Richard Meighen (died 1641) was a London publisher of the Jacobean and Caroline eras. He is noted for his publications of plays of English Renaissance drama; he published the second Ben Jonson folio of 1640/41, and was a member of the syndicate that issued the Second Folio of Shakespeare's collected plays in 1632.
Meighen came from a family with strong connections to Shrewsbury School; his father, John Meighen (son of a Richard Meighen who was a tanner in Shrewsbury), was named headmaster in 1583 and continued in the post for a remarkable 52 years, until his death in September 1635. Several members of the Meighen family (including at least two named Richard) attended the school as students. Meighen the publisher maintained a lifelong connection with the school, and published works relating to it. [1]
Meighen was active as a publisher during the years 1615 to 1641; his shops, as his title pages specify, were "under St. Clement's Church" in the Strand, and "next to the Middle Temple, in Fleet Street." He started his career on a prestigious note, acting as William Stansby's sales agent when Stansby printed and published the first Jonson folio in 1616. Like many stationers of his era, Meighen concentrated on publishing and selling books, and commissioned printers to print the works he published. His first edition of William Slater's Palae-Albion: The History of Great Britain (1621), for example, was printed by Stansby — though Meighen also worked with most of the printers of his generation.[ citation needed ]
This section needs additional citations for verification .(October 2022) |
While he issued a wide range of works of various types — including an edition of John Stow's Annals in 1631 — Meighen's volumes of drama are his most significant works, judged in retrospect. Meighen appears to have been only a minor partner in the 1632 Shakespeare Second Folio (he'd obtained the rights to The Merry Wives of Windsor in 1630); but he was a prime mover of the 1640/41 Jonson volume, which collected most of the post-1616 plays, masques, and miscellaneous works of the poet/dramatist. In publishing this volume, Meighen collaborated with Philip Chetwinde, who would publish the Shakespeare Third Folio of 1663/64. William Stansby, the printer/publisher of the first Jonson folio, also printed the second.
In addition to the Shakespeare and Jonson folios, Meighen published a number of plays in single editions, including: [2] [3]
Meighen published posthumous first editions of the three plays of Thomas Goffe —The Raging Turk (1631), The Courageous Turk (1632), and Orestes (1633). In 1628, he issued A Recantation of an Ill-Led Life, the memoir of the minor dramatist John Clavell. He also printed his share of the popular and ephemeral literature of his era, like Thomas Harper's The True History of the Tragic Loves of Hippolito and Isabella (1633).
His modern reputation as a publisher is mixed; critics do not rank him highly in terms of the quality of the texts he produced. In particular, the second Jonson folio has been condemned for its poor printing and organizational confusion.
Early in 1641 Meighen entered into a partnership with three other stationers for the purpose of publishing law books; but he died before the planned partnership could produce any results. His widow, Mercy Meighen, received a court grant of the right to administer her late husband's estate on March 21, 1642 (new style). Mercy Meighen (died 1654) continued her late husband's business, entering a partnership with stationer Gabriell Bedell in November 1646. [4]
Yet another Richard Meighen, a son of Richard and Mercy Meighen, continued in the publishing business; he issued Three Excellent Tragedies, a collected edition of Goffe's plays, in 1656.
The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall volumes; quartos are smaller, roughly half the size. The publications of the latter are usually abbreviated to Q1, Q2, etc., where the letter stands for "quarto" and the number for the first, second, or third edition published.
John Benson was a London publisher of the middle seventeenth century, best remembered for a historically important publication of the Sonnets and miscellaneous poems of William Shakespeare in 1640.
The Second Folio is the 1632 edition of the collected plays of William Shakespeare. It follows the First Folio of 1623. Much language was updated in the Second Folio and there are almost 1,700 changes.
Ben Jonson collected his plays and other writings into a book he titled The Workes of Benjamin Jonson. In 1616 it was printed in London in the form of a folio. Second and third editions of his works were published posthumously in 1640 and 1692.
Robert Allot was a London bookseller and publisher of the early Caroline era; his shop was at the sign of the black bear in St. Paul's Churchyard. Though he was in business for a relatively short time – the decade from 1625 to 1635 – Allot had significant connections with the dramatic canons of the two greatest figures of English Renaissance theatre, William Shakespeare and Ben Jonson.
Philip Chetwinde was a seventeenth-century London bookseller and publisher, noted for his publication of the Third Folio of Shakespeare's plays.
William Aspley was a London publisher of the Elizabethan, Jacobean, and Caroline eras. He was a member of the publishing syndicates that issued the First Folio and Second Folio collections of Shakespeare's plays, in 1623 and 1632.
John Smethwick was a London publisher of the Elizabethan, Jacobean, and Caroline eras. Along with colleague William Aspley, Smethwick was one of the "junior partners" in the publishing syndicate that issued the First Folio collection of Shakespeare's plays in 1623. As his title pages specify, his shop was "in St. Dunstan's Churchyard in Fleet Street, under the Dial."
Thomas Cotes was a London printer of the Jacobean and Caroline eras, best remembered for printing the Second Folio edition of Shakespeare's plays in 1632.
Richard Hawkins was a London publisher of the Jacobean and Caroline eras. He was a member of the syndicate that published the Second Folio collection of Shakespeare's plays in 1632. His bookshop was in Chancery Lane, near Sergeant's Inn.
Andrew Crooke and William Cooke were London publishers of the mid-17th-century. In partnership and individually, they issued significant texts of English Renaissance drama, most notably of the plays of James Shirley.
George Eld was a London printer of the Jacobean era, who produced important works of English Renaissance drama and literature, including key texts by William Shakespeare, Ben Jonson, Christopher Marlowe, and Thomas Middleton.
Nathaniel Butter was a London publisher of the early 17th century. The publisher of the first edition of Shakespeare's King Lear in 1608, he has also been regarded as one of the first publishers of a newspaper in English.
Nicholas Okes was an English printer in London of the Jacobean and Caroline eras, remembered for printing works of English Renaissance drama. He was responsible for early editions of works by many of the playwrights of the period, including William Shakespeare, Ben Jonson, John Webster, Thomas Middleton, Thomas Dekker, Thomas Heywood, James Shirley, and John Ford.
Edward Allde was an English printer in London during the Elizabethan and Jacobean eras. He was responsible for a number of significant texts in English Renaissance drama, including some of the early editions of plays by William Shakespeare.
John Waterson was a London publisher and bookseller of the Jacobean and Caroline eras; he published significant works in English Renaissance drama, including plays by William Shakespeare, John Fletcher, John Webster, and Philip Massinger.
Thomas Walkley was a London publisher and bookseller in the early and middle seventeenth century. He is noted for publishing a range of significant texts in English Renaissance drama, "and much other interesting literature."
William Leake, father and son, were London publishers and booksellers of the late sixteenth and the seventeenth centuries. They were responsible for a range of texts in English Renaissance drama and poetry, including works by Shakespeare and Beaumont and Fletcher.
William Stansby (1572–1638) was a London printer and publisher of the Jacobean and Caroline eras, working under his own name from 1610. One of the most prolific printers of his time, Stansby is best remembered for publishing the landmark first folio collection of the works of Ben Jonson in 1616.
Augustine Matthews was a printer in London in the Jacobean and Caroline eras. Among a wide variety of other work, Matthews printed notable texts in English Renaissance drama.