Pajamas (US) or pyjamas (Commonwealth), sometimes shortened to PJs, jammies, or jam-jams, are several related types of clothing originating from South Asia. Adopted in the Western world, pajamas are soft, warm, and traditionally loose garments derived from the Indian and Persian bottom-wear, the pyjamas. They are worn for sleeping, working from home, and lounging.
A bodysuit is a one-piece form-fitting or skin-tight garment that covers the torso and the crotch, and sometimes the legs, hands, and feet, and cannot be used as a swimsuit. The style of a basic bodysuit is similar to a one-piece swimsuit and a leotard, though the materials may vary. A bodysuit, unlike a swimsuit or leotard, has snaps, hooks or velcro at the crotch. Thong or T-front thong bodysuits usually have the crotch opening moved up to the front to underbelly area to increase the wearer's comfort. A bodysuit may have sleeves and varying shoulder strap and collar styles. Bodysuits can be made from a number of fabrics, including cotton, lace, nylon, etc. In general, textile bodysuits include expandable fiber such as spandex for a better fit to the shape of the body.
A tailcoat is a knee-length coat characterised by a rear section of the skirt, known as the tails, with the front of the skirt cut away.
The newsboy cap, newsie cap or baker boy hat (British) is a casual-wear cap similar in style to the flat cap.
Frock has been used since Middle English as the name for an article of clothing, typically coat-like, for men and women.
1830s fashion in Western and Western-influenced fashion is characterized by an emphasis on breadth, initially at the shoulder and later in the hips, in contrast to the narrower silhouettes that had predominated between 1800 and 1820.
A cocktail dress is a dress suitable at semi-formal occasions, sometimes called cocktail parties, usually in the late afternoon, and usually with accessories.
1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s. The narrower shoulder was accompanied by a lower waistline for both men and women.
1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform. Masculine styles began to originate more in London, while female fashions originated almost exclusively in Paris.
Fashion in the period 1795–1820 in European and European-influenced countries saw the final triumph of undress or informal styles over the brocades, lace, periwigs and powder of the earlier 18th century. In the aftermath of the French Revolution, no one wanted to appear to be a member of the French aristocracy, and people began using clothing more as a form of individual expression of the true self than as a pure indication of social status. As a result, the shifts that occurred in fashion at the turn of the 19th century granted the opportunity to present new public identities that also provided insights into their private selves. Katherine Aaslestad indicates how "fashion, embodying new social values, emerged as a key site of confrontation between tradition and change."
A karakulhat, also called a Uzbek hat is a hat made from the fur of the Qaraqul breed of sheep. Karakul directly translates to black fur in the Uzbek Language and the hat originally comes from Bukhara. The fur from which it is made is referred to as Astrakhan, broadtail, qaraqulcha, or Persian lamb. The hat is peaked, and folds flat when taken off of the wearer's head.
The most characteristic North American fashion trend from the 1930s to 1945 was attention at the shoulder, with butterfly sleeves and banjo sleeves, and exaggerated shoulder pads for both men and women by the 1940s. The period also saw the first widespread use of man-made fibers, especially rayon for dresses and viscose for linings and lingerie, and synthetic nylon stockings. The zipper became widely used. These essentially U.S. developments were echoed, in varying degrees, in Britain and Europe. Suntans became fashionable in the early 1930s, along with travel to the resorts along the Mediterranean, in the Bahamas, and on the east coast of Florida where one can acquire a tan, leading to new categories of clothes: white dinner jackets for men and beach pajamas, halter tops, and bare midriffs for women.
Western fashion in the 1920s underwent a modernization. For women, fashion had continued to change away from the extravagant and restrictive styles of the Victorian and Edwardian periods, and towards looser clothing which revealed more of the arms and legs, that had begun at least a decade prior with the rising of hemlines to the ankle and the movement from the S-bend corset to the columnar silhouette of the 1910s. Men also began to wear less formal daily attire and athletic clothing or 'Sportswear' became a part of mainstream fashion for the first time. The 1920s are characterized by two distinct periods of fashion: in the early part of the decade, change was slower, and there was more reluctance to wear the new, revealing popular styles. From 1925, the public more passionately embraced the styles now typically associated with the Roaring Twenties. These styles continued to characterize fashion until the worldwide depression worsened in 1931.
Fashion in the period 1900–1909 in the Western world continued the severe, long and elegant lines of the late 1890s. Tall, stiff collars characterize the period, as do women's broad hats and full "Gibson Girl" hairstyles. A new, columnar silhouette introduced by the couturiers of Paris late in the decade signaled the approaching abandonment of the corset as an indispensable garment.
Fashion from 1910–1919 in the Western world was characterized by a rich and exotic opulence in the first half of the decade in contrast with the somber practicality of garments worn during the Great War. Men's trousers were worn cuffed to ankle-length and creased. Skirts rose from floor length to well above the ankle, women began to bob their hair, and the stage was set for the radical new fashions associated with the Jazz Age of the 1920s.
Twelfth century European fashion was simple and differed only in details from the clothing of the preceding centuries. Men wore knee-length tunics for most activities, and men of the upper classes wore long tunics, with hose and mantle or cloaks. Women wore long tunics or dresses. A close fit to the body, full skirts, and long flaring sleeves were characteristic of upper-class fashion for both men and women.
Pakistani clothing refers to the ethnic clothing that is typically worn by people in the country of Pakistan and by the people of Pakistani origin. Pakistani clothes express the culture of Pakistan, the demographics of Pakistan and cultures from the Punjab, Sindh, Balochistan, Khyber Pakhtunkhwa (Pashtun), Gilgit-Baltistan and Kashmir regions of the country. Dress in each regional culture reflect weather conditions, way of living and distinctive style which gives it a unique identity among all cultures.
A slip dress is a woman's dress that closely resembles an underslip or petticoat. It is traditionally cut on the bias, with spaghetti straps. The slip dress looked like an undergarment, but was intended to be seen, and through the use of lace and sheer elements, offer glimpses of the body beneath. Designers associated with slip dresses include John Galliano, whose debut design for Dior was a lace-trimmed slip dress worn by Diana, Princess of Wales in 1996; Calvin Klein and Narciso Rodriguez.
A half hat is a millinery design in which the hat covers part of the head. Generally, the design is close-fitting, in the manner of the cloche, and frames the head, usually stopping just above the ears. It may be similar to a halo hat in the way that it frames the face and can be worn straight or at an angle.
The Chapeau à la Paméla, Pamela hat or Pamela bonnet described a type of straw hat or bonnet popular during the 1790s and into the first three quarters of the 19th century. It was named after the heroine of Samuel Richardson's 1741 novel Pamela; or, Virtue Rewarded. While Pamela hats and bonnets underwent a variety of changes in shape and form, they were always made from straw. The mid-19th-century version of the Pamela hat was a smaller version of an early 19th-century wide-brimmed style called the gipsy hat.
