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German Romanticism was the dominant intellectual movement of German-speaking countries in the late 18th and early 19th centuries, influencing philosophy, aesthetics, literature, and criticism. Compared to English Romanticism, the German variety developed relatively early, and, in the opening years, coincided with Weimar Classicism (1772–1805). In contrast to the seriousness of English Romanticism, the German variety of Romanticism notably valued wit, humour, and beauty.
Friedrich Wilhelm Gotter was a German poet and dramatist.
Carl Joachim Friedrich Ludwig von Arnim, better known as Achim von Arnim, was a German poet, novelist, and together with Clemens Brentano and Joseph von Eichendorff, a leading figure of German Romanticism.
Anton Schweitzer was a German composer of operas, who was affiliated with Abel Seyler's theatrical company.
Ignaz Jakob Holzbauer was an Austrian composer of symphonies, concertos, operas, and chamber music, and a member of the Mannheim school. His aesthetic style is in line with that of the Sturm und Drang "movement" of German art and literature.
Johann Friedrich Anton Fleischmann was a German composer.
Georg Anton Benda was a composer, violinist and Kapellmeister of the classical period from the Kingdom of Bohemia.
Johann Friedrich Reichardt was a German composer, writer and music critic.
Un re in ascolto is an opera by Luciano Berio, who also wrote the Italian libretto. It is based on a short story from the collection Under the Jaguar Sun by Italo Calvino, but incorporates excerpts from Friedrich Einsiedel's 1778 libretto for an opera based on Shakespeare's The Tempest. This became Die Geisterinsel in 1798, set to music written by Friedrich Fleischmann. In addition, W. H. Auden's The Sea and the Mirror: A Commentary on Shakespeare's The Tempest was a source.
Since the 18th century Berlin has been an influential musical center in Germany and Europe. First as an important trading city in the Hanseatic League, then as the capital of the electorate of Brandenburg and the Prussian Kingdom, later on as one of the biggest cities in Germany it fostered an influential music culture that remains vital until today. Berlin can be regarded as the breeding ground for the powerful choir movement that played such an important role in the broad socialization of music in Germany during the 19th century.
The Athenaeum was a literary magazine established in 1798 by August Wilhelm and Karl Wilhelm Friedrich Schlegel. It is considered to be the founding publication of German Romanticism.
Johann Ignaz Ludwig Fischer, commonly called Ludwig Fischer, was a German opera singer, a notable bass of his time.
Erwin und Elmire is an opera in two acts by Duchess Anna Amalia of Brunswick-Wolfenbüttel, with a libretto by Johann Wolfgang von Goethe, after Oliver Goldsmith's ballad of Angelica and Edwin, The Hermit, in his sentimental novel The Vicar of Wakefield.
Erwin und Elmire is a singspiel, described as a Schauspiel mit Gesang, in two acts by the German composer Johann André, with a libretto by Johann Wolfgang von Goethe, after Oliver Goldsmith's ballad of Angelica and Edwin, The Hermit, in chapter 8 of his sentimental novel The Vicar of Wakefield.
"Der König in Thule" is a German poem by Johann Wolfgang von Goethe, written in 1774.
Hermann Reutter was a German composer and pianist who worked as an academic teacher, university administrator, recitalist, and accompanist. He composed several operas, orchestral works, and chamber music, and especially many lieder, setting poems by authors writing in German, Russian, Spanish, Icelandic, English, and ancient Egyptian and Greek, among others.
The Seyler Theatre Company, also known as the Seyler Company, was a theatrical company founded in 1769 by Abel Seyler, a Hamburg businessman originally from Switzerland who became "the leading patron of German theatre" in his lifetime. It was largely a continuation of the Hamburgische Entreprise, whose dramaturge was Gotthold Ephraim Lessing and whose main owner was Seyler. The Seyler theatrical company became one of the most famous theatrical companies of Europe in the 18th century, attracting some of Germany's leading actors, playwrights and composers. It originally comprised around 60 members, including an orchestra, a ballet, house dramatists and set designers. Between 1777 and 1778 Seyler employed some 230 actors, singers and musicians. The company was originally contracted by the Hanoverian court with performing at Hanover and other cities of the kingdom. The company would eventually perform all across Germany, and performed for three years at the Weimar Schlosstheater, invited by Duchess Anna Amalia of Brunswick-Wolfenbüttel. When Anna Amalia succeeded in engaging the Seyler Company, this was "an extremely fortunate coup. The Seyler Company was the best theatre company in Germany at that time." The company had an important role in the development of German opera in the late 18th century.
Die Geisterinsel is an opera libretto written by German poet and dramatist Friedrich Wilhelm Gotter (1746–1797), after an earlier version by his friend Friedrich von Einsiedel, based on Thomas Shadwell's operatic version of Dryden's The Enchanted Island, itself based on Shakespeare's The Tempest. After Gotter's death his widow was persuaded by Schiller to publish her late husband's libretto in his Die Horen in issues 8 and 9 of 1797. The libretto was first set by Johann Friedrich Anton Fleischmann for a Singspiel that premiered in 1798 in Weimar under Goethe's direction.
Events from the year 1798 in Germany.
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