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Clothing terminology comprises the names of individual garments and classes of garments, as well as the specialized vocabularies of the trades that have designed, manufactured, marketed and sold clothing over hundreds of years.
Clothing terminology ranges from the arcane (watchet, [1] a pale blue color name from the 16th century), and changes over time in response to fashion which in turn reflects social, artistic, and political trends.
At its broadest, clothing terminology may be said to include names for:
Despite the constant introduction of new terms by fashion designers, clothing manufacturers, and marketers, the names for several basic garment classes in English are very stable over time. Gown, shirt/skirt, frock, and coat are all attested back to the early medieval period.
Gown (from Medieval Latin gunna) was a basic clothing term for hundreds of years, referring to a garment that hangs from the shoulders. In Medieval and Renaissance England gown referred to a loose outer garment worn by both men and women, sometimes short, more often ankle length, with sleeves. By the 18th century gown had become a standard category term for a women's dress, a meaning it retained until the mid-20th century. Only in the last few decades has gown lost this general meaning in favor of dress. Today the term gown is rare except in specialized cases: academic dress or cap and gown, evening gown, nightgown, hospital gown, and so on (see Gown).
Shirt and skirt are originally the same word, the former being the southern and the latter the northern pronunciation in early Middle English.
Coat remains a term for an overgarment, its essential meaning for the last thousand years (see Coat).
Names for new styles or fashions in clothing are frequently the deliberate inventions of fashion designers or clothing manufacturers; these include Chanel's Little Black Dress (a term which has survived) and Lanvin's robe de style (which has not). Other terms are of more obscure origin.
Clothing styles are frequently named after people—often with a military connection:
Another fertile source for clothing terms is place names, which usually reflect the origin (or supposed origin) of a fashion. Modern terms such as Bermuda shorts, Hawaiian shirts, and Fair Isle sweaters are the latest in a long line that stretches back to holland (linen), damask ("from Damascus"), polonaise ("in the fashion of Polish women"), basque , jersey (originally Jersey frock), Balaclava , Capri pants , mantua , and denim ("serge de Nîmes" after the city).
Costume historians, with a "rearward-looking" view, require names for clothing styles that were not used (or needed) when the styles were actually worn. For example, the Van Dyke collar is so-called from its appearances in 17th century portraits by Anthony van Dyck, and the Watteau pleats of the robe á la française are called after their appearance in the portraits of Antoine Watteau.
Similarly, terms may be applied ahistorically to entire categories of garments, so that corset is applied to garments that were called stays or a pair of bodies until the introduction of the word corset in the late 18th century. And dress is now applied to any women's garment consisting of a bodice and skirt, although for most of its history dress simply meant clothing, or a complete outfit of clothing with its appropriate accessories.
A notable trend at the turn of the 21st century is "cute" short forms: camisole becomes cami, hooded sweaters or sweatshirts become hoodies, and as of 2005, short or "shrunken" cardigans are cardies.
The much-older term shimmy for "slip" is most likely a false singular from chemise.
Victorian fashion consists of the various fashions and trends in British culture that emerged and developed in the United Kingdom and the British Empire throughout the Victorian era, roughly from the 1830s through the 1890s. The period saw many changes in fashion, including changes in styles, fashion technology and the methods of distribution. Various movement in architecture, literature, and the decorative and visual arts as well as a changing perception of gender roles also influenced fashion.
A sweater or pullover, also called a jersey or jumper, is a piece of clothing, typically with long sleeves, made of knitted or crocheted material that covers the upper part of the body. When sleeveless, the garment is often called a slipover, tank top, or sweater vest.
A waistcoat or vest is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. It is also sported as the third piece in the traditional three-piece male suit. Any given waistcoat can be simple or ornate, or for leisure or luxury. Historically, the waistcoat can be worn either in the place of, or underneath, a larger coat, dependent upon the weather, wearer, and setting.
A coat is typically an outer garment for the upper body, worn by either gender for warmth or fashion. Coats typically have long sleeves and are open down the front, and closing by means of buttons, zippers, hook-and-loop fasteners, toggles, a belt, or a combination of some of these. Other possible features include collars, shoulder straps, and hoods.
A blouse is a loose-fitting upper garment that may be worn by workmen, peasants, artists, women, and children. It is typically gathered at the waist or hips so that it hangs loosely ("blouses") over the wearer's body. Today, the word most commonly refers to a girl's or woman's dress shirt, although there is considerable confusion between a true blouse and a women's shirt. It can also refer to a man's shirt if it is a loose-fitting style, though it rarely is. Traditionally, the term has been used to refer to a shirt which blouses out or has an unmistakably feminine appearance, although even many "standard" shirts today have a somewhat blousy fit, and the numbers of men wearing such shirts may match that of women wearing actual blouses.
Frock has been used since Middle English as the name for an article of clothing, typically coat-like, for men and women.
1860s fashion in European and European-influenced countries is characterized by extremely full-skirted women's fashions relying on crinolines and hoops and the emergence of "alternative fashions" under the influence of the Artistic Dress movement.
Fashion in the 1890s in European and European-influenced countries is characterized by long elegant lines, tall collars, and the rise of sportswear. It was an era of great dress reforms led by the invention of the drop-frame safety bicycle, which allowed women the opportunity to ride bicycles more comfortably, and therefore, created the need for appropriate clothing.
1870s fashion in European and European-influenced clothing is characterized by a gradual return to a narrow silhouette after the full-skirted fashions of the 1850s and 1860s.
1830s fashion in Western and Western-influenced fashion is characterized by an emphasis on breadth, initially at the shoulder and later in the hips, in contrast to the narrower silhouettes that had predominated between 1800 and 1820.
1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s. The narrower shoulder was accompanied by a lower waistline for both men and women.
1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform. Masculine styles began to originate more in London, while female fashions originated almost exclusively in Paris.
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.
During the 1820s in European and European-influenced countries, fashionable women's clothing styles transitioned away from the classically influenced "Empire"/"Regency" styles of c. 1795–1820 and re-adopted elements that had been characteristic of most of the 18th century, such as full skirts and clearly visible corseting of the natural waist.
1880s fashion in Western and Western-influenced countries is characterized by the return of the bustle. The long, lean line of the late 1870s was replaced by a full, curvy silhouette with gradually widening shoulders. Fashionable waists were low and tiny below a full, low bust supported by a corset. The Rational Dress Society was founded in 1881 in reaction to the extremes of fashionable corsetry.
A pleat is a type of fold formed by doubling fabric back upon itself and securing it in place. It is commonly used in clothing and upholstery to gather a wide piece of fabric to a narrower circumference.
Fashion in the period 1900–1909 in the Western world continued the severe, long and elegant lines of the late 1890s. Tall, stiff collars characterize the period, as do women's broad hats and full "Gibson Girl" hairstyles. A new, columnar silhouette introduced by the couturiers of Paris late in the decade signaled the approaching abandonment of the corset as an indispensable garment.
This is a list of existing articles related to fashion and clothing. For individual designers, see List of fashion designers
Fashion from 1910 to 1919 in the Western world was characterized by a rich and exotic opulence in the first half of the decade in contrast with the somber practicality of garments worn during the Great War. Men's trousers were worn cuffed to ankle-length and creased. Skirts rose from floor length to well above the ankle, women began to bob their hair, and the stage was set for the radical new fashions associated with the Jazz Age of the 1920s.
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes.