Aglaea or Aglaia is one of the three Charites in Greek mythology, also called the Gratiae (Graces) in Roman mythology.
In Greek mythology, Nyx is the goddess and personification of the night. In Hesiod's Theogony, she is the offspring of Chaos, and the mother of Aether and Hemera (Day) by Erebus (Darkness). By herself, she produces a brood of children which are personifications of primarily negative forces. She features in a number of early cosmogonies, which place her as one of the first deities to exist. In the works of poets and playwrights, she lives at the ends of the Earth, and is often described as a black-robed goddess who drives through the sky in a chariot pulled by horses. In the Iliad, Homer relates that "she is greater than all the gods together" and even Zeus fears to displease her.
In ancient Greek religion and mythology, Pluto was the ruler of the Greek underworld. The earlier name for the god was Hades, which became more common as the name of the underworld itself. Pluto represents a more positive concept of the god who presides over the afterlife. Ploutōn was frequently conflated with Ploûtos, the Greek god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest. The name Ploutōn came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as both a stern ruler and a loving husband to Persephone. The couple received souls in the afterlife and are invoked together in religious inscriptions, being referred to as Plouton and as Kore respectively. Hades, by contrast, had few temples and religious practices associated with him, and he is portrayed as the dark and violent abductor of Persephone.
Diogenes of Apollonia was an ancient Greek philosopher, and was a native of the Milesian colony Apollonia in Thrace. He lived for some time in Athens. He believed air to be the one source of all being from which all other substances were derived, and, as a primal force, to be both divine and intelligent. He also wrote a description of the organization of blood vessels in the human body. His ideas were parodied by the dramatist Aristophanes, and may have influenced the Orphic philosophical commentary preserved in the Derveni papyrus. His philosophical work has not survived in a complete form, and his doctrines are known chiefly from lengthy quotations of his work by Simplicius, as well as a few summaries in the works of Aristotle, Theophrastus, and Aetius.
Posidippus of Pella was an Ancient Greek epigrammatic poet.
Pherecydes of Syros was an Ancient Greek mythographer and proto-philosopher from the island of Syros. Little is known about his life and death. Some ancient testimonies counted Pherecydes among the Seven Sages of Greece, although he is generally believed to have lived in the generation after them. Others claim he may have been a teacher of Pythagoras, a student of Pittacus, or a well-traveled autodidact who had studied secret Phoenician books.
Orphism is the name given to a set of religious beliefs and practices originating in the ancient Greek and Hellenistic world, associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned. This type of journey is called a katabasis and is the basis of several hero worships and journeys. Orphics revered Dionysus and Persephone. Orphism has been described as a reform of the earlier Dionysian religion, involving a re-interpretation or re-reading of the myth of Dionysus and a re-ordering of Hesiod's Theogony, based in part on pre-Socratic philosophy.
In Greek mythology, Aether, Æther, Aither, or Ether is the personification of the bright upper sky. According to Hesiod, he was the son of Erebus (Darkness) and Nyx (Night), and the brother of Hemera (Day). In Orphic cosmogony Aether was the offspring of Chronos (Time), and the brother of Chaos and Erebus.
The Catalogue of Women —also known as the Ehoiai —is a fragmentary Greek epic poem that was attributed to Hesiod during antiquity. The "women" of the title were in fact heroines, many of whom lay with gods, bearing the heroes of Greek mythology to both divine and mortal paramours. In contrast with the focus upon narrative in the Homeric Iliad and Odyssey, the Catalogue was structured around a vast system of genealogies stemming from these unions and, in M. L. West's appraisal, covered "the whole of the heroic age." Through the course of the poem's five books, these family trees were embellished with stories involving many of their members, and so the poem amounted to a compendium of heroic mythology in much the same way that the Hesiodic Theogony presents a systematic account of the Greek pantheon built upon divine genealogies.
The Cologne Mani-Codex is a minute parchment codex, dated on paleographical evidence to the fifth century CE, found near Asyut, Egypt; it contains a Greek text describing the life of Mani, the founder of the religion Manichaeism.
Martin Litchfield West, was a British philologist and classical scholar. In recognition of his contribution to scholarship, he was appointed to the Order of Merit in 2014.
In Greek mythology, the Lampads or Lampades are torch-bearing nymphs who follow the goddess Hecate.
Totenpass is a German term sometimes used for inscribed tablets or metal leaves found in burials primarily of those presumed to be initiates into Orphic, Dionysiac, and some ancient Egyptian and Semitic religions. The term may be understood in English as a "passport for the dead". The so-called Orphic gold tablets are perhaps the best-known example.
Papyrus 82, designated by 𝔓82, is an early copy of the New Testament in Greek. It is a papyrus manuscript of the Gospel of Luke. The surviving texts of Luke are verses 7:32-34,37-38. The manuscript paleographically had been assigned to the 4th century.
In Greek mythology, Orpheus was a Thracian bard, legendary musician and prophet. He was also a renowned poet and, according to the legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and even descended into the underworld of Hades, to recover his lost wife Eurydice.
Papyrus Oxyrhynchus 7 is a papyrus found at Oxyrhynchus in Egypt. It was discovered by Bernard Pyne Grenfell and Arthur Surridge Hunt in 1897, and published in 1898. It dates to the third century AD. The papyrus is now in the British Library.
Richard Charles Murray Janko is an Anglo-American classical scholar and the Gerald F. Else Distinguished University Professor of Classical Studies at the University of Michigan.
The Brothers Poem or Brothers Song is a series of lines of verse attributed to the archaic Greek poet Sappho, which had been lost since antiquity until being rediscovered in 2014. Most of its text, apart from its opening lines, survives. It is known only from a papyrus fragment, comprising one of a series of poems attributed to Sappho. It mentions two of her brothers, Charaxos and Larichos; the only known mention of their names in Sappho's writings, though they are known from other sources. These references, and aspects of the language and style, have been used to establish her authorship.
The Tithonus poem, also known as the old age poem or the New Sappho, is a poem by the archaic Greek poet Sappho. It is part of fragment 58 in Eva-Maria Voigt's edition of Sappho. The poem is from Book IV of the Alexandrian edition of Sappho's poetry. It was first published in 1922, after a fragment of papyrus on which it was partially preserved was discovered at Oxyrhynchus in Egypt; further papyrus fragments published in 2004 almost completed the poem, drawing international media attention. One of very few substantially complete works by Sappho, it deals with the effects of ageing. There is scholarly debate about where the poem ends, as four lines previously thought to have been part of the poem are not found on the 2004 papyrus.
The Philinna Papyrus is part of a collection of ancient Greek spells written in hexameter verse. Three spells are partially preserved on the papyrus. One is a cure for headache, one probably for a skin condition, and the purpose of the third spell is uncertain. Two fragments of the papyrus survive, in the collections of the Morgan Library & Museum, New York, and the Berlin State Museums.
