A mushroom hat (also sometimes referred to as a mushroom brim hat or dish hat) is a millinery style in which the brim of the hat tilts downwards, resembling the shape of a mushroom (or dish). It is a style that first emerged in the 1870s and 1880s, when it was usually made of straw. It became fashionable again from around 1907 to the late 1920s; these versions featured a distinctly downturned brim although the size and shape of the crown varied according to prevailing fashions.
A new and exaggerated version of the mushroom hat was popularised by Christian Dior in 1947 as part of his "New Look" collection. This style generally had a minimal crown and a very wide brim, with some models resembling a flying saucer.
The defining characteristic of mushroom hats is their downturned brim, resembling a mushroom or toadstool. [1] In the 1870s, designs in straw shaped like a mushroom became popular. These had a small crown trimmed with ribbons, flowers and – in the 1880s – bird decorations. [2]
In 1907, mushroom hats in both straw and felt became popular. Such was their ubiquity that Evelyn Sharp lambasted them in an editorial in The Guardian , writing: "For about six months have we endured the sight of mushroom shapes in every kind of straw trimmed with a fringed silk scarf. I suppose there was some attraction in the mushroom hat when it was first designed, and I can still see its charms when it is very small and very flexible....worn by somebody in a motor car. But this autumnal growth of felt fungi deserves nothing but condemnation". [3] Her words fell on deaf ears as the popularity of mushroom shapes persisted. In 1909, a full-page advertisement in The Times describing Selfridge & Co's millinery choices detailed a mushroom brim hat decorated with ostrich feathers. [4] In the same year, Dickins & Jones offered a: "becoming mushroom hat...trimmed with wide Velvet Ribbon and a Large Posy of Flowers at side". [5] By 1915, variations on the design for younger girls included almost brimless mushroom models – similar to a cloche or bucket hat. [6]
The mushroom hat was fashionable throughout the 1920s, with Princess Mary choosing a mushroom shape with a blue lace-covered brim for the opening day of Ascot in 1920. [7] Five years later, the Duchess of York chose a mushroom design trimmed with vivid orange osprey feathers tucked at either side of the brim for Ascot's Ladies' Day race meeting. [8]
It was a style that could incorporate the fashions for snug-fitting cloche-like designs or taller crowned hats. A fashion editorial of 1921 noted the value of wider-brimmed models: "Plentiful sunshine has served to emphasize the advantages of a mushroom hat, which with its adequate protection often makes a sunshade unnecessary". [9] In the same year, velvet for babies were described as among the newest children's millinery. [10] The hat design lent itself to ornate decorations with ribbon and feather trims and veils. It could also be made in a variety of materials, from straw for summer to felt or stiffened silk for winter; in 1925, Harvey Nichols offered a selection of mushroom hats for the autumn season in the latest velour fabric. [11]
A new variety of mushroom hat (also known as the dish hat) appeared at Dior's first fashion show on 12 February 1947. [12] The hat balanced the neat jacket with nipped-in waist and full tulle-lined skirt, heralding a new lavishness in fabric and silhouette – what editor of American Harper's Bazaar Carmel Snow described at first viewing as a "new look". [13]
By 1956, the fashion for new shapes meant a huge variety of options, as noted by The Guardian's fashion correspondent Phyllis Heathcote: "Flower-pots, sugar-loaves, mushrooms, melons, muffins – all these have inspired Paris milliners this season". Of the mushroom look, she added: "This may be small and snugly rounded, like the little pink 'Champignon de Paris' (Chabeau makes one of these in fine straw with a goffered frill of organdy under the brim that somehow carries the model away back to the source of its inspiration)...or it is wide and gently curving at the brim like the larger and flatter field variety. On these wider shapes go flat the airier techniques that the spring hat demands. Laizes of all kinds; fine picot straws, satin straws, gros-grain, short-pile summer velvet, raffia, coarse tulle, jersey, printed taffeta, crin, organdy, chiffon, and a great many flowers". [14] Other names for the variations that emerged include the mushroom cloche, a diminutive version of Dior's oversized dish. [15]
Wide-brimmed mushroom hats continued to be popular throughout the 1950s and early '60s, with other designers incorporating the wide hat profile. Adaptations included Balmain's spring 1955 side-swept mushroom hat – a design in which the downward-curved brim of the hat dipped low on one side of the face and was tilted upwards on the other, forming an almost triangular profile. [16]
In 1959, The Observer reported that mushroom hats were big news at Ascot for milliners such as Rose Vernier: "The majority of her clients wanted big tulle mushrooms, but the younger girls asked for the youthful tailored shapes of medium size – when they were not demanding outsize Gigi bretons". [17]
In 1963, Balenciaga included extreme saucer-shaped versions of the design in velvet, worn with a tapered raglan-sleeved black wool crepe dress and lime yellow twill coat with pleated shoulder. [18] By 1964, a more bucket-shaped line had re-emerged. Ricci showed a high-crowned white mushroom hat worn with a double-breasted gaberdine suit in the spring shows. [19]
The mushroom shape has had a number of revivals in high fashion. During the mid 1980s, Frederick Fox created a much-photographed mushroom-style design for Diana, Princess of Wales – worn tilted and known as the 'flying saucer'. [20] More recently, Stephen Jones designed oversized hats in fur – including mushroom-like designs – for the fall/winter 2012 Marc Jacobs' show at New York Fashion Week. [21]
Hat-making or millinery is the design, manufacture and sale of hats and other headwear. A person engaged in this trade is called a milliner or hatter.
A hat is a head covering which is worn for various reasons, including protection against weather conditions, ceremonial reasons such as university graduation, religious reasons, safety, or as a fashion accessory. Hats which incorporate mechanical features, such as visors, spikes, flaps, braces or beer holders shade into the broader category of headgear.
A fascinator is a formal headpiece, a style of millinery. Since the 1990s, the term has referred to a type of formal headwear worn as an alternative to the hat; it is usually a large decorative design attached to a band or clip. In contrast to a hat, its function is purely ornamental: it covers very little of the head and offers little or no protection from the weather. An intermediate form, incorporating a more substantial base to resemble a hat, is sometimes called a hatinator.
The cloche hat or simply cloche is a fitted, bell-shaped hat for women that was invented in 1908 by milliner Caroline Reboux. They were especially popular from about 1922 to 1933. Its name is derived from cloche, the French word for "bell".
Caroline Reboux was a Parisian milliner and French fashion designer. She opened her first boutique at 23 rue de la paix in Paris in 1865, which she continued to operate throughout her life. Reboux opened other shops in Paris and London starting in 1870. She trained other milliners who became famous in their own right, including American milliner Lilly Daché and French milliner Rose Valois. Reboux's most famous shop was located at 9 Avenue Matignon in Paris, which carried on operating after her death for almost three decades under the direction of Lucienne Rabaté known as "Mademoiselle Lucienne" the most famous parisian milliner at that time.
A picture hat or Gainsborough hat is an elaborate woman's hat with a wide brim. It has been suggested that the name may be derived from the way the broad brim frames the face to create a "picture".
A Breton is a woman's hat with a round crown and a deep brim that is turned upwards all the way round, exposing the face. Sometimes the hat has a domed crown. Typically it is worn tilted to the back of the head.
A halo hat is a millinery design in which the headgear acts as a circular frame for the face, creating a halo effect. The design is said to date back to the late 19th century, when it was known as the aureole hat; this name is sometimes still used. It may also be known as the angel hat or bambini – the latter said to derive from Italian for terracotta plaques depicting the infant Christ.
A cartwheel hat is a hat with a wide-brimmed circular or saucer-shaped design. It may be made in a variety of materials, including straw or felt and usually has a low crown. It may be similar to the picture hat and halo-brimmed hat in shape. Typically, it is worn at an angle to show off the curve of the brim, rather than being worn at the back of the head in the manner of a halo hat.
For the French general and diplomat, see Claude Carra Saint-Cyr
A half hat is a millinery design in which the hat covers part of the head. Generally, the design is close-fitting, in the manner of the cloche, and frames the head, usually stopping just above the ears. It may be similar to a halo hat in the way that it frames the face and can be worn straight or at an angle.
A doll hat is a women's millinery design scaled down to suggest a hat that could be worn by a doll. It can be of any design and is generally worn at the front of the head. The hat is usually held in place with a band of fabric or elastic secured at the back of the head.
A lampshade hat is a millinery design in which the hat has a small circular crown – typically flat, but sometimes rounded – and flares outwards to create a cone-like profile. In shape, it may have some similarities to the pillbox and bucket hat, both of which were popular at around the same time, although the classic lampshade design is longer and more flared than a pillbox and is generally made of stiffer material than a bucket hat.
A peach basket hat is a millinery design that resembles an upturned country basket of the style typically used to collect fruit. Generally it is made of straw or similar material and it often has a trimming of flowers and ribbons. Some models may also feature a veil or draped fabric covering. It was introduced in around 1908 and caused some controversy over the succeeding year due to its extreme dimensions and decorations. It had revivals – designs were at this stage more modest – in the 1930s and 1950s.
The Salvation Army bonnet was the headcovering worn by female members of the Salvation Army. It was introduced in 1880 in the UK and was worn as headgear by most female officers in western countries. It began to be phased out from the late 1960s.
The tam is a millinery design for women based on the tam o' shanter military cap and the beret. Sometimes it is also known as a tam cap or the traditional term tam o'shanter might also be used. The tam became popular in the early 1920s, when it followed the prevailing trends for closer-fitting hats that suited shorter hairstyles and for borrowing from men's fashion; other traditional men's hats that rose to popularity in women's fashion during this period included the top hat and bowler. In the British Isles, the tam cap is often used as a headcovering by Christian women during church services.
A bumper brim is a millinery feature in which the hat brim is tubular in design, making it a prominent feature of the hat. In order to achieve this effect, the brim may be rolled, stiffened or padded. A bumper brim can be added to a variety of hat designs, from small to large.
A Eugénie hat is a small women's hat that is usually worn tilted forwards over the face, or it may be angled low over one eye. Typically, it is made of velvet or felt, although a variety of materials may be used. The classic design also has a plume of feathers, although other trims may be used.
Reed Crawford (1924-2006) was a British milliner of the 1950s and 1960s. He produced a series of high-fashion designs that matched the Swinging London mood of the 1960s, including helmet-style cloche hats and designs in unusual material combinations, such as plastic and fur. He became especially associated with couture, working with the designer John Cavanagh from 1959 and joining the Incorporated Society of London Fashion Designers as an associate member from 1961.
A bicycle clip hat is a style of small hat or millinery decoration that includes a metal clip – similar to traditional designs used by cyclists – to hold it in place. It may be very similar to a half hat or fascinator in design, covering only part of the head.