The barong tagalog, more commonly known simply as barong, is an embroidered long-sleeved formal shirt for men and a national dress of the Philippines. Barong tagalog combines elements from both the precolonial native Filipino and colonial Spanish clothing styles. It is traditionally made with sheer textiles (nipis) woven from piña or abacá; although in modern times, cheaper materials like organza silk, ramie or polyester are also used.
The dashiki is a colorful garment that covers the top half of the body, worn mostly in West Africa. It has formal and informal versions and varies from simple draped clothing to fully tailored suits. A common form is a loose-fitting pullover garment, with an ornate V-shaped collar, and tailored and embroidered neck and sleeve lines. It is frequently worn with a brimless kufi cap and pants. It has been popularized and claimed by communities in the African diaspora, especially African Americans.
Kurdish traditional clothing is a historical and contemporary aspect of Kurdish heritage.
The wrapper, lappa, or pagne is a colorful garment widely worn in West Africa by both men and women. It has formal and informal versions and varies from simple draped clothing to fully tailored ensembles. The formality of the wrapper depends on the fabric used to create or design it.
Serbian traditional clothing, also called as Serbian national costume or Serbian dress, refers to the traditional clothing worn by Serbs living in Serbia, Croatia, Bosnia and Herzegovina, Montenegro, and the extended Serbian diaspora communities in Austria, Australia, Bulgaria, Canada, France, Germany, Greece, Hungary, North Macedonia, Romania, Russia, Slovenia, United States, etc. Like any traditional dress of a nation or culture, it has been lost to the advent of urbanization, industrialization, and the growing market of international clothing trends. The wide range of regional folk costumes show influence from historical Austrian, Hungarian, German, Italian, and Ottoman Turkish presence. Nonetheless, the costumes are still a pinnacle part of Serbian folk culture. From the 19th century and onwards, Serbs have adopted western-styled clothing. This change has started in larger settlements such as cities and towns, although it was not uncommon to see rural women in traditional working costumes all the way until the end of 1970s. Today, these national costumes are only worn by some elderly in rural areas but are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious and national holidays, weddings, tourist attractions, and by dancing groups who dance the traditional Serbian kolo, or circle dance.
African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes. These textiles hold cultural significance and also have significance as historical documents of African design.
Chinese clothing includes the traditional hanfu and garments of ethnic minorities, as well as modern variations of indigenous Chinese dresses. Chinese clothing has been shaped through its dynastic traditions, as well as through foreign influences. Chinese clothing showcases the traditional fashion sensibilities of Chinese culture traditions and forms one of the major cultural facets of Chinese civilization.
Aso oke hat, known as fila in the Yoruba language, is a soft hat traditionally worn by the Yoruba people of Western Africa. It is made of hand-woven aso oke fabric, cotton, velvet, or damask. They are usually lined with cotton, but can be unlined if crafted to be worn for a single event.
Aso oke fabric, is a hand-woven cloth created by the Yoruba people of west Africa. Usually woven by men and women, the fabric is used to make men's gowns, called agbada and hats, called fila, as well as women's wrappers, called iro and head tie, called gele.
A Senegalese kaftan is a pullover men's robe with long bell sleeves. In the Wolof language, this robe is called a mbubb or xaftaan and in French it is called a boubou. The Senegalese caftan is an ankle length garment. It is worn with matching drawstring pants called tubay in Wolof. Normally made of cotton brocade, lace, or synthetic fabrics, these robes are common throughout West Africa. A kaftan and matching pants is called a kaftan suit. The kaftan suit can be worn with a kufi cap. Senegalese kaftans are formal wear in all West African countries. In the United States, some merchants sell this robe as a Senegalese style dashiki pant set or a full length dashiki pant set. Men who are members of the Hausa tribe, wear these kaftans to formal events like naming ceremonies and weddings. In the United States, a kaftan is one of three formal suits, equivalent to the tuxedo, that African-American grooms select for their weddings. The other styles being the dashiki pant set, and the grand boubou, pronounced gran boo-boo. There are various other formal robes that are worn throughout West Africa, and with the exception of the Yoruba Gbarie robe, pronounced barry, most of these are a form of Islamic dress, see sartorial hijab. The kaftan is worn by Christians, African Jews, Muslims, and followers of African traditional religion. Furthermore, Senegalese kaftans are common among men of African descent in the African diaspora. The Senegalese kaftan is men's attire. In West Africa, and the United States, this robe is not worn by women. The women's robe is called a kaftan.
Ghagra choli is a type of ethnic clothing for women from the Indian Subcontinent, notably in the Indian states of Rajasthan, Gujarat, Madhya Pradesh, Uttar Pradesh, Bihar, Haryana, Punjab, Himachal Pradesh, Uttarakhand, Jammu and Kashmir, as well as in the Pakistani provinces of Punjab and Sindh. In Punjab, the lehenga is traditionally worn with a kurti. It is a combination of the gagra or lehenga and the choli (blouse), however in contemporary and modern usage lehenga choli is the more popular and widely accepted term by fashion designers, trend setters, and boutiques in South Asia, since ghagra is synonymous with the half-slip (petticoat) worn as an undergarment below the sari.
The Taqiyah, also known as tagiyah or araqchin, is a short, rounded skullcap worn by Muslim men. In the United States and the United Kingdom, it is also referred to as a "kufi", although the Kufi typically has more of an African connotation. Aside from being an adornment, the taqiyah has deeply ingrained significance in Islamic culture, reflecting the wearer's faith, devotion, and sometimes regional identity. While the taqiyah is deeply rooted in Muslim traditions, its use varies based on cultural context rather than strict religious guidelines.
A kanzu is a white or cream coloured robe worn by men in the African Great Lakes region. It is referred to as a tunic in English, and as the Thawb in Arab countries. The kanzu is an ankle or floor length garment. It serves as the national costume of Tanzania as well as the Comoros, where it is called/pronounced 'Kandu' as well as thawb. The robe is also worn in some coastal Muslim regions of Tanzania and Kenya. The men of Uganda consider it their most important dress. Kanzu is a Ganda word of Swahili origin, which means "robe" or "tunic". In Tanzania, the term is used interchangeably with kaftan.
Croatian national costume, also called as Croatian traditional clothing or Croatian dress, refers to the traditional clothing worn by Croats living in Croatia, Bosnia and Herzegovina, Serbia, with smaller communities in Hungary, Austria, Montenegro, and Romania. Since today Croats wear Western-style clothing on a daily basis, the national costumes are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious holidays, weddings, and by dancing groups who dance the traditional Croatian kolo, or circle dance.
The national costume of Indonesia is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national attires include batik and kebaya, although originally those attires mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk attire from the island has become elevated into national status.
The boubou or grand boubou is a flowing wide-sleeved robe worn across West Africa, and to a lesser extent in North Africa, related to the dashiki suit.
Thawb or thobe is an Arab dress for the inhabitants of the Arabian Peninsula, also called dishdashah, and kandurah, kandoora or gandurah in varieties of Arabic. A long-sleeved ankle-length traditional robe, it is mainly worn by men in the Arabian Peninsula, Jordan, Syria, Palestine, Lebanon, North Africa, and some countries in East and West Africa, with regional variations in name and style. It is also worn by Muslim men in the Indian subcontinent due to its modest appearance, and is referred to as jubbah. Depending on local traditions, a thawb can be worn in formal or informal settings; in the Gulf states thobes are the main formal attire for men. The term "thobe" is also used in some varieties of Arabic to refer to women's attire, such as in Palestine and Sudan.
Aso ebi (Yoruba), sometimes spelled as asoebi in Nigeria and ashobie in Sierra Leone and the Gambia, is a uniform dress or dressing code/style that is traditionally worn by the Yoruba People and acculturized by some other African cultures, is an indicator of cooperation, camaraderie and solidarity during ceremonies, events and festive periods. The purpose of wearing the dress can be to serve as self-identification with age mates, relatives or friends during social occasions or funerals.
The fashion industry in Nigeria plays an important cultural role and contributes significantly to the country's economy. Clothing incorporates a variety of colours, fabrics, and embellishments. Many of the component cultures of Nigeria wear styles that are characteristic of their tribal society and customs. Nigeria produces fashionable textiles and finished garments and has designers who have achieved international recognition.
Yoruba women’s clothing is the traditional attire worn by women of the Yoruba ethnic group in parts of Nigeria, Benin and Togo in a region called Yorubaland. The clothing reflects the rich culture, history and aesthetic preferences of the Yoruba people.
