Carmine | |
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Color coordinates | |
Hex triplet | #960018 |
sRGB B (r, g, b) | (150, 0, 24) |
HSV (h, s, v) | (350°, 100%, 59%) |
CIELChuv (L, C, h) | (31, 99, 10°) |
Source | Pourpre.com |
ISCC–NBS descriptor | Vivid red |
B: Normalized to [0–255] (byte) |
Carmine color is the general term for some deep red colors that are very slightly purplish but are generally slightly closer to red than the color crimson is. Some rubies are colored the color shown below as rich carmine. The deep dark red color shown at right as carmine is the color of the raw unprocessed pigment, but lighter, richer, or brighter colors are produced when the raw pigment is processed, some of which are shown below.
The first recorded use of carmine as a color name in English was in 1523. [1]
Wild Watermelon | |
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Color coordinates | |
Hex triplet | #FC6C85 |
sRGB B (r, g, b) | (252, 108, 133) |
HSV (h, s, v) | (350°, 57%, 99%) |
CIELChuv (L, C, h) | (64, 101, 4°) |
Source | Crayola |
ISCC–NBS descriptor | Deep pink |
B: Normalized to [0–255] (byte) |
The color wild watermelon is displayed at right.
Ultra red is a color formulated by Crayola in 1972. In 1990, the name of the color was changed to wild watermelon.
With a hue code of 350, this color is within the range of carmine colors.
This color is supposed to be fluorescent, but there is no mechanism for displaying fluorescence on a computer screen.
Radical Red | |
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Color coordinates | |
Hex triplet | #FF355E |
sRGB B (r, g, b) | (255, 53, 94) |
HSV (h, s, v) | (348°, 79%, 100%) |
CIELChuv (L, C, h) | (57, 145, 6°) |
Source | Crayola |
ISCC–NBS descriptor | Vivid red |
B: Normalized to [0–255] (byte) |
The Crayola crayon color radical red is displayed at right.
The color radical red was formulated by Crayola in 1990.
With a hue code of 348, this color is within the range of carmine colors.
This color is supposed to be fluorescent, but there is no mechanism for displaying fluorescence on a computer screen.
Paradise Pink | |
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Color coordinates | |
Hex triplet | #E63E62 |
sRGB B (r, g, b) | (230, 62, 98) |
HSV (h, s, v) | (347°, 73%, 90%) |
CIELChuv (L, C, h) | (53, 119, 5°) |
Source | Pantone TPX [2] |
ISCC–NBS descriptor | Vivid red |
B: Normalized to [0–255] (byte) |
Displayed at right is the color paradise pink.
The source of this color is the "Pantone Textile Paper eXtended (TPX)" color list, color #17-1755 TPX—Paradise Pink. [3]
Since it has a hue code of 347, the color paradise pink is within the range of carmine colors.
Rich Carmine | |
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Color coordinates | |
Hex triplet | #D70040 |
sRGB B (r, g, b) | (215, 0, 64) |
HSV (h, s, v) | (342°, 100%, 84%) |
CIELChuv (L, C, h) | (45, 137, 6°) |
Source | Maerz and Paul [4] |
ISCC–NBS descriptor | Vivid red |
B: Normalized to [0–255] (byte) |
The rich carmine color tone displayed at right matches the color shown as carmine in the 1930 book A Dictionary of Color (cited below). This color is also called Chinese carmine. This is the color usually referred to as carmine in fashion and interior design.
Spanish Carmine | |
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Color coordinates | |
Hex triplet | #D10047 |
sRGB B (r, g, b) | (209, 0, 71) |
HSV (h, s, v) | (340°, 100%, 82%) |
CIELChuv (L, C, h) | (44, 130, 5°) |
Source | Gallego and Sanz [5] |
ISCC–NBS descriptor | Vivid red |
B: Normalized to [0–255] (byte) |
Spanish carmine is the color that is called Carmin (the Spanish word for "carmine") in the Guía de coloraciones (Guide to colorations) by Rosa Gallego and Juan Carlos Sanz, a color dictionary published in 2005 that is widely popular in the Hispanophone realm.
Pictorial Carmine | |
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Color coordinates | |
Hex triplet | #C30B4E |
sRGB B (r, g, b) | (195, 11, 78) |
HSV (h, s, v) | (338°, 94%, 76%) |
CIELChuv (L, C, h) | (42, 115, 2°) |
Source | Gallego and Sanz [6] |
ISCC–NBS descriptor | Vivid red |
B: Normalized to [0–255] (byte) |
Pictorial carmine is the color that is called Carmín pictórico (Spanish for "pictorial carmine") in the Guía de coloraciones (Guide to colorations) by Rosa Gallego and Juan Carlos Sanz, a color dictionary published in 2005 that is widely popular in the Hispanophone realm.
This is a typical tone of carmine pigment used in painting.
Japanese Carmine | |
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Color coordinates | |
Hex triplet | #9D2933 |
sRGB B (r, g, b) | (157, 41, 51) |
HSV (h, s, v) | (355°, 74%, 62%) |
CIELChuv (L, C, h) | (36, 85, 10°) |
Source | JTC |
ISCC–NBS descriptor | Deep red |
B: Normalized to [0–255] (byte) |
The color Japanese carmine is shown at right.
The name of this shade of carmine in Japanese is enji-iro (臙脂色), literally "rouge color", as enji ( 臙脂 ) means rouge, the cosmetics. This term was later used to form the name of the New World insect, cochineal, used to make red dyes: enji-mushi (臙脂虫).
Indigo is a term used for a number of hues in the region of blue. The word comes from the ancient dye of the same name. The term "indigo" can refer to the color of the dye, various colors of fabric dyed with indigo dye, a spectral color, one of the seven colors of the rainbow as described by Newton, or a region on the color wheel, and can include various shades of blue, ultramarine, and green-blue. Since the web era, the term has also been used for various purple and violet hues identified as "indigo", based on use of the term "indigo" in HTML web page specifications.
Navy blue is a dark shade of the color blue.
Bistre is a pigment made from soot. Historically, beechwood was burned to produce the soot, which was boiled and diluted with water. Many Old Masters used bistre as the ink for their wash paintings.[1] Bistre's appearance is generally of a dark grayish brown, with a yellowish cast.
Fuchsia is a vivid pinkish-purplish-red color, named after the color of the flower of the fuchsia plant, which was named by a French botanist, Charles Plumier, after the 16th-century German botanist Leonhart Fuchs.
Lavender is a light shade of purple or violet. It applies particularly to the color of the flower of the same name. The web color called lavender is displayed adjacent—it matches the color of the palest part of the flower; however, the more saturated color shown as floral lavender more closely matches the average color of the lavender flower as shown in the picture and is the tone of lavender historically and traditionally considered lavender by average people as opposed to website designers. The color lavender might be described as a medium purple, a pale bluish purple, or a light pinkish-purple. The term lavender may be used in general to apply to a wide range of pale, light, or grayish-purples, but only on the blue side; lilac is pale purple on the pink side. In paints, the color lavender is made by mixing purple and white paint.
Lemon or lemon-color is a vivid yellow color characteristic of the lemon fruit. Shades of "lemon" may vary significantly from the fruit's actual color, including fluorescent tones and creamy hues reflective of lemon pies and confections.
Orchid is a bright rich purple color that resembles the color which various orchids often exhibit.
Viridian is a blue-green pigment, a hydrated chromium(III) oxide, of medium saturation and relatively dark in value. It is composed of a majority of green, followed by blue. The first recorded use of viridian as a color name in English was in the 1860s. Viridian takes its name from the Latin viridis, meaning "green". The pigment was first prepared in mid-19th-century Paris and remains available from several US manufacturers as prepared artists' colors in all media.
Red-violet refers to a rich color of high medium saturation about 3/4 of the way between red and magenta, closer to magenta than to red. In American English, this color term is sometimes used in color theory as one of the purple colors—a non-spectral color between red and violet that is a deep version of a color on the line of purples on the CIE chromaticity diagram.
Spring green is a color that was traditionally considered to be on the yellow side of green, but in modern computer systems based on the RGB color model is halfway between cyan and green on the color wheel.
In optics, orange has a wavelength between approximately 585 and 620 nm and a hue of 30° in HSV color space. In the RGB color space it is a secondary color numerically halfway between gamma-compressed red and yellow, as can be seen in the RGB color wheel. The complementary color of orange is azure. Orange pigments are largely in the ochre or cadmium families, and absorb mostly blue light.
Varieties of the color green may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a green or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
Varieties of the color red may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. A large selection of these various colors are shown below.
Pink colors are usually light or desaturated shades of reds, roses, and magentas which are created on computer and television screens using the RGB color model and in printing with the CMYK color model. As such, it is an arbitrary classification of color.
The color magenta has notable tints and shades. These various colors are shown below.
Varieties of the color blue may differ in hue, chroma, or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a blue or other hue mixed with white, a shade being mixed with black. A large selection of these colors is shown below.
Variations of gray or grey include achromatic grayscale shades, which lie exactly between white and black, and nearby colors with low colorfulness. A selection of a number of these various colors is shown below.
Violet is a color term derived from the flower of the same name. There are numerous variations of the color violet, a sampling of which are shown below.
Sky blue refers to a collection of shades comparable to that of a clear daytime sky. Typically it is a shade of cyan or light teal, though some iterations are closer to light blue. The term is attested from 1681. A 1585 translation of Nicolas de Nicolay's 1576 Les navigations, peregrinations et voyages faicts en la Turquie includes "the tulbant [turban] of the merchant must be skie coloured".
Rose is the color halfway between red and magenta on the HSV color wheel, also known as the RGB color wheel.