As a chiefly rural and tribal population, the Pashtun dress of Afghanistan is typically made from light linens, and are loose-fitting for ease of movement.
Pashtun men usually wear a Partūg-Kamees in Pashto (sometimes worn with a pakol or paṭkay). In the Kandahar region young men usually wear different type of hat similar to a topi and in the Peshawar region they wear white kufis instead. Leaders or tribal chiefs sometimes wear a karakul hat, such as Hamid Karzai, Nur Muhammad Taraki, Hafizullah Amin, Zahir Shah and others. [1] The Pashtun Lūngai (or Paṭkay) is the most worn one.[ citation needed ]
Pashtun women traditionally wear a long tunic (kamiz) or full-skirted dress over loose-fitting trousers (partug) of a contrasting color, and a head covering. [2] Tunics often feature beaded or felt panels at the shoulder and the front of the bodice or waist sections. Shapes for casual and festive clothing are similar, as are shapes for winter and summer clothing, but colors and fabrics reflect the formality and seasonality of the garment. [3] Pashtun Kochi women wear a colorful 3-layer embroidered dress to protect them from the cold. A version more suitable for hotter climates also exists, the dress is no longer become exclusive to Kochi women and now oftentimes associated with Pashtun women in general. [4]
A tunic is a garment for the body, usually simple in style, reaching from the shoulders to a length somewhere between the hips and the knees. The name derives from the Latin tunica, the basic garment worn by both men and women in Ancient Rome, which in turn was based on earlier Greek garments that covered wearers' waists.
The pakol or pakul is a soft, flat, rolled-up, round-topped men's cap, usually worn in Afghanistan and Pakistan. It is typically made of wool and found in a variety of earthy colours, such as brown, black, grey, ivory, or dyed red using walnut. The pakol is believed to have originated in Chitral, or Gilgit-Baltistan in Pakistan.
A religious habit is a distinctive set of religious clothing worn by members of a religious order. Traditionally some plain garb recognizable as a religious habit has also been worn by those leading the religious eremitic and anchoritic life, although in their case without conformity to a particular uniform style.
Kurdish traditional clothing is a historical and contemporary aspect of Kurdish heritage.
Pashtun culture is based on Pashtunwali, as well as speaking of the Pashto language and wearing Pashtun dress.
Clothing in Afghanistan consists of the traditional style of clothing worn in Afghanistan. The various cultural exchanges in the nation's history have influenced the styles and flavors of contemporary Afghan designs. The national dress is the fusion of different ethnic groups in Afghanistan. The styles can be subdivided into the various ethnicities with unique elements for each. Traditional dresses for both men and women tend to cover the whole body, with trousers gathered at the waist, a loose shirt or dress, and some form of head covering.
The Armenian Taraz, also known as Armenian traditional clothing, reflects a rich cultural tradition. Wool and fur were utilized by the Armenians along with the cotton that was grown in the fertile valleys. During the Urartian period, silk imported from China was used by royalty. Later, the Armenians cultivated silkworms and produced their own silk.
Pakaian is the term for clothing in Malaysia's national language. It is referring to things to wear such as shirts, pants, shoes etc. Since Malaysia is a multicultural nation: Malay, Chinese, Indian and hundreds of other indigenous groups of Malay Peninsula and Borneo, each has its own traditional and religious articles of clothing all of which are gender-specific and may be adapted to local influences and conditions. Previously, traditional clothes were worn daily. However, by excluding Baju Melayu, Baju Kurung many are now only worn on special occasions such as marriage ceremonies and cultural events.
Twelfth century European fashion was simple in cut and differed only in details from the clothing of the preceding centuries, starting to become tighter and more similar for men and women as the century went on, which would continue in the 13th century. Men wore knee-length tunics for most activities, and men of the upper classes wore long tunics, with hose and mantle or cloaks. Women wore long tunics or gowns. A close fit to the body, full skirts, and long flaring sleeves were characteristic of upper-class fashion for both men and women.
Pakistani clothing refers to the ethnic clothing that is typically worn by people in the country of Pakistan and by Pakistanis. Pakistani clothes express the culture of Pakistan, the demographics of Pakistan, and cultures from Punjab, Sindh, Balochistan, Khyber Pakhtunkhwa, Gilgit-Baltistan, and Kashmir regions of the country. The clothing in each region and culture of Pakistan reflect weather conditions, way of living, the textiles and embroidery used and its distinctive style which gives it a unique identity among all cultures.
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierarchy. The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive and both the men and women of lower social classes continued also divided social classes by regulating the colors and styles these various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection from the elements. As time went on the advent of more advanced textile techniques and increased international relations, clothing gradually got more and more intricate and elegant, even with those under the wealthy classes, up into the renaissance.
Croatian national costume, also called as Croatian traditional clothing or Croatian dress, refers to the traditional clothing worn by Croats living in Croatia, Bosnia and Herzegovina, Serbia, with smaller communities in Hungary, Austria, Montenegro, and Romania. Since today Croats wear Western-style clothing on a daily basis, the national costumes are most often worn with connection to special events and celebrations, mostly at ethnic festivals, religious holidays, weddings, and by dancing groups who dance the traditional Croatian kolo, or circle dance.
Shalwar kameez is a traditional combination dress worn by women, and in some regions by men, in South Asia, and Central Asia.
The national costume of Indonesia is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national attires include batik and kebaya, although originally those attires mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk attire from the island has become elevated into national status.
Kazakh clothing, worn by the Kazakh people, is often made of materials suited to the region's extreme climate and the people's nomadic lifestyle. It is commonly decorated with elaborate ornaments made from bird beaks, animal horns, hooves and feet. Although contemporary Kazakhs usually wear Western dress, the Turkic people wear more traditional clothing for holidays and special occasions.
Khetpartugkhat partoog, is a type of Pashtun clothing worn in Afghanistan.
Sindhi clothing are a part of the Sindhi culture. Sindhi women and men wear the Shalwar Qameez or the Kurta with Pyjama. Women also wear Sari or ghagra. However, before the adoption of the Shalwar kameez, kurta, the Sari as well as other articles of clothing, Sindhis had their own traditional costumes.
Perahan tunban, also known as Peran o Tunban, is a garment worn by men in Afghanistan and in some parts of Pakistan.
History of clothing in the Indian subcontinent The history of Indian clothing is deeply rooted in ancient civilizations, notably the Vedic and Indus Valley Civilization. Standard clothing in India can be traced back to these periods, around 5000 BCE, where evidence suggests the use of woven cotton fabric and the cultivation of silk from silkworms. The attire during this era included robes for priest-kings, turbans for men, knee-length skirts for women, and various jewelry like bangles, necklaces and other jewelry. The remnants of the ancient Indian clothing can be found in the various beautiful figurines discovered from the ancient and pre-historic sites, the rock-cut sculptures, the cave paintings, and human art forms found in temples and monuments. The vedic and other ancient scriptures also provide detailed information about the clothing in ancient period. Taking the instances of the sari to that of turban and the dhoti, the traditional Indian wears were mostly tied around the body in various ways.
The traditional clothing and accessories worn in Khyber Pakhtunkhwa varies according to the area of the region. The following outfits are generally worn in the area, starting to north to south:
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