John Benson (died 23 January 1667) was a London publisher of the middle seventeenth century, best remembered for a historically important publication of the Sonnets and miscellaneous poems of William Shakespeare in 1640. [1]
John Benson began his career as a stationer in 1635; he maintained shops in Chancery Lane (from 1635 on) and St. Dunstan's Churchyard in Fleet Street (1640 and after). In his publishing career, Benson generally concentrated on the lower end of the market for printed matter in his era; he "specialized in the publication of ballads and broadsides." [2] Yet he published books too, like Joseph Rutter's The Shepherds' Holy-Day (1635); he issued Ben Jonson's Execration Against Vulcan in 1640.
Benson partnered with other stationers for some projects. He joined with fellow stationer John Waterson to publish the first quarto of Fletcher and Massinger's The Elder Brother (1637). Benson and John Saywell issued Francis Quarles's Hosanna, or Divine poems on the Passion of Christ (1647); in 1651 Benson formed a partnership to print music books with John Playford. [3] Their edition of John Hilton's Catch That Catch Can, a collection of "catches, rounds, and canons", appeared in 1652.
Benson entered his edition of Shakespeare's poems in the Stationers' Register on 4 November 1639. (Since Thomas Thorpe, the original publisher of the Sonnets and A Lover's Complaint , had died c. 1635, his copyright to the material was likely considered lapsed.) The volume was published in octavo the following year. The title of the publication reads:
POEMS: VVRITTEN BY WIL. SHAKE-SPEARE. Gent. Printed at London by Tho. Cotes, and are to be sold by Iohn Bensen, dwelling in St. Dunstans Church yard. 1640.
The book opens with engraver William Marshall's portrait of Shakespeare – a reduced and reversed version of Martin Droeshout's engraving from the First Folio. This is followed by Benson's preface "to the Reader", commendatory poems by Leonard Digges and John Warren, and then the poems themselves. The edition combined most of Shakespeare's sonnets (numbers 18, 19, 43, 56, 75, 76, and 126 are omitted), mingled with poems from The Passionate Pilgrim (the corrupt 1612 edition), plus A Lover's Complaint, The Phoenix and the Turtle , Milton's poem to Shakespeare from the Second Folio, poems by Ben Jonson, Francis Beaumont, Robert Herrick and others, and miscellaneous pieces. [4]
Thomas Cotes, Benson's printer for the Poems, also printed the Shakespeare Second Folio (1632), and the first quarto of The Two Noble Kinsmen (1634).
Benson is notorious for rearranging the order of the sonnets into groups, which he presented as complete poems, for which he invented titles. He also changed the pronouns in several of the sonnets to create the impression that they were written to a woman. [5]
The "derivative and unauthoritative character" of Benson's edition was not recognized until Shakespeare scholar Edmond Malone re-directed critics' attention to the original 1609 edition of the Sonnets; "for almost a century and a half Benson's mangled hodgepodge was an accepted repository of Shakespeare's lyric verse." [6]
The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall volumes; quartos are smaller, roughly half the size. The publications of the latter are usually abbreviated to Q1, Q2, etc., where the letter stands for "quarto" and the number for the first, second, or third edition published.
Shakespeare's sonnets are poems written by William Shakespeare on a variety of themes. When discussing or referring to Shakespeare's sonnets, it is almost always a reference to the 154 sonnets that were first published all together in a quarto in 1609. However, there are six additional sonnets that Shakespeare wrote and included in the plays Romeo and Juliet, Henry V and Love's Labour's Lost. There is also a partial sonnet found in the play Edward III.
Thomas Thorpe was an English publisher, most famous for publishing Shakespeare's sonnets and several works by Christopher Marlowe and Ben Jonson. His publication of the sonnets has long been controversial. Nineteenth-century critics thought that he might have published the poems without Shakespeare's consent; Sidney Lee called him "predatory and irresponsible." Conversely, modern scholars Wells and Taylor assert their verdict that "Thorpe was a reputable publisher, and there is nothing intrinsically irregular about his publication."
Ben Jonson collected his plays and other writings into a book he titled The Workes of Benjamin Jonson. In 1616 it was printed in London in the form of a folio. Second and third editions of his works were published posthumously in 1640 and 1692.
Robert Allot was a London bookseller and publisher of the early Caroline era; his shop was at the sign of the black bear in St. Paul's Churchyard. Though he was in business for a relatively short time – the decade from 1625 to 1635 – Allot had significant connections with the dramatic canons of the two greatest figures of English Renaissance theatre, William Shakespeare and Ben Jonson.
Philip Chetwinde was a seventeenth-century London bookseller and publisher, noted for his publication of the Third Folio of Shakespeare's plays.
William Aspley was a London publisher of the Elizabethan, Jacobean, and Caroline eras. He was a member of the publishing syndicates that issued the First Folio and Second Folio collections of Shakespeare's plays, in 1623 and 1632.
John Smethwick was a London publisher of the Elizabethan, Jacobean, and Caroline eras. Along with colleague William Aspley, Smethwick was one of the "junior partners" in the publishing syndicate that issued the First Folio collection of Shakespeare's plays in 1623. As his title pages specify, his shop was "in St. Dunstan's Churchyard in Fleet Street, under the Dial."
Thomas Cotes was a London printer of the Jacobean and Caroline eras, best remembered for printing the Second Folio edition of Shakespeare's plays in 1632.
Richard Meighen was a London publisher of the Jacobean and Caroline eras. He is noted for his publications of plays of English Renaissance drama; he published the second Ben Jonson folio of 1640/1, and was a member of the syndicate that issued the Second Folio of Shakespeare's collected plays in 1632.
Richard Hawkins was a London publisher of the Jacobean and Caroline eras. He was a member of the syndicate that published the Second Folio collection of Shakespeare's plays in 1632. His bookshop was in Chancery Lane, near Sergeant's Inn.
Andrew Crooke and William Cooke were London publishers of the mid-17th-century. In partnership and individually, they issued significant texts of English Renaissance drama, most notably of the plays of James Shirley.
Nathaniel Butter was a London publisher of the early 17th century. The publisher of the first edition of Shakespeare's King Lear in 1608, he has also been regarded as one of the first publishers of a newspaper in English.
Nicholas Okes was an English printer in London of the Jacobean and Caroline eras, remembered for printing works of English Renaissance drama. He was responsible for early editions of works by many of the playwrights of the period, including William Shakespeare, Ben Jonson, John Webster, Thomas Middleton, Thomas Dekker, Thomas Heywood, James Shirley, and John Ford.
John Waterson was a London publisher and bookseller of the Jacobean and Caroline eras; he published significant works in English Renaissance drama, including plays by William Shakespeare, John Fletcher, John Webster, and Philip Massinger.
Thomas Walkley was a London publisher and bookseller in the early and middle seventeenth century. He is noted for publishing a range of significant texts in English Renaissance drama, "and much other interesting literature."
William Leake, father and son, were London publishers and booksellers of the late sixteenth and the seventeenth centuries. They were responsible for a range of texts in English Renaissance drama and poetry, including works by Shakespeare and Beaumont and Fletcher.
William Stansby (1572–1638) was a London printer and publisher of the Jacobean and Caroline eras, working under his own name from 1610. One of the most prolific printers of his time, Stansby is best remembered for publishing the landmark first folio collection of the works of Ben Jonson in 1616.
Nationality words link to articles with information on the nation's poetry or literature.