| Am-heh in hieroglyphs | |||||||
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Am-heh devourer of millions | |||||||
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In Egyptian mythology, Am-heh was a minor god from the underworld, whose name means either "devourer of millions" or "eater of eternity". [1] He was depicted as a man with the head of a hunting dog who lived in a lake of fire. [2] He is sometimes seen as an aspect of Ammit, the personification of divine retribution. Am-heh could only be repelled by the god Atum. [3]
The Book of Exodus is the second book of the Bible. It is a narrative of the Exodus, the origin myth of the Israelites leaving slavery in Biblical Egypt through the strength of their deity named Yahweh, who according to the story chose them as his people. The Israelites then journey with the legendary prophet Moses to Mount Sinai, where Yahweh gives the Ten Commandments and they enter into a covenant with Yahweh, who promises to make them a "holy nation, and a kingdom of priests" on condition of their faithfulness. He gives them their laws and instructions to build the Tabernacle, the means by which he will come from heaven and dwell with them and lead them in a holy war to conquer Canaan, which has earlier, according to the myth of Genesis, been promised to the "seed" of Abraham, the legendary patriarch of the Israelites.
Thoth is an ancient Egyptian deity. In art, he was often depicted as a man with the head of an ibis or a baboon, animals sacred to him. His feminine counterpart was Seshat, and his wife was Ma'at. He was the god of the Moon, wisdom, knowledge, writing, hieroglyphs, science, magic, art and judgment.
Nu or Nun, in ancient Egyptian religion, is the personification of the primordial watery abyss which existed at the time of creation and from which the creator sun god Ra arose.
Ḥeḥ was the personification of infinity or eternity in the Ogdoad in ancient Egyptian religion. His name originally meant "flood", referring to the watery chaos Nu that the Egyptians believed existed before the creation of the world. The Egyptians envisioned this chaos as infinite, in contrast with the finite created world, so Heh personified this aspect of the primordial waters. Heh's female counterpart and consort was known as Hauhet, which is simply the feminine form of his name.
Renpet was, in the Egyptian language, the word for "year". Its hieroglyph was figuratively depicted in art as a woman wearing a palm shoot over her head. She was often referred to as the Mistress of Eternity and also personified fertility, youth and spring. The glyph regularly appears on monuments and documents throughout Egyptian history as the beginning of the phrase recording the regnal year of the pharaoh.
This is an index of Egyptian mythology articles.
Hah or HAH may refer to:
He is the fifth letter of the Semitic abjads, including Phoenician hē 𐤄, Hebrew hēה, Aramaic hē 𐡄, Syriac hē ܗ, and Arabic hāʾه. Its sound value is the voiceless glottal fricative.
Heh or HEH may refer to:
In ceremonial magic, a magical formula or a word of power is a word that is believed to have specific supernatural effects. They are words whose meaning illustrates principles and degrees of understanding that are often difficult to relay using other forms of speech or writing. It is a concise means to communicate very abstract information through the medium of a word or phrase.
Gender in Bible translation concerns various issues, such as the gender of God and generic antecedents in reference to people. Bruce Metzger states that the English language is so biased towards the male gender that it restricts and obscures the meaning of the original language, which was more gender-inclusive than a literal translation would convey. Wayne Grudem disagrees, believing that a translation should try to match the words of the original language rather than introduce the translator's opinion as to whether the original words meant to include both sexes or not, and that trying to be gender-neutral results in vague and contorted writing style. Michael Marlowe argues from a third standpoint, that the cultures in the Bible were patriarchal. The topic has theological and political undercurrents. Paul Mankowski says that inclusive-language translators are bowing to feminist political taboos rather than trying to translate accurately, while Marmy Clason says that their opponents are motivated by hostility to feminism rather than fidelity to the original meaning.
The lake of fire is a concept that appears in both the ancient Egyptian and Christian religions. In ancient Egypt, it appears as an obstacle on the journey through the underworld which can destroy or refresh the deceased. In Christianity, it is as a place of after-death punishment of the wicked. The phrase is used in five verses of the Book of Revelation. In the biblical context, the concept seems analogous to the Jewish Gehenna, or the more common concept of Hell. The image of the lake of fire was taken up by the early Christian Hippolytus of Rome in about the year 230 and has continued to be used by modern Christians.
Ra or Re was the ancient Egyptian deity of the Sun. By the Fifth Dynasty, in the 25th and 24th centuries BC, he had become one of the most important gods in ancient Egyptian religion, identified primarily with the noon-day sun. Ra ruled in all parts of the created world: the sky, the Earth, and the underworld. He was believed to have ruled as the first pharaoh of Ancient Egypt. He was the god of the sun, order, kings and the sky.
The Book of the Heavenly Cow, or the Book of the Cow of Heaven, is an Ancient Egyptian text thought to have originated during the Amarna Period and, in part, describes the reasons for the imperfect state of the world in terms of humankind's rebellion against the supreme sun god, Ra. Divine punishment was inflicted through the goddess Hathor, with the survivors suffering through separation from Ra, who now resided in the sky on the back of Nut, the heavenly cow.
Heqet, sometimes spelled Heket, is an Egyptian goddess of fertility, identified with Hathor, represented in the form of a frog.
The Lotus chalice or Alabaster chalice, called the Wishing Cup by Howard Carter, derives from the tomb of the Ancient Egyptian pharaoh Tutankhamun of the 18th Dynasty. The object received the find number 014 and was on display in the Egyptian Museum in Cairo, with the inventory numbers JE 67465 and GEM 36. It has been moved to the as yet unopened Grand Egyptian Museum.
Ancient Egyptian afterlife beliefs were centered around a variety of complex rituals that were influenced by many aspects of Egyptian culture. Religion was a major contributor, since it was an important social practice that bound all Egyptians together. For instance, many of the Egyptian gods played roles in guiding the souls of the dead through the afterlife. With the evolution of writing, religious ideals were recorded and quickly spread throughout the Egyptian community. The solidification and commencement of these doctrines were formed in the creation of afterlife texts which illustrated and explained what the dead would need to know in order to complete the journey safely.
The gate deities of the underworld were ancient Egyptian minor deities charged with guarding the gates of the Egyptian underworld.
Renpetneferet is a minor goddess who is credited as being either the sister or the wife of Imhotep in Late Period Egyptian texts. There is no evidence of an individual by this name existing during the reign of King Djoser, although similar names were being used for women during the fourth dynasty.
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