorship. Based on its inclusion in the two Beaumont and Fletcher folios of 1647 and 1679 and two citations in 17th-century sources, the play has long held a place in the canon of John Fletcher and his collaborators. Modern scholarship, however, has accumulated much internal evidence for the authorship of Thomas Middleton.
The Woman's Prize, or the Tamer Tamed is a Jacobean comedy written by John Fletcher. It was first published in the first Beaumont and Fletcher folio of 1647, though it was written several decades earlier. There is no doubt that the play is the work of Fletcher alone; his highly distinctive and characteristic pattern of linguistic preferences is continuous through the text.
The Coronation is a Caroline era stage play, a tragicomedy written by James Shirley, and notable for the tug-of-war of authorship claims in which it was involved in the middle seventeenth century.
Love's Cruelty is a Caroline-era stage play, a tragedy written by James Shirley, and first published in 1640.
Philaster, or Love Lies a-Bleeding is an early Jacobean era stage play, a tragicomedy written by Francis Beaumont and John Fletcher. One of the duo's earliest successes, the play helped to establish the trend for tragicomedy that was a powerful influence in early Stuart-era drama.
"Aoto Zōshi Hana no Nishiki-e" (青砥稿花紅彩画), as the original and fullest version of this play is known, is a tale in five acts of the shiranamimono sub-category of the kizewamono genre of kabuki plays. Written by Kawatake Mokuami, it first premiered at the Ichimura-za in Edo in March 1862.
The Honest Man's Fortune is a Jacobean era stage play, a tragicomedy written by Nathan Field, John Fletcher, and Philip Massinger. It was apparently the earliest of the works produced by this trio of writers, the others being The Queen of Corinth and The Knight of Malta.
The Queen of Corinth is a Jacobean era stage play, a tragicomedy in the canon of John Fletcher and his collaborators. It was initially published in the first Beaumont and Fletcher folio of 1647.
The Lovers' Progress is an early seventeenth-century stage play, a tragicomedy written by John Fletcher and Philip Massinger. As its multiple titles indicate, the play has a complex history and has been a focus of controversy among scholars and critics.
The Faithful Friends is an early seventeenth-century stage play, a tragicomedy associated with the canon of John Fletcher and his collaborators. Never printed in its own century, the play is one of the most disputed works in English Renaissance drama.
Wit Without Money is a Jacobean era stage play, a comedy written by John Fletcher, and first published in 1639.
Love's Cure, or The Martial Maid is an early seventeenth-century stage play, a comedy in the canon of John Fletcher and his collaborators. First published in the Beaumont and Fletcher folio of 1647, it is the subject of broad dispute and uncertainty among scholars. In the words of Gerald Eades Bentley, "nearly everything about the play is in a state of confusion...."
Thierry and Theodoret is a Jacobean era stage play, a tragedy in the canon of John Fletcher and his collaborators that was first published in 1621. It is one of the problematic plays of Fletcher's oeuvre; as with Love's Cure, there are significant uncertainties about the date and authorship of Thierry and Theodoret.
The Loyal Subject is a Jacobean era stage play, a tragicomedy by John Fletcher that was originally published in the first Beaumont and Fletcher folio of 1647.
A Wife for a Month is a late Jacobean era stage play, a tragicomedy written by John Fletcher and originally published in the first Beaumont and Fletcher folio of 1647.
The Pilgrim is a late Jacobean era stage play, a comedy by John Fletcher that was originally published in the first Beaumont and Fletcher folio of 1647.
The English Moor, or the Mock Marriage is a Caroline era stage play, a comedy written by Richard Brome, noteworthy in its use of the stage device of blackface make-up. Registered in 1640, it was first printed in 1659, and, uniquely among the plays of Brome's canon, also survives in a manuscript version.
References
- Logan, Terence P., and Denzell S. Smith, eds. The Later Jacobean and Caroline Dramatists: A Survey and Bibliography of Recent Studies in English Renaissance Drama. Lincoln, NE, University of Nebraska Press, 1978.
- Maxwell, Baldwin. Studies in Beaumont, Fletcher, and Massinger. London, Routledge, 1966.
- Oliphant, E. H. C. The Plays of Beaumont and Fletcher: An Attempt to Determine Their Respective Shares and the Shares of Others. New Haven, Yale University Press, 1927.