Violet | |
---|---|
Spectral coordinates | |
Wavelength | 380–450 nm |
Frequency | 800–715 THz |
Color coordinates | |
Hex triplet | #8000FF |
sRGB B (r, g, b) | (128, 0, 255) |
HSV (h, s, v) | (270°, 100%, 100%) |
CIELChuv (L, C, h) | (41, 134, 275°) |
Source | W3C [1] |
B: Normalized to [0–255] (byte) |
Violet is a color term derived from the flower of the same name. There are numerous variations of the color violet, a sampling of which are shown below.
The term violet has different meanings in different languages, countries and epochs. Even among many modern speakers within the English-speaking world there is confusion about the terms purple and violet. [2] The blue-dominated spectral color beyond blue is referred to as purple by many speakers in the United States, but this color is called violet by many speakers in the United Kingdom. [3] [4] In some British authoritative texts the term purple refers to any mixture of red and blue, suggesting the color term purple covers the full range between red and blue in the United Kingdom. [3] In other texts it is the term violet that covers the same full range of colors. [5] The uncertainty about the range of meanings of the color terms violet and purple is even larger when other languages and historical texts are considered. [6]
Although pure spectrum violet is outside the color gamut of the RGB color space, the three colors displayed below are rough approximations of the range of colors of actual spectral violet, although the accuracy of the approximation can vary depending on the individual's color vision, and on the color rendition of one's computer monitor.
Violet (color wheel) | |
---|---|
Color coordinates | |
Hex triplet | #8000FF |
sRGB B (r, g, b) | (128, 0, 255) |
HSV (h, s, v) | (270°, 100%, 100%) |
CIELChuv (L, C, h) | (41, 134, 275°) |
Source | HTML Color Chart [7] |
ISCC–NBS descriptor | Vivid violet |
B: Normalized to [0–255] (byte) |
The tertiary color on the HSV color wheel (also known as the RGB color wheel) precisely halfway between blue and magenta is called color wheel violet. This tone of violet—an approximation of the color violet at about 417 nanometers as plotted on the CIE chromaticity diagram—is shown at right. This tone of violet is actually somewhat toward indigo assuming indigo is accepted as a separate spectrum color, usually quoted as having a range of from about 420 to 450 nanometers. [8] Another name for this color is near violet.
Electric Violet | |
---|---|
Color coordinates | |
Hex triplet | #8F00FF |
sRGB B (r, g, b) | (143, 0, 255) |
HSV (h, s, v) | (274°, 100%, 100%) |
CIELChuv (L, C, h) | (43, 134, 278°) |
Source | HTML Color Chart @274 [ failed verification ] |
ISCC–NBS descriptor | Vivid violet |
B: Normalized to [0–255] (byte) |
The color at right, electric violet, is the closest approximation to middle spectrum violet that can be made on a computer screen, given the limitations of the sRGB color gamut. It is an approximation of the color violet at about 400 nanometers as plotted on the CIE chromaticity diagram, in the middle of the violet range of from 380 nanometers to 420 nanometers, assuming indigo as a separate spectrum color from 420 to 450 nanometers. [8] Other names for this color are middle violet or simply violet.
Vivid Violet | |
---|---|
Color coordinates | |
Hex triplet | #9F00FF |
sRGB B (r, g, b) | (159, 0, 255) |
HSV (h, s, v) | (277°, 100%, 100%) |
CIELChuv (L, C, h) | (45, 134, 281°) |
Source | HTML Color Chart @277 [ failed verification ] |
ISCC–NBS descriptor | Vivid violet |
B: Normalized to [0–255] (byte) |
Displayed at right is the color vivid violet, a color approximately equivalent to the violet seen at the extreme edge of human visual perception.[ citation needed ] When plotted on the CIE chromaticity diagram, it can be seen that this is a hue corresponding to that of a visual stimulus of approximately 380 nm on the spectrum. Thus another name for this color is extreme violet.
Violet (web color) | |
---|---|
Color coordinates | |
Hex triplet | #EE82EE |
sRGB B (r, g, b) | (238, 130, 238) |
HSV (h, s, v) | (300°, 45%, 93%) |
CIELChuv (L, C, h) | (70, 85, 308°) |
Source | X11 [9] X11 color names [10] |
ISCC–NBS descriptor | Vivid purple |
B: Normalized to [0–255] (byte) |
The so-called web color "violet" is in actuality not really a tint of violet, a spectral color, but is a non-spectral color. The web color violet is actually a rather pale tint of magenta because it has equal amounts of red and blue (the definition of magenta for computer display), and some of the green primary mixed in, unlike most other variants of violet that are closer to blue. This same color appears as "violet" in the X11 color names.
Dark Violet | |
---|---|
Color coordinates | |
Hex triplet | #9400D3 |
sRGB B (r, g, b) | (148, 0, 211) |
HSV (h, s, v) | (282°, 100%, 83%) |
CIELChuv (L, C, h) | (40, 110, 285°) |
Source | X11 |
ISCC–NBS descriptor | Vivid violet |
B: Normalized to [0–255] (byte) |
The color box at right displays the web color dark violet which is equivalent to pigment violet, i.e., the color violet as it would typically be reproduced by artist's paints, colored pencils, or crayons as opposed to the brighter "electric" violet above that it is possible to reproduce on a computer screen.[ citation needed ]
Compare the subtractive colors to the additive colors in the two primary color charts in the article on primary colors to see the distinction between electric colors as reproducible from light on a computer screen (additive colors) and the pigment colors reproducible with pigments (subtractive colors); the additive colors are a lot brighter because they are produced from light instead of pigment. [ citation needed ]
Pigment violet (web color dark violet) represents the way the color violet was always reproduced in pigments, paints, or colored pencils in the 1950s. By the 1970s, because of the advent of psychedelic art, artists became used to brighter pigments, and pigments called "Violet" that are the pigment equivalent of the electric violet reproduced in the section above became available in artists pigments and colored pencils. [ citation needed ] (When approximating electric violet in artists pigments, a bit of white pigment is added to pigment violet.[ citation needed ])
Ultra Violet | |
---|---|
Color coordinates | |
Hex triplet | #645394 |
sRGB B (r, g, b) | (100, 83, 148) |
HSV (h, s, v) | (256°, 44%, 58%) |
CIELChuv (L, C, h) | (40, 50, 274°) |
Source | Pantone TPX [11] |
ISCC–NBS descriptor | Moderate violet |
B: Normalized to [0–255] (byte) |
The color Ultra Violet is displayed at right.
The source of this color is the "Pantone Textile Paper eXtended (TPX)" color list, color #18-3838 TPX—Ultra Violet. [12]
Ultra Violet was named as Pantone's Color of the Year for 2018. [13]
It should not be confused with ultraviolet.
African Violet | |
---|---|
Color coordinates | |
Hex triplet | #B284BE |
sRGB B (r, g, b) | (178, 132, 190) |
HSV (h, s, v) | (288°, 31%, 75%) |
CIELChuv (L, C, h) | (61, 45, 298°) |
Source | Pantone TPX [14] |
ISCC–NBS descriptor | Light purple |
B: Normalized to [0–255] (byte) |
The color African violet is displayed at right.
The source of this color is the "Pantone Textile Paper eXtended (TPX)" color list, color #16-3250 TPX—African Violet. [15]
Chinese Violet | |
---|---|
Color coordinates | |
Hex triplet | #856088 |
sRGB B (r, g, b) | (133, 96, 136) |
HSV (h, s, v) | (296°, 29%, 53%) |
CIELChuv (L, C, h) | (46, 32, 304°) |
Source | Pantone TPX [16] |
ISCC–NBS descriptor | Moderate purple |
B: Normalized to [0–255] (byte) |
The color Chinese violet is displayed at right.
The first recorded use of Chinese violet as a color name in English was in 1912. [17]
The source of this color is the "Pantone Textile Paper eXtended (TPX)" color list, color #18-3418 TPX—Chinese Violet. [18]
English Violet | |
---|---|
Color coordinates | |
Hex triplet | #563C5C |
sRGB B (r, g, b) | (86, 60, 92) |
HSV (h, s, v) | (289°, 35%, 36%) |
CIELChuv (L, C, h) | (29, 23, 299°) |
Source | ISCC-NBS |
ISCC–NBS descriptor | Dark purple |
B: Normalized to [0–255] (byte) |
The color English violet is displayed at right.
The first recorded use of English violet as a color name in English was in 1928. [19]
French Violet | |
---|---|
Color coordinates | |
Hex triplet | #8806CE |
sRGB B (r, g, b) | (136, 6, 206) |
HSV (h, s, v) | (279°, 97%, 81%) |
CIELChuv (L, C, h) | (38, 107, 283°) |
Source | Pourpre.com [ failed verification ] |
ISCC–NBS descriptor | Vivid violet |
B: Normalized to [0–255] (byte) |
At right is displayed the color French violet, which is the tone of violet that is called violet in the Pourpre.com color list, a color list widely popular in France.
Violet (JTC) | |
---|---|
Color coordinates | |
Hex triplet | #5B3256 |
sRGB B (r, g, b) | (91, 50, 86) |
HSV (h, s, v) | (307°, 45%, 36%) |
CIELChuv (L, C, h) | (27, 28, 314°) |
Source | JTC |
ISCC–NBS descriptor | Dark reddish purple |
B: Normalized to [0–255] (byte) |
The color Japanese violet or Sumire is shown at right.
This is the color called "violet" in the traditional Japanese colors group, a group of colors in use since beginning in 660 CE in the form of various dyes that are used in designing kimono. [20] [21]
The name of this color in Japanese is sumire-iro, meaning "violet color".
Violet (G&S) | |
---|---|
Color coordinates | |
Hex triplet | #4C2882 |
sRGB B (r, g, b) | (76, 40, 130) |
HSV (h, s, v) | (264°, 69%, 51%) |
CIELChuv (L, C, h) | (26, 59, 277°) |
Source | Gallego and Sanz [22] |
ISCC–NBS descriptor | Deep violet |
B: Normalized to [0–255] (byte) |
Spanish violet is the color that is called Violeta (the Spanish word for "violet") in the Guía de coloraciones (Guide to colorations) by Rosa Gallego and Juan Carlos Sanz, a color dictionary published in 2005 that is widely popular in the Hispanophone realm.
Russian Violet | |
---|---|
Color coordinates | |
Hex triplet | #32174D |
sRGB B (r, g, b) | (50, 23, 77) |
HSV (h, s, v) | (270°, 70%, 30%) |
CIELChuv (L, C, h) | (15, 29, 281°) |
Source | ISCC-NBS |
ISCC–NBS descriptor | Deep violet |
B: Normalized to [0–255] (byte) |
The color Russian violet is displayed at right.
The first recorded use of Russian violet as a color name in English was in 1926. [23]
Grape | |
---|---|
Color coordinates | |
Hex triplet | #6F2DA8 |
sRGB B (r, g, b) | (111, 45, 168) |
HSV (h, s, v) | (272°, 73%, 66%) |
CIELChuv (L, C, h) | (34, 80, 281°) |
Source | Crayola |
ISCC–NBS descriptor | Vivid violet |
B: Normalized to [0–255] (byte) |
Grape is a color that is a representation of the color of grapes.
It is currently unknown when grape was first used as a color name in English, but in 1994, "grape" was made into one of the Crayola Magic Scent crayon colors.
Lavender | |
---|---|
Color coordinates | |
Hex triplet | #B57EDC |
sRGB B (r, g, b) | (181, 126, 220) |
HSV (h, s, v) | (275°, 43%, 86%) |
CIELChuv (L, C, h) | (62, 71, 287°) |
Source | Maerz and Paul [24] |
ISCC–NBS descriptor | Strong purple |
B: Normalized to [0–255] (byte) |
At right is displayed the color lavender. This color may also be called lavender (floral) or floral lavender to distinguish it from the web color lavender. It is the color of the central part of the lavender flower.
The first recorded use of the word lavender as a color term in English was in 1705. [25]
Since the color lavender has a hue code of 275, it may be regarded as a light tone of violet.
Mauve (Mallow) | |
---|---|
Color coordinates | |
Hex triplet | #E0B0FF |
sRGB B (r, g, b) | (224, 176, 255) |
HSV (h, s, v) | (276°, 31%, 100%) |
CIELChuv (L, C, h) | (79, 61, 290°) |
Source | Maerz and Paul [26] |
ISCC–NBS descriptor | Brilliant purple |
B: Normalized to [0–255] (byte) |
Mauve (from the French form of Malva "mallow") is a color that is named after the mallow flower. Another name for the color is mallow [27] with the first recorded use of mallow as a color name in English in 1611. [28]
Since the color mauve has a hue code of 276, it may be regarded as a pale tone of violet.
Wisteria | |
---|---|
Color coordinates | |
Hex triplet | #C9A0DC |
sRGB B (r, g, b) | (201, 160, 220) |
HSV (h, s, v) | (281°, 27%, 86%) |
CIELChuv (L, C, h) | (71, 47, 293°) |
Source | Crayola |
ISCC–NBS descriptor | Light purple |
B: Normalized to [0–255] (byte) |
Displayed at right is the color wisteria.
It represents the color of wisteria blooms. A crayon of this color and name was formulated by Crayola in 1993.
Mauve is a pale purple color named after the mallow flower. The first use of the word mauve as a color was in 1796–98 according to the Oxford English Dictionary, but its use seems to have been rare before 1859. Another name for the color is mallow, with the first recorded use of mallow as a color name in English in 1611.
Fuchsia is a vivid pinkish-purplish-red color, named after the color of the flower of the fuchsia plant, which was named by a French botanist, Charles Plumier, after the 16th-century German botanist Leonhart Fuchs.
Lavender is a light shade of purple or violet. It applies particularly to the color of the flower of the same name. The web color called lavender is displayed adjacent—it matches the color of the palest part of the flower; however, the more saturated color shown as floral lavender more closely matches the average color of the lavender flower as shown in the picture and is the tone of lavender historically and traditionally considered lavender by average people as opposed to website designers. The color lavender might be described as a medium purple, a pale bluish purple, or a light pinkish-purple. The term lavender may be used in general to apply to a wide range of pale, light, or grayish-purples, but only on the blue side; lilac is pale purple on the pink side. In paints, the color lavender is made by mixing purple and white paint.
Lemon or lemon-color is a vivid yellow color characteristic of the lemon fruit. Shades of "lemon" may vary significantly from the fruit's actual color, including fluorescent tones and creamy hues reflective of lemon pies and confections.
Orchid is a bright rich purple color that resembles the color which various orchids often exhibit.
Red-violet refers to a rich color of high medium saturation about 3/4 of the way between red and magenta, closer to magenta than to red. In American English, this color term is sometimes used in color theory as one of the purple colors—a non-spectral color between red and violet that is a deep version of a color on the line of purples on the CIE chromaticity diagram.
Carmine color is the general term for some deep red colors that are very slightly purplish but are generally slightly closer to red than the color crimson is. Some rubies are colored the color shown below as rich carmine. The deep dark red color shown at right as carmine is the color of the raw unprocessed pigment, but lighter, richer, or brighter colors are produced when the raw pigment is processed, some of which are shown below.
Spring green is a color that was traditionally considered to be on the yellow side of green, but in modern computer systems based on the RGB color model is halfway between cyan and green on the color wheel.
Taupe is a dark gray-brown color. The word derives from the French noun taupe meaning "mole". The name originally referred only to the average color of the French mole, but beginning in the 1940s, its usage expanded to encompass a wider range of shades.
In optics, orange has a wavelength between approximately 585 and 620 nm and a hue of 30° in HSV color space. In the RGB color space it is a secondary color numerically halfway between gamma-compressed red and yellow, as can be seen in the RGB color wheel. The complementary color of orange is azure. Orange pigments are largely in the ochre or cadmium families, and absorb mostly blue light.
Spring bud is the color that used to be called spring green before the X11 web color spring green was formulated in 1987 when the X11 colors were first promulgated. This color is now called spring bud to avoid confusion with the web color.
Varieties of the color green may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a green or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
Varieties of the color red may differ in hue, chroma, lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. A large selection of these various colors are shown below.
Pink colors are usually light or desaturated shades of reds, roses, and magentas which are created on computer and television screens using the RGB color model and in printing with the CMYK color model. As such, it is an arbitrary classification of color.
The color magenta has notable tints and shades. These various colors are shown below.
Tuscan red is a shade of red that was used on some railroad cars, particularly passenger cars.
Varieties of the color yellow may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a yellow or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
Varieties of the color blue may differ in hue, chroma, or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a blue or other hue mixed with white, a shade being mixed with black. A large selection of these colors is shown below.
There are numerous variations of the color purple, a sampling of which is shown below.
Rose is the color halfway between red and magenta on the HSV color wheel, also known as the RGB color wheel.