In Greek mythology, the Cabeiri or Cabiri /kəˈbaɪriː/ [1] (Ancient Greek : Κάβειροι, Kábeiroi), also transliterated Kabeiri or Kabiri, [2] were a group of enigmatic chthonic deities. They were worshipped in a mystery cult closely associated with that of Hephaestus, centered in the north Aegean Islands of Lemnos and possibly Samothrace—at the Samothrace temple complex—and at Thebes. [3] In their distant origins the Cabeiri and the Samothracian gods may include pre-Greek elements, [4] or other non-Greek elements, such as Thracian, Tyrrhenian, Pelasgian, [5] Phrygian or Hittite. The Lemnian cult was always local to Lemnos, but the Samothracian mystery cult spread rapidly throughout the Greek world during the Hellenistic period, eventually initiating Romans.
The ancient sources disagree about whether the deities of Samothrace were Cabeiri or not; and the accounts of the two cults differ in detail. But the two islands are close to each other, at the northern end of the Aegean, and the cults are at least similar, and neither fits easily into the Olympic pantheon: the Cabeiri were given a mythic genealogy as sons of Hephaestus and Cabeiro. [6] The accounts of the Samothracian gods, whose names were secret, differ in the number and sexes of the gods: usually between two and four, some of either sex. The number of Cabeiri also varies, with some accounts citing four (often a pair of males and a pair of females), and some even more, such as a tribe or whole race of Cabeiri, often presented as all male. [7]
The Cabeiri were also worshipped at other sites in the vicinity, including Seuthopolis in Thrace and various sites in Asia Minor. One of these is posited to be Thessalonica and possibly was the cult of mysteries of which Paul warns against in his letters to the church there. [8] According to Strabo, Cabeiri are most honored in Imbros and Lemnos but also in other cities too. [9]
In the past, the Semitic word kabir ("great") has been compared to Κάβειροι since at least Joseph Justus Scaliger in the sixteenth century, but nothing else seemed to point to a Semitic origin, until the idea of "great" gods expressed by the Semitic root kbr was definitively attested for North Syria in the thirteenth century BCE, in texts from Emar published by D. Arnaud in 1985–87. Friedrich Wilhelm Schelling connected the Greek word to the Hebrew חבר (khaver "friend, associate") and via this to several priest names as one attached to the Persians ("Chaverim"), linking them to the Dioskouri or priestly blacksmiths alternatively. [10] T. J. Wackernagel in 1907 proposed a connection with the Sanskrit God Kubera/Kuvera which means "the ill-shaped one". [11] [12] in 1925 A. H. Sayce had suggested a connection to Hittite habiri ("looters", "outlaws"), but subsequent discoveries have made this implausible on phonological grounds. Dossein compares Κάβειροι to the Sumerian word kabar, "copper." [13] A connection with the Greek word Kaio (Greek : Καίω, lit. 'burn') has also been suggested, considering the nature of the Cabeiri as demons of volcanic fire; [14] [15] this was suggested by Friedrich Gottlieb Welcker and Louis Ferdinand Alfred Maury. [14] Strabo wrote that the Cabeiri were named "after the mountain Kabeiros in Berekynthia". [15] R. S. P. Beekes believes that their name is of non-Indo-European, pre-Greek origin. [16]
The name of the Cabeiri recalls Mount Kabeiros, a mountain in the region of Berekyntia in Asia Minor, closely associated with the Phrygian Mother Goddess. The name of Kadmilus (Καδμῖλος), or Kasmilos, one of the Cabeiri who was usually depicted as a young boy, was linked even in antiquity to Camillus, an old Latin word for a boy-attendant in a cult, likely a loan from the Etruscan language,[ citation needed ] which may be related to Lemnian. [17] However, according to Beekes, the name Kadmilus may be of pre-Greek origin, as seems to be the case with the name Cadmus . [18]
The Cabeiri's origins are unknown. Jacob Wackernagel posited that they were possibly originally Phrygian or Thracian deities and protectors of sailors, who were imported into Greek ritual. [19] [20] According to Encyclopedia Britannica , the deities may have been Pelasgian or Phrygian. [21] It is not known who brought these deities to Greece, but it was probably a group of Greeks, perhaps only a family which settled on the countryside of Thebes. [22]
They were most commonly depicted as two people: an old man, Axiocersus, and his son, Cadmilus. Due to the cult's secrecy, however, their exact nature and relationship with other ancient Greek and Thracian religious figures remained mysterious. As a result, the membership and roles of the Cabeiri changed significantly over time, with common variants including a female pair (Axierus and Axiocersa) and twin youths (frequently confused with Castor and Pollux, who were also worshiped as protectors of sailors). Roman antiquarians identified the Cabeiri with the three Capitoline deities or with the Di Penates. [23]
The Lemnians were originally non-Greek; they were Hellenized after Miltiades conquered the island for Athens in the sixth century BCE. In Lemnos the cult of the Cabeiri survived, according to archaeological evidence, through the conquest: an ancient sanctuary dedicated to the Cabeiri is identifiable by traces of inscriptions, and seems to have survived the process of Hellenization. Walter Burkert records that wine jars are "the only characteristic group of finds" from the Cabeirium of Lemnos and that the Cabeirium was the location for initiation into an ancient mystery cult. [24] However, due to the secret nature of mystery cults in the ancient world little survives to indicate what was involved in these initiation ceremonies; indeed, Hugh Bowden notes that on the basis of our evidence we do not know what happened at Lemnos beyond the fact of initiation, and that "we have no descriptions and nothing on which even to base speculation". [25] However, according to the Encyclopædia Britannica Eleventh Edition, Lemnos held an annual festival of the Cabeiri, lasting nine days, during which all the fires were extinguished and fire brought from Delos. [23]
The geographer Strabo reported (Geogr. 10,3,21) that in Lemnos, the mother (there was no father) of the Cabeiri was Kabeiro (Greek: Καβειρώ) herself, a daughter of Nereus (one of the "old men of the sea") and a goddess whom the Greeks might have called Rhea.
In general Greek myth identifies the Cabeiri as divine craftsmen, sons or grandsons of Hephaestus, who was also chiefly worshipped on Lemnos. Aeschylus wrote a tragedy called The Kabeiroi , which apparently featured the deities as a chorus greeting the Argonauts at Lemnos and the Argonauts' initiation into the cult of the Cabeiri.
The Samothracians were also originally non-Greek, and are associated with the Trojans and the Pelasgians; they used a foreign language in the temple through Julius Caesar's time. [26] Samothrace offered an initiatory mystery, which promised safety and prosperity to seamen. The secret of these mysteries has largely been kept; but we know that of three things about the ritual, the aspirants were asked the worst action they had ever committed.[ clarification needed ]
The mysteries of Samothrace did not publish the names of their gods; and the offerings at the shrine are all inscribed to the gods or to the great gods rather than with their names. But ancient sources [27] tell us that there were two goddesses and a god: Axieros, Axiokersa, and Axiokersos, and their servant Cadmilos or Casmilos. Karl Kerényi conjectured that Axieros was male, and the three gods were the sons of Axiokersa (Cadmilos, the youngest, was also the father of the three); Burkert disagrees. [28]
In Classical Greek culture the mysteries of the Cabeiri at Samothrace remained popular, though little was entrusted to writing beyond a few names and bare genealogical connections. Seamen among the Greeks might invoke the Cabeiri as "great gods" in times of danger and stress. The archaic sanctuary of Samothrace was rebuilt in Greek fashion; by classical times, the Samothrace mysteries of the Cabeiri were known at Athens. Herodotus had been initiated. But at the entrance to the sanctuary, which has been thoroughly excavated, the Roman antiquary Varro learned that there had been twin pillars of brass, phallic hermae, and that in the sanctuary it was understood that the child of the Goddess, Cadmilus, was in some mystic sense also her consort. Varro also describes these twin pillars as Heaven and Earth, denying the vulgar error that they are Castor and Pollux.[ citation needed ]
At Thebes in Boeotia there are more varied finds than on Lemnos; they include many little bronze votive bulls and which carry on into Roman times, when the traveller Pausanias, always alert to the history of cults, learned that it was Demeter Kabeiriia who instigated the initiation cult there in the name of Prometheus and his son Aitnaios. Walter Burkert (1985) writes, "This points to guilds of smiths analogous to the Lemnian Hephaistos." The votive dedications at Thebes are to a Kabeiros (Greek: Κάβειρος) in the singular, and childish toys like votive spinning tops for Pais suggest a manhood initiation. Copious wine was drunk, out of characteristic cups that were ritually smashed. Fat, primitive dwarves (similar to the followers of Silenus) with prominent genitalia were painted on the cups. Thebes is connected to Samothrace in myth, primarily the wedding of Cadmus and Harmonia, which took place there.
In myth, the Cabeiri bear many similarities to other fabulous races, such as the Telchines of Rhodes, the Cyclopes, the Dactyls, the Korybantes, and the Kuretes. These different groups were often confused or identified with one another since many of them, like the Cyclopes and Telchines, were also associated with metallurgy.
Diodorus Siculus said of the Cabeiri that they were Idaioi dactyloi ("Idaian Dactyls"). The Idaian Dactyls were a race of divine beings associated with the Mother Goddess and with Mount Ida, a mountain in Phrygia sacred to the goddess. Hesychius of Alexandria wrote that the Cabeiri were karkinoi ("crabs"). The Cabeiri as Karkinoi were apparently thought of as amphibious beings (again recalling the Telchines). They had pincers instead of hands, which they used as tongs (Greek: karkina) in metalworking.
In ancient Greek religion, Hera is the goddess of marriage, women, and family, and the protector of women during childbirth. In Greek mythology, she is queen of the twelve Olympians and Mount Olympus, sister and wife of Zeus, and daughter of the Titans Cronus and Rhea. One of her defining characteristics in myth is her jealous and vengeful nature in dealing with any who offended her, especially Zeus's numerous adulterous lovers and illegitimate offspring.
Hephaestus is the Greek god of artisans, blacksmiths, carpenters, craftsmen, fire, metallurgy, metalworking, sculpture and volcanoes. Hephaestus's Roman counterpart is Vulcan. In Greek mythology, Hephaestus was either the son of Zeus and Hera or he was Hera's parthenogenous child. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances.
In ancient Greek mythology and religion, Persephone, also called Kore or Cora, is the daughter of Zeus and Demeter. She became the queen of the underworld after her abduction by her uncle Hades, the king of the underworld, who would later also take her into marriage.
Mystery religions, mystery cults, sacred mysteries or simply mysteries, were religious schools of the Greco-Roman world for which participation was reserved to initiates (mystai). The main characteristic of these religious schools was the secrecy associated with the particulars of the initiation and the ritual practice, which may not be revealed to outsiders. The most famous mysteries of Greco-Roman antiquity were the Eleusinian Mysteries, which predated the Greek Dark Ages. The mystery schools flourished in Late Antiquity; Emperor Julian, of the mid-4th century, is believed by some scholars to have been associated with various mystery cults—most notably the mithraists. Due to the secret nature of the schools, and because the mystery religions of Late Antiquity were persecuted by the Christian Roman Empire from the 4th century, the details of these religious practices are derived from descriptions, imagery and cross-cultural studies.
The Eleusinian Mysteries were initiations held every year for the cult of Demeter and Persephone based at the Panhellenic Sanctuary of Eleusis in ancient Greece. They are considered the "most famous of the secret religious rites of ancient Greece". Their basis was a Bronze Age agrarian cult, and there is some evidence that they were derived from the religious practices of the Mycenean period. The Mysteries represented the myth of the abduction of Persephone from her mother Demeter by the king of the underworld Hades, in a cycle with three phases: the descent (loss), the search, and the ascent, with the main theme being the ascent of Persephone and the reunion with her mother. It was a major festival during the Hellenic era, and later spread to Rome. Similar religious rites appear in the agricultural societies of the Near East and in Minoan Crete.
According to Greek mythology, the Korybantes or Corybantes were the armed and crested dancers who worshipped the Phrygian goddess Cybele with drumming and dancing. They are also called the Kurbantes in Phrygia.
Semele, or Thyone in Greek mythology, was the youngest daughter of Cadmus and Harmonia, and the mother of Dionysus by Zeus in one of his many origin myths.
In Greek mythology, Cadmus was the legendary Phoenician founder of Boeotian Thebes. He was, alongside Perseus and Bellerophon, the greatest hero and slayer of monsters before the days of Heracles. Commonly stated to be a prince of Phoenicia, the son of king Agenor and queen Telephassa of Tyre, the brother of Phoenix, Cilix and Europa, Cadmus traced his origins back to Poseidon and Libya.
Cybele is an Anatolian mother goddess; she may have a possible forerunner in the earliest neolithic at Çatalhöyük. She is Phrygia's only known goddess, and was probably its national deity. Greek colonists in Asia Minor adopted and adapted her Phrygian cult and spread it to mainland Greece and to the more distant western Greek colonies around the 6th century BC.
In Greek mythology, Cedalion or Kedalion was a servant of Hephaestus in Lemnos. According to one tradition, he was Hephaestus's tutor, with whom Hera fostered her son on Naxos to teach him smithcraft. Kerenyi compares him to the Cabeiri, to Chiron, and to Prometheus.
Samothrace is a Greek island in the northern Aegean Sea. It is a municipality within the Evros regional unit of Thrace. The island is 17 km (11 mi) long, 178 km2 (69 sq mi) in size and has a population of 2,596. Its main industries are fishing and tourism. Resources on the island include granite and basalt. Samothrace is one of the most rugged Greek islands, with Mt Saos and its highest peak, Fengari, rising to 1,611 m (5,285 ft). The Winged Victory of Samothrace statue, which is now displayed at the Louvre in Paris, originates from the island.
The name Pelasgians was used by Classical Greek writers to refer either to the predecessors of the Greeks, or to all the inhabitants of Greece before the emergence of the Greeks. In general, "Pelasgian" has come to mean more broadly all the indigenous inhabitants of the Aegean Sea region and their cultures, and British historian Peter Green comments on it as "a hold-all term for any ancient, primitive and presumably indigenous people in the Greek world".
Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and mythology, in the form of both popular public religion and cult practices. The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic. The ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer known to us classifies either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of the Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs."
In Greek mythology, the Dactyls or Daktyloi were the archaic mythical race of male beings associated with the Great Mother, whether as Cybele or Rhea. Their numbers vary, but often they were ten spirit-men so like the three Korybantes or the Cabeiri that they were often interchangeable. The Dactyls were both ancient smiths and healing magicians. In some myths, they are in Hephaestus' employ, and they taught metalworking, mathematics, and the alphabet to humans.
The ancient Greeks had numerous water deities. The philosopher Plato once remarked that the Greek people were like frogs sitting around a pond—their many cities hugging close to the Mediterranean coastline from the Hellenic homeland to Asia Minor, Libya, Sicily, and southern Italy. Thus, they venerated a rich variety of water divinities. The range of Greek water deities of the classical era range from primordial powers and an Olympian on the one hand, to heroized mortals, chthonic nymphs, trickster-figures, and monsters on the other.
Tyrsenian, named after the Tyrrhenians is a proposed extinct family of closely related ancient languages put forward by linguist Helmut Rix in 1998, which consists of the Etruscan language of northern, central and south-western Italy, and eastern Corsica (France); the Raetic language of the Alps, named after the Rhaetian people; and the Lemnian language of the Aegean Sea. Camunic in northern Lombardy, between Etruscan and Raetic, may belong to the family as well, but evidence of such is limited. The Tyrsenian languages are generally considered Pre-Indo-European and Paleo-European.
The Samothrace Temple Complex, known as the Sanctuary of the Great Gods, is one of the principal Pan-Hellenic religious sanctuaries, located on the island of Samothrace within the larger Thrace. Built immediately to the west of the ramparts of the city of Samothrace, it was nonetheless independent, as attested to by the dispatch of city ambassadors during festivals.
Despoina or Despoena was the epithet of a goddess worshipped by the Eleusinian Mysteries in Ancient Greece as the daughter of Demeter and Poseidon and the sister of Arion. Surviving sources refer to her exclusively under the title Despoina alongside her mother Demeter, as her real name could not be revealed to anyone except those initiated into her mysteries and was consequently lost with the extinction of the Eleusinian religion. Writing during the second century A.D., Pausanias spoke of Demeter as having two daughters; Kore being born first, before Despoina was born, with Zeus being the father of Kore and Poseidon as the father of Despoina. Pausanias made it clear that Kore is Persephone, although he did not reveal Despoina's proper name.
The mysteries of Isis were religious initiation rites performed in the cult of the Egyptian goddess Isis in the Greco-Roman world. They were modeled on other mystery rites, particularly the Eleusinian mysteries in honor of the Greek goddesses Demeter and Persephone, and originated sometime between the third century BCE and the second century CE. Despite their mainly Hellenistic origins, the mysteries alluded to beliefs from ancient Egyptian religion, in which the worship of Isis arose, and may have incorporated aspects of Egyptian ritual. Although Isis was worshipped across the Greco-Roman world, the mystery rites are only known to have been practiced in a few regions. In areas where they were practiced, they served to strengthen devotees' commitment to the Isis cult, although they were not required to worship her exclusively, and devotees may have risen in the cult's hierarchy by undergoing initiation. The rites may also have been thought to guarantee that the initiate's soul, with the goddess's help, would continue after death into a blissful afterlife.
The Kabeiroi, also known as Cabeiroi and Cabeiri, is an ancient Greek tragedy by Aeschylus which survives in three fragments. It was written between 499 and 456BC, and appears to have featured Jason and the Argonauts arriving on the island of Lemnos and being initiated into the mystery cult of the Kabeiroi. The title refers to the play's chorus, who were local chthonic deities associated with mystery religion and often considered to be sons or grandsons of Hephaistos. Lemnos was the location for a cult of the Kabeiroi from the sixth century BC onwards, and archaeological excavations confirm that initiation rites occurred there. In 2017 the fragments were reimagined by Punchdrunk as a six-hour durational performance which took place on the streets of London for just two audience members at a time.