Neckline

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Neckline Neckline.jpg
Neckline

The neckline is the top edge of a garment that surrounds the neck, especially from the front view. Neckline also refers to the overall line between all the layers of clothing and the neck and shoulders of a person, ignoring the unseen undergarments. [1]

Contents

For each garment worn above the waist, the neckline is primarily a style line and may be a boundary for further shaping of the upper edge of a garment with, for example, a collar, cowl, darts, or pleats. In that respect it is similar to the waistline and hemline.

List of neckline types

Styles of neckline Necklines.svg
Styles of neckline

Necklines can be grouped into categories according to their shape and where they cut across the body:

A high, wide, slightly curved neckline that passes past the collarbones and hangs on both shoulders; also called a bateau neckline or Sabrina neckline. A variation is the portrait neckline.
These are low necklines, in either V, U or square shapes, that reveal various amounts of cleavage, and some even extending to the natural waist line.
A neckline with fabric standing high and close to the neck, cut or knit in one piece with the torso rather than as an added collar
These feature a V-neck or scoop front neckline with straps which wrap around and connect at the nape of the neck.
A compromise between a low and a high neckline, it combines a low (usually strapless) neckline with semi-transparent fabric (sheer fabric or lace) along the top part, thus creating a second, higher neckline. [2] [3] This neckline is often seen on traditional white wedding dresses.
These are round and sit at the base of the throat, and are also called the T-shirt neckline or crew neck .
These are similar to halter necklines, but the converging diagonal lines meet in front of the neck, forming a "keyhole". More generally, these feature a central hole, usually just below the collar bones. These necklines are seen infrequently.
These are similar to boat necklines but are significantly lower, below the shoulders and collar bone. Usually these pass over the arms but, in the strapless neckline style, may pass under the arms. These necklines reveal and accentuate the wearer's shoulders, collar bone and neck.
These are asymmetrical linear necklines that cut across the torso diagonally, usually from one shoulder to under the other arm.
These are high close-fitting collars that wrap around the neck itself, and are also called turtlenecks. They are most common for sweaters (also called jumpers) or jerseys. [4]
A portrait neckline is a V-neck with the edges of the V placed out at the points of the shoulders rather than closer to the neck; it can be combined with a surplice neckline. [5]
These have a curved U-shape, with the arms of the U hanging on the shoulders. The depth of the U can vary, ranging from demure styles to plunging.
These are characterized by three linear edges, the bottom edge meeting the side edges at right angles. The bottom edge cuts across the figure horizontally and the side edges pass over the shoulders. A special case of this is the slot neckline, in which the side edges are very close (roughly the width of the collar-bone points), forming a narrow slot.
These are similar to how a bathrobe's neckline is formed by one side of the garment overlapping the other. For a dress, the lower layer is usually sewn to the top layer just under the bust.
These have a curved bottom edge that is concave down and usually doubly scalloped to resemble the top half of a heart. The side edges often converge on the neck, similar to halter necklines. Sweetheart necklines accentuate the bosom.
Originating from the Middle East, these are formed by two diagonal lines from the shoulders that meet on the chest creating a V shape. The depth of the V can vary, ranging from demure styles to plunging. The V may also be truncated by a small bottom edge, forming a trapezoid.

Modifications of necklines

The shape of a necklines can be modified in many ways, e.g., by adding a collar or scarf, overlaying it with a gauzy material or decorating the edges with scallops, picots or ruffles. The neckline can be a sharp edge of fabric or a more gentle cowl, and can also be accentuated by pattern(s) in the fabric itself.

Ruffs were popular in the Elizabethan era.

Off-the-shoulders

Off-the-shoulder top Blue Off the Shoulder Crop Top, Leopard Skirt, & Short Red Hair.jpg
Off-the-shoulder top

The off-the-shoulder trend dates back to the Regency and Victorian Era. They were the height of fashion in the early to mid-nineteenth century. Charles Frederick Worth, the father of haute couture, designed many elaborate dresses, many of which featured bodices with off-the-shoulder sleeves and were very popular with prominent figures like Empress Eugenie. [6] Then in 1960s, French actress Brigitte Bardot put her own twist on this style, wearing off-the-shoulder tops with everything from midi skirts to pants, reviving the style. The style icon made off-the-shoulder sexy and trendy again and off-the-shoulder style also became known as the “Bardot” style.

See also

Related Research Articles

<span class="mw-page-title-main">Victorian fashion</span> Fashions and trends in British culture during the Victorian era

Victorian fashion consists of the various fashions and trends in British culture that emerged and developed in the United Kingdom and the British Empire throughout the Victorian era, roughly from the 1830s through the 1890s. The period saw many changes in fashion, including changes in styles, fashion technology and the methods of distribution. Various movement in architecture, literature, and the decorative and visual arts as well as a changing perception of gender roles also influenced fashion.

<span class="mw-page-title-main">Shirt</span> Garment for the upper body

A shirt is a cloth garment for the upper body.

<span class="mw-page-title-main">Nightgown</span> Shirtlike garment intended for wear while sleeping most often used by women

A nightgown, nightie or nightdress is a loosely hanging item of nightwear, and is commonly worn by women and girls. A nightgown is made from cotton, silk, satin, or nylon and may be decorated with lace appliqués or embroidery at the bust and hem.

<span class="mw-page-title-main">1830s in Western fashion</span>

1830s fashion in Western and Western-influenced fashion is characterized by an emphasis on breadth, initially at the shoulder and later in the hips, in contrast to the narrower silhouettes that had predominated between 1800 and 1820.

<span class="mw-page-title-main">Ball gown</span> Type of evening gown

A ball gown, ballgown or gown is a type of evening gown worn to a ball or a formal event. Most versions are cut off the shoulder with a low décolletage, exposed arms, and long bouffant styled skirts. Such gowns are typically worn with an opera-length white gloves, vintage jewelry or couture, and a stole, cape, or cloak in lieu of a coat. Where "state decorations" are to be worn, they are on a bow pinned to the chest, and married women wear a tiara if they have one. Although synthetic fabrics are now sometimes used, the most common fabrics are satin, silk, taffeta and velvet with trimmings of lace, pearls, sequins, embroidery, ruffles, ribbons, rosettes and ruching.

<span class="mw-page-title-main">Evening gown</span> Womans dress usually worn to a semi-formal or formal affair

An evening gown, evening dress or gown is a long dress usually worn at formal occasions. The drop ranges from ballerina, tea, to full-length. Such gowns are typically worn with evening gloves. Evening gowns are usually made of luxurious fabrics such as chiffon, velvet, satin, or organza. Silk is a popular fibre for many evening gowns. Although the terms are used interchangeably, ball gowns and evening gowns differ in that a ball gown will always have a full skirt and a fitted bodice, while an evening gown can be any silhouette—sheath, mermaid, fit and flare, A-line, or trumpet-shaped—and may have straps, halters or even sleeves.

<span class="mw-page-title-main">Pattern (sewing)</span> Template from which the parts of a garment are traced onto fabric before being cut out

In sewing and fashion design, a pattern is the template from which the parts of a garment are traced onto woven or knitted fabrics before being cut out and assembled. Patterns are usually made of paper, and are sometimes made of sturdier materials like paperboard or cardboard if they need to be more robust to withstand repeated use. The process of making or cutting patterns is sometimes compounded to the one-word Patternmaking, but it can also be written pattern(-)making or pattern cutting.

<span class="mw-page-title-main">Waistline (clothing)</span>

The waistline is the line of demarcation between the upper and lower portions of a garment, which notionally corresponds to the natural waist but may vary with fashion from just below the bust to below the hips. The waistline of a garment is often used to accentuate different features. The waistline is also important as a boundary at which shaping darts can be ended.

<span class="mw-page-title-main">1840s in Western fashion</span> Costume and fashion of the 1840s

1840s fashion in European and European-influenced clothing is characterized by a narrow, natural shoulder line following the exaggerated puffed sleeves of the later 1820s and 1830s. The narrower shoulder was accompanied by a lower waistline for both men and women.

<span class="mw-page-title-main">Collar (clothing)</span> Shaped neckwear that fastens around or frames the neck

In clothing, a collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck. Among clothing construction professionals, a collar is differentiated from other necklines such as revers and lapels, by being made from a separate piece of fabric, rather than a folded or cut part of the same piece of fabric used for the main body of the garment.

<span class="mw-page-title-main">1750–1775 in Western fashion</span>

Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.

Sweater design is a specialization of fashion design in which knitted sweaters are designed to fulfill certain aesthetic, functional and commercial criteria. The designer typically considers factors such as the insulating power of the sweater ; the fashion of its colors, patterns, silhouette and style lines, particularly the neckline and waistline; the convenience and practicality of its cut; and in commercial design, the cost of its production and the profitability of its price point. Sweater designs are often published in books and knitting magazines. Sweater design is an old art, but continues to attract new designers such as Nicky Epstein and Meg Swansen.

<span class="mw-page-title-main">1500–1550 in European fashion</span> Costume in the first half of the 16th century

Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation became prominent. The tall, narrow lines of the late Medieval period were replaced with a wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders. Sleeves were a center of attention, and were puffed, slashed, cuffed, and turned back to reveal contrasting linings.

<span class="mw-page-title-main">Ruffle (sewing)</span> Strip of fabric, lace, or ribbon gathered on one edge and applied as trimming

In sewing and dressmaking, a ruffle, frill, or furbelow is a strip of fabric, lace or ribbon tightly gathered or pleated on one edge and applied to a garment, bedding, or other textile as a form of trimming.

A cheerleading uniform is a standardized outfit worn by cheerleaders during games and other events. These uniforms typically include the official colors and mascots of the school or team and are designed to make the wearer appear physically attractive.

A top is an item of clothing that covers at least the chest, but which usually covers most of the upper human body between the neck and the waistline. The bottom of tops can be as short as mid-torso, or as long as mid-thigh. Men's tops are generally paired with pants, and women's with pants or skirts. Common types of tops are t-shirts, blouses and shirts.

<span class="mw-page-title-main">Dart (sewing)</span> A pointed fold used in sewing

Darts are folds sewn into fabric to take in ease and provide shape to a garment, especially for a woman's bust. They are used frequently in all sorts of clothing to tailor the garment to the wearer's shape, or to make an innovative shape in the garment. Fabric may be thought of as flat, and a dart has the effect of removing a wedge shaped piece and pulling the edges of that wedge together to create a shallow cone. This effect can be seen quite easily with a paper pattern by pulling together the edges of a dart intake as it would be sewn. Since fabric is generally more flexible than paper, the fabric will shift around the apex of the cone and form a softer, but still curved, shape. In a garment, a dart ends in a point at a full area of the body.

Sewing is the craft of fastening or attaching objects using stitches made with needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic Era. Although usually associated with clothing and household linens, sewing is used in a variety of crafts and industries, including shoemaking, upholstery, sailmaking, bookbinding and the manufacturing of some kinds of sporting goods. Sewing is the fundamental process underlying a variety of textile arts and crafts, including embroidery, tapestry, quilting, appliqué and patchwork.

<span class="mw-page-title-main">Seam (sewing)</span> Sewn join between two pieces of textile material

In sewing, a seam is the join where two or more layers of fabric, leather, or other materials are held together with stitches. Prior to the invention of the sewing machine, all sewing was done by hand. Seams in modern mass-produced household textiles, sporting goods, and ready-to-wear clothing are sewn by computerized machines, while home shoemaking, dressmaking, quilting, crafts, haute couture and tailoring may use a combination of hand and machine sewing.

References

  1. "Definition of neckline". Archived from the original on 2016-08-06. Retrieved 2016-09-02.
  2. "Illusion Neckline". www.weddingshoppeinc.com. Archived from the original on 2019-01-03. Retrieved 2019-01-03. The illusion neckline can be thought of as featuring two necklines: a strapless neckline, and a sheer panel of fabric (typically lace, tulle, organza, or other netted fabric), which attaches to the bodice (usually at the waistline), and extends upward, forming the second, higher neckline.
  3. "All the Wedding Dress Necklines You Need to Know". WeddingWire. 2018-06-11. Archived from the original on 2019-01-03. Retrieved 2019-01-03.
  4. Chilvers, Simon (2011-08-23). "Man-trend: Roll-necks | Fashion | guardian.co.uk". Guardian. Archived from the original on 2020-02-17. Retrieved 2013-03-14.
  5. "Wedding Encyclopedia: Neckline". Archived from the original on 2018-07-28. Retrieved 2018-07-27.
  6. "A brief history of the off-the-shoulder trend". fashionmagazine.com. Archived from the original on 2017-05-12. Retrieved 2017-05-22.