Tack (sewing)

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In sewing, to tack or baste is to sew quick, temporary stitches that will later be removed. Tacking is used for a variety of reasons, such as holding a seam in place until it is sewn properly, or transferring pattern markings onto the garment.

Contents

Tacking is typically sewn using a specialised tacking thread, which may snap easily in order for it to be easily removed from the garment when necessary.

Uses

Tacking is used in a variety of ways; one of the most common uses is to easily hold a seam or trim in place until it can be permanently sewn, usually with a long running stitch made by hand or machine. This is called a 'tacking stitch' or 'basting stitch'. Tacking stitches may be used when a garment is being fitted to a model during production, as the stitches can be easily removed and replaced with pins if the seam requires alteration.

X-shaped tacking stitches are also very common on the vents (slits) of the back of a man's suit jacket, or at the bottom of kick pleats on a woman's skirt. They are meant to hold the flaps in place during shipping and when on display in the store. They should be removed before being worn. [1] Brand labels are also loosely basted on the outer edges of the sleeves of outfits as well as women's winter coats, intended to be removed after purchase. They are meant to help customers to easily identify the brands in the store without reaching into the collar. [2]

Tacking may be used to temporarily attach a lace collar, ruffles, or other trims to clothing so that the attached article may be removed easily for cleaning, or to be worn with a different garment. For this purpose, tacking stitches are sewn by hand in such a way that they are almost invisible from the outside of the garment.

Tacking may be used to transfer pattern markings to fabric, or to otherwise mark the point where two pieces of fabric are to be joined. A special loose loop stitch used for this purpose is called a 'tack' or 'tailor's tack'. This is often done through two opposing layers of the same fabric so that when the threads are snipped between the layers the stitches will be in exactly the same places for both layers thus saving time having to chalk and tack the other layer.

A basting stitch - an overlong straight stitch with unfinished ends - is often used in quilting or embroidery to temporarily hold sandwiched pieces of fabric in place, with the basting stitches removed when the piece is finished.

See also

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Pattern (sewing) Template from which the parts of a garment are traced onto fabric before being cut out

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Placket

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Gather (sewing)

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Machine quilting

Machine quilting is quilting made using a sewing machine to stitch in rows or patterns using select techniques to stitch through layers of fabric and batting in the manner of old-style hand-quilting. Some machines even replicate hand stitching, for example Sashiko or running stitch quilting.

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Seam (sewing) Sewn join between two pieces of textile material

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Lining (sewing)

In sewing and tailoring, a lining is an inner layer of fabric, fur, or other material inserted into clothing, hats, luggage, curtains, handbags and similar items.

Facing (sewing)

In sewing and tailoring, facing is a small piece of fabric, separate or a part of the fabric itself, used to finish the fabric edges. Facing makes a garment look professionally finished with the seams well hidden inside the folds of the facing. Facing is mostly used to finish the edges in necklines, armholes, hems and openings. They are also used widely in all other sewing like quilts and home decor items like curtain hems.

Conservation and restoration of quilts

The conservation and restoration of quilts refers to the processes involved in maintaining the integrity of quilts and/or restoring them to an acceptable standard so that they may be preserved for future generations. Quilts have been produced for centuries, as utilitarian blankets, decorations, family heirlooms, and now treasured museum collections objects. Quilts are three-layered textile pieces with a decorated top, a back, and a filler in the middle. The composite nature of these objects creates an interesting challenge for their conservation, as the separate layers can be made of different textile materials, multiple colors, and therefore, varying degrees of wear, tear, and damage.

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