Ruffles can be made from a single layer of fabric (which may need a hem) or a doubled layer. Plain ruffles are usually cut on the straight grain.[2]
Ruffles may be gathered by using a gathering stitch, or by passing the fabric through a mechanical ruffler, which is an attachment available for some sewing machines.
Sketch of a flounce
A flounce is a particular type of fabric manipulation that creates a similar look but with less bulk. The term derives from earlier terms of frounce or fronce.[3] A wavy effect is achieved without gathers or pleats by cutting a curved (or even circular) strip of fabric and applying the inner or shorter edge to the garment. The depth of the curve as well as the width of the fabric determines the depth of the flounce. A godet is a circle wedge that can be inserted into a flounce to further deepen the outer floating wave without adding additional bulk at the point of attachment to the body of the garment, such as at the hemline, collar or sleeve.
Ruffles appeared at the draw-string necklines of full chemises in the 15th century and evolved into the separately-constructed ruff of the 16th century. Ruffles and flounces remained a fashionable form of trim, off-and-on, into modern times. In the 21st century, ruffles have made a significant comeback as a trendy design element in fashion, particularly in prom and wedding dresses. This resurgence can be attributed to a growing appreciation for romantic and feminine aesthetics, as ruffles add an enchanting flair to garments. Ruffles are versatile and can be incorporated into dresses of all styles, from elegant gowns to playful party dresses, making them appealing to women of all ages. Many renowned fashion brands have embraced this trend, showcasing ruffles as a key feature in their collections. High-end designers and fast-fashion labels alike produce chic items with ruffled details, highlighting their popularity in contemporary fashion. As a result, ruffles have become synonymous with elegance and celebration, allowing wearers to express their personal style while embracing this classic design element.[citation needed]
See also
Nun's veiling, a lightweight sheer woolen cloth, was used in flounce in the 19th century.[4]
Citations
↑ Caulfield, S.F.A. and B.C. Saward, The Dictionary of Needlework, 1885, facsimile edition, Blaketon Hall, 1989, p. 428
Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan, 1985. Revised edition 1986. ( ISBN0-8967-6083-9)
Sewing is the craft of fastening or attaching objects using stitches made with a sewing needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic era. Before the invention of spinning yarn or weaving fabric, archaeologists believe Stone Age people across Europe and Asia sewed fur and leather clothing using bone, antler or ivory sewing-needles and "thread" made of various animal body parts including sinew, catgut, and veins.
Chain stitch is a sewing and embroidery technique in which a series of looped stitches form a chain-like pattern. Chain stitch is an ancient craft – examples of surviving Chinese chain stitch embroidery worked in silk thread have been dated to the Warring States period. Handmade chain stitch embroidery does not require that the needle pass through more than one layer of fabric. For this reason the stitch is an effective surface embellishment near seams on finished fabric. Because chain stitches can form flowing, curved lines, they are used in many surface embroidery styles that mimic "drawing" in thread.
A petticoat or underskirt is an article of clothing, a type of undergarment worn under a skirt or a dress. Its precise meaning varies over centuries and between countries.
Clothing terminology comprises the names of individual garments and classes of garments, as well as the specialized vocabularies of the trades that have designed, manufactured, marketed and sold clothing over hundreds of years.
A dressmaker, also known as a seamstress, is a person who makes clothing for women, such as dresses, blouses, and evening gowns. Dressmakers were historically known as mantua-makers, and are also known as a modiste or fabrician.
Backstitch or back stitch and its variants stem stitch, outline stitch and split stitch are a class of embroidery and sewing stitches in which individual stitches are made backward to the general direction of sewing. In embroidery, these stitches form lines and are most often used to outline shapes and to add fine detail to an embroidered picture. It is also used to embroider lettering. In hand sewing, it is a utility stitch which strongly and permanently attaches two pieces of fabric. The small stitches done back-and-forth makes the back stitch the strongest stitch among the basic stitches. Hence it can be used to sew strong seams by hand, without a sewing machine.
A prairie dress or prairie skirt is a modest American style of skirt, an article of women's and girls' clothing.
1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform. Masculine styles began to originate more in London, while female fashions originated almost exclusively in Paris.
Whitework embroidery is any embroidery technique in which the stitch and the foundation fabric are of same color. Styles of whitework embroidery include most drawn thread work, broderie anglaise, Hardanger embroidery, Hedebo embroidery, Mountmellick embroidery, reticella and Schwalm. Whitework embroidery is one of the techniques employed in heirloom sewing for blouses, christening gowns, baby bonnets, and other small articles. It has been used extensively on household and ecclesiastical linen, as decoration. It is often found on traditional regional and national costume, particularly on shirts, aprons and head coverings.
A chemisette is an article of women's clothing worn to fill in the front and neckline of any garment. Chemisettes give the appearance of a blouse or shirt worn under the outer garment without adding bulk at the waist or upper arm.
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles. Wigs remained essential for men and women of substance, and were often white; natural hair was powdered to achieve the fashionable look. The costume of the eighteenth century, if lacking in the refinement and grace of earlier times, was distinctly quaint and picturesque.
A pleat is a type of fold formed by doubling fabric back upon itself and securing it in place. It is commonly used in clothing and upholstery to gather a wide piece of fabric to a narrower circumference.
Buttonhole stitch and the related blanket stitch are hand-sewing stitches used in tailoring, embroidery, and needle lace-making.
Gathering turns the edge of a piece of fabric into a bunch of small folds that are held together by a thread close to the edge. Gathering makes the fabric shorter where it is stitched. The whole of the fabric flares out into irregular, rolling folds beyond the gathered stitching. Gathering can be done by hand, with a machine, automatically, with elastic, or through channels.
In sewing, a tuck is a fold or pleat in fabric that is sewn or fastened in place.
Sewing is the craft of fastening or attaching objects using stitches made with needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic Era. Although usually associated with clothing and household linens, sewing is used in a variety of crafts and industries, including shoemaking, upholstery, sailmaking, bookbinding and the manufacturing of some kinds of sporting goods. Sewing is the fundamental process underlying a variety of textile arts and crafts, including embroidery, tapestry, quilting, appliqué and patchwork.
In sewing, a seam is the join where two or more layers of fabric, leather, or other materials are held together with stitches. Prior to the invention of the sewing machine, all sewing was done by hand. Seams in modern mass-produced household textiles, sporting goods, and ready-to-wear clothing are sewn by computerized machines, while home shoemaking, dressmaking, quilting, crafts, haute couture and tailoring may use a combination of hand and machine sewing.
An overskirt is a type of women's short skirt which is draped over another garment, such as a skirt, breeches, or trousers. Although peplum is often used as another term for overskirt, it should not be confused with the peplos or "peplum dress", which was worn in ancient Greece.
The jellabiya, also jalabiya, galabeya or jalamia is a loose-fitting, traditional garment from the Nile Valley. Today, it is associated with farmers living in Egypt and comes in rich color varieties. The garment is also worn in Sudan, but has other textures and is usually white, as well as some communities from Eritrea and Ethiopia. The colorful Egyptian style is used by both men and women.
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