A cloak is a type of loose garment worn over clothing, mostly but not always as outerwear for outdoor wear, serving the same purpose as an overcoat, protecting the wearer from the weather. It may form part of a uniform. [1] People in many different societies may wear cloaks. Over time cloak designs have changed to match fashion and available textiles. [2]
Cloaks generally fasten at the neck or over the shoulder, and vary in length from the hip all the way down to the ankle – mid-calf being the normal length. They may have an attached hood and may cover and fasten down the front, in which case they have holes or slits for the hands to pass through. However, cloaks are almost always sleeveless.
Christian clerics may wear a cappa or a cope – forms of cloak – as liturgical vestments or as part of a religious habit. [3]
The word cloak comes from Old North French cloque (Old French cloche, cloke) meaning "travelling cloak", from Medieval Latin clocca "travelers' cape," literally "a bell," so called from the garment's bell-like shape. Thus the word is related to the word clock. [4]
Ancient Greeks and Romans were known to wear cloaks. Greek men and women wore the himation , from the Archaic through the Hellenistic periods (c. 750–30 BC). [5] Romans would later wear the Greek-styled cloak, the pallium. The pallium was quadrangular, shaped like a square, [6] and sat on the shoulders, not unlike the himation.
Romans of the Republic would wear the toga as a formal display of their citizenship. It was denied to foreigners [7] and was worn by magistrates on all occasions as a badge of office. The toga allegedly originated with Numa Pompilius (r. 715–672 BC), the second semi-legendary king of Rome. [8]
Eminent personages in Kievan Rus' adopted the Byzantine chlamys in the form of a fur-lined korzno [9] (Old East Slavic : кързно). [10]
Powerful noblemen and elite warriors of the Aztec Empire would wear a tilmàtli; a Mesoamerican cloak/cape used as a symbol of their upper status. Cloth and clothing was of utmost importance for the Aztecs. The more elaborate and colorful tilmàtlis were strictly reserved for élite high priests, emperors; and the Eagle warriors as well as the Jaguar knights. [11]
In full evening dress in the Western countries, ladies and gentlemen frequently use the cloak as a fashion statement, or to protect the fine fabrics of evening wear from the elements, especially where a coat would crush or hide the garment. Opera cloaks are made of quality materials such as wool or cashmere, velvet and satin.
Ladies may wear a long (over the shoulders or to ankles) cloak usually called a cape, or a full-length cloak. Gentlemen wear an ankle-length or full-length cloak. Formal cloaks often have expensive, colored linings and trimmings such as silk, satin, velvet and fur.
The term was the title of a 1942 operatic comedy. [12]
According to the King James Version of the Bible, Matthew recorded Jesus of Nazareth saying in Matthew 5:40: "And if any man will sue thee at the law, and take away thy coat, let him have thy cloke also." The King James Version of the Bible has the words recorded a little differently in Luke 6:29: "...and him that taketh away thy cloke, forbid not to take thy coat also."
Cloaks are a staple garment in the fantasy genre due to the popularity of medieval settings. They are also usually associated with witches, wizards, and vampires; the best-known stage version of Dracula, which first made actor Bela Lugosi prominent, featured him wearing it so that his exit through a trap door concealed on the stage could seem sudden. When Lugosi reprised his role as Dracula for the 1931 Universal Studios motion picture version of the play, he retained the cloak as part of his outfit, which made such a strong impression that cloaks came to be equated with Count Dracula in nearly all non-historical media depictions of him.
Fantasy cloaks are often magical. For example, they may grant the person wearing it invisibility as in the Harry Potter series by J. K. Rowling. A similar sort of garment is worn by the members of the Fellowship of the Ring in The Lord of the Rings by J. R. R. Tolkien, although instead of granting complete invisibility, the Elf-made cloaks simply appear to shift between any natural color (e.g. green, gray, brown) to help the wearer to blend in with his or her surroundings. In the Marvel comic book stories and in the Marvel Cinematic Universe, the sorcerer Doctor Strange is associated with a magical Cloak of Levitation, which not only enables its wearer to levitate, but has other mystical abilities as well. Doctor Strange also uses it as a weapon. Alternatively, cloaks in fantasy may nullify magical projectiles, as the "cloak of magic resistance" in NetHack.
Figuratively, a cloak may be anything that disguises or conceals something. In many science fiction franchises, such as Star Trek , there are cloaking devices, which provide a way to avoid detection by making objects appear invisible. A real device, albeit of limited capability, was demonstrated in 2006. [13]
Because they keep a person hidden and conceal a weapon, the phrase cloak and dagger has come to refer to espionage [14] and secretive crimes: it suggests murder from hidden sources. "Cloak and dagger" stories are thus mystery, detective, and crime stories of this. The vigilante duo of Marvel comics Cloak and Dagger [15] is a reference to this.
The toga, a distinctive garment of Ancient Rome, was a roughly semicircular cloth, between 12 and 20 feet in length, draped over the shoulders and around the body. It was usually woven from white wool, and was worn over a tunic. In Roman historical tradition, it is said to have been the favored dress of Romulus, Rome's founder; it was also thought to have originally been worn by both sexes, and by the citizen-military. As Roman women gradually adopted the stola, the toga was recognized as formal wear for male Roman citizens. Women found guilty of adultery and women engaged in prostitution might have provided the main exceptions to this rule.
The stola was the traditional garment of Roman women, corresponding to the toga that was worn by men. It was also called vestis longa in Latin literary sources, pointing to its length.
The cassock or soutane is a Christian clerical clothing coat used by the clergy and male religious of the Oriental Orthodox Churches, Eastern Orthodox Church and the Catholic Church, in addition to some clergy in certain Protestant denominations such as Anglicans and Lutherans. "Ankle-length garment" is the literal meaning of the corresponding Latin term, vestis talaris. It is related to the habits traditionally worn by nuns, monks, and friars.
A tunic is a garment for the torso, usually simple in style, reaching from the shoulders to a length somewhere between the hips and the ankles. It might have arm-sleeves, either short or full-length. Most forms have no fastenings. The name derives from the Latin tunica, the basic garment worn by both men and women in Ancient Rome, which in turn was based on earlier Greek garments that covered wearers' waists.
The chlamys was a type of an ancient Greek cloak. By the time of the Byzantine Empire it was, although in a much larger form, part of the state costume of the emperor and high officials. It survived as such until at least the 12th century AD.
Byzantine dress changed considerably over the thousand years of the Empire, but was essentially conservative. Popularly, Byzantine dress remained attached to its classical Greek roots with most changes and different styles being evidenced in the upper strata of Byzantine society always with a touch of the Hellenic environment. The Byzantines liked colour and pattern, and made and exported very richly patterned cloth, especially Byzantine silk, woven and embroidered for the upper classes, and resist-dyed and printed for the lower. A different border or trimming round the edges was very common, and many single stripes down the body or around the upper arm are seen, often denoting class or rank. Taste for the middle and upper classes followed the latest fashions at the Imperial Court.
A himation was a type of clothing, a mantle or wrap worn by ancient Greek men and women from the Archaic period through the Hellenistic period. It was usually worn over a chiton and/or peplos, but was made of heavier drape and played the role of a cloak or shawl. When the himation was used alone, without a chiton, it served both as a chiton and as a cloak. The himation was markedly less voluminous than the Roman toga. Many vase paintings depict women wearing a himation as a veil covering their faces.
An abolla was a cloak-like garment worn by ancient Greeks and Romans. Nonius Marcellus quotes a passage of Varro to show that it was a garment worn by soldiers, and thus opposed to the toga. Roman women also wore a version of the abolla by at least the Imperial Period.
A cloak is a type of loose garment that is worn over indoor clothing.
In clothing, a train describes the long back portion of a robe, coat, cloak, skirt, overskirt, or dress that trails behind the wearer.
Clothing in ancient Rome generally comprised a short-sleeved or sleeveless, knee-length tunic for men and boys, and a longer, usually sleeved tunic for women and girls. On formal occasions, adult male citizens could wear a woolen toga, draped over their tunic, and married citizen women wore a woolen mantle, known as a palla, over a stola, a simple, long-sleeved, voluminous garment that modestly hung to cover the feet. Clothing, footwear and accoutrements identified gender, status, rank and social class. This was especially apparent in the distinctive, privileged official dress of magistrates, priesthoods and the military.
The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures, clothing indicated the social status of various members of society.
Aztec clothing was worn by the Aztec people and varied according to aspects such as social standing and gender. The garments worn by Aztecs were also worn by other pre-Columbian peoples of central Mexico who shared similar cultural characteristics. The strict sumptuary laws in Aztec society dictated the type of fiber, ornamentation, and manner of wear of Aztec clothing. Clothing and cloth were immensely significant in the culture.
Anglo-Saxon dress refers to the clothing and accessories worn by the Anglo-Saxons from the middle of the fifth century to the eleventh century. Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon costume. It is possible to reconstruct Anglo-Saxon dress using archaeological evidence combined with Anglo-Saxon and European art, writing and literature of the period. Archaeological finds have both supported and contradicted the characteristic Anglo-Saxon costume as illustrated and described by these contemporary sources.
Early medieval European dress, from about 400 AD to 1100 AD, changed very gradually. The main feature of the period was the meeting of late Roman costume with that of the invading peoples who moved into Europe over this period. For a period of several centuries, people in many countries dressed differently depending on whether they identified with the old Romanised population, or the new populations such as Franks, Anglo-Saxons, Visigoths. The most easily recognisable difference between the two groups was in male costume, where the invading peoples generally wore short tunics, with belts, and visible trousers, hose or leggings. The Romanised populations, and the Church, remained faithful to the longer tunics of Roman formal costume, coming below the knee, and often to the ankles. By the end of the period, these distinctions had finally disappeared, and Roman dress forms remained mainly as special styles of clothing for the clergy – the vestments that have changed relatively little up to the present day.
Clothing in ancient Greece refers to clothing starting from the Aegean bronze age to the Hellenistic period. Clothing in ancient Greece included a wide variety of styles but primarily consisted of the chiton, peplos, himation, and chlamys. Ancient Greek civilians typically wore two pieces of clothing draped about the body: an undergarment and a cloak. The people of ancient Greece had many factors that determined what they wore and when they wore it.
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierarchy. The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive, and both men and women were divided into social classes by regulating the colors and styles that various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection from the elements. As time went on the advent of more advanced textile techniques and increased international relations, clothing gradually got more and more intricate and elegant, even with those under the wealthy classes, up into the renaissance.
In the context of clothing, a wrap is
The clothing of the people in biblical times was made from wool, linen, animal skins, and perhaps silk. Most events in the Hebrew Bible and New Testament take place in ancient Israel, and thus most biblical clothing is ancient Hebrew clothing. They wore underwear and cloth skirts.
A cape is a clothing accessory or a sleeveless outer garment which drapes the wearer's back, arms, and chest, and connects at the neck.
a simple wrap .. extra layer of protection from the elements
The prince's korzno cloak [...] was an exact copy of the Byzantine chlamys of a rectangular or semicircular cut. It was thrown over the left shoulder and fixed with a brooch (fibula) on the right shoulder.
Damrosch's operatic comedy, "The Opera Cloak"
... the comics company's .. live-action series