The Eye of Horus, also known as left wedjat eye or udjat eye, specular to the Eye of Ra, is a concept and symbol in ancient Egyptian religion that represents well-being, healing, and protection. It derives from the mythical conflict between the god Horus with his rival Set, in which Set tore out or destroyed one or both of Horus's eyes and the eye was subsequently healed or returned to Horus with the assistance of another deity, such as Thoth. Horus subsequently offered the eye to his deceased father Osiris, and its revitalizing power sustained Osiris in the afterlife. The Eye of Horus was thus equated with funerary offerings, as well as with all the offerings given to deities in temple ritual. It could also represent other concepts, such as the moon, whose waxing and waning was likened to the injury and restoration of the eye.
Aspelta was a ruler of the kingdom of Kush. More is known about him and his reign than most of the rulers of Kush. He left several stelae carved with accounts of his reign.
Usermaatre Setepenamun Osorkon II was the fifth king of the Twenty-second Dynasty of Ancient Egypt and the son of King Takelot I and Queen Kapes. He ruled Egypt from approximately 872 BC to 837 BC from Tanis, the capital of that dynasty.
Djet, also known as Wadj, Zet, and Uadji, was the fourth pharaoh of the First Dynasty, successor of Djer. Djet's Horus name means "Horus Cobra" or "Serpent of Horus".
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
Cats were represented in social and religious practices of ancient Egypt for more than 3,000 years. Several ancient Egyptian deities were depicted and sculptured with cat-like heads such as Mafdet, Bastet and Sekhmet, representing justice, fertility, and power, respectively. The deity Mut was also depicted as a cat and in the company of a cat.
Jürgen von Beckerath was a German Egyptologist. He was a prolific writer who published countless articles in journals such as Orientalia, Göttinger Miszellen (GM), Journal of the American Research Center in Egypt (JARCE), Archiv für Orientforschung (AfO), and Studien zur Altägyptischen Kultur (SAK) among others. Together with Kenneth Kitchen, he is viewed as one of the foremost scholars on the New Kingdom and the Third Intermediate Period of Egypt.
The Metternich Stela is a magico-medical Horus on the Crocodiles stele that is part of the Egyptian collection of the Metropolitan Museum of Art in New York City. It dates to the Thirtieth Dynasty of Egypt around 380–342 B.C. during the reign of Nectanebo II. The provenance of the stele is unknown.
Sekhemre Wahkhau Rahotep was an Egyptian pharaoh who reigned during the Second Intermediate Period, when Egypt was ruled by multiple kings. The Egyptologists Kim Ryholt and Darrell Baker believe that Rahotep was the first king of the 17th Dynasty.
Aakheperre Shoshenq V was an ancient Egyptian pharaoh of the late 22nd Dynasty.
Sehetepibre Sewesekhtawy was an Egyptian pharaoh of the 13th Dynasty during the early Second Intermediate Period, possibly the fifth or tenth king of the Dynasty.
Shed was a deity from ancient Egyptian religion. Popularly called "the Savior", he is first recorded after the Amarna Period. Representing the concept of salvation, Shed is identified with Horus, particularly Horus the Child. Rather than have formal worship in a temple or as an official cult, he appears to have been a god that ordinary Egyptians looked to save them from illness, misfortune or danger. He is shown on the Metternich Stela as vanquishing danger in the form of a serpent, a scorpion and a crocodile. The rise of "Savior" names in personal piety during the Amarna period has been interpreted as the popular response of ordinary people to the attempts by Akhenaten to proscribe the ancient religion of Egypt. Shed has also been viewed as a form of the Canaanite god Resheph.
Betrest was a queen of Ancient Egypt. She lived during the First Dynasty.
The Serapeum of Saqqara was the ancient Egyptian burial place for sacred bulls of the Apis cult at Memphis. It was believed that the bulls were incarnations of the god Ptah, which would become immortal after death as Osiris-Apis. a name which evolved to Serapis (Σέραπις) in the Hellenistic period, and Userhapi (ⲟⲩⲥⲉⲣϩⲁⲡⲓ) in Coptic. It is part of the Saqqara necropolis, which includes several other animal catacombs, notably the burial vaults of the mother cows of the Apis.
Nubemhat was an ancient Egyptian queen of the Second Intermediate Period. She was the wife of king Sekhemre Wadjkhaw Sobekemsaf I. She had the title Great Royal Wife and is known from several monuments. A statue with her name and title was found at Kawa in Nubia. She also appears on a stela from Denderah where her daughter, the king's daughter Sobekemheb is mentioned. There also appears the king's son Ameny, son of the queen Haankhes.
Menkhaure Snaaib was an Egyptian pharaoh during the Second Intermediate Period between the Middle Kingdom and New Kingdom at the end of the Middle Bronze Age.
The Department of Egyptian Antiquities of the Louvre is a department of the Louvre that is responsible for artifacts from the Nile civilizations which date from 4,000 BC to the 4th century. The collection, comprising over 50,000 pieces, is among the world's largest, overviews Egyptian life spanning Ancient Egypt, the Middle Kingdom, the New Kingdom, Coptic art, and the Roman, Ptolemaic, and Byzantine periods.
The Banishment Stela or Maunier Stela is an ancient Egyptian stela issued in c.1050 BCE. It contains an amnesty decree of the 21st Dynasty High Priest of Amun Menkheperre.
Nakhtmin was lector priest of Min in Akhmim. The lector priest Nakhtmin is known from a stela now in the Archaeological Museum in Zagreb. The stela shows Nakhtmin raising his hands in adoration before an ithyphallic statue of Min. Saleh dates the stela to the Middle Kingdom of Egypt.
