Pink is a pale shade of red that is named after a flower of the same name. It was first used as a color name in the late 17th century. According to surveys in Europe and the United States, pink is the color most often associated with charm, politeness, sensitivity, tenderness, sweetness, childhood, femininity and romance. A combination of pink and white is associated with chastity and innocence, whereas a combination of pink and black links to eroticism and seduction.
A color term is a word or phrase that refers to a specific color. The color term may refer to human perception of that color which is usually defined according to the Munsell color system, or to an underlying physical property. There are also numerical systems of color specification, referred to as color spaces.
Fuchsia is a vivid purplish red color, named after the color of the flower of the fuchsia plant, which was named so by a botanist, Charles Plumier after the 16th century German botanist Leonhart Fuchs.
Lavender is a shade of purple. It applies particularly to the color of the flower of the same name. The web color called lavender is displayed at right—it matches the color of the very palest part of the lavender flower; however, the more saturated color shown below as floral lavender more closely matches the average color of the lavender flower as shown in the picture and is the tone of lavender historically and traditionally considered lavender by the average person as opposed to those who are web site designers. The color lavender might be described as a medium purple or a light pinkish purple. The term lavender may be used in general to apply to a wide range of pale, light or greyish purples but only on the blue side. Lilac is pale purple on the pink side. In paints, the colour lavender is made by mixing purple and white paint.
Red-violet is a rich color of high medium saturation about 3/4 of the way between red and magenta, closer to magenta than to red. It is classified in color theory as one of the purple colors—a non-spectral color between red and violet that is a deep version of a color on the line of purples on the CIE chromaticity diagram. Both its saturation and brightness falling short of 100%, red-violet is not a pure chroma. There is a color of similar hue that, however, comes close to being a pure chroma: process magenta. The pure chroma color composed of equal parts of magenta and red is called rose.
Carmine color also known as Imperial and Latvian red, is the general term for some deep red colours that are very slightly purplish but are generally slightly closer to red than the colour crimson is. Some rubies are coloured the colour shown below as rich carmine. The deep dark red color shown at right as carmine is the colour of the raw unprocessed pigment, but lighter, richer, or brighter colours are produced when the raw pigment is processed, some of which are shown below.
Rose is the color halfway between red and magenta on the HSV color wheel, also known as the RGB color wheel, on which it is at hue angle of 330 degrees.
A rebozo is a long flat garment, very similar to a shawl, worn mostly by women in Mexico. It can be worn in various ways, usually folded or wrapped around the head and/or upper body to shade from the sun, provide warmth and as an accessory to an outfit. It is also used to carry babies and large bundles, especially among indigenous women. The origin of the garment is unclear, but most likely derived in the early colonial period, as traditional versions of the garment show indigenous, European and Asian influences. Traditional rebozos are handwoven from cotton, wool, silk and rayon in various lengths but all have some kind of pattern and have fringe, which can be finger weaved into complicated designs. The garment is considered to be part of Mexican identity and nearly all Mexican women own at least one. It has been prominently worn by women such as Frida Kahlo, actress María Félix and former Mexican first lady Margarita Zavala and still popular in rural areas of the country. However, its use has diminished in urban areas.
Olga Costa was a painter and cultural promoter who immigrated to Mexico from Germany when she was twelve. She began to study art at the Academy of San Carlos but left after only three months to help support her family. However, she met her husband, artist José Chávez Morado during this time. Her marriage to him involved her in Mexico's cultural and intellectual scene and she began to develop her ability to paint on her own, with encouragement from her husband. She had numerous exhibitions of her work in Mexico, with her work also sent to be sold in the United States. She was also involved in the founding and development of various galleries, cultural societies and three museums in the state of Guanajuato. She received the Premio Nacional de Ciencias y Artes among others for her work.
Barro negro pottery is a style of pottery from Oaxaca, Mexico, distinguished by its color, sheen and unique designs. Oaxaca is one of few Mexican states which is characterized by the continuance of its ancestral crafts, which are still used in everyday life. Barro negro is one of several pottery traditions in the state, which also include the glazed green pieces of Santa María Atzompa; however, barro negro is one of the best known and most identified with the state. It is also one of the most popular and appreciated styles of pottery in Mexico. The origins of this pottery style extends as far back as the Monte Alban period and for almost all of this pottery's history, had been available only in a grayish matte finish. In the 1950s, a potter named Doña Rosa devised a way to put a black metallic like sheen onto the pottery by polishing it before firing. This look has made the pottery far more popular. From the 1980s to the present, an artisan named Carlomagno Pedro Martínez has promoted items made this way with barro negro sculptures which have been exhibited in a number of countries.
Fashion design is the art of applying design, aesthetics and natural beauty to clothing and its accessories. It is influenced by cultural and social attitudes, and has varied over time and place. Fashion designers work in a number of ways in designing clothing and accessories such as bracelets and necklaces. Because of the time required to bring a garment onto the market, designers must at times anticipate changes to consumer tastes.
Varieties of the color red may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
White is the lightest color and is achromatic. It is the color of fresh snow, chalk and milk, and is the opposite of black. White objects fully reflect and scatter all the visible wavelengths of light. White on television and computer screens is created by a mixture of red, blue and green light. In everyday life, whiteness is often conferred with white pigments, especially titanium dioxide, of which is produced more than 3,000,000 tons/y.
Color analysis, also known as personal color analysis (PCA), seasonal color analysis, or skin-tone matching, is a term often used within the cosmetics and fashion industry to describe a method of determining the colors of clothing and makeup that harmonize with a person's skin complexion, eye color, and hair color with the benefit of being able to use this tool for wardrobe planning and style consulting. Color analysis demonstrates how certain shades are capable of being flattering or, conversely, unflattering by observing the optical illusions that occur on the face when placing specific colors next to the individual. It is generally agreed that the wrong colors will draw attention to such flaws as wrinkles or uneven skin tone while harmonious colors will enhance the natural beauty of the individual making them appear healthy and fresh-faced.
The color pink has notable tints and shades. These various colors are shown below.
The color magenta has notable tints and shades. These various colors are shown below.
Mexican handcrafts and folk art is a complex collection of items made with various materials and intended for utilitarian, decorative or other purposes. Some of the items produced by hand in this country include ceramics, wall hangings, vases, furniture, textiles and much more. In Mexico, both crafts created for utilitarian purposes and folk art are collectively known as “artesanía” as both have a similar history and both are a valued part of Mexico's national identity. Mexico's artesanía tradition is a blend of indigenous and European techniques and designs. This blending, called “mestizo” was particularly emphasized by Mexico's political, intellectual and artistic elite in the early 20th century after the Mexican Revolution toppled Porfirio Díaz’s French-style and modernization-focused presidency. Today, Mexican artesanía is exported and is one of the reasons why tourists are attracted to the country. However, competition from manufactured products and imitations from countries like China have caused problems for Mexico’s artisans.
Various types of visual arts developed in the geographical area now known as Mexico. The development of these arts roughly follows the history of Mexico, divided into the prehispanic Mesoamerican era, the colonial period, with the period after Mexican War of Independence, the development Mexican national identity through art in the nineteenth century, and the florescence of modern Mexican art after the Mexican Revolution (1910-1920).
Amuzgo textiles are those created by the Amuzgo indigenous people who live in the Mexican states of Guerrero and Oaxaca. The history of this craft extends to the pre-Columbian period, which much preserved, as many Amuzgos, especially in Xochistlahuaca, still wear traditional clothing. However, the introduction of cheap commercial cloth has put the craft in danger as hand woven cloth with elaborate designs cannot compete as material for regular clothing. Since the 20th century, the Amuzgo weavers have mostly made cloth for family use, but they have also been developing specialty markets, such as to collectors and tourists for their product.
Traditional Mexican handcrafted toys are those made by artisans rather than manufactured in factories. The history of Mexican toys extends as far back as the Mesoamerican era, but many of the toys date to the colonial period. Many of these were introduced as teaching tools by evangelists, and were associated with certain festivals and holidays. These toys vary widely, including cup and ball, lotería, dolls, miniature people, animals and objects, tops and more—made of many materials, including wood, metal, cloth, corn husks, ceramic, and glass. These toys remained popular throughout Mexico until the mid-20th century, when commercially made, mostly plastic toys became widely available. Because of the advertising commercial toys receive and because they are cheaper, most traditional toys that are sold as handcrafts, principally to tourists and collectors.
