Blue-green

Last updated
Blue-green
 
Gtk-dialog-info.svg    Color coordinates
Hex triplet #008080
sRGB B (r, g, b)(0, 128, 128)
HSV (h, s, v)(180°, 100%, 50%)
CIELChuv (L, C, h)(48, 38, 192°)
SourceRGB/HTML color model
B: Normalized to [0–255] (byte)
H: Normalized to [0–100] (hundred)
A traditional old-fashioned RYB color wheel Color star-en.svg
A traditional old-fashioned RYB color wheel

Blue-green is the color between blue and green. It belongs to the cyan family.

Contents

Variations

Cyan

A modern RGB color wheel RGB color wheel.svg
A modern RGB color wheel
Cyan (Aqua)
 
Gtk-dialog-info.svg    Color coordinates
Hex triplet #00FFFF
sRGB B (r, g, b)(0, 255, 255)
HSV (h, s, v)(180°, 100%, 100%)
CIELChuv (L, C, h)(91, 72, 192°)
Source X11
ISCC–NBS descriptor Brilliant bluish green
B: Normalized to [0–255] (byte)

Cyan is the blue-green color that is between blue and green on a modern RGB color wheel.

The modern RGB color wheel replaced the traditional old-fashioned RYB color wheel because it is possible to display much brighter and more saturated colors using the primary and secondary colors of the RGB color wheel. In the terminology of color theory, RGB color space has a much larger color gamut than RYB color space.

The first recorded use of cyan as a color name in English was in 1879. [1]

Turquoise

A sample of turquoise Turquoise.pebble.700pix.jpg
A sample of turquoise
Turquoise
 
Gtk-dialog-info.svg    Color coordinates
Hex triplet #40E0D0
sRGB B (r, g, b)(64, 224, 208)
HSV (h, s, v)(174°, 71%, 88%)
CIELChuv (L, C, h)(81, 59, 179°)
Source X11
ISCC–NBS descriptor Brilliant bluish green
B: Normalized to [0–255] (byte)

The color turquoise is that of the semi-precious stone turquoise, which is a light tone of blue-green.

Its first recorded use as a color name in English is from 1573. [2]

Green-blue

Green-blue
 
Gtk-dialog-info.svg    Color coordinates
Hex triplet #1164B4
sRGB B (r, g, b)(17, 100, 180)
HSV (h, s, v)(209°, 91%, 71%)
CIELChuv (L, C, h)(42, 76, 252°)
Source Crayola
ISCC–NBS descriptor Strong blue
B: Normalized to [0–255] (byte)

Green-blue is a Crayola crayon color from 1958 to 1990.

Bondi blue

Bondi blue
 
Gtk-dialog-info.svg    Color coordinates
Hex triplet #0095B6
sRGB B (r, g, b)(0, 149, 182)
HSV (h, s, v)(191°, 100%, 71%)
CIELChuv (L, C, h)(57, 55, 223°)
Source Crayola
B: Normalized to [0–255] (byte)

Bondi blue belongs to the cyan family of blues. It is very similar to the Crayola crayon color "blue-green".

Apple, Inc. christened the color of the back of the original iMac computer "Bondi blue" when it was introduced in 1998. It is said to be named for the color of the water at Bondi Beach, in Sydney, Australia.

Blue green (Munsell)

Blue green (Munsell)
 
Gtk-dialog-info.svg    Color coordinates
Hex triplet #00A59C
sRGB B (r, g, b)(0, 165, 156)
HSV (h, s, v)(177°, 100%, 65%)
CIELChuv (L, C, h)(61, 48, 183°)
Source Munsell Color Wheel
ISCC–NBS descriptor Brilliant bluish green
B: Normalized to [0–255] (byte)

One definition of the color is in the Munsell color system (Munsell 5BG) although there is wide-spread acceptance and knowledge of the color from the so called blue-green algae which have been recognised and described since the 18th century and probably before that.

Cerulean

Cerulean as a quaternary color on the RYB color wheel
  blue
  cerulean
  teal

Cerulean ( /səˈrliən/ ), also spelled caerulean, is a variety of the hue of blue that may range from a light azure blue to a more intense sky blue, and may be mixed as well with the hue of green. The first recorded use of cerulean as a colour name in English was in 1590. [3] The word is derived from the Latin word caeruleus , "dark blue, blue, or blue-green", which in turn probably derives from caerulum, diminutive of caelum, "heaven, sky". [4]

"Cerulean blue" is the name of a blue-green pigment consisting of cobalt stannate (Co
2
SnO
4
). The pigment was first synthesized in the late eighteenth century by Albrecht Höpfner, a Swiss chemist, and it was known as Höpfner blue during the first half of the nineteenth century. Art suppliers began referring to cobalt stannate as cerulean in the second half of the nineteenth century. It was not widely used by artists until the 1870s when it became available in oil paint. [5]
Cerulean
 
Gtk-dialog-info.svg    Color coordinates
Hex triplet #007BA7
sRGB B (r, g, b)(0, 123, 167)
HSV (h, s, v)(196°, 100%, 65%)
CIELChuv (L, C, h)(48, 56, 234°)
Source [6]
ISCC–NBS descriptor Strong greenish blue
B: Normalized to [0–255] (byte)
Cerulean (RGB)
 
Gtk-dialog-info.svg    Color coordinates
Hex triplet #003FFF
sRGB B (r, g, b)(0, 63, 255)
HSV (h, s, v)(225°, 100%, 100%)
CIELChuv (L, C, h)(39, 134, 264°)
Source[Unsourced]
ISCC–NBS descriptor Vivid blue
B: Normalized to [0–255] (byte)

Teal

Teal
 
Gtk-dialog-info.svg    Color coordinates
Hex triplet #008080
sRGB B (r, g, b)(0, 128, 128)
HSV (h, s, v)(180°, 100%, 50%)
CIELChuv (L, C, h)(48, 38, 192°)
Source X11
ISCC–NBS descriptor Moderate bluish green
B: Normalized to [0–255] (byte)
Teal as a tertiary color
  green
  teal
  blue
Green-winged teal (male) Green-winged Teal, Port Aransas, Texas.jpg
Green-winged teal (male)
Teal iceberg The underwater surface structures of an iceberg in Svalbard.jpg
Teal iceberg
The flag of Sri Lanka uses teal. Flag of Sri Lanka.svg
The flag of Sri Lanka uses teal.

Teal is a greenish-blue color. Its name comes from that of a bird—the Eurasian teal (Anas crecca)—which presents a similarly colored stripe on its head. The word is often used colloquially to refer to shades of cyan in general.

It can be created by mixing cyan into a green base, or deepened as needed with black or gray. [7] It is also one of the first group of 16 HTML/CSS web colors. In the RGB model used to create colors on computer screens and televisions, teal is created by reducing the brightness of cyan to about one half.

In North America, teal was a fad color during the 1990s, with, among others, many sports teams adopting the color for their uniforms. [8] [9]

In nature

A lake was colored blue-green by glacial flour. Peyto Lake (7631770462).jpg
A lake was colored blue-green by glacial flour.

In culture

See also

Related Research Articles

<span class="mw-page-title-main">Cyan</span> Color visible between blue and green on the visible spectrum; subtractive (CMY) primary color

Cyan is the color between blue and green on the visible spectrum of light. It is evoked by light with a predominant wavelength between 490 and 520 nm, between the wavelengths of green and blue.

Powder blue is a pale shade of blue. As with most colours, there is no absolute definition of its exact hue. Originally, powder blue, in the 1650s, was powdered smalt used in laundering and dyeing applications, and it then came to be used as a colour name from 1894.

<span class="mw-page-title-main">Azure (color)</span> Bright, cyan-blue colour

Azure is the color between cyan and blue on the spectrum of visible light. It is often described as the color of the sky on a clear day.

<span class="mw-page-title-main">Teal</span> Low-saturated color, a blueish-green to dark medium, similar to medium blue-green and dark cyan

Teal is a greenish-blue color. Its name comes from that of a bird—the Eurasian teal —which presents a similarly colored stripe on its head. The word is often used colloquially to refer to shades of cyan in general.

<span class="mw-page-title-main">Fuchsia (color)</span> Color

Fuchsia is a vivid pinkish-purplish-red color, named after the color of the flower of the fuchsia plant, which was named by a French botanist, Charles Plumier, after the 16th-century German botanist Leonhart Fuchs.

<span class="mw-page-title-main">Secondary color</span> Color made by mixing two primary colors

A secondary color is a color made by mixing two primary colors of a given color model in even proportions. Combining two secondary colors in the same manner produces a tertiary color. Secondary colors are special in traditional color theory, but have no special meaning in color science.

Cerulean, also spelled caerulean, is a variety of the hue of blue that may range from a light azure blue to a more intense sky blue, and may be mixed as well with the hue of green. The first recorded use of cerulean as a colour name in English was in 1590. The word is derived from the Latin word caeruleus, "dark blue, blue, or blue-green", which in turn probably derives from caerulum, diminutive of caelum, "heaven, sky".

<span class="mw-page-title-main">Red-violet</span> Overview of color term

Red-violet refers to a rich color of high medium saturation about 3/4 of the way between red and magenta, closer to magenta than to red. In American English, this color term is sometimes used in color theory as one of the purple colors—a non-spectral color between red and violet that is a deep version of a color on the line of purples on the CIE chromaticity diagram.

<span class="mw-page-title-main">Spring green</span> Color

Spring green is a color that was traditionally considered to be on the yellow side of green, but in modern computer systems based on the RGB color model is halfway between cyan and green on the color wheel.

<span class="mw-page-title-main">Shades of orange</span> Varieties of the color orange

In optics, orange has a wavelength between approximately 585 and 620 nm and a hue of 30° in HSV color space. In the RGB color space it is a secondary color numerically halfway between gamma-compressed red and yellow, as can be seen in the RGB color wheel. The complementary color of orange is azure. Orange pigments are largely in the ochre or cadmium families, and absorb mostly blue light.

<span class="mw-page-title-main">Shades of green</span> Varieties of the color green

Varieties of the color green may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a green or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.

<span class="mw-page-title-main">Shades of red</span> Varieties of the color red

Varieties of the color red may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. A large selection of these various colors are shown below.

<span class="mw-page-title-main">Shades of magenta</span> Varieties of the color magenta

The color magenta has notable tints and shades. These various colors are shown below.

<span class="mw-page-title-main">Shades of yellow</span> Overview about the shades of yellow

Varieties of the color yellow may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a yellow or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.

<span class="mw-page-title-main">Shades of blue</span> Variety of the color blue

Varieties of the color blue may differ in hue, chroma, or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a blue or other hue mixed with white, a shade being mixed with black. A large selection of these colors are shown below.

<span class="mw-page-title-main">Shades of cyan</span> Varieties of the color cyan

The color cyan, a greenish-blue, has notable tints and shades. It is one of the subtractive primary colors along with magenta, and yellow.

<span class="mw-page-title-main">Shades of violet</span> Varieties of the color violet

Violet is a color term derived from the flower of the same name. There are numerous variations of the color violet, a sampling of which are shown below.

<span class="mw-page-title-main">Shades of purple</span> Variations of the color purple

There are numerous variations of the color purple, a sampling of which is shown below.

<span class="mw-page-title-main">Shades of brown</span> Varieties of the color brown

Shades of brown can be produced by combining red, yellow, and black pigments, or by a combination of orange and black—illustrated in the color box. The RGB color model, that generates all colors on computer and television screens, makes brown by combining red and green light at different intensities. Brown color names are often imprecise, and some shades, such as beige, can refer to lighter rather than darker shades of yellow and red. Such colors are less saturated than colors perceived to be orange. Browns are usually described as light or dark, reddish, yellowish, or gray-brown. There are no standardized names for shades of brown; the same shade may have different names on different color lists, and sometimes one name can refer to several very different colors. The X11 color list of web colors has seventeen different shades of brown, but the complete list of browns is much longer.

References

  1. Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill Page 194
  2. Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill Page 206; Color Sample of Turquoise [green]: Page 73 Plate 25 Color Sample I5
  3. Maerz, Aloys John; Paul, M. Rea (1930). A Dictionary of Color. McGraw-Hill Book Company. p. 190; Colour Sample of Cerulean: Page 89 Plate 33 Colour Sample E6.
  4. "cerulean - Search Online Etymology Dictionary". Etymonline.com. Retrieved 20 November 2017.
  5. Eastlaugh, Nicholas (2004). The pigment compendium: a dictionary of historical pigments. Amsterdam; Boston: Elsevier Butterworth-Heinemann. p. 90. ISBN   9780750657495.
  6. Maerz, Aloys John; Paul, M. Rea (1930). A Dictionary of Color. McGraw-Hill Book Company. p. 190; Colour Sample of Cerulean: Page 89 Plate 33 Colour Sample E6.
  7. "What color is teal? What colors go with teal?". Painting and Decorating Concourse. Paint color. 2013-05-22. Archived from the original on 2013-05-22. Retrieved 2018-07-12.
  8. "Laughing in the purple rain". ESPN.com. Uni Watch's Friday Flashback. 29 April 2016. Retrieved 2017-01-02.
  9. "A closer look at the uniforms and logos of the 90s". TheScore.com. 14 July 2014. Retrieved 2017-01-02.
  10. Magaloni, Diana (2014). The Colors of the New World: Artists, Materials, and the Creation of the Florentine Codex. Los Angeles: The Getty Research Institute. p. 43. ISBN   978-1606063293.